克莉丝汀魅力/魅力姬丝汀 [4K蓝光原盘 自带中字] Christine 1983 2160p BluRaycd HEVC TrueHD 7.1 Atmos-WhiteRhino 55.26GB

A nerdish boy buys a strange car with an evil mind of its own and his nature starts to change to reflect it.
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◎译　　名　克莉丝汀魅力/魅力姬丝汀
◎片　　名　Christine
9 Y, U1 O* p1 M3 o6 X; ^; q7 P) t◎年　　代　1983
5 R0 `3 _9 N% D8 \◎国　　家　美国
◎类　　别　剧情/恐怖/悬疑/惊悚
9 t$ J" V8 \; R" C. z4 H! A◎语　　言　英语
◎上映日期　1983-12-09
8 l' h2 ^+ r7 Z/ J; }◎IMDb评分  6.7/10 from 59,295 users
; N& ^  N" B1 A) |4 Q+ {, b◎IMDb链接  https://www.imdb.com/title/tt0085333/
3 g5 H5 i5 @$ [5 v. }( b. u- g4 }◎豆瓣评分　7.1/10 from 613 users
; {; M! W6 a; H5 G$ Q9 D+ F◎豆瓣链接　https://movie.douban.com/subject/1297421/
9 o3 E: E5 }/ R$ Z% P& D◎文件格式　x265 + TrueHD
/ `! I: C  I" B+ R, D◎视频尺寸　3840 x 2160
◎文件大小　1DVD 55.26 GiB
4 q; V- q  f/ X; Z! L6 `; o◎片　　长　1:50:00.593 (h:m:s.ms)
% y7 I! O. X3 h! O◎导　　演　约翰·卡朋特 John Carpenter
9 G6 T8 p5 w2 _" k8 x5 e- \! Q- j) O4 l( _◎编　　剧　Bill Phillips
　　　　　  斯蒂芬·金 Stephen King
+ x, `( v% u# I1 h4 C◎主　　演　基斯·戈登 Keith Gordon
% u$ G' L9 _& v8 R8 B　　　　　  约翰·斯托克韦尔 John Stockwell
　　　　　  亚历姗卓拉·保罗 Alexandra Paul
& G1 e. C$ i) p9 n# F" R　　　　　  罗伯特·普罗斯基 Robert Prosky
　　　　　  哈利·戴恩·斯坦通 Harry Dean Stanton
( u- g: ]+ A( A　　　　　  Christine Belford
　　　　　  罗伯茨·布洛瑟姆 Roberts Blossom
( `. [: u) ]$ R% l　　　　　  William Ostrander
5 u3 h% p6 T9 a, t　　　　　  David Spielberg
; @+ b" _, _5 y0 \" T# u0 Q1 t8 z　　　　　  Malcolm Danare
7 a$ E/ a: e  ?　　　　　  Steven Tash
5 g  {1 s: E5 t　　　　　  Stuart Charno
　　　　　  凯利·普雷斯顿 Kelly Preston
/ e- n+ @# u. F5 k5 }  p　　　　　  Marc Poppel
　　　　　  Robert Darnell
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◎简　　介   
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　　阿尼·科宁汉姆（Keith Gordon 饰）是某所高中内极不起眼的学生，他沉默寡言、木讷内向。父母对他没有过多关注，身边只有女友丽（Alexandra Paul 饰）和好哥们丹尼斯（John Stockwell 饰），再无其他朋友。
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9 i2 d7 J7 [* P" }" M　　某天，阿尼看上一辆1958年产的二手普利茅斯·复仇女神（Plymouth Fury），他立刻爱上了这辆车，毫不犹豫将其买了下来。但是阿尼的举止渐渐变得奇怪起来，他不在关心周遭世界，而是将所有注意力都放在这辆名为“克莉丝汀”的车上。当了解到克莉丝汀的背景之后，丽和丹尼斯决定摧毁汽车，拯救阿尼。然而克莉丝汀似乎对挡在她面前的人毫不留情……

　　Geeky student Arnie Cunningham falls for Christine, a rusty 1958 Plymouth Fury, and becomes obsessed with restoring the classic automobile to her former glory. But as the car changes, so does Arnie, and his newfound confidence turns to arrogance behind the wheel of his exotic beauty. Arnie's girlfriend Leigh and best friend Dennis reach out to him, only to be met by a Fury like no other.

