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◎译 名 赴汤蹈火/非正常械劫案(港)6 I! u& s& d9 G% y
◎片 名 Hell or High Water/Comancheria$ X' p7 O/ _* S& ], T% V
◎年 代 2016
7 d T: h T1 l7 n- f◎国 家 美国* \ W4 ~9 H/ h/ W& S$ m
◎类 别 剧情/犯罪! c9 |4 b& W+ O* v) r2 n: G8 M
◎语 言 英语! N* f6 F, S0 Y- Y
◎上映日期 2016-05-16(戛纳电影节)/2016-08-12(美国)/2016-09-09(英国)
. @3 O2 L2 a. A) D6 m: [◎IMDb评分 8.1/10 from 16,754 users8 @ J3 s# u s# s
◎IMDb链接 https://www.imdb.com/title/tt2582782/% h1 f9 b& w" y$ R6 s! a$ X! V
◎豆瓣评分 7.8/10 from 426 users
& o, J( K8 { E, N0 h( y◎豆瓣链接 https://movie.douban.com/subject/26389148/2 Q: P; v! k: `) m* }1 i; }
◎文件格式 x265 + DTS% C2 J# @) G) m! q* j3 f
◎视频尺寸 3840 x 2160: Y- n! z0 A3 {
◎文件大小 1DVD 74.62 GiB
3 O$ C' C R" j. e0 `; U. Y; P◎片 长 1:42:17.297 (h:m:s.ms)
9 C0 H! ?" F3 l( T# u◎导 演 大卫·马肯兹 David Mackenzie5 l3 T! G# ^% a% ]0 K1 q
◎主 演 克里斯·派恩 Chris Pine% [9 }/ K; e# p' N5 S
本·福斯特 Ben Foster c) P3 x' t( R
杰夫·布里吉斯 Jeff Bridges
; P. S, C3 |! x 凯蒂·米克松 Katy Mixon
$ y8 K0 [# C7 v) g6 W7 l# h 凯文·兰金 Kevin Rankin
6 H" m+ G7 Z, E4 A; M, L+ D 戴尔·迪奇 Dale Dickey
- ]- M2 p7 H; ~6 f* y 吉尔·伯明翰 Gil Birmingham6 I, x$ P2 R: x5 j4 H. R2 x
马琳·爱尔兰 Marin Ireland
Z+ E+ c }/ C0 J 梅勒妮·帕帕拉 Melanie Papalia3 a5 i7 q% o& T5 t" N5 I
迪兰·科宁 Dylan Kenin
' T7 n5 l/ V9 y& |0 o$ p" W* e/ j 巴克·泰勒 Buck Taylor/ a- W- c9 v4 Z! Q
安伯·明迪桑德 Amber Midthunder
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1 r m! v, N+ b/ r◎简 介
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- i, e2 o2 m J2 e# A A divorced dad and his ex-con brother decide to rob branch offices of the bank that's threatening to foreclose on the family ranch. Such a poetic act of justice will put them in the crosshairs of a ranger.
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0 `4 y6 E$ t- B7 |9 ]9 t- P 两兄弟,一个有前科,另一个是离异的父亲。他们为了应对无法赎回家族农场的窘境,决定联手谋划一连串刺激的盗窃活动。而一位经验丰富的警察开始追踪他们制造的一系列银行抢劫案,决定将他们捉拿归案。
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In Texas after the death of his mother the unemployed oil and gas worker Toby Howard is losing his ranch to the Texas Midlands Bank. Toby is divorced from his wife who lives with their two sons. When his brother Tanner Howard is released from the prison| they team up to rob agencies of the Texas Midlands Bank to raise money to pay the loan so that Toby may leave the real estate to his sons. Meanwhile the Texas Ranger Marcus Hamilton who is near retirement and his Indian descendant partner Alberto Parker try to anticipate the next move of the thieves.4 m$ W' n& z Z' u, m+ K9 R% Y
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◎获奖情况- c1 G, j# G: |" N3 B
7 Y( W @; o' r8 R8 v3 U# p8 T 第69届戛纳电影节 (2016)
5 {! F# o% v2 P9 E 一种关注单元 一种关注大奖(提名)! w5 \, A# N- v# k& `& E
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- DISC INFO:
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% z: ^4 E( @% Z0 G7 R+ a- Disc Title: Hell.or.High.Water.2016.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-WhiteRhino
. U$ r! }" X) n4 H - Disc Size: 80,123,678,874 bytes
( R" f2 ?. S3 z& V9 t$ L7 V - Protection: AACS22 K5 l1 h1 C5 m E5 W% A; V+ o) w+ g
- BD-Java: Yes6 \0 ?+ v" |0 \0 R9 R4 q" F1 j
- Extras: Ultra HD
* y/ r- e9 |; G4 j5 R4 ~& g6 { - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.9)
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- PLAYLIST REPORT:
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. s1 i* }1 o/ D0 t& `4 u! ^; A- E- Name: 00800.MPLS
0 V$ `6 e- |- e+ p1 e - Length: 1:42:17.297 (h:m:s.ms): W6 a; ^) L" @* a* n
- Size: 69,695,815,680 bytes
" j1 v: w. Y3 M) x - Total Bitrate: 90.85 Mbps
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- (*) Indicates included stream hidden by this playlist.
