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1 O3 y( H/ t- U◎译 名 间谍同盟/同盟鹣鲽(台)/伴谍同盟(港)/同盟/五秒钟的沉默/盟军谍影/ D6 f6 I; I& g; f, g- U. k" m+ V
◎片 名 Allied / Five Seconds of Silence
( l& @( C9 U2 [◎年 代 2016& L4 W- P( V! \# b0 x
◎国 家 美国/英国: {" F$ F8 G( T# m- u
◎类 别 剧情/动作/爱情/战争% K2 j/ a# X8 {7 y! M
◎语 言 英语/法语
6 `: [% \8 u: b/ ]◎上映日期 2016-11-30(中国大陆)/2016-11-23(美国)
( s" e5 L ~& p% x+ y◎IMDb评分 7.1/10 from 119,169 users
! A9 P7 ^/ e. r& K◎IMDB链接 https://www.imdb.com/title/tt3640424/1 ?2 t" }3 d2 J0 l1 a
◎豆瓣评分 7.0/10 from 42,265 users
& T% K: E' d9 G' _+ ~◎豆瓣链接 https://movie.douban.com/subject/27133343/( g3 k& P) A; \! b) `+ r
◎文件格式 x265 + DTS
3 r0 ?; `3 k7 @0 Q7 G5 ^ T$ Q◎视频尺寸 3840 x 2160
* D6 K- x: f0 h8 L* b' V @◎文件大小 1DVD 58.70 GiB
* ^; h0 N" G5 Y0 A' Z◎片 长 2:04:35.342 (h:m:s.ms)0 I1 e% V) t% k6 c {3 y! ^
◎导 演 罗伯特·泽米吉斯 Robert Zemeckis: a2 x' C1 S9 a9 H, ]0 V
◎编 剧 斯蒂文·奈特 Steven Knight
2 C: X7 O9 F2 ?5 S9 d. y6 d◎主 演 布拉德·皮特 Brad Pitt! F1 f9 Z7 b; m2 B+ x4 o$ C
玛丽昂·歌迪亚 Marion Cotillard* |- w7 ~7 A$ c1 Q1 z4 ~1 H `
马修·古迪 Matthew Goode/ G( f6 T4 Z. L! Z5 n
丽兹·卡潘 Lizzy Caplan
, ?# P8 J3 k, F$ A 夏洛特·霍普 Charlotte Hope
# }& _# A6 @. c& Q" T0 { g 拉菲·卡西迪 Raffey Cassidy
/ o7 G$ e% Y6 m 杰瑞德·哈里斯 Jared Harris6 I- f8 h& y. I; ^* q! |6 x2 U$ ?, F
克里斯蒂安·鲁贝克 Christian Rubeck2 r7 z, `: ]5 u4 b1 y7 A9 h3 q1 l
丹尼尔·贝茨 Daniel Betts
9 t# _! B/ J/ h5 c# Z 安格斯·肯尼迪 Angus Kennedy+ M" T+ s" \3 m. N+ ^
贾森·马修森 Jason Matthewson# r8 A8 ^6 y6 L0 U
大卫·邦纳维尔 David Bonneville
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1 k F& b6 A) L) Y) [◎简 介
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7 c! Z/ R, s1 `9 g; { In 1942, a Canadian intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.
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1942年,卡萨布兰卡。盟军反情报特工马克斯·瓦坦(布拉德·皮特 Brad Pitt 饰)拿取了在法国维希政府卧底玛丽安(玛丽昂·歌迪亚 Marion Cotillard 饰)的法国抵抗运动间谍丈夫的身份。他发现玛丽安在伦敦的秘密,而且发现他俩之间的关系变成了假戏真做。在完成一个危险的北非任务之后,他们决定金盘洗手,结婚以后在伦敦开始了清净的生活。但是马克斯慢慢发现他的妻子可能是纳粹间谍,他需要找出她真正的身份。 ' I9 e+ E1 ]$ b) I
8 z6 a, v1 t; N2 P- w◎获奖情况 x( X% p5 _! p& e# S5 h
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第89届奥斯卡金像奖 (2017)
" p# N, c2 p+ E2 l; R% H 最佳服装设计(提名) Joanna Johnston4 G- B" {- v" t$ a9 n
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第70届英国电影学院奖 (2017)6 X& P8 Q' k$ |9 F; s& ]# F
电影奖 最佳服装设计(提名)
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第15届美国视觉效果协会奖 (2017)
3 c- \/ ~0 Q" A N8 k 最佳电影辅助视觉效果(提名)
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第22届美国评论家选择电影奖 (2016)8 {4 J4 ^1 t5 Z2 O8 |
最佳服装设计(提名) % P9 M$ r% i9 P- }3 c& x
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( h% Q7 S' [4 p4 t' [9 n1 q" P0 j0 H- Disc Title: Allied.2016.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-TASTED
* f, \2 m1 }% F2 X - Disc Size: 63,026,939,134 bytes$ H5 _) G- @' r& u! A
- Protection: AACS2
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- Extras: Ultra HD
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, {/ D/ h. O2 L- Name: 00800.MPLS : J% Z% X! P- ~
- Length: 2:04:35.342 (h:m:s.ms)5 B# b7 P8 | B( s4 ?
