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/ Y5 k7 N' v2 f; g- `/ Z◎译 名 敦刻尔克/敦刻尔克大撤退/敦克尔克大行动(台)/邓寇克大行动(港)
1 E3 h. k- j- k* ~ a0 `◎片 名 Dunkirk& \3 m' r) D2 R+ H( v
◎年 代 20172 S7 f- \1 k$ _( L( w9 R0 X& t
◎产 地 英国/法国/美国/荷兰6 \% w/ W" n% Q- `6 p
◎类 别 剧情/历史/战争
! f& g. [$ Q6 U5 U, q) O% U◎语 言 英语/法语/德语' ]2 M* W/ y" z# @
◎上映日期 2017-07-13(伦敦首映)/2017-07-21(美国)/2017-09-01(中国大陆), c& G0 R8 w6 q0 v g* V
◎IMDb评分 8.0/10 from 402,477 users9 U( F! R ^6 W5 y
◎IMDb链接 https://www.imdb.com/title/tt5013056/
; \, L3 ]3 P4 d, u7 l8 @, I◎豆瓣评分 8.4/10 from 357,653 users* t; J- |" G6 R8 K0 \3 i
◎豆瓣链接 https://movie.douban.com/subject/26607693/
" r/ e, T. W& ?% \. R◎文件格式 x265 + DTS! G; O8 E# U, Y" X# \
◎视频尺寸 3840 x 2160
6 t0 P) Q6 I* G/ M◎文件大小 1DVD 55.96 GiB
: `6 G0 D; N( R; K' \) q◎片 长 1:46:38.225 (h:m:s.ms)
& q; b( D% c/ W7 i) P◎导 演 克里斯托弗·诺兰 Christopher Nolan: V/ R* Y z$ t/ B
◎编 剧 克里斯托弗·诺兰 Christopher Nolan1 u3 V7 J5 T* @
◎主 演 菲恩·怀特海德 Fionn Whitehead( ~- ]! a( |2 y
汤姆·格林-卡尼 Tom Glynn-Carney
7 u# o( C* g! @- ^% R4 E 杰克·劳登 Jack Lowden0 P* [! f) i X+ ~$ M
哈里·斯泰尔斯 Harry Styles
5 }" J2 g/ P Z: s; Z7 E9 b2 U 阿纽林·巴纳德 Aneurin Barnard. i& o$ F9 T0 K
汤姆·哈迪 Tom Hardy
2 ~+ `0 I( }- Z 马克·里朗斯 Mark Rylance1 G3 k& v% W" B3 Q, L% }0 z
巴里·基奥汉 Barry Keoghan
2 `) s3 M) P, G$ F 基里安·墨菲 Cillian Murphy! Y# E0 j0 Y B
詹姆斯·达西 James D'Arcy2 d! ~* n4 B) |/ k. t# b" w8 }, h
肯尼思·布拉纳 Kenneth Branagh
* _9 n+ y( [3 O$ Y: d% k 李·阿姆斯特朗 Lee Armstrong5 H) M P, `0 M4 {2 i0 p O, [ Q
詹姆斯·布鲁尔 James Bloor
C5 a& y+ U2 J" a% T0 W& j 达米安·勃纳尔 Damien Bonnard) {8 s) G0 c; e0 e3 x' p! o7 x s- {
布莱恩·威纳尔 Brian Vernel
% l; a" j8 _$ s) Z% e4 H 哈利·理查森 Harry Richardson
( q( Z7 o- ~: A& R; I6 h7 v 艾略特·提特恩索 Elliott Tittensor4 z' E, g4 F& G6 ^
凯文·格思里 Kevin Guthrie$ [- k5 e. ~5 K6 w- D6 h
巴比·洛克伍德 Bobby Lockwood" w. J, F, C6 s, @# T, a
米歇尔·贝尔 Michel Biel3 H- ?) R1 L: d8 i
比利·豪尔 Billy Howle
' i L9 T; {) k" Q0 x 迈克尔·凯恩 Michael Caine* m# S" x1 ]! @* o7 j1 T
约翰·诺兰 John Nolan
* l6 o8 H6 u& }1 }- M7 b 米兰达·诺兰 Miranda Nolan
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& H# H' s- ?0 Y: o6 [0 }◎简 介
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2 P6 y% E, P, j4 a# {2 ~' N Allied soldiers from Belgium, Britain and France are surrounded by the German army and evacuated during a fierce battle in World War II.7 O5 K0 f1 G1 v& r+ u
