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: T3 a& `; \, p◎译 名 冲出宁静号/萤火虫/宁静号& a. ~' p( K Z1 D6 _& K
◎片 名 Serenity. P. g2 q, G6 K- ^3 n" k
◎年 代 2005
$ K8 Y/ G1 o, U( l: u' l! k# W8 I◎产 地 美国
# `) c4 k. L6 S" n& K5 l, x3 _◎类 别 动作/科幻/冒险, O9 c. w& G4 m( \; x' E
◎语 言 英语/汉语普通话
, r$ O K v0 R* j/ J+ c; ^' k# E◎上映日期 2005-09-30(美国) r5 j- L9 E# v, {2 ~+ \
◎IMDb评分 7.9/10 from 260,349 users4 D" ?+ ?: @ r2 w% M! {2 g& k
◎IMDb链接 https://www.imdb.com/title/tt0379786/' L$ S3 w3 C6 @, Z$ \" E4 d; @' ?, r
◎豆瓣评分 7.2/10 from 20,437 users
: n3 p) N1 u& B8 c* s◎豆瓣链接 https://movie.douban.com/subject/1309068/4 m. F. O1 s/ ] F
◎文件格式 x265 + DTS
" |! Q- M a! W7 G◎视频尺寸 3840 x 2160
$ k8 O s$ `0 o0 L2 R◎文件大小 56.82 GiB* v6 O4 s. V# }6 Y5 Z& f
◎片 长 1:58:55.878 (h:m:s.ms)
2 Y( w6 X; R L/ m; |% s◎导 演 乔斯·韦登 Joss Whedon
6 D- n8 F$ |8 S- y* R◎编 剧 乔斯·韦登 Joss Whedon
" z/ G1 d! ^! t) Q' R7 b! U◎主 演 内森·菲利安 Nathan Fillion& j H& j% H9 b! d7 K! a
吉娜·托瑞斯 Gina Torres+ i: _7 N( z$ ?
艾伦·图代克 Alan Tudyk }* ?; M. t7 [" N g
莫蕾娜·巴卡林 Morena Baccarin2 c) {$ W# `( ^# s
亚当·鲍德温 Adam Baldwin
& T2 M1 a. ]$ B3 \ 朱尔·斯泰特 Jewel Staite
( f+ M+ L" X: c% d' s, x 莎莫·格劳 Summer Glau
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, n5 O& z) o! l* C$ w) T◎简 介- }. |5 N9 _" ?/ ]- ^( p! i+ V
v" H4 O' Q( v% O: S8 b In the future a spaceship called Serenity is harboring a passenger with a deadly secret. Six rebels on the run. An assassin in pursuit. When the renegade crew of Serenity agrees to hide a fugitive on their ship they find themselves in an awesome action-packed battle between the relentless military might of a totalitarian regime who will destroy anything - or anyone - to get the girl back and the bloodthirsty creatures who roam the uncharted areas of space. But the greatest danger of all may be on their ship./ g& v1 ~, T D+ D6 ?* e( r
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遥远的未来,人类离开不堪负荷的地球,在新的星系延续了文明,那些星系中心的星球组成联盟,不断尝试将偏远的蛮荒星球纳入势力范围。少女瑞娃在联盟的这一政策下被改造成为感觉敏锐、身手矫健的战斗机器。瑞娃之兄西蒙将其救出,带到了前抵抗组织成员——马尔的运输飞船——“宁静号”上。另一方面,联盟议会为防止瑞娃可能掌握的情报外泄,派出手段毒辣的特使追索不休。马尔一行因瑞娃的战斗模式被联盟唤醒而多次陷入险境,船员们不得不在毫无理性的宇宙掠夺者和联盟的阻击中艰难前往边缘之地——摩兰达,在那里,埋藏着一段联盟不愿示人的罪恶往事……
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' _6 [1 j% ?8 G3 N* a9 C0 o 本片为电视剧集《Firefly》的后续和结局,获2006年土星奖最佳女配角等专业褒奖。6 }0 ^+ ?7 c; D3 {7 @; @
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Captain Malcolm Reynolds, a hardened veteran (on the losing side) of a galactic civil war, who now ekes out a living pulling off small crimes and transport-for-hire aboard his ship, Serenity. He leads a small, eclectic crew who are the closest thing he has left to family--squabbling, insubordinate and undyingly loyal. When Mal takes on two new passengers--a young doctor and his unstable, telepathic sister--he gets much more than he bargained for. The pair are fugitives from the coalition dominating the universe, who will stop at nothing to reclaim the girl. The crew that was once used to skimming the outskirts of the galaxy unnoticed find themselves caught between the unstoppable military force of the Universal Alliance and the horrific, cannibalistic fury of the Reavers, savages who roam the very edge of space. Hunted by vastly different enemies, they begin to discover that the greatest danger to them may be on board Serenity herself.
