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A Phoenix secretary embezzles $40,000. On the run she checks into the remote Bates Motel, run by a young man under the domination of his mother.& J, [0 o: w: ~1 c8 V
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( ?8 r1 P0 }8 Y◎译 名 惊魂记/精神病患者/触目惊心(港)/精神病人
8 R; {: I. @& p1 \7 h◎片 名 Psycho) D" i! L# Z8 E+ y, R) G6 @8 r O
◎年 代 1960: T7 l9 H% Z e; c, o2 Z
◎产 地 美国
9 P, D- Y& c% h d, `◎类 别 悬疑/惊悚/恐怖
8 K1 z+ U/ R* ?: U# W- a2 Y" b: M◎语 言 英语# P7 k a4 i! I! h2 v- g
◎上映日期 1960-06-16(纽约首映)/1960-09-08(美国)
( K; S7 V9 Q8 K1 S& G◎IMDb评分 8.5/10 from 590,169 users
6 {! {0 c9 s' x* Y2 H4 v/ E5 b- c◎IMDb链接 https://www.imdb.com/title/tt0054215/
1 @( w: ?% e* [* T3 ?- ]◎豆瓣评分 9.0/10 from 180,536 users
% {0 D' Y3 U5 [/ u6 L. e◎豆瓣链接 https://movie.douban.com/subject/1294420/! \) R8 d f* Z4 t
◎文件格式 x264 + DTS
9 o0 G! P% |0 [, w" w2 X◎视频尺寸 1920 x 1080
" m( l E& w% c' u' N" o5 I7 m' E% g◎文件大小 1DVD 23.06 GiB & 25.24 GiB
" B3 s j: Z3 c3 l3 g% s9 s◎片 长 1 h 49 min6 y8 [- L( u; F( e
◎导 演 阿尔弗雷德·希区柯克 Alfred Hitchcock% w/ e" c- D/ b2 W& [ u/ Q6 }
◎编 剧 约瑟夫·斯蒂凡诺 Joseph Stefano - i3 h& C9 \% Y; x
罗伯特·布洛克 Robert Bloch
$ C, n* R4 j& s6 t& Q" p9 w◎主 演 安东尼·博金斯 Anthony Perkins4 w6 t) q1 h" N& a$ z
维拉·迈尔斯 Vera Miles" m7 k: w# n3 v* U
约翰·加文 John Gavin
/ `. J9 |3 N' o# _ 珍妮特·利 Janet Leigh$ z' O+ F6 I/ U% g
马丁·鲍尔萨姆 Martin Balsam5 F% g& E: V" L2 T
约翰·麦克因泰 John McIntire! u. R, i( e. d7 p
西蒙·奥克兰 Simon Oakland/ F: U6 M0 k$ `+ w
弗兰克·艾伯森 Frank Albertson8 f6 h" u% U0 Q3 p2 e
帕特里夏·希区柯克 Patricia Hitchcock+ ^1 o* |+ ^4 b& j, N4 Z
沃恩·泰勒 Vaughn Taylor
9 p- G+ O. l y/ q( g% v( L 卢伦·塔特尔 Lurene Tuttle0 s# {* {- J( X: N \
约翰·安德森 John Anderson) T/ ^+ r |7 S q; y+ g
莫特·米尔斯 Mort Mills
5 E5 E* e( d: M3 L# @ 吉特卡森 Kit Carson& m. t4 j: b! r" y8 `% n1 h; P1 m
维吉尼亚·格雷格 Virginia Gregg& Q. k4 _& m. b9 K- y
阿尔弗雷德·希区柯克 Alfred Hitchcock
" k V! n0 H8 _, ^8 N0 S 珍妮特·诺兰 Jeanette Nolan3 R. |# @8 t; a$ N
罗伯特奥斯本 Robert Osborne# o" z8 ^" h, ~8 \% _' i/ T3 \
海伦·华莱士 Helen Wallace
, K4 v" a U2 [2 ~+ D Fletcher Allen
( U8 ~; I+ V7 N8 Y2 M7 Z Walter Bacon1 b( E3 j+ f$ R5 Y
Francis De Sales
* k! [. H) T; ?1 d" h George Dockstader
2 ` N7 h0 C0 N5 ] George Eldredge
1 w# y% b. `9 L9 w Harper Flaherty2 u0 k) j0 q9 e0 _. ~2 [" L
Sam Flint
1 ~0 T' _' G l, z: G( G Frank Killmond
' A: L6 m- m; t3 D Ted Knight
" i) U" i6 c* ?) J" f9 i# D, ? Pat McCaffrie
4 [7 I8 L# v/ y7 Y! N" U Hans-Joachim Moebis4 U# f- A7 N$ N8 Q+ r
Fred Scheiwiller1 s' r3 x: M& j5 H: f
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◎标 签 希区柯克 | 悬疑 | 惊悚 | 美国 | 经典 | 心理 | 1960 | AlfredHitchcock# h' j% z& q/ Y# w# d
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◎简 介
