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2 ~1 O/ L& ?2 [, m Y$ b D◎译 名 敦刻尔克/敦刻尔克大撤退/敦克尔克大行动(台)/邓寇克大行动(港)
! D6 d3 P7 q9 p. T◎片 名 Dunkirk
$ F' z! k, P* x+ l' `◎年 代 2017
. D, i1 ]5 l$ f! W t◎产 地 英国/法国/美国/荷兰( `1 X7 e7 ~# k6 ?. ^
◎类 别 剧情/历史/战争2 P- Q. i- \/ j7 [6 F' u) p
◎语 言 英语/法语/德语2 J+ B( _1 _7 a! o
◎上映日期 2017-09-01(中国大陆)/2017-07-13(伦敦首映)/2017-07-21(美国)
! U. d( R* |0 T◎IMDb评分 8.0/10 from 402,477 users
/ k _ S# G2 C# l6 Z3 d◎IMDb链接 https://www.imdb.com/title/tt5013056/
F6 V) {; c8 v2 l1 [8 c◎豆瓣评分 8.4/10 from 357,653 users
& _$ c6 i# [/ x◎豆瓣链接 https://movie.douban.com/subject/26607693/5 s' t$ O' y# L. ?
◎文件格式 x265 + DTS
- ]" Y$ a- f# {' ^2 N1 x# V; v; a◎视频尺寸 1920 x 1080$ [( {7 F: D0 M0 I
◎文件大小 1DVD 30.00 GiB- |5 W( n- w/ F/ }6 w7 l- H, a
◎片 长 1:46:38.266 (h:m:s.ms); f5 m6 X+ o1 r: N
◎导 演 克里斯托弗·诺兰 Christopher Nolan: \. b5 p' N3 ?: B% W# l
◎编 剧 克里斯托弗·诺兰 Christopher Nolan
$ r$ g; P( U; f+ B◎主 演 菲恩·怀特海德 Fionn Whitehead+ s4 G7 H! [5 a3 W/ c
汤姆·格林-卡尼 Tom Glynn-Carney6 U5 V9 D3 p! `; N" O
杰克·劳登 Jack Lowden
( k) k# Z% J+ y5 ]$ E# U2 p 哈里·斯泰尔斯 Harry Styles; J/ |2 V7 K2 m: Y8 T# k, ^& H
阿纽林·巴纳德 Aneurin Barnard8 \; v$ h; s" a- `6 a# J
汤姆·哈迪 Tom Hardy/ z$ u( m5 S* Q' i; c7 a( H2 T
马克·里朗斯 Mark Rylance3 L$ E1 e* K, F. ?! z
巴里·基奥汉 Barry Keoghan
" w( d" v4 t+ c- f 基里安·墨菲 Cillian Murphy
. H# L1 S1 ^/ E6 J5 H 詹姆斯·达西 James D'Arcy5 E+ L& q0 Y) f0 k! _8 A# @' F& ^
肯尼思·布拉纳 Kenneth Branagh( T7 k' E# X- \4 {5 X. a7 s
李·阿姆斯特朗 Lee Armstrong
8 D) e7 G8 |# c$ @ K8 ?7 ~ 詹姆斯·布鲁尔 James Bloor5 k- z D2 j. L$ e* f4 ~# v# h
达米安·勃纳尔 Damien Bonnard
/ k4 C4 r5 }) p! ? 布莱恩·威纳尔 Brian Vernel5 [) \ A% s# h5 A) o
哈利·理查森 Harry Richardson
+ y0 }" m8 Y7 U8 { 艾略特·提特恩索 Elliott Tittensor
' k: ` [4 S0 p6 F- T" d 凯文·格思里 Kevin Guthrie
6 O4 H1 [0 h" a0 X( @ 巴比·洛克伍德 Bobby Lockwood7 j3 O( C1 W- F r' C
米歇尔·贝尔 Michel Biel
" U7 w( ]* `1 X% x0 ^. z9 r6 B 比利·豪尔 Billy Howle
! p' a2 j+ L# U 迈克尔·凯恩 Michael Caine1 d9 N' [9 m3 x. F& x/ [9 n
约翰·诺兰 John Nolan5 V1 C2 C4 w& `+ o7 N% s; Z. i
米兰达·诺兰 Miranda Nolan
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◎简 介
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. g& e- z& A+ Z, c Allied soldiers from Belgium, Britain and France are surrounded by the German army and evacuated during a fierce battle in World War II.