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The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.! s: U. F- n" g
8 c) r) k8 c7 D7 x: i" d0 v8 ASerenity flies onto Blu-ray with a middling and fairly disappointing 2160p/HDR-enhanced UHD presentation. The picture is certainly watchable, and occasionally soars, particularly in terms of raw increases in detailing along the way, but there's no mistaking the transfer's deficiencies. It's almost certainly been sourced from an older master. The movie was reportedly finished at 2K, not a surprise given its effects-heavy visuals, but it was shot on film. Nevertheless, there's a somewhat digital, processed, artificial, even flat look to it. While raw detailing -- pores and bumps on skin, clothes, sets -- generally offer a satisfying level of complexity, the larger picture reveals a less pleasing, less natural appearance. Grain often appears less than organic, though, again, there are moments -- many, in fact -- where the image enjoys a pleasing filmic texture. Fluctuations rule the day, between stout and pure and flat and pasty. The HDR color palette shines brightest when adding some real, eye-popping punch to a bright blue sky above the first planet in the film. A number of impressive color accents pop in along the way, but the movie is more often inherently dark than it is lively and well-lit, leaving serious color punch and saturation not a highlight component by the film's very nature. A bright daytime sequence in chapter 14 does appear a smidgen blown out. The digital effects stand out as artificial but are fine for what they are; at the 1:12:10 mark, however, some shimmering is visible along ship's edges during an outer space effects shot. Black levels fluctuate across the spectrum, encapsulated in a sequence around the 45-minute mark where they are prone to appearing soupy and dense, too bright or mildly purple, and a little snowy all within a few seconds span. Flesh tones occasionally take on a warmer shading and reveal some pastiness. Serenity was another difficult-to-score release; there are times that an argument for a 3.5 or even a 4.0 could be made, there are times when a 2.5 seemed more appropriate; the end score is probably closer to 3.25. Note that "5" Video score reflects the original Blu-ray.com review of the included 1080p disc. That score was awarded in 2008.
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' u0 _% m; D& z* n- |Is there such a thing as "too intense?" Serenity's DTS:X soundtrack makes a case. It's generally in good working order, with some amazing sonic cues along the way, but its most aggressive action scenes tend to border on overdone. Right off the bat, as the ship descends for the first time, the sonic intensity at reference level is off-the-charts. Full stage saturation and intense, room-rattling bass plop the listener not into the action, but seemingly right inside the ship's thrusters. At the same time, music pushes through with its own might, spilling through every speaker with raw, unadulterated power but enough clarity to please. A space battle in chapter 15 is another example of the track's unflinching eagerness to make itself the loudest home viewing experience one will encounter. Even with all the mayhem, spacial awareness and detail are always key, even when the track is throwing the proverbial sonic kitchen sink at the listener. Small ticks and rattles inside the ship are always evident, and the top end engages in both the action excess and in support of the finer environmental cues that often give the show an added layer of charm. Dialogue is just fine and plays as the most balanced element in the film. This is a very fun and hugely aggressive track; just keep that finger on the volume button.
