神奇动物在哪里 [3D蓝光原盘] Fantastic Beasts and Where to Find Them 2016 1080p 3D BluRaycd AVC DTS-HD MA 5.1-FGT 39.52GB

The adventures of writer Newt Scamander in New York's secret community of witches and wizards seventy years before Harry Potter reads his book in school.



) O, G& m" v6 L+ p. r" R( r◎译　　名　神奇动物在哪里/怪兽与它们的产地(港/台)/神奇生物在哪里/神奇的野兽以及在哪里能找到它们/神兽何处寻(豆译)
7 X* H1 i( [3 W. D# [# y  I5 t◎片　　名　Fantastic Beasts and Where to Find Them
& y! q: I6 r$ n* V& @◎年　　代　2016
+ O. J, g) Y7 u8 X! i* z◎国　　家　英国/美国
2 O5 u8 j5 I) q: o◎类　　别　剧情/奇幻/冒险
3 q; d0 v) U7 @% _' z" _◎语　　言　英语
◎上映日期　2016-11-25(中国大陆)/2016-11-18(美国/英国)
◎IMDb评分  7.3/10 from 394,318 users
4 J5 j" P# z7 a◎IMDb链接  https://www.imdb.com/title/tt3183660/
; T0 Q3 Q: O$ P# ^1 \( d$ a2 [& h◎豆瓣评分　7.8/10 from 466,224 users
1 y- w0 n9 l: m; R1 y6 C◎豆瓣链接　https://movie.douban.com/subject/25726614/
◎文件格式　x264 + DTS
' @4 w& Q+ j) N' d) q◎视频尺寸　1920 x 1080
7 V) X& w- p& ^% ]◎文件大小　1DVD 39.52 GiB
+ ?2 T. a5 Z* }+ I9 i2 [4 C, x◎片　　长　2:12:52.422 (h:m:s.ms)
$ @  ^" b5 C" [* e" Y4 _◎导　　演　大卫·叶茨 David Yates
◎编　　剧　J·K·罗琳 J.K. Rowling
! @1 l( u  }8 ~/ ?2 I◎主　　演　埃迪·雷德梅恩 Eddie Redmayne
　　　　　  凯瑟琳·沃特斯顿 Katherine Waterston
　　　　　  丹·福勒 Dan Fogler
! }! }! A( t+ V5 r" O( s　　　　　  艾莉森·萨多尔 Alison Sudol
0 u# c1 B0 |2 x# Y0 O　　　　　  科林·法瑞尔 Colin Farrell
　　　　　  埃兹拉·米勒 Ezra Miller
* I& Z3 A& w' j" H1 ~9 u8 c　　　　　  朗·普尔曼 Ron Perlman
　　　　　  强·沃特 Jon Voight
: l1 x5 h/ \+ d* K　　　　　  萨曼莎·莫顿 Samantha Morton
　　　　　  嘉玛·陈 Gemma Chan
　　　　　  卡门·艾乔戈 Carmen Ejogo
  _, Z) M( e5 N1 R: [" H8 N) F+ e　　　　　  克里斯汀·马扎诺 Christine Marzano
' {1 r% P* j  V9 @+ r$ l* U4 [4 F　　　　　  詹·穆瑞 Jenn Murray
　　　　　  约翰尼·德普 Johnny Depp
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◎简　　介　

5 g. \6 Y% s0 p, f4 s　　故事发生在1926年的纽约，彼时，麻鸡们对魔法师的抵制达到了最高峰，由玛丽露（萨曼莎·莫顿 Samantha Morton 饰）所领导的反魔法组织活动频繁。与此同时，街头巷尾之中时时发生的种种灾难意外让魔法世界的存在离暴露仅有一线之隔，整个魔法部陷入了空前紧张的气氛之中。

　　就在这个节骨眼上，环游世界进行着研究神奇魔法动物之行动的魔法动物学家纽特（埃迪·雷德梅恩 Eddie Redmayne 饰）抵达了纽约，他随身携带的魔法手提箱里，装着几十种他一路营救的魔法动物们，而他的一举一动，均处于隶属于魔法部的前傲罗蒂娜（凯瑟琳·沃特森 Katherine Waterston 饰）的监视之下。一场意外中，麻鸡雅各布（丹·福格勒 Dan Fogler 饰）误拿了纽特的手提箱，并且放出了藏在箱子里的魔法动物，为此，纽特、蒂娜、雅各布和蒂娜的妹妹奎妮（艾莉森·苏朵儿 Alison Sudol 饰）不得不踏上了寻找魔法动物的旅途。

