火车上的女孩 [4K UHD蓝光原盘] The Girl on the Train 2016 2160p BluRaycd HEVC DTS-X 7.1-COASTER 55.83GB

Rachel Watson is a divorcee who takes the train to New York city every day. The train passes by her old house where she used to live with her ex-husband. As she attempts to not focus on her pain, she starts watching a couple a few houses down -- Megan and Scott Hipwell. She creates a wonderful dream life for them in her head, about how they are a perfect happy family. And then one day, as the train passes, she witnesses something that changes everything she thought about the couple. The next day, she wakes up with a horrible hangover, various wounds and bruises, and no memory of the night before. TV reports deliver the shocking news that Megan is missing, and Rachel wonders if she is somehow connected to her disappearance.
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/ _' i( B5 P; s◎译　　名　火车上的女孩/列车上的女孩(台)
◎片　　名　The Girl on the Train
/ Q$ [& q! S) \◎年　　代　2016
◎国　　家　美国
◎类　　别　悬疑/惊悚
. f1 {3 p2 j% D; b6 w◎语　　言　英语
( P, c5 k/ s' I, I0 i2 ~0 F! C" v1 }◎上映日期　2016-10-07(美国)/2016-10-05(英国)
& N2 `" Z) p9 [: F5 O4 j◎IMDb评分  6.6/10 from 40,883 users
; b3 L7 y! o) N◎IMDb链接  https://www.imdb.com/title/tt3631112/
◎豆瓣评分　6.4/10 from 2,982 users
◎豆瓣链接　https://movie.douban.com/subject/26413089/
◎文件格式　x265 + DTS
◎视频尺寸　3840 x 2160
: I$ P/ r0 n, G2 O4 N◎文件大小　1DVD 55.83 GiB
. m( j! n* p- ^7 Z0 w% l◎片　　长　1:52:06.928 (h:m:s.ms)
◎导　　演　泰特·泰勒 Tate Taylor
7 g1 {+ E4 q/ m5 p2 a. h- b4 w5 h/ `8 _◎主　　演　艾米莉·布朗特 Emily Blunt
　　　　　　卢克·伊万斯 Luke Evans
　　　　　　海莉·贝内特 Haley Bennett
' f9 {2 }5 c9 G. Q/ F. l4 c+ B　　　　　　丽贝卡·弗格森 Rebecca Ferguson
2 g7 [- I9 y  [" o4 i: J　　　　　　贾斯汀·塞洛克斯 Justin Theroux
5 h! ~7 _$ H( U+ A- j6 d* ~　　　　　　埃德加·拉米雷兹 Édgar Ramírez
8 O. }. g3 S; _( ^  L　　　　　　艾莉森·珍妮 Allison Janney
　　　　　　丽莎·库卓 Lisa Kudrow
　　　　　　达伦·戈德斯坦 Darren Goldstein
1 ?2 R; A2 @" ?- t* a8 H5 j　　　　　　罗斯·吉比 Ross Gibby
　　　　　　劳拉·普莱潘 Laura Prepon

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　　《列车上的女孩》讲述一个刚刚离婚、整天酗酒的伦敦女人蕾切尔（Rachel），她每天早上坐火车都会经过一对夫妻的房子，那对夫妻看上去十分完美，直到有一天蕾切尔发现妻子不见了，蕾切尔怀疑她被人害了，于是开始沉迷于对此事的调查。

　　The Girl on the Train is the story of Rachel Watson's life post-divorce. Every day she takes the train in to work in New York and every day the train passes by her old house. The house she lived in with her husband who still lives there with his new wife and child. As she attempts to not focus on her pain| she starts watching a couple who live a few houses down -- Megan and Scott Hipwell. She creates a wonderful dream life for them in her head about how they are a perfect happy family. And then one day as the train passes she sees something shocking filling her with rage. The next day she wakes up with a horrible hangover various wounds and bruises and no memory of the night before. She has only a feeling: something bad happened. Then come the TV reports: Megan Hipwell is missing. Rachel becomes invested in the case and trying to find out what happened to Megan where she is and what exactly she herself was up to that same night Megan went missing.
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* u- N  L1 }. w) t　　蕾切尔（艾米莉·布朗特 Emily Blunt 饰）有着严重的酒精依赖症，为此，丈夫汤姆（贾斯汀·塞洛克斯 Justin Theroux 饰）离开了她，和名为安娜（丽贝卡·弗格森 Rebecca Ferguson 饰）结婚，没过多久，两人有了爱情的结晶，这令无法生育的蕾切尔痛彻心扉。