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故事改编自著名的二战军事事件“敦刻尔克大撤退”。二战初期,40万英法盟军被敌军围困于敦刻尔克的海滩之上,面对敌军步步逼近的绝境,形势万分危急。英国政府和海军发动大批船员,动员人民起来营救军队。$ ]4 {. I; ]- t9 n/ u
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英国士兵汤米(菲昂·怀特海德 Fionn Whitehead 饰)在逃离海滩的过程中相继结识吉布森与亚历克斯,同时民用船主道森先生(马克·里朗斯 Mark Rylance 饰)与儿子彼得、17岁少年乔治也离开英国,去往敦刻尔克拯救士兵。三人陆续搭救了海军(基里安·墨菲 Cillian Murphy 饰)、飞行员柯林斯及汤米一行人,而战斗机飞行员法瑞尔(汤姆·哈迪 Tom Hardy 饰)则在被敌人双面夹击的艰难情形下顽强战斗。
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& W5 G$ k' Y0 D$ n, I' i" w5 H0 F 影片的故事从陆、海、空三个角度讲述,在德国军队的包围下,每个人不得不为自己的命运背水一战,才有可能活着回家。
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; u- p7 @' G2 Z- O Evacuation of Allied soldiers from the British Empire and France| who were cut off and surrounded by the German army from the beaches and harbor of Dunkirk France between May 26- June 04 1940 during Battle of France in World War II.
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第75届金球奖 (2018)
6 J# d% B) g2 I$ Q) g 电影类 最佳剧情片(提名)9 H( B o* C4 f7 x, F6 p
电影类 最佳导演(提名) 克里斯托弗·诺兰6 m4 q9 J8 m4 |7 V( {
电影类 最佳原创配乐(提名) 汉斯·季默
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第60届美国演员工会奖 (2018). Z5 g" C" `4 d5 n8 `6 w
电影最佳特技群戏(提名) K4 |& z2 { L% l2 {% I0 k
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第22届美国艺术指导工会奖 (2018)* H! u Q. z( p% P
电影奖 最佳历史电影艺术指导(提名)* n" i* W6 M2 b4 z! _, P5 k3 g2 D
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第89届美国国家评论协会奖 (2017)
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第23届美国评论家选择电影奖 (2018)
* W# @: m/ `: N2 {5 H7 h+ ] 最佳影片(提名): O8 L4 L: o6 t6 f
最佳导演(提名) 克里斯托弗·诺兰
B {% |( W6 D' n7 ?. M 最佳群像表演(提名)2 ?# h! D7 v/ k2 |/ O
最佳摄影(提名) 霍伊特·范·霍特玛- G2 V0 n3 D/ E# X) m
最佳剪辑(提名)/ p( N' W4 V! S6 x% A" X0 \! Z% L
最佳美术指导(提名)6 N0 Z/ ~+ S2 W* u, g7 d
最佳配乐(提名)
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# g; C9 R+ Q2 M N 第18届美国电影学会奖 (2017)( @8 j4 b% g% q7 h' T
年度佳片# T$ k, p& P. ?& A
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第22届金卫星奖 (2018)7 b/ ?! S/ p7 s% B5 }
电影部门 最佳影片(提名)
" O- g) P' G7 K9 e4 p 电影部门 最佳导演(提名) 克里斯托弗·诺兰
" ^0 S! } I6 V! i 电影部门 最佳男配角(提名) 马克·里朗斯 A+ Z% A8 j- D: a' J+ b& @
电影部门 最佳原创剧本(提名) 克里斯托弗·诺兰: h2 U' _6 J J s$ l1 }0 Z
电影部门 最佳原创配乐(提名) 汉斯·季默
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) ^. @1 w( `4 d9 n6 @, X 电影部门 最佳视觉效果(提名)