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年轻的马里恩·克兰（珍妮特·利 饰）在Phoenix工作，深受老板洛厄里（沃恩·泰勒 饰）信任。男友萨姆·卢米斯（约翰·加文 饰）在Fairvale经营一家五金店，因要替亡父还债又要支付前妻赡养费而无力再婚，只能借出差的机会偶尔来与马里恩幽会。马里恩对此感到不满，于是在周五下午趁机携四万美元公款驾车潜逃。可是马里恩的潜逃之路并不顺利：先是在出城的时候被洛厄里目击，周六一大早又被警察怀疑。花了七百美元以旧车换新车之后，马里恩继续忐忑地行驶。入夜后，天降大雨，视线模糊，无法行驶，马里恩只得将车泊入路边的贝茨汽车旅馆投宿。老板诺尔曼（安东尼·珀金斯 饰）十分友善，试图邀请马里恩到家里共进晚餐，可惜被凶恶的母亲粗暴阻止，只得将晚餐端至旅馆客厅。马里恩在客厅一边进餐一边与诺尔曼交谈，终于决定周日返回Phoenix。用餐完毕，马里恩回房沐浴。这时，一个老妇的身影突然出现在卫生间……
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A Phoenix secretary embezzles forty thousand dollars from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.
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◎获奖情况 . R0 g+ b: g% q$ p
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第33届奥斯卡金像奖(1961)5 Z% H- \6 D; r
最佳导演(提名) 阿尔弗雷德·希区柯克
) U8 K6 y- t; h) ^ 最佳女配角(提名) 珍妮特·利) r | T- E, O! B1 @, ]7 `+ ^+ L
黑白片最佳摄影(提名) 约翰·L·拉塞尔# q9 F7 }% u. ~ e* X
黑白片最佳艺术指导和布景(提名) Joseph Hurley / 乔治·米洛 / Robert Clatworthy% x/ o" L2 g9 h6 w- R4 `& V
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第18届金球奖(1961)
3 ~$ c1 l% E7 A- y3 x 电影类 最佳女配角 珍妮特·利1 C* L7 P! E, J+ D9 n) N2 P
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Title : English-PGS% p- f- H1 G7 A. T( z/ M1 O- ?
Language : English5 a: T) Y: R& ^5 ^
Default : No) h' s* a4 ~# P! Q! n* |: n/ Y5 H" c6 y
Forced : No. l g1 ~# {2 U
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! |0 v% k$ U- L3 \% f. n) ^
Text #3
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( k9 C" w6 k) @+ a$ rMuxing mode : zlib
: O$ [0 ^4 @1 C( F) G8 Z9 kCodec ID : S_HDMV/PGS4 n+ l8 H- T& d( `
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
0 A ~2 b2 K0 m1 P; T) KDuration : 1 h 46 min
. |9 z4 H. s; Z, K' ]- X; ~Bit rate : 35.8 kb/s
" @0 u+ O# C- F3 j" ^/ B; MCount of elements : 2091
4 s6 p2 z y4 z4 q) ^" F; I/ {Stream size : 27.3 MiB (0%)
' t& Y- [3 M; |* Z& p5 M" c/ G, h4 o/ ETitle : German-PGS2 U, W7 t4 Z8 J
Language : German
# u0 x4 Y- L; B2 H- T/ F* HDefault : No
3 e! {) Z; d& F' ~Forced : No
" y0 S5 M: Q+ f) k$ K5 mOriginal source medium : Blu-ray
- |0 x Z( i( b+ ?( {* ^' C7 C. {9 Z- H, U1 b7 U
Text #4- v' W g; c! u q' s! U r1 ]. Q
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- B& k; }' t) L' x+ s( L" @" xFormat : PGS
; T9 [3 h+ O# {# h2 F& l# sMuxing mode : zlib# X h4 Q! I6 x5 ]' y/ e' M
Codec ID : S_HDMV/PGS
4 i! [2 ^: ~0 Y( H1 jCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
1 D ~- y, F; A0 B' y+ ODuration : 1 h 46 min7 V: v# E# J6 H2 t& Q
Bit rate : 31.7 kb/s( i7 f X/ G% D9 w+ G+ D) g
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Stream size : 24.1 MiB (0%)/ a0 B/ I5 q. F+ @6 v* J9 D
Title : Italian-PGS
8 L3 N! {, X- w* zLanguage : Italian" V0 V/ d# O, w/ D1 D
Default : No+ Y) N$ z+ c" S3 j
Forced : No1 c. b( c3 b2 x3 c8 g9 U
Original source medium : Blu-ray9 N m; W4 A7 F
, A& a3 K5 k1 Q) B5 W9 {' MText #5. w" C& A% Y5 i3 f8 y( P; W
ID : 130 ?1 {6 M0 J; \0 }6 d2 F% E( l
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3 I& v% ~3 l( W' HFormat : PGS
