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) p% d' L* x$ ?: i, J◎译 名 时光大盗/时间劫匪/向上帝借时间/时间强盗# f0 V' d4 u# ~& W) e
◎片 名 Time Bandits. [$ z5 {9 y4 W' L4 |5 D" [1 F
◎年 代 1981+ U* g5 }) P5 U. q" _. ~
◎产 地 英国, ?% K4 v( @4 w8 l% P" g
◎类 别 喜剧/科幻/悬疑/惊悚/家庭/奇幻/冒险 U8 C& ?+ E, H5 {% |6 U- ^3 u5 N& B* n
◎语 言 英语
# I. w/ ]+ o6 I6 K9 w◎上映日期 1981-07-134 ~5 D% r6 ^' I) U
◎IMDb评分 7.0/10 from 51,247 users
6 m! `3 j+ E, K6 g/ Z1 G' x◎IMDb链接 https://www.imdb.com/title/tt0081633/6 C2 b+ O+ M0 |, d
◎豆瓣评分 6.8/10 from 1,347 users
$ V: I5 x+ h H1 n, n◎豆瓣链接 https://movie.douban.com/subject/1292948/
, e3 ^0 g2 v- h3 h% k◎文件格式 x264 + DTS
: [2 i* j1 x1 E* J6 n◎视频尺寸 1920 x 10806 H! M) F. _( X' R+ {
◎文件大小 1DVD 31.68 GiB
7 Y C% f8 a4 u7 N+ x# l: f/ t1 S◎片 长 1 h 55 min
7 r" c5 L" ^3 L" a◎导 演 特瑞·吉列姆 Terry Gilliam. s- N J! V- e6 r- s2 x+ b' k
◎编 剧 麦克·帕林 Michael Palin
9 m& Z0 e% L# D# \: R6 c h" F 特瑞·吉列姆 Terry Gilliam) ~+ r* I( d8 R
◎主 演 约翰·克立斯 John Cleese! z6 S" Y5 r6 [7 {8 G
肖恩·康纳利 Sean Connery& h9 }) K* k3 D' k
谢莉·杜瓦尔 Shelley Duvall9 A- C( F$ ~, |5 H' X' l- w$ s
凯瑟琳·海蒙德 Katherine Helmond
1 J3 H P) k3 k5 f: Q- Q1 o 伊安·霍姆 Ian Holm) b( A+ O- @( V1 a4 w9 g$ n
麦克·帕林 Michael Palin; ~3 r( b, I& T0 ~# e& [# f
( y6 \" l m) f* C◎简 介
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A young boy accidentally joins a band of time travelling dwarves as they jump from era to era looking for treasure to steal.
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4 u+ h1 j( h/ h8 O! k2 g( \ 男童凯文的一家和其他普通家庭一样,在忙碌快速的现代生活中周转不停,然而某个夜里,六个由衣柜闯出来的矮人打破了凯文平静的生活,他们自称是上帝的雇工,窃取了上帝的地图可以让他们在不同的时空游走。凯文由此进入了超出想象的奇妙生活。一行人先后降临拿破仑的战场,加入了罗宾汉的队伍,矮人们瞅准任何机会偷窃不停。与此同时,黑暗城堡中的邪恶之神醉心高科技,妄图通过科技的力量取代上帝统治,他施法将凯文与矮人们分开。坠落古希腊的凯文不经意间救得英雄阿伽门农国王(肖恩·康纳利 Sean Connery 饰)的性命,感恩的英雄将凯文立为继承人,这时矮人们却匆匆赶来将凯文一步步带入了邪恶之神的陷阱……' \2 U- n1 ]5 M# H/ ?1 G
! w, R0 F, O' JVideo* B* b! g6 D9 p/ C+ |/ W
ID : 1& P4 I% X- a& N; Q* s# ^
Format : AVC
, L% ?: k( m' D4 l! o- _Format/Info : Advanced Video Codec5 R; N5 n3 P: x g6 h
Format profile : High@L4.1
7 [. _: a; ]$ p. VFormat settings : CABAC / 3 Ref Frames. D" s+ \$ `8 k
Format settings, CABAC : Yes* O( i7 ^' @' F' d1 \) U8 E
Format settings, ReFrames : 3 frames
* } u5 |' _) z. a% h2 z gCodec ID : V_MPEG4/ISO/AVC
1 I& {6 t8 L* ]! u" d: ^5 J" G- A$ DDuration : 1 h 55 min
- x! V |7 l \$ v8 @7 G$ tBit rate mode : Variable4 S+ ^6 c$ r5 b. l& J* N0 m
Bit rate : 35.0 Mb/s2 m8 {" [/ U0 @; x2 x9 M
Maximum bit rate : 38.0 Mb/s
& a' Y$ b6 x) N2 o* S2 s8 \Width : 1 920 pixels
% l0 p9 l$ G# [2 n9 nHeight : 1 080 pixels
+ u% Z& r9 [. ]' y- IDisplay aspect ratio : 16:9+ O5 N2 S/ Y3 c8 O# s0 u
Frame rate mode : Constant9 O, d( R0 v5 }5 _/ @
Frame rate : 23.976 (24000/1001) FPS
" d' Z! [& X8 ]+ n OColor space : YUV
) e4 R; r( u) x! K) FChroma subsampling : 4:2:0
2 q' g; }6 Y5 T2 ]Bit depth : 8 bits' H9 y+ \& k- D2 H0 i# ?
