十二猴子/未来总动员/12猴子/十二只猴子 [蓝光原盘/重制版] Twelve Monkeys 1995 REMASTERED 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 44.09GB

In a future world devastated by disease a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.

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4 Z. q! [0 D, x2 B, i% w◎译　　名　十二猴子/未来总动员(台)/十二猴子军/12猴子/十二只猴子
◎片　　名　Twelve Monkeys
, r: O3 X9 S) o) Q◎年　　代　1995
◎国　　家　美国
; V+ S. f  t$ t$ [9 [◎类　　别　科幻/悬疑/惊悚
◎语　　言　英语
, r: B, N2 g4 ~) T# b2 v; q◎上映日期　1995-12-27(美国)
6 J& w  S, E5 s, J9 ^9 m◎IMDb评分  8.0/10 from 528,973 users
◎IMDb链接  https://www.imdb.com/title/tt0114746/
◎豆瓣评分　8.0/10 from 137,239 users
◎豆瓣链接　https://movie.douban.com/subject/1298744/
◎文件格式　x264 + DTS
' _! ]7 r9 M) h◎视频尺寸　1920 x 1080
, P* m( U2 M, Y; Q/ W- W- X5 ^- F◎文件大小　1DVD 44.09 GiB
  k: k# v) U1 l9 S, E7 f◎片　　长　2:09:31.680 (h:m:s.ms)
4 q' ^3 l/ \" `( D. l◎导　　演　特瑞·吉列姆 Terry Gilliam
( E. W( }! A8 _3 {, }; q; f" s0 L◎编　　剧　大卫·韦伯·皮普尔斯 David Webb Peoples
1 |4 ?2 U+ l" k. J　　　　　  珍妮特·皮普尔斯 Janet Peoples
: J) J8 h2 P7 `! ~2 ~　　　　　  克里斯·马克 Chris Marker
◎主　　演　布鲁斯·威利斯 Bruce Willis
7 e( l! U" I8 `1 J" d0 R3 E: E　　　　　  布拉德·皮特 Brad Pitt
/ z$ E% L7 q# N) I　　　　　  大卫·摩斯 David Morse
　　　　　  克里斯托弗·普卢默 Christopher Plummer
' G0 C# d- }' O) o; r$ p5 X　　　　　  乔恩·塞达 Jon Seda
　　　　　  玛德琳·斯托 Madeleine Stowe
　　　　　  Joseph Melito
　　　　　  Michael Chance
　　　　　  Vernon Campbell
8 k" C2 {# q/ ], u　　　　　  H. Michael Walls
　　　　　  Bob Adrian
　　　　　  西蒙·琼斯 Simon Jones
) e" }9 K& Y3 B, f/ r　　　　　  Carol Florence
　　　　　  Bill Raymond
　　　　　  Ernest Abuba
　　　　　  Irma St. Paule
　　　　　  Joey Perillo
  ~) I' S) ~* Q$ V5 @# A9 a( n( S　　　　　  Bruce Kirkpatrick

◎简　　介     

: K3 u) X$ W, \' o, J5 [! ]　　公元2035年，人类被12只猴子军研制的一种病毒侵袭，大部分人类都在这场病毒灾难中死亡，只有少数人侥幸逃生，但也只能在阴暗的地下，苟且偷生。

　　科学家们决定派人穿越时光回到1996年追查12只猴子军的来历。囚徒詹姆斯·科尔(布鲁斯·威利斯 Bruce Willis 饰)被 挑选为志愿者。阴差阳错，科尔回到了1990年，当他向当时的人们描述未来的那场大灾难时，被当作精神病捉了起来并被医生凯瑟琳·雪莉（玛德琳·斯通 Madeleine Stowe 饰）诊断为精神分裂症。科尔在病友杰弗里·戈因斯帮助下逃脱，回到了未来。因为没查清12只猴子军的来历，科尔再次被派回了1996年。
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　　科尔这次发现了12只猴子军的起源地在费城，他找到了医生凯瑟琳，二人一起展开了追查12只猴子军的冒险之旅!
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  L+ V' r) z/ ?9 }& B　　The year is 2035, and humanity subsists in a desolate netherworld after the eradication of 99 percent of the Earth's population, a holocaust which left the planet's surface uninhabitable, and the destiny of humanity uncertain. A desperate group of scientists secure a reluctant volunteer, Cole, for a dangerous assignment: he will time travel to the year 1996, where they hope he can help unravel the mystery of the apocalypse and save the future.