, W0 q7 _2 ]& C1 s( {Muxing mode : zlib
( }) q$ a; b1 N" @Codec ID : S_HDMV/PGS5 `6 a' j. {1 e( y, U
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs. T. c- B/ p( t% k4 k6 C) |8 Q
Duration : 1 h 46 min
# _1 z; s% [3 B4 a6 y% f0 YBit rate : 31.7 kb/s
& x3 V/ ^: L, Z. P# N4 hCount of elements : 2093
; b8 V6 J( u9 \ u" ?. v% ^% vStream size : 24.1 MiB (0%)1 Z( x) |3 ]' }8 m; g( `' k+ z
Title : Spanish-PGS2 ~, u9 l3 k% J
Language : Spanish
4 M$ C- K: A. Q. k0 T* sDefault : No
M% }$ b& D( T9 }5 }" `Forced : No
4 k: \5 K: j% D, u( AOriginal source medium : Blu-ray. |. W! n/ V q7 o: Q5 S- K
$ {# V, N( C# H4 k& B$ |' l' G7 H
Text #6$ I5 K: c) W/ d5 O$ k. q
ID : 14
( i( d7 F4 @ k$ d" M# X( @! B' AID in the original source medium : 4612 (0x1204)
7 T( [! D0 q" V5 Z8 t! HFormat : PGS# K4 N6 ^! }( X. r3 C% W" A
Muxing mode : zlib
& _4 _% @/ ~$ q+ i$ L+ B8 lCodec ID : S_HDMV/PGS
+ V+ B3 [/ u0 t* `2 \# lCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
$ q o( O( ?. H- |. z# n9 \* L. L& e1 qDuration : 1 h 46 min4 E0 f! k# X$ o6 b4 Y: @5 G
Bit rate : 33.5 kb/s
; f1 I9 L9 |. ~! CCount of elements : 2093
+ Y/ }, l2 A& p; ?$ mStream size : 25.5 MiB (0%), g, B# x$ l9 g, y* b$ D
Title : Portuguese-PGS8 l9 H- R6 g% Z' e7 \8 r N( m( e
Language : Portuguese
) }0 ^+ j& ]( f* P- u3 G( o8 NDefault : No D$ L. p- y; z+ r
Forced : No' K* X5 \$ j: m' \
Original source medium : Blu-ray# E) ]' ?; x( Y7 }) Q- j
6 ]- A3 p' d4 O2 I% T0 ~$ jText #7
8 v3 ~; N q7 ?" C9 @1 oID : 15 Q0 p1 c* T. |! Q, u9 Z
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Format : PGS# _" \% R) F7 U7 o# ^" X& u3 @
Muxing mode : zlib
/ V# i2 J2 ^8 u6 C3 r, [Codec ID : S_HDMV/PGS r$ c7 s5 H) ] h% V
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
' E9 ^+ O7 l* w6 sDuration : 1 h 48 min
6 v, S% X# {2 ?: q/ nBit rate : 66.0 kb/s! G# q# _8 V: {' b9 D+ F b
Count of elements : 3198
d7 D- Y7 M% Z6 k* D/ hStream size : 51.4 MiB (0%)
' x" r1 o6 z5 m8 q1 o2 v6 w- w3 VTitle : English-COMMENTARY-PGS
3 U/ i+ y# ]# ^+ U- J! R A/ {7 XLanguage : English7 K. p5 r$ \2 K; h R( ]
Default : No, \. T: u1 E0 E+ E1 `, R
Forced : No
8 }; x/ e, T8 X& C( C, D/ e/ f5 f2 [Original source medium : Blu-ray
) z+ l$ `+ @7 |; o0 ~% [
6 A! y8 g# V* W5 ]& IText #8
* \* K2 o8 y- G4 W! |$ l$ m! ^ID : 16
( G6 u5 M1 q' e/ Z$ XID in the original source medium : 4618 (0x120A)9 h5 X! l' h# ` j: B
Format : PGS1 x1 a8 ^) D5 E! Q' N% j L
Muxing mode : zlib% D) }/ h \' ~& E1 ]# T( T4 V
Codec ID : S_HDMV/PGS$ |! ~. T' _+ o5 p3 x# z# l8 H
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs/ H6 a% w. l8 ]+ ^: H, k
Duration : 1 h 48 min
) F, y, [: l1 M) s/ ]6 i9 Z5 rBit rate : 69.8 kb/s. a' m) b; g; r. t% U2 E3 `
Count of elements : 3459 D0 m4 _" I; b6 t( `. u* R
Stream size : 54.4 MiB (0%)
# Z7 }$ ^, W0 PTitle : German-COMMENTARY-PGS" u* e1 d2 x0 G. S4 p# O* Z6 T: M
Language : German
