谍影重重3/叛谍追击3 [4K UHD蓝光原盘] The Bourne Ultimatum 2007 2160p BluRaycd HEVC DTS-X 7.1-OMFUG 60.79GB

Jason Bourne dodges a ruthless C.I.A. official and his Agents from a new assassination program while searching for the origins of his life as a trained killer.

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◎译　　名　谍影重重3/叛谍追击3：最后通牒(港)/神鬼认证：最后通牒 (台)/伯恩的最后通牒/终极伯恩
1 }' G/ Y+ a5 W  k& \" U6 j  h, L◎片　　名　The Bourne Ultimatum
◎年　　代　2007
7 h5 z% U- I5 s. ?  y* M7 g◎产　　地　美国/德国
3 D, w% a; Q4 v0 j* H◎类　　别　动作/悬疑/惊悚
◎语　　言　英语/法语/阿拉伯语/俄语/西班牙语
◎上映日期　2007-11-15(中国大陆)/2007-08-03(美国)
% ~- W- M7 ]& J7 }) S$ b& Z: E◎IMDb评分  8.0/10 from 570,934 users
◎IMDb链接  https://www.imdb.com/title/tt0440963/
% B% J! K6 l# y. j' h◎豆瓣评分　8.7/10 from 213,608 users
3 w) l7 L# X* z7 k◎豆瓣链接　https://movie.douban.com/subject/1578507/
$ C" i! V( B- ~" y) h◎文件格式　x265 + DTS
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 60.79 GiB
0 ]6 U. @. B& Q$ g+ d◎片　　长　1:55:15.033 (h:m:s.ms)
6 r( g) p! X" q' m◎导　　演　保罗·格林格拉斯 Paul Greengrass
( A5 P* V7 q# p' v◎编　　剧　托尼·吉尔罗伊 Tony Gilroy
7 W6 x5 H5 [* @* O　　　　　  斯科特·Z·本恩斯 Scott Z. Burns
# o- _; l- m0 B( V- W◎主　　演　马特·达蒙 Matt Damon
6 }  e5 x! ^0 q2 h6 G$ H( @7 J7 e　　　　　  朱丽娅·斯蒂尔斯 Julia Stiles
3 E9 ]1 J* u  a% j# o　　　　　  大卫·斯特雷泽恩 David Strathairn
　　　　　  斯科特·格伦 Scott Glenn
　　　　　  帕迪·康斯戴恩 Paddy Considine
　　　　　  埃德加·拉米雷兹 Édgar Ramírez
, b; N9 s, ]% n* Z+ i: h9 V( p　　　　　  阿尔伯特·芬尼 Albert Finney
" t+ O: ~6 q# o% o7 B3 M+ X$ [　　　　　  琼·艾伦 Joan Allen
5 |8 n" J: w+ x　　　　　  汤姆·加洛普 Tom Gallop
　　　　　  克里·约翰逊 Corey Johnson
/ ^! _; Z; r! u, |; X　　　　　  丹尼尔·布鲁尔 Daniel Brühl
　　　　　  乔伊·安沙 Joey Ansah
　　　　　  科林·斯廷顿 Colin Stinton
# ^7 {7 M) U4 w: y　　　　　  丹·弗雷登堡 Dan Fredenburgh
　　　　　  露西·莱曼 Lucy Liemann

◎简　　介     
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) e# B, y- d0 I4 p  m' z1 g6 C; R　　失去了心爱的女人，波恩（马特·戴蒙 饰）面临更为艰难的日子，他努力回忆，却只能在睡梦中被脑海里一知半解的闪回所惊醒，依然无法记起自己的身份。

& ~! E1 r0 b( [4 e5 [7 {" v　　但是波恩注定不是平凡人，不等他冷静下来好好“寻找回”自己真正的身份，中情局派出的杀手又接踵而至。在接连的几次较量之后，杰森·伯恩终于被彻底激怒，决定反戈一击——他主动追击杀手，到过莫斯科、马德里。巴黎，也在伦敦和丹吉尔做过停留。

　　随着问题一个一个解决，杰森回到了纽约，在那里，他将会找到一切的答案，寻回自己的身份。

0 M: ]2 _) D+ P- ]7 {! [　　All he wanted was to disappear; instead, Jason Bourne is now hunted by the people who made him what he is--legendary assassin. Having lost his memory and the one person he loved, he is undeterred by the barrage of bullets and a new generation of highly-trained killers. Bourne has only one objective: to go back to the beginning and find out who he was. Now, in the new chapter of this espionage series, Bourne will hunt down his past in order to find a future. He must travel from Moscow, Paris and London to Tangier and New York City as he continues his quest to find the real Jason Bourne--all the while trying to outmaneuver the scores of cops, federal officers and Interpol agents with him in their crosshairs.
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◎获　　奖　