+ Y6 a+ U2 D: p) m◎获奖情况
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　　第68届奥斯卡金像奖  (1996)
　　最佳男配角(提名) 布拉德·皮特
　　最佳服装设计(提名) Julie Weiss
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6 \  S7 B0 U' n" ]6 b' {$ `9 P　　第20届日本电影学院奖  (1997)
* M$ @7 {/ I" K! ~& c　　最佳外语片(提名)

0 A* k' W. C6 b1 G' r3 I6 c8 p1 N12 Monkeys Blu-ray, Video Quality


: t" ?1 m" k- p6 v, Z$ b12 Monkeys is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1.  Arrow's insert booklet contains the following information on the transfer:  

Twelve Monkeys was exclusively restored by Arrow Films and is presented in its original aspect ratio of 1.85:1 with stereo and 5.1 sound.  The original 35mm camera negative was scanned in 4K resolution on a Lasergraphics Director at EFilm, Burbank.  The film was graded and restored at Silver Salt Restoration, London.  Grading was supervised and approved by Terry Gilliam.  The stereo and 5.1 mixes were remasterd by NBC Universal.  

Ken wasn't overly excited about the video presentation of the old Universal release, but I highly recommend those interested read Ken's12 Monkeys Blu-ray review for some cogent comments on Gilliam's stylistic choices, which include everything from diffusion filters to high contrast along with other "bells and whistles", all of which can add to a perception of softness or lack of detail, even if the transfer is "accurate".   While Arrow's verbiage above kind of oddly lacks their usual boilerplate "thousands of instances of dirt, debris and other damage were removed" (etc., etc.), one of the biggest differences some fans of the film will notice with this new presentation is the near absence of the kind of pervasive (if minor) damage Ken noted in his review of the Universal version.  I also noticed no edge enhancement, another bugaboo that Ken found problematic in the Universal version.  As I typically try to do when I review a re-release, I've tried to come close to aping at least a few of the screenshots in Ken's review so that those interested can do a side by side comparison.  To my eyes the Arrow version looks just slightly darker than the Universal version, though high contrast moments like those seen in screenshot 2 of this review and screenshot 18 of Ken's review understandably don't reveal this difference quite as much.  Still, even in the high contrast sequences and throughout the rest of the presentation, the grain field in the Arrow version is arguably a bit more noticeable, and (again to my eyes) generally a bit more finely resolved than on the Universal version, though compression here can still occasionally be just a bit wobbly at times.  There are still some at times wide variabilities in clarity and detail levels, but my perception is that all of these are source related, and that many if not all of them are due to Gilliam's "futzing" with filming techniques.  Those expecting "razor sharp" levels of detail are probably going to be at least partially let down by this presentation, but in my estimation it pretty easily tops the Universal release in virtually every area we try to assess in these reviews.

12 Monkeys Blu-ray, Audio Quality

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* U1 W! _6 t4 V3 C: IThe addition of a stereo track may or may not be welcomed by some fans of the film, but the LPCM 2.0 audio on this release is at times interestingly divergent from the also included DTS-HD Master Audio 5.1 track, at least in terms of some of the prioritization of dialogue, which is arguably more consistently forward in the mix in the stereo version.  The surround track sounded to my ears largely similar if not absolutely identical to the DTS-HD Master Audio 5.1 track on the Universal release.  There's still the occasionally intermittent engagement of the surround channels that Ken alludes to in his review, but there's the same forceful LFE and at times nice placement of effects and score in the side and rear channels.  As Ken mentioned in his review, there are some odd "Gilliam-esque" mixing choices in the surround track, where seemingly important elements like dialogue are at least slightly buried in the cacophony of other effects this typically (for Gilliam) soundtrack offers.

1. DISC INFO:
   
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3. Disc Title:     Twelve.Monkeys.1995.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
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4. Disc Size:      47,325,758,934 bytes
   
5. Protection:     AACS
   
6. BD-Java:        No
   
7. BDInfo:         0.5.8.7 (compatible layout created by DVDFab 10.2.1.7)
   
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12. Length:                 2:09:31.680 (h:m:s.ms)
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13. Size:                   34,231,769,088 bytes
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34. Presentation Graphics           English         39.339 kbps

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