黑色党徒 [4K UHD蓝光原盘] BlacKkKlansman 2018 2160p BluRaycd HEVC TrueHD 7.1 Atmos-WhiteRhino 87.21GB

◎译　　名　黑色党徒
◎片　　名　BlacKkKlansman / Black Klansman
◎年　　代　2018
% S  b8 @+ m2 k" g" \& z% t◎国　　家　美国
◎类　　别　喜剧/传记/犯罪
2 f5 ~4 U  l! D* \9 z0 v◎语　　言　英语
◎上映日期　2018-05-14(戛纳电影节)/2018-08-10(美国)
% x4 ]( I* A5 A& A6 `8 d1 H. W6 L. o◎IMDb评分  7.7/10 from 47,263 users
◎IMDB链接  https://www.imdb.com/title/tt7349662/
: d% V) H+ b5 e# ?* J+ _◎豆瓣评分　7.0/10 from 2,962 users
◎豆瓣链接　https://movie.douban.com/subject/27133913/
◎文件格式　x265 + TrueHD
' c' ^. F5 k3 i9 t5 B8 u◎视频尺寸　3840 x 2160
◎文件大小　1DVD 87.21 GiB
◎片　　长　2:14:49.080 (h:m:s.ms)
◎导　　演　斯派克·李 Spike Lee
◎编　　剧　斯派克·李 Spike Lee
　　　　　  大卫·拉比诺维茨 David Rabinowitz
　　　　　  查利·瓦赫特尔 Charlie Wachtel
3 q0 T& w2 z! v　　　　　  凯文·威尔默特 Kevin Willmott
7 g2 b8 Z5 [- x, K& ^/ m　　　　　  罗恩·施塔沃思 Ron Stallworth
6 h3 r% r. y% c; J# d' @& A5 Y+ G◎主　　演　约翰·大卫·华盛顿 John David Washington
　　　　　  亚历克·鲍德温 Alec Baldwin
　　　　　  小伊塞亚·维特洛克 Isiah Whitlock Jr.
4 R7 z3 z2 }$ a　　　　　  罗伯特·约翰·伯克 Robert John Burke
/ x: X3 y. H, P# j) v/ @　　　　　  布赖恩·塔伦蒂诺 Brian Tarantina
+ |4 z5 Q- i; X8 V9 Q% t! B& a　　　　　  阿瑟·J·纳斯加勒拉 Arthur J. Nascarella
　　　　　  根·加里托 Ken Garito
( B2 ]3 a1 C8 Q, z" h, K6 G　　　　　  弗雷德里克·韦勒 Frederick Weller
! v* O: I* E; g9 s5 x* e　　　　　  亚当·德赖弗 Adam Driver
. I" T9 T  [% B) W　　　　　  迈克尔·布谢米 Michael Buscemi
! e# g3 ?9 `% \. j. h/ E　　　　　  劳拉·哈里尔 Laura Harrier
  F8 Q" U1 ^3 P# S: `' z1 R　　　　　  达马里斯·刘易斯 Damaris Lewis
　　　　　  科里·霍金斯 Corey Hawkins
. {0 c9 P" o$ i) F　　　　　  法龙·索尔兹伯里 Faron Salisbury
　　　　　  瑞安·艾戈尔德 Ryan Eggold
　　　　　  加斯帕·帕科农 Jasper Pääkkönen
+ `, w- G  I9 F) D7 r+ a% [- M　　　　　  保罗·沃尔特·豪泽 Paul Walter Hauser
- W7 H5 `; Q1 i' _　　　　　  阿什莉·阿特金森 Ashlie Atkinson
　　　　　  托弗·戈瑞斯 Topher Grace
/ y* K# l! o0 ?# _& T$ Q3 Q  a　　　　　  维克托·科利采奇奥 Victor Colicchio
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: H' O" k! ?7 i/ {+ Z◎简　　介     
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: G; m# |1 T/ ~  |  t* c　　Ron Stallworth, an African-American police officer from Colorado, successfully managed to infiltrate the local Ku Klux Klan and became the head of the local chapter.

