赤焰战场1/红色危机 [4K UHD蓝光原盘] RED 2010 2160p BluRaycd HEVC TrueHD 7.1 Atmos-WhiteRhino 76.15GB

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◎译　　名　赤焰战场/猛火爆(港)/超危险特工(台)/红色危机/夕阳红别动队
◎片　　名　Red
+ R) l8 Y% E$ _◎年　　代　2010
◎产　　地　美国
/ F6 Q8 X" D) |! @( m7 H3 g3 B◎类　　别　喜剧/动作
  ]$ [" p. g' T◎语　　言　英语
2 X- ^* B  u5 b6 o0 b! o9 e◎上映日期　2011-04-01(中国大陆)/2010-10-15(美国)
◎IMDb评分  7.1/10 from 261,027 users
4 G& v$ ~6 P: j% t( Y◎IMDb链接  https://www.imdb.com/title/tt1245526/
' F% T+ I$ r# k/ _% n◎豆瓣评分　7.5/10 from 67,365 users
* c$ j0 D* y" U) S2 ^4 x◎豆瓣链接　https://movie.douban.com/subject/3104794/
1 ^" M$ K+ T/ P: K/ I5 E! `◎文件格式　x265 + TrueHD
# U- ]* w7 ~* o3 t: U$ M, Z7 k◎视频尺寸　3840 x 2160
. R' Z. D# A- V: \: ]. P- R◎文件大小　76.15 GiB
◎片　　长　1:51:09.537 (h:m:s.ms)
0 m9 a+ ~3 M, [6 A◎导　　演　罗伯特·斯文克  Robert Schwentke
◎编　　剧　乔·霍贝尔 Jon Hoeber
　　　　　  埃里希·霍贝尔 Erich Hoeber
! [; {& O# |# r% q4 D: M, ^1 [◎主　　演　布鲁斯·威利斯 Bruce Willis
, c! W5 U+ \# A7 L- c# s5 r9 B2 ~　　　　　　摩根·弗里曼 Morgan Freeman
　　　　　　约翰·马尔科维奇 John Malkovich
　　　　　　海伦·米伦 Helen Mirren
　　　　　　卡尔·厄本 Karl Urban
$ r5 W0 t( t- E. j　　　　　　玛丽·露易斯·帕克 Mary-Louise Parker
' h/ v5 Z: f& J# w/ E9 f: J4 Z( r9 r$ L　　　　　　布莱恩·考克斯 Brian Cox

◎简　　介

9 |6 P6 B  M. g% ^# w5 W- h　　Frank, Joe, Marvin, and Victoria used to be the CIA's top agents - but the secrets they know just made them the Agency's top targets. Now framed for assassination, they must use all of their collective cunning, experience and teamwork to stay one step ahead of their pursuers and stay alive. The team embarks on an impossible, cross-country mission to break into the top-secret CIA headquarters, where they will uncover one of the biggest conspiracies and cover-ups in government history. Old? My a!

　　前特工人员弗兰克·摩西斯（布鲁斯·威利斯 Bruce Willis 饰）早年和同伴们金戈铁马，经历大风大浪，如今早已各自闲赋家中，过着优哉游哉的安逸生活。然而这份退休后的平静突然被打破，在圣诞前夜，一群全副武装的不速之客闯入弗兰克的家中，对其痛下杀手。原来，作为资深探员，弗兰克和他的同伴知道太多关于政府和军方的秘密，他们理所当然成为被抹杀的对象。不甘将命运交诸他人之手，弗兰克找到了乔·麦瑟森、马文·博格斯和维多利娅等当年的好搭档，决心展开一场绝地大反击……
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$ A) d+ D4 k9 J$ d* i　　本片根据华伦·埃利斯（Warren Ellis）和库里·汉默（Cully Hamner）的漫画改编。
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2 Q/ {  }, v' U' i4 l6 `) C　　Frank (Bruce Willis) is retired bored and lonely living off his government pension in a nondescript suburb in an equally nondescript house. The only joy in Frank's life is his calls to the government pension processing center when he gets to talk to his case worker Sarah (Mary-Louis Parker). Sarah is as bored and lonely as Frank and marks her conversations with the unknown Frank and her spy novels as the only things fun in her life. When something in Frank's past forces Frank back into his old line of work and puts an unwitting Sarah in the middle of the intrigue Frank and Sarah begin a journey into Frank's past and the people he used to work with. Like Frank they are all RED ... Retired Extremely Dangerous.
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1. DISC INFO:
   
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3. Disc Title:     RED.2010.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-WhiteRhino
   
4. Disc Size:      81,769,123,812 bytes
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5. Protection:     AACS2
   
6. BD-Java:        Yes
   
7. Extras:         Ultra HD
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8. BDInfo:         0.5.8.7 (compatible layout created by DVDFab 10.0.7.7)
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10. PLAYLIST REPORT:
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12. Name:                   00000.MPLS  
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13. Length:                 1:51:09.537 (h:m:s.ms)
    
14. Size:                   79,233,423,360 bytes
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15. Total Bitrate:          95.04 Mbps
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17. (*) Indicates included stream hidden by this playlist.
    
