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◎译 名 母亲!/妈妈!(港)/母亲/母亲啊
$ E. l/ K* E/ w# r. p◎片 名 Mother! / Day 6
/ U; z' V. i/ L7 P" }2 i◎年 代 2017
. \; e2 d2 Y3 j# x" S: i* N◎产 地 美国
" n7 F; Z/ F1 }0 P- S% D1 m: `◎类 别 剧情/悬疑/惊悚
( P" U8 T2 ^7 P8 s4 @% N7 c◎语 言 英语
2 Y0 b. n3 n6 v! r◎上映日期 2017-09-05(威尼斯电影节)/2017-09-15(美国)
+ p, }8 J8 v9 D8 a◎IMDb评分 6.7/10 from 115,885 users
m2 X- H- c. K4 g) f& \$ g◎IMDb链接 https://www.imdb.com/title/tt5109784/
% ^) H, u( d4 F( e l◎豆瓣评分 6.6/10 from 19,109 users1 Y" V* S) d% D' ~9 o) H5 C$ i
◎豆瓣链接 https://movie.douban.com/subject/26648284/
# T/ `: H- w8 k◎文件格式 x265 + TrueHD7.1 9 b0 v, R2 j, ^: x# {8 Y! y
◎视频尺寸 3840 x 2160, P! ^- v! ^. W# S+ n' U' Y+ F
◎文件大小 1DVD 58.94 GiB X1 @8 R% j, a1 E7 T! I
◎片 长 2:01:12.807 (h:m:s.ms)4 j, Q5 |: x5 _- j9 F; c
◎导 演 达伦·阿伦诺夫斯基 Darren Aronofsky5 ^0 p5 u& O4 y0 h6 m: J. y0 H
◎编 剧 达伦·阿伦诺夫斯基 Darren Aronofsky
: G m2 ]3 |4 v1 C% b7 ^# f◎主 演 詹妮弗·劳伦斯 Jennifer Lawrence
, R: Y: W4 w+ c y4 x/ R+ e 哈维尔·巴登 Javier Bardem
; ? Z3 ~" Q! y. I 艾德·哈里斯 Ed Harris
6 j4 A* i/ {) f" r E! N 米歇尔·菲佛 Michelle Pfeiffer( L1 G; M! s, A. a
布莱恩·格里森 Brian Gleeson7 v1 `+ q$ Z, T6 r2 d
多姆纳尔·格里森 Domhnall Gleeson- ~! _! g+ H; \7 z' k; q; k6 D2 Q
约翰·艾德坡 Jovan Adepo
$ `+ v2 P# E1 y- D. z% L 阿曼达·赵 Amanda Chiu0 Z& a% \/ B: @" }* H4 X
帕特丽夏·萨默塞特 Patricia Summersett
# Y& I& |- H* d p3 R+ v$ \ 埃里克·戴维斯 Eric Davis
* K. M3 i' \ U 拉斐尔·格罗斯-哈维 Raphael Grosz-Harvey
% A" ~3 v; o- f! p' } 埃米丽·汉普希尔 Emily Hampshire! D* ]. v3 @0 |0 m
亚伯拉罕·阿罗诺夫斯基 Abraham Aronofsky* |1 J( P4 r- T# L
路易斯·奥利瓦 Luis Oliva
8 c0 t; @ L& }/ ] 斯蒂芬妮·吴 Stephanie Ng Wan
2 o; ]! f5 f' b 克里斯托弗·加廷 Christopher Gartin; M! ]- D8 e7 J' D* D- w. p
史蒂芬·麦克哈蒂 Stephen McHattie
% t" p/ D; z+ q6 h8 r) U0 _$ A$ G% Z 亚瑟·霍尔顿 Arthur Holden
$ {" {% z) j8 m1 k' j! Y 克里斯汀·韦格 Kristen Wiig" o! u; Y; o+ q7 K
0 |/ L6 E; g D4 {" Y+ `2 N# {5 a: c8 L◎简 介
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Centers on a couple whose relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.