. S4 r/ c! n+ E$ d0 O5 ~ 电影部门 最佳剪辑(提名) 李·史密斯: S4 p/ {4 | P5 x" V9 p, C3 _
电影部门 最佳音效(提名)" L9 i( [! a4 ~& O: f
电影部门 最佳美术指导(提名)
! i& P' y+ f' D4 }, l# T 电影部门 最佳服装设计(提名) 杰弗里·库兰
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* m* @9 b! H) \4 K; P+ z$ D% N0 P; ] 第16届华盛顿影评人协会奖 (2017)
/ A0 C/ Z' A2 V8 Z) a 最佳导演 克里斯托弗·诺兰! `2 L2 d' D+ Q# A! L) D J
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第38届波士顿影评人协会奖 (2017)
3 K- @/ R# P) a: g3 i7 g" ~6 I 最佳摄影 霍伊特·范·霍特玛
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第43届洛杉矶影评人协会奖 (2017)
* t; L6 u4 s5 ?4 n 最佳剪辑 李·史密斯
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第4届豆瓣电影年度榜单 (2017)( p0 _7 v/ g3 l2 [; \0 \ Z7 H
评分最高的外语电影(提名)
* q4 y5 S, O6 o# o+ Q' C 最受关注的院线电影(提名)4 f; n( U6 c" L8 ]' G
9月最受关注电影
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: f5 |3 O# E3 V9 G% m 第3届豆瓣电影年度榜单 (2016)
; N6 d! f" w: j6 X8 K0 S 最值得期待的外语电影(提名)
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Dunkirk 4K Blu-ray, Video Quality( T& Q/ F& [, m" H7 v- |
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Dunkirk was shot by Hoyte Van Hoytema, with whom Christopher Nolan first worked onInterstellar. As noted in the introduction, the movie was shot on film with a combination of IMAX65 and Panavision 65 cameras, yielding a large-format negative, which has been scanned at 4Kfor this 2160p, HEVC/H.265-encoded UHD. Color correction and HDR grading were performedunder Nolan's supervision, and the master went through numerous passes before he wassatisfied with the image., N8 q5 }$ K T8 S8 v) P
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Dunkirk was released to theaters in multiple aspect ratios, including 2.39:1 for standard 35mmprojection, 2.20:1 for 70mm exhibition and both 1.43:1 and 1.90:1 for IMAX venues. For thefilm's Blu-ray and UHD renditions, the director has chosen a shifting aspect ratio in whichscenes filmed in IMAX appear at 1.78:1, while scenes filmed in Panavision 65 are framed at2:20:1. Nolan has previously applied shifting aspect ratios to other films, including Dark KnightTrilogy, and the practice remains controversial. Some viewers find it unacceptably distracting,while others barely notice it. I fall somewhere in the middle, but the shifting aspect ratio hasplayed no part in the disc's video or 4K scores.
