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A story that finds Rocky Balboa acting as a trainer and mentor to the son of his friend and greatest rival, Apollo Creed.6 g' f- N1 S' e/ Y
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◎译 名 奎迪/金牌拳手(台)/洛奇外传:王者之后(港)/洛奇7/克里德
h2 @* T9 d& P# W. G3 d& {◎片 名 Creed4 F Z8 Q. ?5 u
◎年 代 2015* W9 I0 \7 Z& b% M# C
◎产 地 美国6 F" f% G* W2 J+ ~8 i" B Q W
◎类 别 剧情/运动
0 x, V. p# \: P: s7 [$ ?8 |◎语 言 英语' _1 o# w0 w% v8 n( M0 n. S
◎上映日期 2015-11-25(美国)& w9 a, \, ^ S5 v. r
◎IMDb评分 7.6/10 from 215,630 users
0 D5 t4 f0 Y% a% x◎IMDb链接 https://www.imdb.com/title/tt3076658/* @& K1 O) z Z! P
◎豆瓣评分 7.5/10 from 18,025 users
$ I) X |) a9 i# a* O( L9 l◎豆瓣链接 https://movie.douban.com/subject/24875409/
7 I! [3 G, s! x- F1 ?9 G; h* c' x6 S◎文件格式 x264 + DTS
. i) k1 ^/ \8 c3 c9 |8 q◎视频尺寸 1920 x 1080
& G, H' r3 {4 ]4 d( w% t: @◎文件大小 1DVD 36.66 GiB
2 R- Z1 g! P- e2 Z# A& [◎片 长 2:13:10.023 (h:m:s.ms)
5 ~% u5 `, c, R! {, {8 F◎导 演 瑞恩·库格勒 Ryan Coogler: r" v5 c& d5 {% u2 t% s/ Z! b
◎编 剧 瑞恩·库格勒 Ryan Coogler4 t9 q/ `) C7 F5 h9 |* d
亚伦·卡温顿 Aaron Covington
5 I2 A* r7 x* t& W' m* i 西尔维斯特·史泰龙 Sylvester Stallone
9 q1 Z: v) e) o◎主 演 迈克尔·B·乔丹 Michael B. Jordan
3 i1 |, m: ~/ P H! O 西尔维斯特·史泰龙 Sylvester Stallone
o0 o t x' f! R& z 泰莎·汤普森 Tessa Thompson
2 ^, Y8 R$ U: e/ |7 w8 l) B 菲利西亚·拉斯海德 Phylicia Rashad
3 K, `6 M- z1 h$ T" s8 h; Y 安东尼·贝柳 Anthony Bellew" j* n3 r/ I0 W& W- {8 O
伍德·哈里斯 Wood Harris
( A+ M5 @4 C. V# o r 安德烈·沃德 Andre Ward7 X2 Y( w4 j2 e; N4 Z% j, A
加布里埃尔·罗萨多 Gabriel Rosado
) h. K2 c8 b9 X! e9 P7 \ 胡安·巴勃罗·维泽格 Juan Pablo Veizaga
9 K! q* {$ e$ ~ q9 ?3 M2 m 格拉汉姆·麦克泰维什 Graham McTavish
5 n6 C" I* ]8 v" j4 Z0 m 威尔·布拉格罗夫 Will Blagrove; s' B3 D; J8 G9 n+ \& {
马克·史密斯 Mark Rhino Smith
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◎简 介
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从严格意义上来讲,《奎迪》也许不能算是《洛奇》的续作,而是另一部衍生作品。故事将以曾被洛奇打败的重量级拳王阿波罗·奎迪的儿子为主角,影片的片名也源于此。这位出身上流社会的年轻人具备与生俱来的拳击天赋,立志成为拳王的他却遭到家人的反对。他于是找到了已经退出拳击界并且无意回 归的洛奇(史泰龙饰)来担任自己的教练。 1 N* l- v6 {( r& L- z# R
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The former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.
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◎获奖情况/ h' n9 ?+ q8 d* z* y0 k
" F6 I* W: X5 Y; ~6 N) X- D, f B 第88届奥斯卡金像奖 (2016)
0 z7 m2 [, Z6 _; `! n 最佳男配角(提名) 西尔维斯特·史泰龙
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第73届金球奖 (2016)4 V/ n, H( O5 w; m% L, q# ~) `+ ^
电影类 最佳男配角 西尔维斯特·史泰龙
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8 d+ ?1 G) S6 K$ u5 P" _ 第87届美国国家评论协会奖 (2015)* [" m! h" j: M. z4 A
最佳男配角 西尔维斯特·史泰龙
8 t: J! `, L- ~ 年度佳片/ x; M9 i- U9 v
6 A& V2 a" F% W% l, [ 第21届美国评论家选择电影奖 (2016)
& V# j) B3 [! ]) \8 F6 e 最佳男配角 西尔维斯特·史泰龙4 I. }3 Z( A n
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第50届美国国家影评人协会奖 (2016); c* ^5 z: ]" B3 v$ W
最佳男主角 迈克尔·B·乔丹1 c# k8 _' \7 h" J' I9 J
& d3 r" E r' W 第41届报知映画赏 (2016)- \8 H! d% s3 A2 X7 i* N$ a. b
海外作品奖 瑞恩·库格勒
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5 \; U1 x& r3 Q- DISC INFO:9 w' B; a! v* e" _: B$ e
: r1 k+ l/ P: @$ M) r& m" p) _- Disc Title: Creed.2015.1080p.BluRayCD.AVC.DTS-HD.MA.7.1-RARBG
0 S! R2 T) w- G/ Z' h1 k5 C" K# F8 d - Disc Size: 39,368,850,079 bytes
, e' h/ E/ o3 P: v5 a - Protection: AACS
; ? }6 M( R4 R - BD-Java: No
5 [- }7 g' d S5 ] - BDInfo: 0.5.8
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- PLAYLIST REPORT:
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) T4 i6 |- |5 M$ p( @- Name: 00100.MPLS
5 A" A# T) E- S `' p - Length: 2:13:10.023 (h:m:s.ms)
' ^$ h1 I, h' s - Size: 34,413,514,752 bytes. O$ t, G8 |( ?$ e) }$ h
- Total Bitrate: 34.46 Mbps
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- Codec Bitrate Description 4 Y& d0 N1 L( E
- ----- ------- ----------- * r( H* g- T" n+ M7 x
- MPEG-4 AVC Video 24991 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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2 ?! a( u: p/ ^; k; y: {: g9 I2 ^- AUDIO:
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- Codec Language Bitrate Description - A& e6 U$ T5 ~9 e" z
- ----- -------- ------- ----------- . Q% J3 m9 ?% U* Q4 l% i/ C/ i& ?