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3. Disc Title:     Christine 1983 2160p BluRayCD HEVC TrueHD 7.1 Atmos-WhiteRhino
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4. Disc Size:      59,336,657,080 bytes
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5. Protection:     AACS2
   
6. BD-Java:        Yes
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7. Extras:         Ultra HD
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8. BDInfo:         0.5.8.7 (compatible layout created by DVDFab 10.2.1.3)
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13. Length:                 1:50:00.593 (h:m:s.ms)
    
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Christine 4K Blu-ray, Video Quality
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; e# `9 i: W: G- n  ]The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.

) E9 w1 I" x* L" C+ ?Christine's opening, grainy 1957 Detroit factory scene offers the first look at the HDR color's punch when the titular car, freshly red and super shiny, arrives on the line with tremendous saturation and vitality. The color is so much deeper than the Blu-ray. The image is, overall, darker too, with greatly improved shadow depth and back levels under the car and behind the front tire, for example. But it's a very impressive improvement that renders the car's color almost a deep blood red. The shot absolutely, in every way, blows the Blu-ray away; it's amazing what a critical difference HDR makes on this one. The next time the audience sees Christine, the car is sitting in a field, its paint worn down, its grill dented, weed growing around and through it, rust and holes pocking its metallic flesh. The paint is still much deeper here without betraying the idea that the car appears long past its prime. And nearly every color example from here on out, the car or otherwise, dazzles. Color depth throughout the entire film soars above the Blu-ray, which appears pasty, too bright, far less perfectly saturated in comparison. Natural greens are wonderfully deep and dense. Clothes are impressively solid. Black levels throughout the film are deep and true, intense without devouring any details, though some shots do come close (26:00, a scene in which Arnie and Dennis chat in Dennis' car at night).
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Textural efficiency is raised, too. The 2160p "true" 4K image reveals every detail within the car's interior, whether fresh on the factory floor, dilapidated when Arnie buys her, and later as she's been restored. Elsewhere beyond the car the image absolutely delights. Grain is presented with a finesse and filmic structure that's very impressively complimentary, with only the odd moment spiking in intensity. Details are more stabilized on the UHD, finding another gear of naturalism and intimacy that even a very good Blu-ray cannot produce. Character skin offers more tangible depth and various environments, whether that factory floor from the opening minutes, the salvage yard where Arnie works on his love, or school hallways that reveal every small scratch and dent in lockers, are often showcases for this native 4K picture to shine.

  v% K. O- o% hThis UHD...it's almost like a time machine. Christine looks as pristine as it must have on the day it theatrically released, if not better.  Sony's dominance on the UHD landscape continues with what is a new crown jewel in the catalogue. An argument could probably be made for a score of 4.5, but the image is so impressive, so filmic and fluid, it's hard to allow just a couple of insignificant bumps in the road to numerically detract from an otherwise picture-perfect release.
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Christine 4K Blu-ray, Audio Quality


% v2 ~- b) Y; I9 e/ k+ O. z$ QChristine's new Dolby Atmos soundtrack doesn't reinvent the movie's audio but it does reproduce it without flaw and with a little more flair than the Blu-ray's 5.1 presentation. The presentations are not radically different. Spacial awareness is heightened a bit with the Atmos track. When the bullies pick on Arnie early in the movie -- ruining his lunch and stomping on his glasses-- vocals reverberate with an appreciable sense of wide-open space, with a nice little filtering through the top as well. Some of the movie's more potent effects, while they lack in the sort of absolute clarity that define today's tracks, enjoy enough vroom and depth and satisfy, offering a surprising amount of stage-filling goodness. Music is presented with impressive fidelity and fluid spacing, whether considering popular songs or Carpenter's synth soundtrack. Dialogue is clear and stationary in the center beyond examples of natural reverb. This is a very nice compliment to the A+ visuals.
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