蓝精灵1/蓝色小精灵 [4K蓝光原盘 自带中字] The Smurfs 2011 2160p BluRaycd HEVC TrueHD 7.1 Atmos-KEBABRULLE 54.85GB

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+ M6 c! v& g3 Y+ \% z/ g◎译　　名　蓝精灵/蓝色小精灵(台)
◎片　　名　The Smurfs
◎年　　代　2011
◎产　　地　美国/比利时
◎类　　别　喜剧/动画/奇幻/家庭
◎语　　言　英语
◎上映日期　2011-07-29(美国)/2011-08-10(中国大陆)
0 p8 {" i1 ?* j( p◎IMDb评分  5.5/10 from 72,746 users
◎IMDb链接  https://www.imdb.com/title/tt0472181/
◎豆瓣评分　7.2/10 from 81,825 users
◎豆瓣链接　https://movie.douban.com/subject/2159331/
◎文件格式　x265 + TrueHD
$ \: a8 Q  [: [  ]- A◎视频尺寸　3840 x 2160
) P, Q2 c. y1 X3 q◎文件大小　1DVD 54.85 GiB
◎片　　长　1:42:44.157 (h:m:s.ms)
◎导　　演　拉加·高斯内尔 Raja Gosnell
◎主　　演　尼尔·帕特里克·哈里斯 Neil Patrick Harris
, h* E/ s: q6 _6 J% M! E/ z! s　　　　　　杰玛·梅斯 Jayma Mays
　　　　　　汉克·阿扎利亚 Hank Azaria
) @+ l0 N1 y! Y& H8 z! ]9 p　　　　　　乔纳森·温特斯 Jonathan Winters
# b$ `4 a2 F/ B% C- c* f" D　　　　　　凯蒂·派瑞 Katy Perry
! x$ d. _" f" l1 @' e　　　　　　艾伦·卡明 Alan Cumming
　　　　　　乔治·洛佩兹 George Lopez
( L: P7 D! m+ E- y　　　　　　保罗·雷宾斯 Paul Reubens
　　　　　　基南·汤普森 Kenan Thompson
6 R. b( u3 S" O' L; z1 P" G7 X0 g　　　　　　B·J·诺瓦克 B.J. Novak
　　　　　　杰夫·福克斯沃西 Jeff Foxworthy
0 z4 W& m4 Q7 y　　　　　　沃尔夫冈·帕克 Wolfgang Puck
8 N/ j& p, N( `" F) e　　　　　　索菲娅·维加拉 Sofía Vergara
. P5 Y7 T/ Q# l: T% H1 T4 u　　　　　　安东·尤金 Anton Yelchin
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　　When the evil wizard Gargamel chases the tiny blue Smurfs out of their village, they tumble from their magical world and into ours -- in fact, smack dab in the middle of Central Park. Just three apples high and stuck in the Big Apple, the Smurfs must find a way to get back to their village before Gargamel tracks them down.

　　在广袤安宁的原始森林中，快乐的蓝精灵们正在准备一年一度的蓝月亮节。而就在这欢喜忙碌的关头，他们的宿敌——邪恶的巫师格格巫（汉克·阿扎瑞亚 Hank Azaria 饰）和他的宠物阿兹猫闯入了蓝精灵的秘密领地。受到惊吓的蓝精灵四散而逃，其中可怜的笨笨（安东·尤金 Anton Yelchin 配音）则盲打误撞跑进了据说曾经死掉99个蓝精灵的瀑布进去。最终，笨笨连同营救他的蓝爸爸、蓝妹妹、聪聪等卷入了神秘的漩涡，来到了美国纽约的中央花园。在这个完全陌生的世界，他们得到化妆品业的帕特里克（尼尔·帕特里克•哈里斯 Neil Patrick Harris 配音）的帮助。为了返回大森林，蓝精灵们想尽各种办法。与此同时，格格巫和阿兹猫也来到纽约……

* v4 V: J/ e8 q8 P4 l' b2 l　　本片根据比利时漫画家沛优（Peyo）及其夫人共同创作的漫画改编，早年曾被美国引进制作成TV版动画。
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◎获奖情况

　　第14届美国青少年选择奖  (2012)
　　最佳动画片(提名)
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Note: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.