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他是一名作家,却遭遇了职业瓶颈期,一个字都写不出来。她是一名主妇,每天忙于将两人的安乐窝修缮一新。一天,一个男人敲响家门,这个男人是作家的超级粉丝,接着,男人的妻子也登门拜访,这两人在家中随意穿梭肆意的打听着男女主人的隐私,这让她感到十分不快。; j" L' t6 ^5 Y: K' a
9 [/ a) @' K, Y2 t0 ]; g6 P2 ] 尽管她三番五次的想要将这对粗鲁的夫妇请出门外,可他却对两人的拜访展现出了由衷的热情。之后,男人和女人的两个儿子也闯入家中,一场争执最终演变成为了流血事件。崩溃的她此时并不知道,这一流血事件仅仅只是失控和崩坏的开始。+ D, l" ~3 u, h, y% V/ S
; c- I0 w+ ]) w" k6 e8 e+ M L Amidst a wild flat meadow encircled by an Edenic lush forest a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground devotedly restored by the supportive wife. Within this safe environment the once famous middle-aged poet husband is desirous of creating his magnum opus; however he seems unable to break out of the persistent creative rut that haunts him. Then unexpectedly a knock at the door the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination. Little by little much to the perplexed wife's surprise the more chaos he lets in their haven the better for his punctured male ego. In the end will this incremental mess blemish irreparably the couple's inviolable sanctuary?8 G( I& I1 _% V: _6 z& g C- u
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◎获奖情况& R9 s/ C7 a4 T! m1 u+ G
& Z3 g2 A. G* i4 {7 b9 y6 a 第74届威尼斯电影节 (2017)% A, K @$ ^3 @/ |$ e+ U
主竞赛单元 金狮奖 (提名) 达伦·阿伦诺夫斯基
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9 [ G/ ]0 I: `5 n 第38届金酸莓奖 (2018)2 m* S" U. j8 j b1 ?* O1 N
最差女主角(提名) 詹妮弗·劳伦斯
! J! V" N* ]$ \6 @& n 最差男配角(提名) 哈维尔·巴登
8 P: n" n2 {0 [ 最差导演(提名) 达伦·阿伦诺夫斯基
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+ v7 f5 x0 D, ?8 S, ]3 b 第16届美国视觉效果协会奖 (2018)1 h$ h, ^3 [- v; x
最佳电影辅助视觉效果(提名)
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! S4 d+ \, W& I; M/ n+ P' w1 b. o- DISC INFO:
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& @9 N- T: A. Y- E8 y4 V+ P+ K- Disc Title: Mother.2017.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-COASTER
6 a% ]5 s: \7 ^, i5 f3 S - Disc Size: 63,284,002,039 bytes
' |5 f0 ]- |9 |+ V - Protection: AACS2 o0 p5 G) }4 G+ q- a
- BD-Java: Yes4 [, C# w3 g8 O" |3 z- u# l
- Extras: Ultra HD+ h% s( T: _7 J; H% a, O. f
- BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.7)( \+ W0 O* |) B ~. m4 O" k& O
1 w! G; x ~, Y4 w0 y- PLAYLIST REPORT:
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& u. G2 p, d0 L q - Length: 2:01:12.807 (h:m:s.ms)( {) Q) R, h/ T) E; M3 E# \
- Size: 62,191,319,040 bytes! A! N6 x! v, J7 v3 o; [
- Total Bitrate: 68.41 Mbps" G/ {1 x2 i+ M1 M p
4 F: K, n+ @2 c1 x3 {6 \- i* B- (*) Indicates included stream hidden by this playlist.! Q. Z7 K! r9 j' D) _; t7 J
# m5 _5 ^5 g; }* q4 M( D1 r- Video:( z% t1 g- z1 f* u6 S" A, I
" q }8 P* O5 D5 @- Codec Bitrate Description & X6 q. @: n/ F
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- * MPEG-H HEVC Video 5820 kbps 1080p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / Dolby Vision / BT.2020 / $ L+ `, T1 j$ ~/ ~- F1 r
( z0 G1 Q1 C8 u* D6 i& Z- AUDIO:. c, M& u4 B- [ U* ^( ?
. Z4 ]6 X# y3 ?3 z+ z9 E1 S% d- Codec Language Bitrate Description 2 } t6 N8 |4 _! {* Z/ ]
- ----- -------- ------- ----------- 3 T4 D0 i1 V4 D
- Dolby Atmos/TrueHD Audio English 4558 kbps 7.1-Atmos / 48 kHz / 4558 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
+ t' v" e! p1 K" O9 C2 h/ o - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps3 ~3 K' u# y" L( `! W
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
9 k1 C8 p( B! g$ F6 U1 d - Dolby Digital Audio Portuguese 640 kbps 5.1 / 48 kHz / 640 kbps
$ p+ ?$ N$ ]- { - Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
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- SUBTITLES:
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- Codec Language Bitrate Description
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# ~- Y8 y' Z1 V) S4 Q: v; g - Presentation Graphics English 21.937 kbps
- i4 x1 J1 s0 E6 F - Presentation Graphics English 27.223 kbps 8 l5 F5 O- B/ F
- Presentation Graphics French 17.066 kbps
8 K1 Y# z( f" s7 E2 z1 }: G - Presentation Graphics Spanish 20.382 kbps 8 W7 u; u+ C4 f% T+ k
- Presentation Graphics Portuguese 18.084 kbps
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mother! was shot by Aronofsky's frequent collaborator Matthew Libatique on 16mm film, whichhas become the director's preferred medium not only for its texture but also for the freedomallowed by the smaller camera rigs and less frequent reloads. Effects work was done in 35mm,and post-production was completed on a 2K digital intermediate. The 2160p master derived fromthat DI and presented on this HEVC/H.265-encoded UHD reflects the director's stylized vision,in which most of the color has been leached from the image and a haze has been cast over muchof the proceedings, usually greenish but sometimes yellow or brown. HDR grading has notbrightened or intensified the colors—blood is still barely red—but it has refined the textures ofthe image, tightening detail in closeups and using more refined blacks and contrast to create agreater sense of depth in the shadowy recesses of the house where so many strange events playout. Despite the additional resolution and sharpness, the image retains the softness reflecting itsorigination on 16mm film, and "that little patina that stands between reality and cinema" ofwhich Libatique speaks in the extras remains intact and, if anything, more expressive. mother!'streatment on UHD is a tribute to restraint in the melding of new and old technologies, bothrespecting and subtly enhancing the director's distinctive vision.
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The UHD arrives with the same Dolby Atmos soundtrack that has been previously reviewed. 0 ]3 N& p8 s+ a) p
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