　　《黑色党徒》根据2014年罗恩·斯塔尔沃斯所著的自传改编，讲述了一名科罗拉多州的黑人警察，成功潜入当地的3K党组织做卧底的故事。

  m& o/ t. C* e* h4 P' F7 d; j' i　　Ron Stallworth an African American police officer from Colorado Springs CO successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
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◎获奖情况  
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  I" [8 t, S- y4 ~& e  I　　第71届戛纳电影节(2018)
　　主竞赛单元 金棕榈奖(提名) 斯派克·李
　　主竞赛单元 评审团大奖 斯派克·李

　　第71届洛迦诺国际电影节(2018)
　　观众选择奖 斯派克·李

% j6 X; ]5 Z" M8 i4 ^1 z+ r　　第28届哥谭独立电影奖(2018)
　　最佳男演员(提名) 亚当·德赖弗
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- O0 T8 ]9 d4 i( p* q7 \1 ]2 d　　第22届好莱坞电影奖(2018)
　　年度突破男演员 约翰·大卫·华盛顿

1. DISC INFO:
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3. Disc Title:     BlacKkKlansman.2018.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-WhiteRhino
   
4. Disc Size:      93,637,498,522 bytes
   
5. Protection:     AACS2
   
6. BD-Java:        Yes
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7. Extras:         Ultra HD
   
8. BDInfo:         0.5.8.7 (compatible layout created by DVDFab 11.0.0.3)
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13. Length:                 2:14:49.080 (h:m:s.ms)
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14. Size:                   87,705,311,232 bytes
    
15. Total Bitrate:          86.74 Mbps
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23. MPEG-H HEVC Video       68578 kbps          2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /
    
24. * MPEG-H HEVC Video     7337 kbps           1080p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / Dolby Vision / BT.2020 /
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30. Dolby Atmos/TrueHD Audio        English         4398 kbps       7.1-Atmos / 48 kHz / 4398 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)
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31. Dolby Digital Audio             Spanish         640 kbps        5.1 / 48 kHz / 640 kbps
    
32. Dolby Digital Plus Audio        French          768 kbps        7.1 / 48 kHz / 768 kbps (AC3 Core: 5.1 / 48 kHz / 448 kbps ( Core: 5.1 / 48 kHz / 448 kbps))
    
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42. Presentation Graphics           French          1.565 kbps  

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BlacKkKlansman 4K Blu-ray, Video Quality  
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  e. X+ O3 c* c* Z' {: @The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.

Spike Lee and Cinematographer Chayse Irvin shot BlacKkKlansman on film, and this UHD comes sourced from a 4K digital intermediate. The improvements to image stability, clarity, and textural fulfillment are obvious over the Blu-ray, which is very good on its own but lacks the finesse, subtlety, and total accuracy of this UHD. It's gorgeously filmic. Grain is refined and constant, perhaps a little more obvious on the UHD, but the end product is absolutely of cinematic quality. Textural improvements are many. Facial details bear the fruits of the increase in resolution and the UHD reveals the finest pores, hairs, and imperfections with astonishing clarity that even the first-rate Blu-ray cannot match. The same goes for clothes and environments; crisply pressed police uniforms are just as inherently complex as more dense period attire. An exterior neighborhood scene in chapter 11 looks amazing. The clarity and texture on trees, bushes, and surrounding houses is to die for. A few softer edge shots are in play and inherent to the film source.

The Dolby Vision coloring proves to be one of the more subtle applications in recent memory, bolstering flesh tones to firmer, fuller standards and finding an agreeable, though often more subtle than some, level of refinement and increase in boldness to the film's period hues. Clothes, for example, are modestly darker and enjoy a slight increase in saturation. But the movie doesn't really call for much more than that. To more intensely bolster the palette, to push the punchiness and exaggerate the brightest primaries any further would be to undo so much of what makes the movie's visual tones a major complimentary factor to capturing the era in which it is set. The Dolby Vision parameters do tighten black levels but don't entirely eliminate some of the slight raising seen in a handful of scenes throughout the movie, but viewers will note some very impressively deep and even nighttime black exteriors as well. As with the Blu-ray, artifacts are absent save for a handful of blink-and-miss speckles.
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BlacKkKlansman 4K Blu-ray, Audio Quality  
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% A# A4 w2 O, DBlacKkKlansman's Dolby Atmos soundtrack proves its worth from the beginning with full-stage musical saturation, good low end depth, and rich, vibrant instrumental clarity. Musical excellence is a mainstay throughout the film. Ture's speech is wonderfully wide and naturally reverberating around the entire stage (which includes a mild above-stage component, one of precious few that take any advantage at all of the height channels), while crowd cheers are perfectly immersive and detailed. The track brings every environment to life with impressive spacing and saturation. Police station office din is audibly compelling and sonically detailed. The sound of a ringing phone, which is fairly prominent in the film (phone conversations in general drive much of the plot), often emanates with a sharp, clear ringing across the back, which is amplified considerably in the final minutes. A few gunshots strike with commanding power. Dialogue drives most of the film, however, and the spoken word enjoys rich, natural clarity, firm center placement save for when expansion is necessary, and prioritization above all competing elements.
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