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U- ^0 L g3 R. n 故事改编自著名的二战军事事件“敦刻尔克大撤退”。二战初期,40万英法盟军被敌军围困于敦刻尔克的海滩之上,面对敌军步步逼近的绝境,形势万分危急。英国政府和海军发动大批船员,动员人民起来营救军队。
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英国士兵汤米(菲昂·怀特海德 Fionn Whitehead 饰)在逃离海滩的过程中相继结识吉布森与亚历克斯,同时民用船主道森先生(马克·里朗斯 Mark Rylance 饰)与儿子彼得、17岁少年乔治也离开英国,去往敦刻尔克拯救士兵。三人陆续搭救了海军(基里安·墨菲 Cillian Murphy 饰)、飞行员柯林斯及汤米一行人,而战斗机飞行员法瑞尔(汤姆·哈迪 Tom Hardy 饰)则在被敌人双面夹击的艰难情形下顽强战斗。
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|" p$ x7 B5 ~; Y0 K1 B 影片的故事从陆、海、空三个角度讲述,在德国军队的包围下,每个人不得不为自己的命运背水一战,才有可能活着回家。
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Evacuation of Allied soldiers from the British Empire and France| who were cut off and surrounded by the German army from the beaches and harbor of Dunkirk France between May 26- June 04 1940 during Battle of France in World War II.' ^ E6 T3 Z# Y" W" n( V
4 E+ w' S' V9 R* X: m+ ~◎获奖情况7 |5 o3 P8 ?, N) y: w& s9 I, p6 j
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第75届金球奖 (2018)
6 Q& M/ g0 O* [( q7 ~' T+ O 电影类 最佳剧情片(提名)
/ b" C- d. O; F( m/ d y; w 电影类 最佳导演(提名) 克里斯托弗·诺兰
3 H; O9 H; P* s+ o 电影类 最佳原创配乐(提名) 汉斯·季默0 \& G: o! _: c' X% j% u4 u
/ g; K/ O4 f8 K) J& ?9 p- ` 第60届美国演员工会奖 (2018)
7 x7 |; n- t! a1 J3 a 电影最佳特技群戏(提名)" A" c3 B# n& } d$ e3 y
" @ t6 b7 G; A$ r 第22届美国艺术指导工会奖 (2018), c I; v, V' N* b
电影奖 最佳历史电影艺术指导(提名)
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, S( q& ~/ n, f/ _ 第89届美国国家评论协会奖 (2017): j$ E% q$ A; c: g
年度佳片
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t3 m0 M8 Z$ M: O8 `: M6 C 第23届美国评论家选择电影奖 (2018)
7 |" {) j2 m' Z! Z 最佳影片(提名)
3 ]1 p: \$ F- m6 }0 i4 h! x, P( m8 B: l 最佳导演(提名) 克里斯托弗·诺兰
7 t; C% ^! {1 j 最佳群像表演(提名)3 k7 ^$ F" C3 S. i
最佳摄影(提名) 霍伊特·范·霍特玛
, S& X6 s- a5 E, c4 @ 最佳剪辑(提名)7 h: Z+ q/ i& a
最佳美术指导(提名)
7 U9 z1 X' t6 c: h4 n! F 最佳配乐(提名)
+ [9 A# E& \- l+ s! B 最佳视觉效果(提名)0 _; y3 ^: o2 t: r3 z
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第18届美国电影学会奖 (2017)" P o' Q* E/ k- Q2 C
年度佳片/ H: X2 b1 N" u9 n9 H9 N
5 X9 Y. d: c" r 第22届金卫星奖 (2018)
; Y5 P. Z& c" |& H7 ~+ n( K 电影部门 最佳影片(提名)
" {0 z% @2 o M# Y: D4 G, k 电影部门 最佳导演(提名) 克里斯托弗·诺兰+ L! k7 E& T: i4 g
电影部门 最佳男配角(提名) 马克·里朗斯
- q l$ I r( Q9 F" ~7 t7 ?1 a 电影部门 最佳原创剧本(提名) 克里斯托弗·诺兰& d0 a! l: ^- R' Q: y V3 Z
电影部门 最佳原创配乐(提名) 汉斯·季默
6 `0 I8 j1 P( X9 H2 ~9 M7 K 电影部门 最佳摄影(提名) 霍伊特·范·霍特玛4 y; M1 k) \8 T
电影部门 最佳视觉效果(提名)+ q6 B8 l+ z' f+ ^
电影部门 最佳剪辑(提名) 李·史密斯2 q# Z! Z( _# G
电影部门 最佳音效(提名)8 Y1 q; c' j# X# T/ q# t
电影部门 最佳美术指导(提名)3 e" E5 w3 Q/ f- H. b/ _
电影部门 最佳服装设计(提名) 杰弗里·库兰; G C6 ~( r' y* c( c/ _
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第16届华盛顿影评人协会奖 (2017)) ]' [* x' y" _
最佳导演 克里斯托弗·诺兰
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第38届波士顿影评人协会奖 (2017)
1 m, H: P1 b3 u# _ 最佳摄影 霍伊特·范·霍特玛
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3 W- |; }) c" u* @! i 第43届洛杉矶影评人协会奖 (2017), g8 s, c* S8 ^9 U1 [
最佳剪辑 李·史密斯
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1 a% z3 }& P0 k 第4届豆瓣电影年度榜单 (2017)% b" c1 u. R! g* [: _
评分最高的外语电影(提名)$ U. g n- ?4 x, w' }& u5 v6 U
最受关注的院线电影(提名)
; P# |7 N- t$ ?. W1 h 9月最受关注电影
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第3届豆瓣电影年度榜单 (2016)
! c# w- n6 U3 Y! O3 l6 F, r 最值得期待的外语电影(提名); T) C; o! r( t/ j0 ^1 }
8 ?+ J3 E' H8 O' s# BDunkirk Blu-ray, Video Quality