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21. Codec                   Bitrate             Description     
    
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23. MPEG-H HEVC Video       75045 kbps          2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /
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24. * MPEG-H HEVC Video     7579 kbps           1080p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / Dolby Vision / BT.2020 /
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30. Dolby Atmos/TrueHD Audio        English         5573 kbps       7.1-Atmos / 48 kHz / 5573 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
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31. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps / Dolby Surround
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32. Dolby Digital EX Audio          Spanish         448 kbps        5.1-EX / 48 kHz / 448 kbps
    
33. Dolby Digital Audio             French          640 kbps        5.1 / 48 kHz / 640 kbps
    
34. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps / Dolby Surround
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40. Presentation Graphics           English         25.658 kbps                     
    
41. Presentation Graphics           English         28.8 kbps                       
    
42. Presentation Graphics           Spanish         24.902 kbps

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RED 4K Blu-ray, Video Quality
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: Y  ~7 N( V4 K& b' z- v Note: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.  
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- ?3 R: H  I7 @- Z6 K) ?Red is presented on 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.40:1.  As I mentioned in the introductory paragraph above, all three of the September 5 4K UHD releases coming from Lionsgate were shot on film, and with the additional fact that all three were finished at 2K DIs, one might reasonably expect at least similar looking transfers, at least within the context of whatever visuals each individual film provides.  One of the most interesting things for me watching 4K UHD discs, though, has been grain resolution.  Grain just generally looks different to me in 4K, and I can't say I'm always convinced by how organic it looks.  There's a lot to like about this 4K UHD upgrade of Red (some of which I'll detail in a moment), but from virtually the first moment of this new version, there are unignorable swarms of pretty noisy looking grain, especially in brighter lighting conditions and when there are lighter backgrounds.  The first shot of Bruce Willis rising from his bed is an early example, with an almost insect like assortment of black spots climbing up the wall behind him.  This same sort of thing can be seen later in the sequence in the shopping mall (notably another quite brightly lit scene that features a lot of white or lighter colored walls in the background).  Other moments have a much more organic looking grainfield, perhaps ironically often in scenes that aren't quite as brightly lit.  It's this inconsistency that has led me to downgrade my 4K video score a bit from the two other releases Lionsgate is offering on September 5.
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In terms of detail levels and palette reproduction, things are a good deal more consistent and appealing.  There's a noticeable uptick in fine detail levels especially, with elements like the fur collar Mary Louise Parker wears in a late sequence looking much more palpable than on the 1080p Blu-ray version.  Expected elements like facial pores or (sorry, with this cast) wrinkles are also much better defined, but even textures on things like brick walls are more precise looking in this version.  The palette is kind of unusual looking at times in this 4K UHD version, with a slightly desaturated ambience some of the time that preserves individual pops of color within a generally tamped down frame.  Things look just slightly cooler to my eyes a lot of the time, with things like the blue walls of Willis' home taking on more of a grayish appearance.  Some especially vivid hues, like the gorgeous blue topcoat Morgan Freeman wears in one sequence, really have noticeably richer saturation in the 4K UHD version.  

As I seem to be prone to experiencing, I noticed some slight judder in lateral pans, as in the opening credits sequence that segues between Willis' home environment and Parker's initial work situation.
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: Z& b# _! ]8 _2 I) j' {0 T! ^8 tRED 4K Blu-ray, Audio Quality
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# V. d+ |7 A! `2 V( QMarty gave top marks to Red's Blu-ray DTS-HD Master Audio 5.1 track, and as someone who's owned the Blu-ray myself since it was first release, I agree with his assessment (though in my tendency toward curmudgeonliness, I may have only scored the Blu-ray at 4.5).  One way or the other, the 4K UHD disc's upgrade to Dolby Atmos is one of its most winning features.  While things start off relatively subtly, with the sweet interchanges between Bruce Willis' and Mary Louise Parker's characters, there are even noticeable new placement (often midair) of effects in the (Parker) office environment.  It takes a while for Red to get to its "good bits" (sonically speaking), but once the action elements of the film kick in, no holds are barred and the track becomes a virtual onslaught of surround activity, with great panning effects, thundering LFE and great bursts of energy courtesy of things like car crashes or gunfire.  Even relatively mundane sound effects like Willis pounding a punching bag near the beginning of the film or footsteps on tile resonate with unusual clarity and precision, but when the film's sound design goes for the gusto, the Atmos track offers sterling fidelity, impeccable dynamic range and spot on fidelity.

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