Scan type : Progressive
9 @' e3 G3 P# m3 zBits/(Pixel*Frame) : 0.704
5 i+ P) s, K4 h' ]Stream size : 28.2 GiB (89%)
- H3 `2 r) R* \9 T0 bTitle : Time.Bandits.1981.REMASTERED.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
U6 P% N, a2 b8 ^3 VWriting library : x264 core 128 r2216 198a7ea
% o5 \6 G7 ?0 H" ?Encoding settings : cabac=1 / ref=4 / deblock=0:-1:-1 / analyse=0x3:0x133 / me=umh / subme=10 / psy=1 / psy_rd=1.00:0.15 / mixed_ref=1 / me_range=24 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-3 / threads=12 / lookahead_threads=2 / sliced_threads=0 / slices=4 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=1 / constrained_intra=0 / bframes=3 / b_pyramid=1 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=1 / weightp=1 / keyint=24 / keyint_min=1 / scenecut=40 / intra_refresh=0 / rc_lookahead=24 / rc=2pass / mbtree=1 / bitrate=35000 / ratetol=1.0 / qcomp=0.60 / qpmin=0 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=38000 / vbv_bufsize=30000 / nal_hrd=vbr / ip_ratio=1.40 / aq=1:0.50 / zones=0,1153,b=10.0/39096,60404,b=1.5
( x, z/ b3 c; }, WDefault : Yes, _3 Z& R) @! t& N) }; i- X3 L
Forced : No) O( C9 U$ O/ ? |3 T/ }
Color range : Limited' d! l) Y6 \, G4 J' ?
Color primaries : BT.7094 U0 `/ k+ X6 Z' X
Transfer characteristics : BT.7096 V3 i; [4 m. T3 P% T: V
Matrix coefficients : BT.709
: Q2 i) D8 r2 W9 _0 b" s
9 X5 s/ G8 J3 p3 ~* f, Y* cAudio$ \. e7 j7 X2 X6 p% F# H5 `
ID : 2! \" r8 R4 @! Y9 D$ W4 b' A
Format : DTS* c" X4 T4 @. ]8 H
Format/Info : Digital Theater Systems6 q9 Z$ a* g; o. H: T
Format profile : MA / Core! ^, x0 S# x: A8 p; r d9 x- k
Codec ID : A_DTS
# F: ~' x- O! u( q- V* JDuration : 1 h 55 min, l2 m3 ~/ I0 W3 e$ i% T4 K! ~& Z
Bit rate mode : Variable / Constant7 N) g5 U% X( E% ?; m6 I
Bit rate : 4 269 kb/s / 1 509 kb/s
# e; R0 m B$ I! y2 I6 WChannel(s) : 6 channels4 i. Q5 V1 g2 g* O- U) K
Channel positions : Front: L C R, Side: L R, LFE \4 j. y# i" y: C' D/ N0 a8 d: U
Sampling rate : 48.0 kHz
3 r" ?" w X9 x& T2 @; i( ~Frame rate : 93.750 FPS (512 SPF)
; k5 p2 G1 y* f0 q) f, cBit depth : 24 bits
! m% y; f' N, F/ H& S* i4 aCompression mode : Lossless / Lossy
4 ^- e, w& p5 o5 qStream size : 3.46 GiB (11%)
; J& X4 @( n' X: B* `( H YTitle : Time.Bandits.1981.REMASTERED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
+ e' O' |1 N2 ^, W/ YLanguage : English
+ i1 M B- M1 A% [: e/ j! V& K6 aDefault : Yes8 S3 ~, g% t U9 K( e8 u0 s. l
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; c2 e# P. o* Y. m0 k8 X( t& f. Y& \* ?
