信使/亡情使者/天堂信差 [蓝光原盘] The Messenger 2009 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 22.61GB

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5 c9 W2 I1 W. n+ z◎译　　名　信使/亡情使者/天堂信差/代信人
◎片　　名　The Messenger
# U  ?! v8 A# G- u( Y1 P* x) u◎年　　代　2009
- ~8 w* Q4 k& y◎产　　地　美国
◎类　　别　剧情/爱情/战争
) b' p+ Z1 E, ?- V5 R" V& O, ?6 q0 j◎语　　言　英语/西班牙语
◎上映日期　2009-10-30
◎IMDb评分  7.1/10 from 31,731 users
1 P2 ^% J- {# `6 k9 ~. u◎IMDB链接  https://www.imdb.com/title/tt0790712/
' |6 Z5 [- k4 `# L# Z◎豆瓣评分　7.4/10 from 3,989 users
4 N, ], p) q7 b0 Z7 ^( v; [3 a: a◎豆瓣链接　https://movie.douban.com/subject/3011082/
% k8 [9 v7 B! a  x+ Y6 i4 B$ Y* g◎文件格式　x264 + DTS
) n6 z# ~# C/ W5 c◎视频尺寸　1920 x 1080
◎文件大小　1DVD 22.61 GiB
◎片　　长　1:52:34.041 (h:m:s.ms)
◎导　　演　欧伦·穆弗曼 Oren Moverman
◎主　　演　本·福斯特 Ben Foster
9 d! P* P! f9 O* \4 o　　　　　  伍迪·哈里森 Woody Harrelson
( L. S8 d+ J( v3 ^  e* A　　　　　  吉娜·马隆 Jena Malone
  b2 q7 m; g% v3 c　　　　　  萨曼莎·莫顿 Samantha Morton
- |" c' Y4 `" Z　　　　　  伊默恩·沃克 Eamonn Walker
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' m* a4 B  r% O2 _/ |. [: s◎简　　介   
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/ b9 ^5 l0 f; X0 l+ e$ F　　An American soldier struggles with an ethical dilemma when he becomes involved with a widow of a fallen officer.

　　士官威尔·蒙哥马利（本·福斯特 Ben Foster 饰）刚完成在伊拉克的驻守任务负伤回国，尽管出院后与女友凯莉（吉娜·马隆 Jena Malone 饰）度过了愉快的一天，二人终于分手。由于役期未满，威尔被调派到了“伤亡通知”服务中心，在上尉托尼·斯通（伍迪·哈里森 Woody Harrelson 饰）手下任职。在执行伤亡通知任务的过程中，威尔与托尼遇到了各种状况，包括被情绪激动的亲属殴打辱骂。在向奥利维娅·皮特森（萨曼莎·莫顿Samantha Morton 饰）传达她丈夫的死讯时，威尔担心坚强外表下孤儿寡母的奥利维娅无法承受，事后多次照顾帮助她母子，二人逐渐产生好感。但托尼却对威尔处处违反“伤亡通知行为守则”的做法不满，在一次冲突过后，二人终于说出了内心长久压抑着的深切伤痛。

$ C5 D% w, ^+ a$ {! z: T　　本片被提名奥斯卡最佳男配角（伍迪·哈里森）和最佳原创剧本奖，获金球奖最佳男配角提名（伍迪·哈里森），并获柏林电影节和平电影奖、最佳剧本银熊奖，及最佳影片金熊奖提名。
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　　U.S. Army officer Will Montgomery has just returned home from a tour in Iraq and is assigned to the Army's Casualty Notification service. Partnered with fellow officer Tony Stone to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia, to whom he has just delivered the news of her husband's death, Will's emotional detachment begins to dissolve and the film reveals itself as a surprising, humorous, moving and very human portrait of grief, friendship and survival.

◎获奖情况

　　第82届奥斯卡金像奖  (2010)
$ e$ Q1 O. [. O( `5 Z　　最佳男配角(提名) 伍迪·哈里森
　　最佳原创剧本(提名) 亚历山卓·卡蒙 / 欧伦·穆弗曼
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　　第59届柏林国际电影节  (2009)
　　金熊奖 最佳影片(提名) 欧伦·穆弗曼
" e0 Z# v* N4 y: C7 a" y　　银熊奖 最佳剧本 亚历山卓·卡蒙 / 欧伦·穆弗曼

　　第67届金球奖  (2010)
　　电影类 最佳男配角(提名) 伍迪·哈里森
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　　第10届美国电影学会奖  (2009)
　　年度佳片