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/ O+ U1 b- b. TDunkirk was shot by Hoyte Van Hoytema, with whom Christopher Nolan first worked onInterstellar. As noted in the introduction, the movie was shot on film with a combination of IMAX65 and Panavision 65 cameras, yielding a large-format negative, which has been scanned at 4Kfor this 1080p, AVC-encoded Blu-ray. Color correction was performed under Nolan's supervision,and the master went through numerous passes before he was satisfied with the image. AtNolan's express direction, the disc was mastered with a much higher average bitrate than istypical of Warner's major new titles—specifically, 33.26 Mbps, with peaks that reachsubstantially higher. To ensure a generous bitrate, the extensive extras have been placed on aseparate BD-25.' O; I, D# U6 D8 x ]
2 z* D! D) i2 n5 S1 rDunkirk was released to theaters in multiple aspect ratios, including 2.39:1 for standard 35mmprojection, 2.20:1 for 70mm exhibition and both 1.43:1 and 1.90:1 for IMAX venues. For thefilm's Blu-ray and UHD renditions, the director has chosen a shifting aspect ratio in whichscenes filmed in IMAX appear at 1.78:1, while scenes filmed in Panavision 65 are framed at2:20:1. Nolan has previously applied shifting aspect ratios to other films, including the Dark KnightTrilogy, and the practice remains controversial. Some viewers find it unacceptably distracting,while others barely notice it. I fall somewhere in the middle, but the shifting aspect ratio hasplayed no part in the disc's video score.
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" H+ r) s7 b3 C4 r `( ADunkirk arrives on Blu-ray with a superb 1080p image, beautifully detailed and sharply resolved.You can see tiny patterns in the sand on the beaches and shifting textures caused by windblowing the sea foam. The meticulous production and costume design are minutely rendered, asare the scared and weary faces of the soldiers massing on the shore. In the air, the Spitfires andother planes are vividly reproduced, as is, in the sea below, the Moonstone's weathered deck and cozy decor. Scenesof chaotic scrambling to get onto departing ships, and then to get off them when they are crippledby bombs or a torpedo, remain clearly delineated with the action distinctly defined. Dunkirk isn'ta particularly colorful film, but the Blu-ray does a fine job (within the limits of Rec. 709's colorspace) of differentiating the film's many shadings of blue and brown in chilly waters of theChannel, the sands of the beach, the brown bomber jackets of the Spitfire pilots, the worn khakiof the soldiers' uniforms and the civilian wardrobe of the Moonstone's crew. The dark blue ofKenneth Branagh's naval overcoat stands out against the pier on which his commander isstanding, contemplating disaster.
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On its own terms, the Blu-ray of Dunkirk is a superb disc. Its limitations only become evident incomparison to the superior 4K version being released simultaneously. Those limitations do notreflect any fault in the transfer or mastering. They're the unavoidable result of Dunkirk's large-format photography bumping up against Blu-ray's technical limits. The standard Blu-ray ofDunkirk is a fantastic presentation, but it's not the best presentation.