5 Y! c) N, @4 ^" h7 vDefault : No' G1 I- c) X5 k9 \
Forced : No
. W- L, }* v" ~; x' |Original source medium : Blu-ray
* ^- [% I# W, D. k- H9 k9 U; P& B; _, Q. r
Text #9
4 w; D+ I7 j& U6 W( E: U3 ]ID : 17
0 j. H- c, {- J, p ?6 ]ID in the original source medium : 4619 (0x120B)
* d4 b" h' I, D) cFormat : PGS
4 {: g( D k9 {) F0 qMuxing mode : zlib
5 S$ J; e' ?5 x7 Q$ Y* `. tCodec ID : S_HDMV/PGS
5 Y. u( h0 }0 ?& n0 [Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs' h( ?! g' {- z# U
Duration : 1 h 48 min
" {: @0 b _% S. t IBit rate : 63.2 kb/s
6 A# [1 l% w- b8 X( n% vCount of elements : 31957 k' K; f! @8 G! P( |0 d, ]+ Q
Stream size : 49.3 MiB (0%)
+ h$ W$ s3 j" qTitle : Italian-COMMENTARY-PGS
" Z* C: a( M. [; g0 aLanguage : Italian- m' s8 r. m/ ]0 b; J7 j
Default : No
; K& l" }' s6 K5 g6 @! k! E+ Y; Q* KForced : No
* s u$ g( m+ @( d8 TOriginal source medium : Blu-ray
# `% A* k% F0 ^5 ]( ]( g3 p8 s8 J7 \% J
" F- _; \5 [8 q- XText #10
# U' O5 [ e' z/ U! gID : 18
; h+ b8 V; _ O9 A5 f3 y2 SID in the original source medium : 4620 (0x120C)
, N( ?/ R5 i3 ^3 T, r7 e. j& mFormat : PGS+ K( D$ E& _8 B( G9 O
Muxing mode : zlib
8 d- M0 P) ~. {; `: HCodec ID : S_HDMV/PGS
* }' @* h/ c. M$ b( hCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs- X( y( ?. j+ T6 S
Duration : 1 h 48 min* \1 Y) U& e1 r1 E
Bit rate : 64.5 kb/s% W& i0 W' f5 l ], K3 ]$ m+ E: w7 i
Count of elements : 32259 n0 Z* O6 m* o4 W: }1 W
Stream size : 50.3 MiB (0%) K0 q+ \7 R3 X4 \0 f0 R, ~6 _
Title : Spanish-COMMENTARY-PGS
+ a7 h1 _: h" ?; W0 @" lLanguage : Spanish. X" O$ o% ]% }- g! ]2 C3 a& V
Default : No$ Z: ?/ S; t, k/ @
Forced : No' U/ B0 Q0 [, j! }: u m- W
Original source medium : Blu-ray3 ]# r/ w3 Q. h, r5 f
# p- h, g/ |/ u
Text #117 l3 c6 w: j% a
ID : 19
3 i' K! t8 {! i. f! ?3 \* }4 K2 MID in the original source medium : 4621 (0x120D)
: [6 Y* K; S+ e* C" T) mFormat : PGS' `( }/ ^, w" z% p) {6 V
Muxing mode : zlib" E, v% H3 t v) h/ m
Codec ID : S_HDMV/PGS# N' u, d4 g9 `( i
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
% l' i( U; Z6 D$ hDuration : 1 h 46 min
6 n/ S; ?* x, H! U1 g- \Bit rate : 150 b/s& ~" f+ Y3 E6 s
Count of elements : 286 `3 S. R+ x5 p; q; L8 [& z" m
Stream size : 117 KiB (0%)* ^* ]2 c5 y" v- u% Q; `! G) @
Title : German-FORCED-PGS
" u3 {3 X& Y' G7 D" F$ kLanguage : German
) _% @5 v6 u- j: c% {' h$ Q1 S9 s( YDefault : No
# B8 ] C8 |# J- [. o1 }9 wForced : No1 ?! ]. f' R) n! {% C3 x: A5 F7 r! q
Original source medium : Blu-ray
# J9 X0 W( v3 C: n- C# L% T6 n" W. ~+ i* J+ y2 R
Text #129 z7 F- X. n7 f) u* U
ID : 20
2 o+ z" J; Z4 mID in the original source medium : 4622 (0x120E)" U* _1 G9 z$ E" `# H0 H1 M
Format : PGS( w2 o+ ~$ V& l Y; y1 c
Muxing mode : zlib
- l- e. J- w. `0 BCodec ID : S_HDMV/PGS
- X/ D# G2 f9 t% W5 I5 n, ZCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