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- Codec Bitrate Description
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- MPEG-H HEVC Video 74233 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 / + {1 u7 l, j6 {$ e5 A) }$ z
- * MPEG-H HEVC Video 7724 kbps 1080p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / Dolby Vision / BT.2020 / 9 m& |5 q3 g# ]6 V X
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- DTS-HD Master Audio English 3530 kbps 5.1 / 48 kHz / 3530 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
6 O! {* p3 Y# j' K( d1 p - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
: j) c8 t% d- A2 }# D - Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps / Dolby Surround
( u( k" R5 Q$ c9 q( O; \ R5 S - Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps / Dolby Surround) Q9 T) _- j. ~0 ^$ C+ J( l) M
% W1 H) [: ~. R- SUBTITLES:6 _1 p* e( S) d/ ]5 _; V
2 K8 z+ j6 f) N8 _- Codec Language Bitrate Description ' {) c% `( B; N' N" q
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3 \8 g e6 X9 Z$ [" c! d - Presentation Graphics English 32.651 kbps
+ }: p# u( y& e6 _ z- y4 ~ - Presentation Graphics English 36.884 kbps & J4 c/ s* k! E7 f' }* N) F
- Presentation Graphics Spanish 30.298 kbps
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Hell or High Water is presented on 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.40:1. This is now the second Lionsgate release with Dolby Vision that I've been able to review since upgrading my equipment, and I have to say I'm really enjoying some of the newly burnished tones that are offered as a result of this technology. The buttery tones of many of the sequences involving the brothers have a somewhat more amber appearance now, but are generally more lush looking. A couple of the blue gradings, including the scene that introduces Bridges, have a slightly more green tint now to my eyes. But there are some interesting new intensities added to various discrete pops of color, like the bright green car that pulls into a gas station. As with many other digitally captured films finished at a 2K DI, this 4K UHD presentation offers noticeable if often pretty subtle upticks in detail levels. Some of these are very subtle, but caught my eye nonetheless, as with the patterns on the seat covers in the brothers' car, or, later, the kind of crosshatched looking wallpaper in the restaurant where Bridges' Hamilton does some questioning. There are a couple of odd, somewhat noisy, moments that intrude, including the field burning scene that begins at circa 24:00, where some blocky blacks and grays intrude, and where increased resolution makes it appear that perhaps some digital smoke was added to the proceedings. Another subtle occurrence happens at around 46:00 on the peach colored hotel exterior, and then a fairly noticeable moment occurs at around 1:26:00, with the brothers in a darkened kitchen, where noise is clearly evident on the cabinet doors. All of these are more noticeable now than on the 1080p Blu-ray version, no doubt at least in part to the increased resolution. While transitory and intermittent, these issues may make some feel like this deserves at least a somewhat lesser score on the 4K side of things than I'm giving this release, but I personally didn't find them overly distracting, perhaps because they never last all that long. One other kind of funny if also curious thing caught my eye in this upgrade, namely the repeated use of either real or digitally managed lens flare. For some reason the prevalence of this technique didn't really rise to such noticeable levels when I first watched the film in 1080p, but it's extremely noticeable now.2 S/ H0 z$ s4 ]) W9 L, t. z. z
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Despite being advertised as featuring a Dolby Atmos upgrade, the one potential disappointment for consumers here is that this release contains the same admittedly excellent DTS-HD Master Audio 5.1 track that I assessed in our Hell or High Water Blu-ray review. 4 w/ `8 @9 \, H- j( I) M0 Z3 E
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