8 E) e) T3 q! a  Q　　Holding a mysterious leather suitcase in his hand Newt Scamander a young activist wizard from England visits New York while he is on his way to Arizona. Inside his expanding suitcase hides a wide array of diverse magical creatures that exist among us ranging from tiny twig-like ones to majestic and humongous ones. It is the middle of the 20s and times are troubled since the already fragile equilibrium of secrecy between the unseen world of wizards and the ordinary or "No-Maj" people that the MACUSA Congress struggles to maintain is at risk of being unsettled. In the meantime the voices against wizardry keep growing with daily protests led by Mary Lou Barebone and fuelled by the increasing disasters ascribed to a dark wizard Gellert Grindelwald. At the same time by a twist of fate Newt's precious suitcase will be switched with the identical one of an aspiring No-Maj baker Jacob Kowalski while demoted Auror Tina Goldstein arrests Newt for being an unregistered wizard. To...
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◎获奖情况　

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) h- Q7 |, H7 f2 w! p, ]　　第22届美国评论家选择电影奖 (2016)
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( M$ {. G% d  |% ^1 F' i　　最佳视觉效果(提名)
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, u2 [) u* t8 G+ E' a+ R　　最佳艺术指导(提名)
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1. DISC INFO:
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3. Disc Title:     Fantastic.Beasts.and.Where.to.Find.Them.2016.1080p.3D.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
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4. Disc Size:      42,430,789,757 bytes
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  E  x% o$ q% uFantastic Beasts was shot by the esteemed French cinematographer, Philippe Rousselot, anewcomer to the Potterverse but an experienced hand at photographing alternate realities, bothantique and mystical. His credits include Guy Ritchie's two Sherlock Holmes films, Neil Jordan'sInterview with the Vampire and Tim Burton's Charlie and the Chocolate Factory. For FantasticBeasts, Rousselot's lighting and the production design establish clear distinctions between themagical world and that of Muggles (or, as they say in America, No-Majs). The palette of 1920sNew York is muted and subdued, with an often dusty texture and just an occasional flash ofbright color, usually associated with wealth (e.g., the red bouquets on the tables of the Shawbanquet). Whenever magic enters the picture, the palette shifts. The Goldstein sisters' apartmentis suffused with a warm glow; Newt's inter-dimensional creature preserve and its inhabitants area rainbow of bright, saturated hues; and the many levels of MACUSA are alternately marked byflashes of color (e.g., the central dial that registers mystical threats) and expanses of brightness(e.g., the punishment chamber from which Newt rescues Tina).
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0 C  o, _) ~1 s2 AThe presentation on Warner's 1080p, MVC-encoded 3D disc is a product of post-conversion, butit is apparent throughout Fantastic Beasts that Rousselot and director David Yates designed thefilm with 3D presentation in mind. The depth effects begin immediately with the openingnewspaper montage providing an introduction to the world of Grindelwald, MACUSA and theSecond Salem movement. The papers don't just flip over; they turn and twist, so that thecamera's perspective often seems to be looking up or down the page from a dizzying height.Similar effects occur whenever an opportunity occurs to look down from overhead, such as whenNewt and Tina first enter MACUSA headquarters and a pullback reveals many descending levelsof the mystical building (see screenshot 2). Frames are routinely composed with one or moreobjects in the foreground (a column, a wall, a doorway), enhancing the perception that theremainder of the frame is set farther back; examples can be found in screenshots 5, 8, 9, 11, 12and 19. Bricks, glass and masonry fly out of the screen toward the viewer when displaced by theObscurus or by Newt's misbehaving creatures. The majestic wings of the Thunderbird sweep withgreater scope in 3D, and massive beasts like the Erumpent and the Occamy gain in perceptiblescale and power.
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The 3D enhancements do come at a small cost. The image remains as sharply detailed andtextured as on the 2D disc, but the conversion has introduced occasional instances of aliasing thatare absent from the standard Blu-ray. They're so minor and fleeting that many viewers may notnotice, especially once they are caught up in the immersive depths of Fantastic Beasts' visualinventions.


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% k& V( ^9 e3 OStanding on its own, the lossless DTS-HD MA 5.1 soundtrack on Fantastic Beasts' 3D discwould leave no room for criticism. The mix offers all the bells and whistles (and also roars,chirps and stampedes) that we have come to expect from a major studio tentpole, with standoutsequences like the Obscurus' rampage, which immerses the listener in falling masonry, shatteringglass and the fearsome spirit's enraged roar. Each of Newt's many varieties of creature has itsown distinctive voice, ranging from high-pitched staccato chatter to a deep, sustained bellow, andthe film's sound design has expertly pitched these animal expressions midway between thefamiliarly organic and the delightfully otherworldly. Acts of magic inspire a symphony of effectsboth obvious and subtle, with every room and corridor of MACUSA headquarters a unique sonicexperience. The dialogue is clear and well-prioritized throughout, and James Newton Howard'sorchestral score is energetically rendered. All in all, it's a great track.
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