# S) Y; z: w, o5 Q5 W) M8 \Duration : 1 h 46 min3 @* g- @ b: K2 R& m
Bit rate : 168 b/s
) h5 r2 x3 v- o$ NCount of elements : 28
2 L Q# H$ B. U, Z( uStream size : 131 KiB (0%)
" H; v1 L+ q; cTitle : Italian-FORCED-PGS' z8 k) ]9 a" T7 T% Y( ]
Language : Italian
/ L& N7 _* z% w, c. ?* j9 l7 L; gDefault : No
7 d* g2 z3 q8 t+ D) J+ i; ?Forced : No* ^% W4 P9 N( ]. T' k6 ?9 d: e0 q3 L
Original source medium : Blu-ray7 l7 y7 f' H/ ^3 o- \
$ n! f3 E0 B2 S: v0 s! @3 aText #13
* Q U1 h: n0 y) G* H) Y. [ID : 21 H$ v6 M& j# d. J
ID in the original source medium : 4623 (0x120F)
/ w) ?, n, J; f4 h5 I+ A; OFormat : PGS
9 ^7 h" g1 h; kMuxing mode : zlib
4 c" W$ I7 v$ w. G, n) z2 WCodec ID : S_HDMV/PGS' ?0 Q. @% L Y& O6 x5 }
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
) S! l q5 w% t* SDuration : 1 h 39 min
9 |* j8 L" P/ |8 ]; }# v: X. GBit rate : 145 b/s
& h2 R8 g% U! f9 C# OCount of elements : 24) C2 [4 B5 k5 @
Stream size : 105 KiB (0%)
- M6 C, g+ L5 Q- DTitle : Spanish-FORCED-PGS
3 r+ L1 r& g* \, W+ G! W2 H& rLanguage : Spanish
8 R6 l- T6 r2 l7 v! R cDefault : No
( y! U' V8 R, I: r A6 V- IForced : No }6 S% `* w8 |2 U3 v' V6 H
Original source medium : Blu-ray
. t! y$ N5 W5 A/ B: J7 a( s5 j* R! r
Text #147 y S ?4 @" S
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- K A" e# R, Z6 x; [' ~) qFormat : PGS& l+ O2 M6 B6 v$ z" w' T( k
Muxing mode : zlib
- u# l5 ?: r! g2 ZCodec ID : S_HDMV/PGS) l+ y) c: X4 F
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
* ?' G- P; q, K, _9 n5 B- FDuration : 1 h 39 min
* W7 s, T0 `+ `1 l" RBit rate : 154 b/s
& y5 r1 a6 `; x/ ~$ rCount of elements : 24
+ I1 J$ ?7 Z! c! I0 ]& Y( X; F' @Stream size : 112 KiB (0%)8 {' m0 V0 x. I# T) n! n* Z$ m
Title : Portuguese-FORCED-PGS5 A; x$ D! E3 w! Y: C/ y8 i
Language : Portuguese
8 ~8 p T4 j4 K- M- u) D9 R1 uDefault : No
' V: G. n) v' }2 k! @% iForced : No
' v9 I' I* D3 k2 y, |8 V& x7 ?) \Original source medium : Blu-ray% p! W8 W) ^3 Q) t0 K
2 M8 C$ O a7 w& @. I) d/ }1 G
Menu1 Z! Z# g0 z7 j1 [8 W' O& ]
00:00:00.000 : en:Chapter 01% a0 F6 {( a& e' z: l
00:02:20.682 : en:Chapter 02. x6 A' {6 y4 `1 X
00:07:00.044 : en:Chapter 03 i, I) M9 x% x* u! Z7 h& J p
00:11:06.624 : en:Chapter 04
5 D, {$ q6 ]& Y5 G& Y# v$ O6 a00:14:00.631 : en:Chapter 051 m3 m" r: W! {! _
00:17:54.198 : en:Chapter 064 g: M% B) e0 g* |4 C# r
00:26:33.049 : en:Chapter 07
, L2 O8 h" B& o& x00:34:51.005 : en:Chapter 08
% w7 I) o, v( A00:38:35.271 : en:Chapter 09" G `" e0 q+ [8 e' t; u0 p: r6 ^
00:46:43.592 : en:Chapter 10# t; D# j) P, N6 B& d
00:49:37.182 : en:Chapter 11( _) y. Z9 ^, g0 }* n2 p$ g
00:58:51.861 : en:Chapter 121 H) l+ a9 }; v& J5 N, F
01:00:26.080 : en:Chapter 13
- G7 ~# f2 I1 M$ g0 W& W- t01:04:10.847 : en:Chapter 14
5 f' H B: m; D. y: ^) q+ r7 z/ h& B01:06:41.622 : en:Chapter 15% i5 O& H9 a$ |, }( Z1 X0 D- O
01:12:35.476 : en:Chapter 16" q# o$ T) h! I9 u) ~2 f
