神奇动物在哪里 [蓝光原盘] Fantastic Beasts and Where to Find Them 2016 1080p BluRaycd AVC TrueHD 7.1 Atmos-ESiR 46.40GB

The adventures of writer Newt Scamander in New York's secret community of witches and wizards seventy years before Harry Potter reads his book in school.
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8 D5 u2 N: ?. _5 j4 f( b◎译　　名　神奇动物在哪里/怪兽与它们的产地(港/台)/神奇生物在哪里/神奇的野兽以及在哪里能找到它们/神兽何处寻(豆译)
◎片　　名　Fantastic Beasts and Where to Find Them
6 d& r9 v: @" L1 h' w◎年　　代　2016
) Y! _9 R9 o2 G  T1 b+ T, e0 Y* h◎国　　家　英国/美国
/ k% L1 V( ^; w; F◎类　　别　剧情/奇幻/冒险
◎语　　言　英语
& ^3 U. q' h& K0 E: S, ~◎上映日期　2016-11-25(中国大陆)/2016-11-18(美国/英国)
◎IMDb评分  7.3/10 from 394,318 users
5 `; `5 M% y0 l& L7 c5 M◎IMDb链接  https://www.imdb.com/title/tt3183660/
◎豆瓣评分　7.8/10 from 466,224 users
◎豆瓣链接　https://movie.douban.com/subject/25726614/
◎文件格式　x264 + TrueHD
* w8 A3 c% W; d9 l◎视频尺寸　1920 x 1080
! O0 V4 o$ k$ L4 x6 l& s) x3 P2 d◎文件大小　1DVD 46.44 GiB
) e1 j8 a4 ?: k5 q◎片　　长　2:12:52.339 (h:m:s.ms)
◎导　　演　大卫·叶茨 David Yates
4 D2 ]% h$ M7 }◎编　　剧　J·K·罗琳 J.K. Rowling
◎主　　演　埃迪·雷德梅恩 Eddie Redmayne
　　　　　  凯瑟琳·沃特斯顿 Katherine Waterston
　　　　　  丹·福勒 Dan Fogler
　　　　　  艾莉森·萨多尔 Alison Sudol
　　　　　  科林·法瑞尔 Colin Farrell
# {& {) Y5 [  b' H7 h  K　　　　　  埃兹拉·米勒 Ezra Miller
& c% R7 A& L& Y( t　　　　　  朗·普尔曼 Ron Perlman
　　　　　  强·沃特 Jon Voight
　　　　　  萨曼莎·莫顿 Samantha Morton
　　　　　  嘉玛·陈 Gemma Chan
　　　　　  卡门·艾乔戈 Carmen Ejogo
) Q* K# D" a4 o+ o5 v6 v) N　　　　　  克里斯汀·马扎诺 Christine Marzano
9 P, m$ Y% e' p+ Z# d　　　　　  詹·穆瑞 Jenn Murray
" ^( D+ p% @# r5 T　　　　　  约翰尼·德普 Johnny Depp

& |9 v! y" f0 k* O◎简　　介　
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. Z4 W  N  T* h" U& @　　故事发生在1926年的纽约，彼时，麻鸡们对魔法师的抵制达到了最高峰，由玛丽露（萨曼莎·莫顿 Samantha Morton 饰）所领导的反魔法组织活动频繁。与此同时，街头巷尾之中时时发生的种种灾难意外让魔法世界的存在离暴露仅有一线之隔，整个魔法部陷入了空前紧张的气氛之中。
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. v2 h$ S1 T. h+ a- v　　就在这个节骨眼上，环游世界进行着研究神奇魔法动物之行动的魔法动物学家纽特（埃迪·雷德梅恩 Eddie Redmayne 饰）抵达了纽约，他随身携带的魔法手提箱里，装着几十种他一路营救的魔法动物们，而他的一举一动，均处于隶属于魔法部的前傲罗蒂娜（凯瑟琳·沃特森 Katherine Waterston 饰）的监视之下。一场意外中，麻鸡雅各布（丹·福格勒 Dan Fogler 饰）误拿了纽特的手提箱，并且放出了藏在箱子里的魔法动物，为此，纽特、蒂娜、雅各布和蒂娜的妹妹奎妮（艾莉森·苏朵儿 Alison Sudol 饰）不得不踏上了寻找魔法动物的旅途。
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6 {" j: H( c- J% F" A1 M3 D, ~　　Holding a mysterious leather suitcase in his hand Newt Scamander a young activist wizard from England visits New York while he is on his way to Arizona. Inside his expanding suitcase hides a wide array of diverse magical creatures that exist among us ranging from tiny twig-like ones to majestic and humongous ones. It is the middle of the 20s and times are troubled since the already fragile equilibrium of secrecy between the unseen world of wizards and the ordinary or "No-Maj" people that the MACUSA Congress struggles to maintain is at risk of being unsettled. In the meantime the voices against wizardry keep growing with daily protests led by Mary Lou Barebone and fuelled by the increasing disasters ascribed to a dark wizard Gellert Grindelwald. At the same time by a twist of fate Newt's precious suitcase will be switched with the identical one of an aspiring No-Maj baker Jacob Kowalski while demoted Auror Tina Goldstein arrests Newt for being an unregistered wizard. To...