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% l4 X6 k9 p6 g4 o! r3 N6 dID : 3& a, O, Y' H. i6 E
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" f/ S9 t2 ^3 T' oCodec ID : S_HDMV/PGS. k! T0 w9 |4 q( Z% b) |( N
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs# C; v- @% T! @- L) K5 |2 D4 ]
Duration : 1 h 54 min+ Z& F; Y9 O. Z$ k, o% ?
Bit rate : 32.0 kb/s
9 ~5 N# g+ N/ b, o# ^Count of elements : 3019
x2 Z5 d$ y) X! i; hStream size : 26.1 MiB (0%)
) o3 r1 S9 ]3 v% _/ D% B6 A1 ZTitle : English-PGS
9 n, h$ a3 v8 S" PLanguage : English9 ?' J8 H: ]3 h
Default : Yes7 [ k( V6 Q. v, _
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' i7 Q& ?. K' F% x; A5 r$ d1 l- p5 X! S
Menu
# C, m4 u8 ?* p& p5 ~00:00:00.000 : en:Opening Credits
6 F; _. `! B1 b/ C5 F00:05:56.773 : en:Bedtime
: ^. c! @- a8 T" U# b5 l00:12:39.926 : en:Nighttime Visitors' j" E. ] m; \* Q3 n3 E
00:27:10.629 : en:Battle of 1796
. k) c* a% c* U; d' F' N00:39:06.010 : en:A Robbery
# s3 A" L) J# h' d/ F00:44:47.476 : en:Napoleon4 I0 D3 V. |2 L. [
00:57:38.497 : en:Some New Generals
5 v6 @) g* X# z6 H6 E01:03:47.323 : en:Sherwood Forest5 o z# ?6 x* Y* p; \6 Y
01:16:14.445 : en:Merry Band of Robbers
$ W' @9 b. V% I1 V/ n01:29:09.344 : en:Mr. Hood
: q3 \3 `+ S- p( B, @01:43:19.443 : en:Understanding
; S+ y% p2 y" Q) i6 t. T01:49:22.723 : en:Bullfight Time Bandits Blu-ray, Video Quality
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5 Q' V5 r* s; NDisappointingly, Time Bandits makes its U.S. debut on Blu-ray with an interlaced 1080i/AVC-encoded transfer that looks as though it may have been recycled from some HDTV broadcast master. (Although I can't say for sure.) If you have a large screen and/or you look closely, you'll definitely notice frequent macroblocking in the backgrounds and you'll spot a good deal of compression noise and other artifacts throughout. The print also features a moderate amount of flecks and scratches. Despite these problems, though, Time Bandits looks okay, and may even be the most subjectively eye-pleasing of the four HandMade titles that Image is releasing on the 24th, if only because the film had a bigger budget than Mona Lisa, The Long Good Friday, or Withnail and I. The transfer is persistently soft, but there's a clear upgrade from prior DVD editions and fine detail borders on better than merely acceptable at times. Color too sees an improvement, with a more balanced look overall, strong primaries, and even-keeled skin tones. Black levels, however, are a bit hazy and inconsistent. The film was released on Blu-ray by Optimum in U.K., and while I haven't personally seen that version, it features a much higher bit-rate, for what it's worth, is in 1080p, and sits on a dual-layer disc. A pity Image Entertainment couldn't have procured that transfer for the U.S. release.
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Time Bandits Blu-ray, Audio Quality8 ~( B3 V/ ]4 ]: d H& G; ~
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% z# r7 L* H7 | VThe interlaced transfer is unfortunate, but I have no qualms at all about the film's DTS-HD Master Audio 5.1 surround track, which is surprisingly articulate and full of oomph. Unlike the 5.1 mixes that accompany Mona Lisa and The Long Good Friday—which don't seem like real surround mixes at all—this track is engaging and immersive, with plenty of directional effects and lots of ambience. Of course, none of it is as potent or precise as what you'd hear in a more modern mix, and directionality is somewhat wonky, but the rear speakers are frequently occupied with sonic craziness, and Mike Moran's score is dynamically solid. Dialogue can sound slightly muffled at times, but it's always easily discernable and balanced nicely in the mix. Although you will hear some slight hisses and crackles from time to time, the age-related imperfections are never a distraction. Do note that there are no subtitle options on this disc.5 @/ F9 d4 J% A+ u$ F k( M
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