01:16:41.972 : en:Chapter 17
# q# y% X U- E! o01:17:52.834 : en:Chapter 18
$ i. Y0 Y9 k" x01:20:29.741 : en:Chapter 19
* z& k4 p( ?3 ]% F3 W- N01:23:48.314 : en:Chapter 20
5 L3 R: z; I6 u* g01:27:05.637 : en:Chapter 21
, T5 @5 V, ^7 D9 u- j' S01:32:19.242 : en:Chapter 22
: c# U+ p( R' t7 h3 ^3 ]8 J* U% r$ v01:35:21.882 : en:Chapter 23
; O( V) _% p+ i) y; k01:41:03.515 : en:Chapter 247 e: @% h5 t$ y2 |. `6 s$ K& C8 _* B
01:42:08.580 : en:Chapter 25
$ w& Z2 e3 z! b8 z# |, Y3 c01:47:29.526 : en:Chapter 26    Video2 ~6 e' v. s+ _% |5 [ Q
ID : 1# @4 m8 m5 S* E: `0 p+ \
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$ M* d/ t' f& V! t9 oFormat/Info : Advanced Video Codec8 c* Q5 x6 |( {* F. a
Format profile : High@L4.1" K0 ]% ?- h' B9 l, V) ^) i$ S& t( u1 G
Format settings : CABAC / 4 Ref Frames
8 g0 M6 l. Q3 G4 [' f! w% {Format settings, CABAC : Yes5 C* W4 g3 `4 O# s0 f/ `
Format settings, ReFrames : 4 frames
" P6 ^5 e& g ECodec ID : V_MPEG4/ISO/AVC' ~6 g4 k" i- d) M% `' V
Duration : 1 h 49 min
8 ^ y8 a8 {+ A3 u& ~" BBit rate mode : Variable
! Z$ a7 l- R, w% k; Q. `* ^# n7 S# sBit rate : 25.0 Mb/s% C4 E0 M7 }/ x `/ O9 i. j
Maximum bit rate : 35.0 Mb/s1 D3 _8 E5 |/ m4 W0 K5 q5 X
Width : 1 920 pixels, A: ^: ?# y# N$ `( F) `
Height : 1 080 pixels
) s4 `8 l4 C$ F4 G" qDisplay aspect ratio : 16:97 ?! W+ m# g% H g; W
Frame rate mode : Constant1 j/ z1 t/ K U* q2 g
Frame rate : 23.976 (24000/1001) FPS& F/ E$ j- y6 }/ d7 j) b
Standard : NTSC- v9 j M! d$ X8 A4 @7 }" }. W
Color space : YUV! f2 H$ T; r/ @/ g2 W
Chroma subsampling : 4:2:0# E5 Z* t& B! z! l
Bit depth : 8 bits
# E4 c: h) o4 R) C- m7 IScan type : Progressive
$ N3 q$ y4 h- P* z0 \Bits/(Pixel*Frame) : 0.503
! o( g5 ~$ o" s" A: kStream size : 19.1 GiB (75%)( a1 T. _2 s: [/ Q5 r( W
Title : Psycho.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
7 W. I |4 N* j, W& B) XLanguage : English
+ T3 f" Q; g/ L! y" B6 m7 [Default : No* d; q! {0 s6 s% _6 C' x" C
Forced : No
. P/ |/ a. j9 BColor range : Limited1 b9 o7 S! B/ s+ p
Color primaries : BT.709
+ R! Q$ b, A1 UTransfer characteristics : BT.709
2 J# p; N) L' M6 K# zMatrix coefficients : BT.709( @/ o2 b" s4 ?( \, Q o H
' p6 c7 ^( `( z0 I
Audio #1
/ n1 b, z6 D( gID : 2/ \" a( d5 ~; l5 c5 p1 j
Format : DTS XLL$ g" r% m& N' v( q
Format/Info : Digital Theater Systems
& Z0 |" p" [+ |+ dCommercial name : DTS-HD Master Audio8 D. f6 v/ E! a0 }0 ~
Codec ID : A_DTS% c' Z/ @, N6 L/ z3 k9 {/ S
Duration : 1 h 49 min2 \( S1 }. t/ t$ Y9 |) |6 \% T I
Bit rate mode : Variable
* u& n: ] K$ }9 T7 k8 w4 Z* aBit rate : 1 895 kb/s: J8 }/ m9 u5 V" f- h9 v+ _
Channel(s) : 6 channels: T. f, v# P. _& R
Channel layout : C L R Ls Rs LFE
- K& Y9 N1 Z/ B9 b, b" BSampling rate : 48.0 kHz( V( [: }3 e# y2 v
Frame rate : 93.750 FPS (512 SPF)# \# @& q0 h+ t
Bit depth : 16 bits6 G( {) g; @9 @4 V2 Q0 g( ?