: @* S& i; l2 D2 IThe Smurfs' visual excellence is clear from the opening shots and continues through the entire movie. Even without comparing to the 1080p release, just watching the movie, and even considering that the movie was reportedly finished at 2K, it's evident that Sony's 2160p/HDR-enhanced transfer is a stunner, and much like the film's sequel, which was previously released on the UHD format, it's a standout and one of the top reference presentations on the market today.  Colors are bold, gorgeous, intensely saturated, and endlessly varied. Smurf blue certainly dominates, but there's no shortage of additional bright, eye-popping colors on display, none of which are unnaturally tuned or in any way seriously pushed to promote intensity. The film thrives on a fairly neutral, but intense, color palette. Whether natural greens or any number of amazing colors around the city or, particularly, in a toy store in chapter nine, every example of yellow, green, red, orange, purple -- every shade and every variation -- is  amazingly rich and packed with both eye-catching punch and pleasant subtly alike. Details are absolutely spectacular. Smurf attire shows both wear and fabric complexity with dazzling intricacy. Human clothing fabrics -- whether Gargamel's frayed and patched robes or higher end shirts, jackets, or sweaters -- reveal every stitch and seam with definition that puts most any other disc on the market to shame. Image clarity is tremendous. The movie is naturally sharp, and along with the top-end detailing every environment comes to life with a parade of textures that beg to be studied and almost touched. Black levels are strong, whether nighttime skies and exteriors or black attire. Flesh tones appear spot-on.

  Z" ]6 R2 J( ^8 l% F# T( @: TGoing back for some direct A-B comparisons with the Blu-ray confirms the UHD's visual prowess. Colors are notably better saturated. Color depth is improved, where there's more nuance, a little less brightness, but firmer, more reliable accuracy. Improvements in natural greens and even blacks -- Gargamel's robe -- are apparent, but Smurf blue is, obviously, the major beneficiary. More intense and deep but hardly a betrayal of the intended shade and appearance, it's striking in how well Sony walked the line between improving on the color but leaving it fundamentally unchanged at the same time. Detailing is greatly improved, too. That Smurf attire is significantly more complex, with the UHD revealing the finer material lines and the textures that almost give every hat something of a grimy appearance and receiving an almost revelatory increase in detail. The same can be said of every texture around. The UHD is much less glossy and shiny than the Blu-ray. That combination of improved clarity, sharper details, and deep coloring do some amazing things for the presentation.  It's hard to give a release that's not sourced from a 4K master a perfect score, but it's impossible to ignore just how amazing the movie looks on the UHD format. For a "non 4K" 4K presentation, this one is just about the best around.



6 b8 z8 v2 o& E' {1 R& ZThe Smurfs' UHD release upgrades the previous Blu-ray's excellent DTS-HD Master Audio 5.1 lossless soundtrack to a Dolby Atmos presentation. Its only drawback is that music tends to lack real verve, playing a bit more timidly than one might expect, a hair more reserved at reference volume, particularly with everything else going gangbusters. The big improvements in this track come by way of a greater sense of immersion -- even with music -- both around the stage and above it. The overhead channels are engaged with some regularity. At the beginning, a couple of Smurfs fling in an arc over the top end. The effect is dynamic and exciting, maybe a little forceful for effect at the very top, but the sense of movement is excellent and seamless. The track is one that's easy to become lost in; like the visuals are varied and enjoyable and boosted by a new presentation, the film is also a playground of sonic delights that are more pronounced this time around.  Atmospherics are more filling and movement around, not simply above, the stage is much more seamless. Clarity remains a strength; every sound effect, musical note, and piece of dialogue shine. The track has no problems with prioritization, whether in frenzied action scenes where every element plays in perfect balance or considering dialogue that's always well defined and rising above din as needed. The track loses half-a-point for that slightly reserved musical presentation, but make no mistake it's a fantastic example of what Atmos can bring over a standard 5.1 track.
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4 Z) F1 t7 c) c6 N! pIn fact, I have always felt that the landlord of good taste! Ha ha!
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