! @* l! p2 z0 }0 W+ a　　第80届奥斯卡金像奖  (2008)
7 X6 T$ k2 N' F. j# u4 p* X　　最佳剪辑 克里斯多福·劳斯
　　最佳混音 斯科特·米兰 / 大卫·帕克 / KirkFrancis
% j! T2 |; q! x( x8 a4 v* m　　最佳音效剪辑 KarenM.Baker / PerHallberg

. ~" [+ H2 D5 b　　第61届英国电影学院奖  (2008)
- ]/ m" Y* G% ?. B" J　　电影奖最佳英国影片(提名) 托尼·吉尔罗伊 / PatrickCrowley / 斯科特·Z·本恩斯 / 保罗·格林格拉斯 / 弗兰克·马歇尔 / 乔治·诺非 / PaulSandberg
# q- V( A7 n3 r　　电影奖最佳导演(提名) 保罗·格林格拉斯
" e& _1 @, r6 d0 d6 Z% K: x　　电影奖最佳摄影(提名) OliverWood
　　电影奖最佳剪辑 克里斯多福·劳斯
6 D! t6 W/ W+ ^) E7 t4 @　　电影奖最佳特殊视觉效果(提名) PeterChiang / CharlieNoble / JossWilliams / MattiasLindahl
　　电影奖最佳音效 KirkFrancis / PerHallberg / KarenM.Baker / 大卫·帕克 / 斯科特·米兰

, a6 n) Z/ h0 ?% Z　　第31届日本电影学院奖  (2008)
　　最佳外语片(提名)
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　　第17届MTV电影奖  (2008)
, S9 H- m7 n6 ~6 _) u- N8 Z$ c　　MTV电影奖最佳男演员(提名) 马特·达蒙
- d( ?) |+ k& Q" B　　MTV电影奖最佳打斗(提名) 乔伊·安沙 / 马特·达蒙
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8 y9 g5 w- d5 x# N. U- n1 G  Q5 {* v/ u: ?Screens:



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3. Disc Title:     The.Bourne.Ultimatum.2007.2160p.BluRayCD.HEVC.DTS-X.7.1-OMFUG
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The Bourne Ultimatum 4K Blu-ray, Video Quality


" ]: b( p4 y- }Like The Bourne Supremacy, The Bourne Ultimatum was reportedly finished at 2K, making this, presumably, an upscale 4K image. The presentation represents a good, not substantial, upgrade over the Blu-ray, which of the original Bourne trilogy was the best looking of the bunch. The image is attractively film-like, retaining a light grain structure that helps accentuate a well-rounded package of detailing along the basics, like skin and clothing. Both offer an uptick -- sometimes light, often fairly substantial -- in raw definition over the Blu-ray, finding more depth in pores, for example, where the Blu-ray is a little too smooth.  The UHD isn't ultra-sharp, but the filmed image is inherently a hair soft, anyway. The HDR color scheme doesn't radically alter the look of the movie to the same extent seen in Supremacy.  Instead, it's more refined, a little darker and more balanced.  Skin tones are a little less pasty and colors in general appear more nuanced with the range difference in contrast much smaller.  Black levels are fine and skin tones, as noted, appear more naturally balanced. No serious source or encode flaws are immediately apparent. Unlike the other original trilogy Bourne films -- the first a bonafide disaster and the second a healthy uptick while drastically changing the look, tone, and texture of the movie -- this is more a simple refinement.  It may not approach the top tier the UHD format has to offer, but it appears to be the most fundamentally faithful and refined of the trio.
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4 h: h+ P, G# V& w5 M8 j2 h+ oThe Bourne Ultimatum 4K Blu-ray, Audio Quality
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0 D* r  N! Q( u" D+ g! cThe Bourne Ultimatum's DTS:X soundtrack is, again like Supremacy's, incredibly aggressive in a take-no-poisoners, engage-all-speakers sort of way. It's booming and very widely dispersed, making impressive use of the entire stage, and then some, it seems, in its regular bombardment of music and effects.  Even with the heavy saturation, aggressive volume at reference levels, and relentless push through every speaker, clarity is always maintained in both the heaviest music and softest atmospherics. Music is the big draw here, presenting with a full stage saturation that never takes a moment off and gets out of the gate with heavy surround support and deep bass, taking up the whole stage and engaging the top layer, too, for a bubble of Bourne audio goodness.  Gunfire is very potent, with shots pounding out with mammoth presence and authority.  Impacts hit hard and rounds seem to zip all over the listening area; chapter 12 is a near reference moment for gunfire thump, bullet zoom through the stage, and rear channel impacts. Atmospherics are nicely immersive. The stage effortlessly transforms into various locales throughout the movie, including busy airports where general din and overhead components in the way of public address announcements saturate the listening area and include a noticeable top-end presence. Dialogue is clear and detailed with front-center placement and easy prioritization even through the movie's most chaotic moments.
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