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6 f ]: H+ k& ?7 s& o2 ]4 UDunkirk's UHD image is stunningly vivid and refined, with a level of fine detail rarely seen on ahome video display. Wherever one looks, the tiniest minutia are vivid and immediate, whetherit's the fibers and strands in nautical ropes, the rivets of a Spitfire fusillage as it chases andevades German fighters or the understated patterns in the sweater vest worn by young George, ashe tries to do his bit aboard the Moonstone. The large groups of soldiers on the beach remaindistinct and separate even in the longest shots, and the effect of seeing all those individualhelmets when the entire beach has to duck and cover against aerial attack is breathtaking.Dunkirk isn't a particularly colorful film, but the disc's HDR encoding has subtly differentiatedits many shadings of blue and brown to provide a superior rendition of the chilly waters of theChannel, the sands of the beach, the brown bomber jackets of the Spitfire pilots, the worn khakiof the soldiers' uniforms and the civilian wardrobe of the Moonstone's crew. The dark blue ofKenneth Branagh's naval overcoat stands out against the pier on which his commander isstanding, contemplating disaster. Every color and highlight in Dunkirk's frame appears to havebeen carefully tweaked for maximum impact." O. A: l# `+ \: ?7 ~2 P& a9 {- X7 }( y
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Leaving aside my concerns about the film itself, the UHD of Dunkirk immediately leaps to thetop of Warner's growing list of 4K presentations that fully deliver on the promise of the latesthome video format. I don't know whether it will prove to be the 4K "killer app" for which thestudio is hoping, but it certainly belongs in every UHD enthusiast's collection.
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Dunkirk 4K Blu-ray, Audio Quality
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; K* b! q. y7 q& F# f0 ~In addition to the shifting aspect ratio controversy discussed in "Video", Dunkirk's UHD andBlu-ray presentations have also attracted comment for their omission of a Dolby Atmossoundtrack. I have been advised by reliable sources that the decision to present the film'ssoundtrack in lossless DTS-HD MA 5.1 was made by Christopher Nolan and reflects thedirector's choice of how he wants the film to be heard in the home theater. Rather than wade into thisdebate, I will simply report that the soundtrack is exceptionally detailed and powerful. Both thepower and the detail are instantly in evidence as Dunkirk opens on a French village street, withthe sounds of German propaganda leaflets gently swirling down from above and landing on thepavement. These modest effects are suddenly overwhelmed by thunderous rifle and machine gunfire, as the soldiers in the frame hightail it toward a French-manned barricade. Dunkirk's soundtrack offers a continual alternation of quiet and thunderous effects, but the soundtrack is alsocontinuously loud and punishing, because Hans Zimmer's atonal score quickly takes over,weaving its mournful and foreboding strains so thoroughly into the mix, especially at the lowend, that it becomes difficult to distinguish between the effects and the score. The bass extensionof the music is often lower than the roar of armament or the hum of plane engines, subjecting theviewer to a continuous barrage that is presumably meant to induce a state of fear and anxiety,accentuated by the ticking of a disembodied clock. The elaborate sound design of individual setpieces like aerial fights and a particularly inventive sequence inside a beached trawler arerendered with precision. Regardless of any format considerations, this is a reference soundtrackthat will challenge even the most capable systems.' N! Y( A6 D7 R$ e3 p1 Z8 [
- DISC INFO:
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- Disc Title: Dunkirk.2017.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-CYBER
6 G1 X0 W4 ~ B6 z( r) I2 |$ n - Disc Size: 59,810,249,992 bytes- M& }, Y8 e; ~0 ^8 B* g/ g. I. }
- Protection: AACS27 _! |" O# j: l3 H5 j. A- T0 r0 V
- BD-Java: Yes
4 a4 D) d9 y5 Z8 W k! j" r/ `, P - Extras: Ultra HD
# H. l( K i( t. c. ] - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.6)7 Z [: I( g6 B. l1 C$ a( a2 h
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6 U8 c# X# \/ G* b+ X3 T' O - Size: 58,652,129,280 bytes
1 F0 @3 k7 h; L, R - Total Bitrate: 73.34 Mbps3 x0 J6 N- t4 z0 `1 \
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- Dolby Digital Audio English 448 kbps 5.1 / 48 kHz / 448 kbps
$ C F) t% W& m1 y; W - DTS-HD Master Audio French 2412 kbps 5.1 / 48 kHz / 2412 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
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