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Fantastic Beasts and Where to Find Them Blu-ray, Video Quality   


Fantastic Beasts was shot by the esteemed French cinematographer, Philippe Rousselot, a newcomer to the Potterverse but an experienced hand at photographing alternate realities, both antique and mystical. His credits include Guy Ritchie's two Sherlock Holmes films, Neil Jordan's Interview with the Vampire and Tim Burton's Charlie and the Chocolate Factory. For Fantastic Beasts, Rousselot's lighting and the production design establish clear distinctions between the magical world and that of Muggles—excuse me, No-Majs. The palette of 1920s New York is muted and subdued, with an often dusty texture and just an occasional flash of bright color, usually associated with wealth (e.g., the red bouquets on the tables of the Shaw banquet). Whenever magic enters the picture, the palette shifts. The Goldstein sisters' apartment is suffused with a warm glow; Newt's inter-dimensional creature preserve and its inhabitants are a rainbow of bright, saturated hues; and the many levels of MACUSA are alternately marked by flashes of color (e.g., the central dial that registers mystical threats) and expanses of brightness (e.g., the punishment chamber from which Newt rescues Tina).

9 o4 G( U1 e, N. J+ ]2 fWarner's 1080p, AVC-encoded Blu-ray faithfully renders the film's many shades, with deep blacks, excellent fine detail and subtle color grading that gives the digitally acquired production a sense of texture effectively creating the requisite antique appearance. Fantastic Beasts was finished on a digital intermediate at 4K (from a 3.4K ARRIRAW source, according to IMDb), which no doubt accounts for the superior sharpness of the downconverted 1080p image. Warner has mastered the 133-minute film with an average bitrate of 22.17 Mbps, using nearly all of the available space on the BD-50 (allowing for extras and multiple soundtracks). The encode is capable, and the image is free of artifacts.

. A& l& l4 T9 h8 `- lFantastic Beasts and Where to Find Them Blu-ray, Audio Quality   
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' Z1 |( g2 J0 j" {As with its recent Blu-ray of Live by Night, Warner has chosen to accompany Fantastic Beasts with two lossless soundtracks, one in Dolby Atmos (with a TrueHD 7.1 "core") and another in DTS-HD MA 5.1. In a curious twist, the disc has been mastered to default to the DTS-HD MA track; viewers with Atmos-capable equipment have to remember to select that option manually.

In an even more curious turn, Warner has omitted the Atmos track from the 3D release of Fantastic Beasts, for no apparent reason. This review is limited to the Atmos track; the DTS-HD MA track will be discussed in the 3D review.

; \; y* `- o2 P4 ^# eFantastic Beasts' Atmos soundtrack offers all the bells and whistles (and also roars, chirps and stampedes) that we have come to expect from a major studio tentpole, with standout sequences like the Obscurus' rampage, which immerses the listener in falling masonry, shattering glass and the fearsome spirit's enraged roar. Each of Newt's many varieties of creature has its own distinctive voice, ranging from high-pitched staccato chatter to a deep, sustained bellow, and the film's sound design has expertly pitched these animal expressions midway between the familiarly organic and the delightfully otherworldly. Acts of magic inspire a symphony of effects both obvious and subtle, with every room and corridor of MACUSA headquarters a unique sonic experience. (The pneumatic tube network running through the Wand Permit offices is especially memorable, as enchanted sheets of paper whoosh through the system in all directions.) The mix fully exploits the ability of Atmos to position and shift discrete effects throughout the surround field with exemplary clarity.
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The dialogue is clear and well-prioritized throughout, but there's often so much happening at once in the sound mix for Fantastic Beasts that it may take several viewings to grasp some of the expository detail with which Rowling has seeded the characters' exchanges. James Newton Howard joins the roster of Potterverse composers with an energetic orchestral scores that shifts smoothly between the film's comic beats (usually at the expense of Dan Fogler's Jacob) and the film's stirring adventure elements. Key themes from John Williams' compositions for the first three Harry Potter films help link Fantastic Beasts to the rest of Rowling's expanding fantasy world.

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