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◎译 名 金钱世界/万恶金钱(港)/世上所有的财富0 v, u7 u; ], ^( j: ?$ ^" y' e" r
◎片 名 All the Money in the World$ U7 \. B5 K2 R; U' Y! j& N
◎年 代 20174 _0 O3 |8 f3 B" o2 L" m
◎产 地 美国 z3 m) T! ~- ~1 b/ ]( Y! f# E. n
◎类 别 剧情/犯罪/悬疑, j5 h) M2 x' D i( I
◎语 言 英语5 y6 i$ n ]+ U3 b
◎上映日期 2017-12-25(美国)/2018-03-02(中国大陆) Z( P7 j% { W' o# n: U
◎IMDb评分 7.0/10 from 20,104 users
- H% Y t" S' G◎IMDb链接 https://www.imdb.com/title/tt5294550/7 k# U x5 p1 v; X" o. t
◎豆瓣评分 7.1/10 from 12,711 users
4 k: t: x/ Z6 I8 D. L◎豆瓣链接 https://movie.douban.com/subject/26995719/
$ B$ t& \( ~' c. S◎文件格式 x264 + DTS % U, x' v+ ~5 m% g: N( |
◎视频尺寸 1920 x 1080
, p7 f: a7 l( d& O4 T, s9 q: R A% x9 W◎文件大小 1DVD 37.80 GiB. P& p3 b) _3 w& Z
◎片 长 2:12:41.954 (h:m:s.ms)
- S( v0 F+ Z! Y! E/ V◎导 演 雷德利·斯科特 Ridley Scott
& d. M6 |9 Q# c0 A◎主 演 米歇尔·威廉姆斯 Michelle Williams
, W- a# D# V, R! G1 v8 A" k% A: o- E 克里斯托弗·普卢默 Christopher Plummer
: h' a8 ]2 u( ^# @ 马克·沃尔伯格 Mark Wahlberg2 T0 a+ T+ E; _7 Z, K; p
查理·普拉默 Charlie Plummer; a3 k5 p' D9 C, n% F; B1 `
罗曼·杜里斯 Romain Duris
0 B3 k, t q: q% W 蒂莫西·赫顿 Timothy Hutton9 C. Q6 {2 M! m6 E
斯塔西·马汀 Stacy Martin+ g3 [) X, l; E
查理·肖特韦尔 Charlie Shotwell! d7 C# v. a0 _9 Q8 P4 e
安德鲁·巴肯 Andrew Buchan! g8 G# }5 h& |7 ^3 X; u! V& N) d, B# j
马克·莱昂纳蒂 Marco Leonardi# C7 n. `. \# F2 B
朱塞佩·博尼法蒂 Giuseppe Bonifati9 Q9 R9 l/ [6 e0 Y( T
尼可拉斯·瓦波里蒂斯 Nicolas Vaporidis1 B/ a2 q. k7 i/ }% B7 u
安德里亚·皮耶迪蒙特·博迪尼 Andrea Piedimonte Bodini
$ w: R L, g* k+ ^( g 古列尔莫·法维拉 Guglielmo Favilla
0 x; F6 A Q; o9 S( u 尼古拉·迪奇欧 Nicola Di Chio
5 a" w* X) o0 _- l6 B 阿黛尔·蒂兰特 Adele Tirante
3 J/ u5 B& L6 `# Z$ ^- F 亚历山德拉·罗卡 Alessandra Roca9 C F' O* q$ a) w8 l; i
弗兰切斯卡·茵奥迪 Francesca Inaudi0 d6 n9 f3 o) B+ j4 Z; B4 M
丹尼尔·高斯林 Daniel Gosling
& W+ w+ l9 n3 z4 G6 M 乔纳森·阿里斯 Jonathan Aris
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3 l* _( e9 `" }- b. W◎简 介
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: y5 c3 x7 |+ I3 q. k4 R 电影《金钱世界》改编自一起曾轰动世界的豪门绑架事件:世界首富保罗·盖蒂(克里斯托弗·普卢默 饰)之孙遭遇黑帮绑架,绑匪向其母盖尔(米歇尔·威廉姆斯 饰)索要1700万美元赎金,已经与丈夫离婚的盖尔无力支付这笔高昂的赎金,只能向盖蒂家族求救,但富可敌国却无比吝啬的老盖蒂却拒绝为孙子(查理·普拉默 饰)支付赎金,拿不到钱的绑匪丧心病狂的割下了人质的耳朵邮寄给盖蒂家族,心碎的盖尔在前CIA特工弗莱彻·蔡斯(马克·沃尔伯格 饰)的协助下,试图撼动这一僵局,解救自己的儿子……( Q2 V- {. M0 T+ H( c' E% K5 ^8 [
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A left-wing paramilitary organization in Italy hatches a massive kidnapping plot in the 1970's.( e: E# a) z3 p
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◎获奖情况- P6 S/ U& r+ J4 ]. q% V
- U [, U5 t1 Q1 b 第90届奥斯卡金像奖 (2018)6 W4 c/ [5 M/ T' w
最佳男配角(提名) 克里斯托弗·普卢默2 A2 z \* M% C: D% _
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第75届金球奖 (2018)2 v; Q; |: K7 W# c! A
电影类 最佳导演(提名) 雷德利·斯科特2 {9 B ^2 Q* P7 T: l1 `4 |% C
电影类 剧情片最佳女主角(提名) 米歇尔·威廉姆斯5 ^. z- b7 b! y/ y
电影类 最佳男配角(提名) 克里斯托弗·普卢默
0 U5 b6 S" _. W" m. ^5 N2 S! y
" U2 Q1 c4 B& M. u9 N {$ [0 ? 第71届英国电影学院奖 (2018)
4 ?2 H& [! F: g5 i4 I) j 电影奖 最佳男配角(提名) 克里斯托弗·普卢默
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- DISC INFO:2 r9 B& Z% E# F) u
4 b' b$ _/ D% q8 |8 E: n- Disc Title: All.the.Money.in.the.World.2017.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT7 s! J* S' c1 k+ l8 @5 h L1 m
- Disc Size: 40,584,822,202 bytes8 A7 ]7 K( W0 ]
- Protection: AACS
, u1 ]8 d8 ?9 x( m+ |; D% m) h - BD-Java: Yes+ {, y& k$ ?) Q( J! i
- BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.8.4)
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- PLAYLIST REPORT:
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$ [0 B" W& v/ _- Name: 00001.MPLS - ^' Y2 W: g- `
- Length: 2:12:41.954 (h:m:s.ms)
- ~0 B! |0 ~. n' x: m; [: u - Size: 35,587,000,320 bytes
* i* D2 H7 z. {* Y3 [1 m; r - Total Bitrate: 35.76 Mbps
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- Video:6 W2 p" k0 E0 T; Z
4 T2 O' _' @$ N) M( @2 M7 Q: R! k- Codec Bitrate Description
9 Q; Z+ I% \) Y0 t6 l - ----- ------- ----------- ' R# [. J$ n7 ^; E; V. T6 u