# |9 D8 {& E' c& o- c6 n. y0 L- DISC INFO:$ U9 ^/ D- G! U( t' a7 a
9 {. M1 `# t! W' `- Disc Title: Serenity.2005.2160p.BluRayCD.HEVC.DTS-X.7.1-WhiteRhino, c K8 q- D, O3 m
- Disc Size: 61,014,701,571 bytes+ y, k, ~2 r; x6 o& _
- Protection: AACS29 y2 `' o3 |/ m. t0 [1 B, w9 k
- BD-Java: Yes
$ V' [; J1 T# X5 O+ q - Extras: Ultra HD$ K8 v t9 Z4 o1 T# i0 z
- BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.7), s# d3 F' o: c7 S( {# d% o
- 9 g1 Y0 j* _8 x+ m2 v
- PLAYLIST REPORT:* S5 P" S/ L% m2 U5 P
1 I! e3 y! R% I5 N. n( Z; u- Name: 00001.MPLS ; q, K2 U, f' u& x
- Length: 1:58:55.878 (h:m:s.ms)
: z' G) X2 @3 I* ^8 m# `" F - Size: 59,840,968,704 bytes
2 k% ~2 j h& @! D6 K - Total Bitrate: 67.09 Mbps
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5 ^; l9 v& R6 o+ o( ~0 W7 {0 L- VIDEO:
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- ----- ------- -----------
0 i0 @" n* H" ^0 ~- k% ~; B - MPEG-H HEVC Video 53961 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 / ( b3 |1 N0 {7 W) R) D7 i
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) }$ i# V( G2 k- Codec Language Bitrate Description ' [8 o' g4 K: I+ N# r
- ----- -------- ------- ----------- 7 q$ [: T6 w9 }& n _
- DTS:X/DTS-HD Master Audio English 5476 kbps 7.1-X / 48 kHz / 5476 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
! o! T2 [. E2 m2 p - DTS Audio French 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit; i9 b9 L+ U3 k, ^8 _
- DTS Audio French 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
6 j5 b" }/ i4 ?! s; x, n* B5 g4 P - DTS Audio Spanish 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
$ Y' E& G" m# N - DTS Audio Japanese 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit' G3 E+ g) p2 U8 k- C" e- H
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
6 r0 r9 S- I E# w+ j - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround& ~+ Q; I; F8 r- @
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- SUBTITLES:# o6 _& v" F% L
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3 L; g: ? y5 g2 }6 A5 h S - Presentation Graphics English 38.031 kbps
; H; C! W1 ]3 _ - Presentation Graphics French 29.379 kbps c5 R8 n; [; q$ D- D9 y2 M# V! R
- Presentation Graphics French 32.99 kbps
* \0 o K) m2 W* y% }* y: { - Presentation Graphics Spanish 31.961 kbps 8 j5 _( G& O6 A; v! P* E$ @
- Presentation Graphics Japanese 20.046 kbps
2 U/ `% |2 P3 W' w5 \4 r. A& j - Presentation Graphics Dutch 26.293 kbps 0 |# m+ Z: }) Y- Z1 |/ k4 H2 O
- Presentation Graphics Danish 32.125 kbps 7 F; l! f" |8 z) I
- Presentation Graphics Finnish 28.072 kbps . I& @! _$ O$ x8 b% P4 k
- Presentation Graphics Norwegian 27.789 kbps ( K: O, `* o7 _$ M4 _; B
- Presentation Graphics Swedish 28.453 kbps . @1 w- e" C! E( }4 j! C. M
- Presentation Graphics Chinese 22.408 kbps
A5 v6 ^" W9 Y* q5 p# U - Presentation Graphics Greek 31.63 kbps 5 m T4 C) K) ^7 T$ F. @! H
- Presentation Graphics French 0.112 kbps - |. X7 {( ^+ v
- Presentation Graphics French 0.156 kbps . M% O$ T2 p. h# `7 q) y4 e3 L3 E, E
- Presentation Graphics Spanish 0.156 kbps 3 o4 P4 U. J1 @. \
- Presentation Graphics Japanese 0.24 kbps 4 c) a S0 z: l& v( E$ D+ G
- Presentation Graphics English 76.577 kbps " t& m* o3 C& } ^2 Y+ u7 s( m
- Presentation Graphics French 65.992 kbps
* m* P p* b( T Z, _ - Presentation Graphics Japanese 41.621 kbps % r) _. Q/ h4 ]" @% Y# }8 }% \ A
- Presentation Graphics English 88.005 kbps
9 S; ^8 ` @; n. c5 X0 c- ] - Presentation Graphics French 61.908 kbps
6 U/ U2 E; \6 X. J' z' [8 C5 X - Presentation Graphics Japanese 40.287 kbps
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