( w3 V4 a' @8 l. m, L　　第8届华盛顿影评人协会奖  (2009)
' Z$ [( J  x0 _! }3 }　　最佳男配角(提名) 伍迪·哈里森
　　最佳女配角(提名) 萨曼莎·莫顿
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5 u* D; D$ A4 h; S8 Q　　第14届圣地亚哥影评人协会奖  (2009)
: j" E9 ^4 j6 C0 P/ l$ g8 u　　年度劳模 伍迪·哈里森
5 u' E$ ]7 S+ ~6 t+ ~" t　　最佳男主角(提名) 本·福斯特
' c/ R7 t! y8 n* n　　最佳女配角 萨曼莎·莫顿
$ l5 F" q9 I; j2 X　　最佳男配角(提名) 伍迪·哈里森
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　　第22届芝加哥影评人协会奖  (2009)
　　最佳男配角(提名) 伍迪·哈里森
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; [( o# Z3 G9 V　　第18届东南影评人协会奖  (2009)
6 m" J9 ]9 P* q; L　　最佳男配角(提名) 伍迪·哈里森

1. DISC INFO:
   
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3. Disc Title:     The.Messenger.2009.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
   
4. Disc Size:      24,278,047,373 bytes
   
5. Protection:     AACS
   
6. BD-Java:        No
   
7. BDInfo:         0.5.8
   
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9. PLAYLIST REPORT:
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11. Name:                   00000.MPLS
    
12. Length:                 1:52:34.041 (h:m:s.ms)
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13. Size:                   20,694,061,056 bytes
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14. Total Bitrate:          24.51 Mbps
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20. MPEG-4 AVC Video        18003 kbps          1080p / 24 fps / 16:9 / High Profile 4.1
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26. Dolby Digital Audio             English         640 kbps        5.1 / 48 kHz / 640 kbps / DN -4dB
    
27. DTS-HD Master Audio             English         4408 kbps       5.1 / 48 kHz / 4408 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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33. Presentation Graphics           Danish          21.498 kbps                     
    
34. Presentation Graphics           Finnish         20.669 kbps                     
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35. Presentation Graphics           Norwegian       20.711 kbps                     
    
36. Presentation Graphics           Swedish         21.108 kbps

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The Messenger Blu-ray, Video Quality

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Presented in 1080p utilizing the AVC codec (at an average bitrate of 22Mbps), The Messenger contains a variety of subtle textures that accommodate the superb staging of each scene.  One of the first elements that stuck out in the visual presentation is the bleak appearance of the color spectrum, which rarely incorporates vivid hues, yet manages to appear entirely natural within the confines of the film's tone.  Fine object detail remains slightly above average through the extent of the film, revealing adequate facial textures throughout close-up shots, and the subtle nuances in the fabrics that comprise the soldier's uniforms.  Adding an additional layer of depth across the surface of the image, there's a light smattering of film grain that contributes to the gritty feel of the production, and enhances the overall experience.  Unfortunately, there's one element of the production that doesn't hold up quite so well.  In several instances black level depth slides into gray territory, wreaking havoc on contrast differentiation and nearly eliminating shadow detail.  There's a good chance this is a byproduct of poor lighting in the source material, creating a need for artificial brightness boosting, but regardless of the reason it's a weakness worth mentioning.
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In the end, The Messenger provides a decent visual presentation that never approaches demo-worthy quality, but still offers a sufficient upgrade over the DVD version included in the package.
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& D" J, i! n% {. f# O! n! R1 v( V- ^The Messenger Blu-ray, Audio Quality
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% `  T; a  M2 t1 x5 Q, R! r, U4 }. mConsidering this is the first release from Oscilloscope Laboratories, I was slightly surprised to find a decent quality lossless track included on the disc.  Most fledgling studios break into the Blu-ray format with a primary focus on the visual capabilities, but take a little longer to appreciate the potential improvement in the audio portion of the presentation.  Digging into the nuts and bolts of this particular track, we're given a front-heavy experience that's well suited for such a subtle audio mix.  Aside from a handful of scenes, the majority of the runtime remains focused on intimate dialog and a soundtrack consisting of reflective guitar pieces.  This isn't a bad thing (after all, not every film can be an action blockbuster), but it limits the production's ability to create a more immersive experience through spatial separation.  Instead, I'd say the audio portion of the presentation acts solely as a complimentary side-dish to the engrossing plot (which serves the intended purpose), but doesn't extend much additional effort.

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