Compression mode : Lossless6 A7 c4 J$ g f* K! w- X4 {
Stream size : 1.44 GiB (6%)
: m8 E* @1 @, ?- V0 b% j% dTitle : Psycho.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
' {% T; Z6 L( E: \2 p* xLanguage : English
8 Y/ L3 w4 w' v. y1 _Default : Yes4 U9 |8 [: i% M
Forced : No
) O! }$ w, x8 I Q& W/ @" o! | ~" K: G! y( b
Audio #2% v& a1 h0 R2 Q& C' S
ID : 3
0 d+ S- y$ a5 l6 G( ^Format : DTS
! K& V# L0 _; M2 _. W, }' Q. qFormat/Info : Digital Theater Systems) T- N$ O# _/ o
Codec ID : A_DTS C0 p8 {) O* r- y/ L9 T0 b
Duration : 1 h 49 min
! S) M4 O" J) X' GBit rate mode : Constant
; T6 Q- ^2 O3 H9 t4 s! ABit rate : 1 509 kb/s6 p& W. h' L( v# c+ P6 t
Channel(s) : 6 channels
0 }4 |" A4 S. s0 [' zChannel layout : C L R Ls Rs LFE0 ^3 V- B& j- _$ a3 q0 N5 r( ` I0 c, G
Sampling rate : 48.0 kHz
4 @$ E" [$ q1 k" jFrame rate : 93.750 FPS (512 SPF), k& L6 E# _; d+ R
Bit depth : 16 bits
$ Q0 B4 l5 f* E1 K5 l, Y' jCompression mode : Lossy+ h( d- [7 J5 E) g8 Y
Stream size : 1.15 GiB (5%)/ S$ F# [/ A$ H4 ?
Title : Psycho.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
1 M+ E! s* a. G" y- _8 aLanguage : English
( L. \' j, j" F( I& Y& t* D# {Default : No6 v+ q9 k5 U* _: h! Q" Z3 `+ F
Forced : No: b* V# K: P! d3 ?4 O K/ ^" Y
0 p2 S. c; e! g) `$ ?+ |5 U
Audio #3
+ O/ k8 ~! M4 r& GID : 4
! l+ Y, B4 u a& E; E$ [5 hFormat : DTS XLL" f) v/ i. z) y" _; D
Format/Info : Digital Theater Systems
W5 d! r" g* ECommercial name : DTS-HD Master Audio8 a* z% Q7 a9 k5 ?- b
Codec ID : A_DTS; u2 [% d" R7 A0 F, J, x# A
Duration : 1 h 49 min' m0 s# L) M. H1 D
Bit rate mode : Variable% D/ k& f2 Y" U2 l" Q( Y% [6 K
Bit rate : 1 654 kb/s
. [8 x, p6 i' n0 U; QChannel(s) : 2 channels
6 b- p! A1 n! e3 t" S K! PChannel layout : L R
3 @* F; c! o" Z8 RSampling rate : 48.0 kHz
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2 i' E4 Q# P9 @Title : Psycho.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT3 u h! H3 j% g( x+ Y
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# y2 `% [4 }6 s: iTitle : Psycho.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
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3 l7 w) p1 e$ n& Y! |& N& XTitle : Psycho.1960.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
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00:00:00.000 : en:Chapter 01
) u: i9 e) A% @* F7 b) d" `00:02:20.140 : en:Chapter 02
A2 ~- e" v! s$ M: y- J7 p+ s00:07:00.461 : en:Chapter 039 C3 {3 R* L9 B8 ?3 q4 p
00:11:06.207 : en:Chapter 04$ w* a- i5 C8 `- p" A
00:14:00.965 : en:Chapter 05
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00:23:43.797 : en:Chapter 07* ]1 R! e! p* r7 b' J
00:28:14.192 : en:Chapter 08- @' _' u1 h, v( q8 ?