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5 m. n1 Q5 t, S, M- M( Y) vDunkirk Blu-ray, Audio Quality( ?3 E" ^6 R% `' N. J
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& x' F. w/ j& y* X3 u" R* lIn addition to the shifting aspect ratio controversy discussed in "Video", Dunkirk's UHD andBlu-ray presentations have also attracted comment for their omission of a Dolby Atmossoundtrack. I have been advised by reliable sources that the decision to present the film'ssoundtrack in lossless DTS-HD MA 5.1 was made by Christopher Nolan and reflects thedirector's choice of how he wants the film to be heard in the home theater. Rather than wade into thisdebate, I will simply report that the soundtrack is exceptionally detailed and powerful. Both thepower and the detail are instantly in evidence as Dunkirk opens on a French village street, withthe sounds of German propaganda leaflets gently swirling down from above and landing on thepavement. These modest effects are suddenly overwhelmed by thunderous rifle and machine gunfire, as the soldiers in the frame hightail it toward a French-manned barricade. Dunkirk's soundtrack offers a continual alternation of quiet and thunderous effects, but the soundtrack is alsocontinuously loud and punishing, because Hans Zimmer's atonal score quickly takes over,weaving its mournful and foreboding strains so thoroughly into the mix, especially at the lowend, that it becomes difficult to distinguish between the effects and the score. The bass extensionof the music is often lower than the roar of armament or the hum of plane engines, subjecting theviewer to a continuous barrage that is presumably meant to induce a state of fear and anxiety,accentuated by the ticking of a disembodied clock. The elaborate sound design of individual setpieces like aerial fights and a particularly inventive sequence inside a beached trawler arerendered with precision. Regardless of any format considerations, this is a reference soundtrackthat will challenge even the most capable systems.
+ }* o. X. Z) S& q/ b- DISC INFO:
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/ X/ S* N9 A6 f" _" _4 G+ P+ u- Disc Title: Dunkirk.2017.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
5 f1 L2 l; T4 P, D. U- ^% |. e4 B0 O" l - Disc Size: 32,215,000,817 bytes5 x3 E+ Y! y, |
- Protection: AACS" V* O$ }: Y# O: _9 v$ w9 ?* f! d
- BD-Java: No/ ]! l& ~/ ?' C" U4 I
- BDInfo: 0.5.8
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# @& O2 H8 ]' l: N4 Q0 f0 H' w- PLAYLIST REPORT:' ]* W. T: l. k% y" I# ?( G
4 p- j# t# G6 n; D* k- N3 V- Name: 00000.MPLS
2 _: D9 }/ L& k- K - Length: 1:46:38.266 (h:m:s.ms): _$ Y9 o7 F0 K9 V& P% H
- Size: 31,608,023,040 bytes
& F. `% y: h5 L: v+ o# g! m" h4 [: r - Total Bitrate: 39.52 Mbps
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; ^3 Z6 A1 [) A- Codec Bitrate Description & V6 h1 Q9 L3 D# M, ]! J+ z
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- K- k! ~' U8 m+ N# x! g - MPEG-4 AVC Video 33259 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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, v* V) v. K& e, r - DTS-HD Master Audio English 2411 kbps 5.1 / 48 kHz / 2411 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)% \' n0 W1 i x" b
- Dolby Digital Audio English 448 kbps 5.1 / 48 kHz / 448 kbps / DN -4dB2 x& I. v8 t, i. [6 {' T4 k
- Dolby Digital Audio French 448 kbps 5.1 / 48 kHz / 448 kbps / DN -4dB6 K0 @; W3 r3 C) ~8 ^0 |1 I4 X
- Dolby Digital Audio Spanish 448 kbps 5.1 / 48 kHz / 448 kbps / DN -4dB
5 j; ?6 l) p7 L3 j# ~ - Dolby Digital Audio Portuguese 448 kbps 5.1 / 48 kHz / 448 kbps / DN -4dB, p# ~2 Z' V* C! K; A J! x0 y
3 f7 H; Y: j0 U$ g+ h- SUBTITLES:' [& U! B$ n+ a y1 M
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# l3 G7 j+ U4 J - Presentation Graphics English 19.642 kbps
" H( P a& T5 v. y - Presentation Graphics French 11.480 kbps
5 b# \: Q& i( T( C - Presentation Graphics Spanish 14.328 kbps
; `9 w- A \3 t f: z - Presentation Graphics Portuguese 14.170 kbps
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- Presentation Graphics Spanish 0.049 kbps : r3 N' V9 L* X: H) N
- Presentation Graphics Portuguese 0.048 kbps
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