- MPEG-4 AVC Video 27935 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1 /
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2 `; F0 j: w8 m4 h$ k2 e- AUDIO:; x+ b* \( Q! K& x7 h
2 C5 n, d* v( n7 N& A' K$ c- Codec Language Bitrate Description 0 @4 \7 H8 x$ W+ V( V' D* B, ?
- ----- -------- ------- ----------- 4 X! b3 ?1 l3 M: v! Y6 u
- DTS-HD Master Audio English 2341 kbps 5.1 / 48 kHz / 2341 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)- K6 l2 p6 _0 ]: u
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps9 i V& R& o, l$ j( u
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
9 X" }& r( q$ R& h6 X: U - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps% C. @) s$ o" M/ }$ Q4 ~! M7 p
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps1 Z: e, F0 c* W* g" \/ |# s# X
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
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6 S- v! ^/ `( _! \- R% Z: U- SUBTITLES:
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- Codec Language Bitrate Description + M9 e, H# A& U: u
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" u$ V+ L0 g5 p' a# c - Presentation Graphics English 40.618 kbps
; `. W1 L' a+ x) P9 h - Presentation Graphics English 35.25 kbps " r; t! o% r! L0 f+ O
- Presentation Graphics English 40.61 kbps
6 q# r9 Q7 e, e& r w - Presentation Graphics English 35.287 kbps
+ m9 i+ O ~5 ~, r+ I - Presentation Graphics French 40.866 kbps ( O; X% I$ p7 I; }$ A( E# ~) I4 `
- Presentation Graphics Spanish 34.554 kbps & z1 x: g2 q* ~/ N. ]
- Presentation Graphics French 4.26 kbps
复制代码 All the Money in the World Blu-ray, Video Quality
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All the Money in the World apparently buys a high-yield transfer. The movie opens at night with amazingly rich and detailed black levels, which are a constant throughout the film. Textural qualities are fantastic. Though digitally photographed, there's a satisfyingly crisp, detailed cinematic texturing to essentially everything, whether ornate furnishings in Getty's mansion or more lived-in essential woods and other surfaces in various other locales, homes and offices and various places where Paul is held captive. Skin textures are tight and precise, as are clothing seams and fabric details. Colors are wonderfully saturated. Whether bold clothing hues or dreary prisons and gray-shaded environments, there's an authenticity and crispness to each and every one, even as the movie is somewhat tonally dark. Flesh tones appear true to natural complexions. Even minor source or encode artifacts are of almost no concern. This is a first-rate new release from Sony.# ~8 r3 O6 F; K: @- S
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All the Money in the World Blu-ray, Audio Quality
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- ^: ^, _0 [* n! eAll the Money in the World delivers the typically strong score from a new release film. It's lifelike, fluid, and offers abundantly rich and detailed notes. It boasts good firm delivery, effortless spacing, and a well realized low end support. Sound effects are efficient and perfectly positioned. A train slowly rumbles to a stop early in the film with powerful stage traversal. Outdoor insects buzz around the listener in chapter three. Deep, dense shotgun blasts in chapter four explode with a distinct crack to the sides and rear. Bustling din that accompanies a gaggle of reporters places the listener in the middle of the crowd. Office ambience engulfs the listener in chapter 11. The track is filled with a number of intensely defined, largely spaced, and perfectly proportioned support effects. It's an active, engaging listen that handles every element with striking precision, often presenting larger than its 5.1 channels suggest. Dialogue is, of course, clear and well defined with firm front-center positioning.
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