- Size: 62,457,630,720 bytes j+ t1 b# y( r& f9 h& o# @
- Total Bitrate: 66.84 Mbps& ]& h/ p: s- I7 n S' g$ E
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- MPEG-H HEVC Video 55691 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /
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- DTS-HD Master Audio English 3333 kbps 5.1 / 48 kHz / 3333 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
+ W' A6 n! q/ @5 G& Q2 C: e - Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps0 J# s" o. _1 @: J$ W5 S
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
: b, N1 Z( u6 Z; S - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps% M' {% s! {9 s2 H- Z
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps4 k9 Z$ k' A0 ?9 O& u
- Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps
- w! f p7 u9 F0 V( n b - Dolby Digital Audio Japanese 640 kbps 5.1 / 48 kHz / 640 kbps: v+ h" v% a5 k0 N* ?4 h
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, T) t' C0 s) \1 _0 T t% p - Presentation Graphics Danish 17.776 kbps
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$ I6 X2 I9 g% X( r; @- } - Presentation Graphics Hindi 18.19 kbps " U) ]6 p. T* Q7 E8 o% F4 Z+ D: y" P6 `
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4 J8 P; _( `+ T$ o6 G# e8 G - Presentation Graphics Japanese 15.373 kbps
) M' D; ~# M- {( J; X' z& N | - Presentation Graphics Korean 11.697 kbps
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复制代码 Screens:8 ]% p' k, ?8 J8 l$ N* D9 D
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, H8 f# J. |& a" O5 {Allied 4K Blu-ray, Video Quality1 R( J/ n: \8 \; L
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& p5 ]+ C2 m( z5 x) t( t( \Note: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.: D7 E" d: h. n6 L! w5 p* r) s8 b8 Y
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Allied was digitally shot at high resolution 6K and 8K and finished at 4K, almost rarity in the UHD format's early stages and propensity to highlight 2K upscales. Detailing sees an honest improvement with the added UHD resolution, bumped to 2160p. Fabric textures are particularly more revealing, finding a much greater sense of intimate density where the Blu-ray appears a good bit smoother in comparison. Likewise, desert terrain is more refined, richer, and more tactile. Where the 1080p Blu-ray can't often get beyond the basics, the UHD finds a more granular, sharper, denser collection of earthy sands and rocky formations at a desert shooting range 24+ minutes into the movie. London environments are noticeably sharper and more naturally complex, too. The same qualities -- sharper, more easily defined -- translate to greenery, too, as well as basic brick structures, paved roadways, and other more complex textures. Essentially, everything in the film -- whether basics facial features and clothes or general in-frame elements -- is presented with a noticeable-to-significant increase in raw textural definition and sharpness while the UHD's ability to capture even the finest bits of lint, fuzz, or otherwise previously unnoticed details can be striking. The HDR-enhanced color palette offers a firmer color tone and temperature, one that's more finely saturated and nuanced, more pronounced but deeper and more detailed. Natural greens are again a standout for comparison, but even lesser colors, like the brown of a leather holster, reveal the UHD's impressive added depth. Skin tones are firmer, black levels a bit brighter but still very deep. As with the Blu-ray, source noise or compression issues are practically nonexistent. Paramount's UHD improves on a standout 1080p image in every area. Even at modest screen sizes, the differences are apparent-to-striking.
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Allied 4K Blu-ray, Audio Quality
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b# \: s0 w7 {! k3 ?# G( \Allied's DTS-HD Master Audio 5.1 lossless soundtrack, the same as featured on the standard Blu-ray, handles the movie's core elements very well, including both wartime action and more subtle drama. Music is well spaced along the front, utilizing surrounds more for minor support than critical, blaring highlight. Action enjoys a wider berth. Gunfire rips through the stage with impressive zip and power. Chaos emanates from all over the stage and even small details, like empty shell casings pelting the floor, are audibly crisp and lifelike. More aggressive, larger-scale elements, primarily bombing runs, explosions, and anti-aircraft fire, show impressive potency and stage presence, placing the listener in the middle of the horrifying blitz. Ambient support in less dramatic sequences satisfies. Crowd din draws the listener in while gusty winds and pelting sands at the 36-miunte mark power through and accentuate a key scene. Dialogue is steady and emanates from the front-center with no discernible problems in clarity or prioritization. This is a very good audio presentation from Paramount.
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