* t/ z" d# a- y( D2 n7 B　　每天，蕾切尔都会搭乘火车进城，车窗外一闪而过的画面中，美丽的女子梅根（海莉·贝内特 Haley Bennett 饰）的身影吸引了蕾切尔的注意。年轻美丽的梅根住在舒适的大宅之中，有着英俊的丈夫斯科特（卢克·伊万斯 Luke Evans 饰），两人恩爱有加，她拥有着蕾切尔渴望但无法拥有的一切。然而某日，蕾切尔震惊的发现梅根竟然在和一名陌生男子偷情，而没过多久，报纸上便刊登出了梅根失踪的新闻。

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- b2 j5 k! |: `0 J　　第23届美国演员工会奖  (2017)
8 X& |+ E* ^" A- h1 m# C　　电影奖 最佳女主角(提名) 艾米莉·布朗特

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1. DISC INFO:
   
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3. Disc Title:     The.Girl.on.the.Train.2016.2160p.BluRayCD.HEVC.DTS-X.7.1-COASTER
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4. Disc Size:      59,948,137,622 bytes
   
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7. Extras:         Ultra HD
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32. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps / Dolby Surround
    
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9 J" E7 q7 r# Q; y8 a* g7 kThe Girl on the Train was photographed on film but reportedly finished at 2K.  This 2160p/HDR-enhanced 4K upscale looks fine, though simply viewing it without performing a direct comparison with the Blu-ray didn't result in any kind of immediately perceptible jump in quality, at least going by recent memory alone. On comparison, though, the UHD appears substantially darker, the UHD's defining quality.  The HDR-enhanced colors result in deep skin tones and the darker filtering gives the movie something of a more sinister underpinning. Would-be brighter colors are certainly significantly less vibrant.  The movie's climax, which takes place outside and in the daylight, looks entirely different with greens held much more in reserve and a splotch of blood against a lighter surface (look at the 1:42:48 mark) much more reduced in punch and vibrancy. Details tend to look a bit more firm on the UHD, though not by any significant margin and usually only really obvious in close-up; the darker contrast doesn't necessarily eat or eliminate fine detail but it's not as noticeable an increase at medium distance as it is in any of the film's up-tight close-ups that showcase pores and other skin details with a firmer, though not substantially so, level of intimate texturing (see Megan's face at the beginning of chapter two). Black levels, however, appear a little less deep, pushing mildly bright where the Blu-ray holds much firmer (1:33:56). Technically, it's fine.  Visually, it can be argued that the Blu-ray looks "better" for its more robust color palette, though the UHD does give what is a tonally dark movie that much more visual support.


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The Girl on the Train features a DTS:X soundtrack, though its overhead engagement, even as mere support pieces, is minimal at best.  Indeed, the track never really differentiates itself from a more basically structured 7.1 mix, favoring the basic 7.1 layout but delivering a couple of very minor, at best, additional bits of overhead bonus into the stage. General qualities are terrific.  Music is fully engaged around the stage, emoting with plenty of clarity, width across the front, and wrap into the rears. The film opens with lightly identifiable train sounds that grow in proximity, volume, placement in the stage, and clarity, until a sudden rush of the familiar rattling sound enters the stage, complete with a positive low end support and fine sense of movement. Atmospherics are nicely engaged throughout as the opportunities arise; a busy restaurant in chapter four, a light fall breeze in chapter nine, and woodland ambience in chapter 18 are all pleasantly rich and realistic in stage saturation and placing the listener in the middle of the locations. Dialogue is the main factor in the movie, however, and it's unsurprisingly clear and precise, playing from the front-center and always properly prioritized over surrounding elements.
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