00:33:37.306 : en:Chapter 093 Y! Q. c! N# i8 R5 q" E
00:37:49.684 : en:Chapter 10
% V; C5 [$ Y4 X00:43:46.874 : en:Chapter 11( e& T! n' e7 M9 Q5 @$ c% x
00:46:55.687 : en:Chapter 12
! Z) \/ g4 u1 [: a0 e5 J- C0 R7 L6 x00:51:30.879 : en:Chapter 13# V, o, T, S% R8 ?1 F
00:54:48.034 : en:Chapter 14
/ {' C! y5 q: l* Y01:00:26.414 : en:Chapter 15) ?/ L9 g1 m8 q) |; r
01:04:23.234 : en:Chapter 16+ v# t& p2 |7 H& E W
01:12:36.602 : en:Chapter 17
! [& J6 s1 O/ E6 a# A01:17:53.502 : en:Chapter 18/ Q4 e; d5 }7 J2 `& h
01:20:29.658 : en:Chapter 190 Z3 F( I/ V. @$ M) V& E% Q% Z
01:25:23.493 : en:Chapter 20
9 u9 }1 d+ B$ {, B( v01:27:06.095 : en:Chapter 21) B4 n8 b) y8 Q; F: i
01:31:11.716 : en:Chapter 224 L( c& Y# o, J2 Z4 w C, Z9 ^
01:35:22.216 : en:Chapter 23& ?6 }6 ]4 c7 Z3 B; b& ~
01:42:10.165 : en:Chapter 24
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, `% x9 z1 T4 i) Q$ v7 s& e. k; @& MOnce again, Universal doesn't know quite how to handle its catalog product. While Psycho showers its way onto Blu-ray with an at times startlingly clear and well defined VC-1 encoded 1080p image (in 1.85:1), there are unfortunately some persistent artifacting issues to report. First the good news. For once, Universal doesn't seem to have manically digitally scrubbed their source elements, so grain is still apparent, though not overwhelming. Contrast is for the most part excellent, with an appealing array of gray shades and clearly defined whites and blacks. Clarity is very good, with fine detail pleasing. What hobbles this transfer are a number of very noticeable instances of shimmer, aliasing and other resolving issues, typically on patterns. You'll notice it right off the bat as the camera moves in toward the hotel room window where Leigh and Gavin will soon be revealed. Keep your eye on the bottom of the venetian blinds and you'll quite clearly see artifacting in the close knit parallel lines. Later, when obnoxious businessman Tom shows up at Marion's office and sits on her desk, his crosshatched suitcoat virtually pops off the screen, and not in a good way, as the Blu-ray can't quite deal with all the busy patterns. At the Bates Motel, we once again get some relatively minor shimmer on the plants around the Bates home, which in one shot comes very close to devolving into digital noise territory. These are all transitory issues and don't ultimately rob the film's image of substantial enjoyability, but they will bother the more persnickety videophiles who pick up this release. There's no arguing with the fact that there is certainly an uptick in sharpness and contrast from the previous SD-DVD releases, but Universal needs to take some lessons from Warner in the catalog release department, and go that extra mile in delivering solid transfers.
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* R6 t: ~4 i: K/ H+ pPsycho Blu-ray, Audio Quality
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I'll admit it, I'm usually not a fan of repurposed 5.1 mixes for films that don't really call for them, so take my comments on this lossless DTS-HD Master Audio 5.1 mix with that in mind. Psycho is, not to state the obvious, a very intimate film, one which gets so up close and personal with its subjects so as to make the audience squirm a great deal of the time. That means the original sound design of the film was often claustrophobic and intentionally narrow. Selecting discrete effects and pasting them in a side or rear channel just seems a little silly to me, but your mileage may vary. That said, the remixers here have not gone over the top in their redesign (which is frequently the case, unfortunately), so major kudos to them for keeping things relatively subdued. There is some decent immersion on this track in some unexpected moments, such as the torrential downpour in which Marion finds herself as she drives across the desert. Some sound effects nicely gurgle through the surrounds, as in the car sinking segment, or earlier when Marion buys her "new" used car and the passing traffic pans through the soundfield according to each individual car's direction. But overall the 5.1 mix, while sporting excellent fidelity (especially in that iconic Herrmann score, which really pushes the high frequencies), seems largely unnecessary for what this film is attempting to do, however well it happens to be done in this instance (and make no mistake, it is, for the most part, done very well here). There's little to no age related damage on this track, with virtually no hiss and, perhaps surprisingly, no noticeable compression in either the extreme highs or lows. A standard DTS 2.0 track is also included which reproduces the original mono soundmix extremely well, and purists may want to stick to that option.% j4 j6 }& U+ t+ K! @
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