- DTS-HD Master Audio English 4807 kbps 7.1 / 48 kHz / 4807 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit). S6 m( d+ s+ z
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
% U$ t% F5 d& ? - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
" n/ e# c V. Z - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
' q% |4 Y2 }0 S S; E - Dolby Digital Audio Portuguese 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB+ i! ?# c5 } m$ i) P7 N. d
9 v4 U9 M3 g- B" N- SUBTITLES:/ `; c. q0 L9 k5 S, v
+ [3 G0 L$ x- o- Codec Language Bitrate Description ' `8 k. l. _, n" X- }
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1 D/ Z0 ~: d0 f9 O/ p7 T" ~ - Presentation Graphics English 44.465 kbps 1 m, V8 }5 y' Q( S0 F! ? d
- Presentation Graphics French 29.109 kbps $ F9 i4 p% ?6 o; K5 R
- Presentation Graphics Spanish 37.826 kbps ^; h8 Q4 X6 `
- Presentation Graphics Portuguese 39.045 kbps
+ n9 B! [' K5 _' r - Presentation Graphics Spanish 1.193 kbps % q6 \' u( S% A: Y( b8 d' u
- Presentation Graphics Portuguese 1.193 kbps
复制代码 Creed Blu-ray, Video Quality 0 u( r9 s9 ?& f' S! S* L! Y* W2 U6 r
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Creed was shot digitally (on the Arri Alexa, according to IMDb) by Maryse Alberti, whose majorwork has been in documentaries and who created the "found video" look for M. NightShyamalan's The Visit. (She also shot Darren Aronofsky's The Wrestler.) Probably because ofher documentary background, Alberti has resisted the temptation to stylize Creed by tinting theentire frame with washes of color, which has become an all-too-common practice incontemporary cinematography. Creed features a widely varying and generally realistic palettethat accommodates both the wintry urban landscape of Philadelphia and the pockets of brightwarmth seen in Bianca's apartment, in the clubs where she performs and also in Rocky's home,after Adonis moves in and the champ's emotional pilot light is relit. Each of Adonis' four fightswas shot in a different style, with the climactic final fight aping the style of cable TV coverageand dominated by the red, white and blue of the challenger's trunks, which pay tribute to hisfamous father. ) B0 h; I2 b' o3 \
: X A* A$ O. E) ~Warner's 1080p, AVC-encoded Blu-ray features an exceptional image that preserves the Alexa'sclarity and sharpness without any of the harshness that sometimes accompanies digital capture.The crags and lines in Stallone's face add gravitas to his performance, and they arecomplemented by detail of the old walls, worn exteriors and cracked concrete in the Philadelphialocations. The crisp digital imagery allows Alberti and Coogler to fill locations like Rocky'srestaurant and Mick's Gym with photos and memorabilia invoking Rocky's past, which serveboth as reminders of Creed's immense backstory and as silent witnesses of this latest chapter. Inthe fight scenes, blood, sweat and injuries are displayed with painful realism. 7 H4 p; n- D8 J) f: N
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The only quibble with Warner's presentation is the continued insistence of the studio's theatricaldivision on aiming for a middling video bitrate, regardless of the available space (a practice nowabandoned by the catalog division, following the Warner Archive Collection's example). Thedigitally acquired Creed has been mastered at an average bitrate of 24.99 Mbps with whatappears to be a careful job of compression, but about 10 GB remain unused and wasted on theBD-50.
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# }# O1 s1 `/ v/ q6 S1 SCreed Blu-ray, Audio Quality* _3 A, {" C, }" ]: M
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Creed arrives with a 7.1 soundtrack encoded in lossless DTS-HD MA, and the sound mixershave been bold in their use of the surround array. When Adonis is fighting in the ring, Rocky'sinstructions are a constant presence, frequently off-camera and routed to a rear or side speakerand moving with the camera's perspective. The crowd noises, especially in the climactic bout,help convey the excitement, and the commentary of the sports reporters has been expertlyblended into the mix so that it almost sounds like an ongoing dialogue within the fight itself. InAdonis' training scenes, his environment routinely surrounds the listener, whether it's otherboxers training nearby or fans on motorcycles accompanying him on a run. The soundtrack hasexcellent dynamic range, with deep bass extension used sparingly but effectively. LudwigGöransson, who scored Fruitvale Station for director Coogler, supplied the alternately energeticand emotional score, which chooses just the right moment to invoke Bill Conti's signature Rockytheme. The track is liberally salted with enough pop and hip-hop songs to fill an album, whichwas released simultaneously with the film. These provide an interesting contrast with Bianca'sbluesy numbers, which were also composed by Göransson and co-written and sung by Tessa Thompson.
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