红色警探/红场特警 [4K蓝光原盘] Red Heat 1988 2160p BluRaycd HEVC DTS-HD MA 5.1-COASTER 71.25GB

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◎译　　名　红色警探/冲出生死线/魔鬼红星/红场特警
◎片　　名　Red Heat
1 {% F. X* z8 y! A) y: p9 t◎年　　代　1988
1 i# b5 o7 g! o# B1 M- M% s◎产　　地　美国
◎类　　别　喜剧/动作/惊悚/犯罪
; i# A) I  x' D- L* z6 l◎语　　言　英语/俄语
◎上映日期　1988-06-17
: D- M; k1 u! ]% H1 u& L◎IMDb评分  6.1/10 from 60,151 users
8 }6 k! M* C4 d/ ~+ m/ Z◎IMDb链接  https://www.imdb.com/title/tt0095963/
, _2 N/ Z! u7 B% x! y+ u◎豆瓣评分　6.4/10 from 1995 users
$ s$ W: Q6 q0 P+ i8 ~1 [◎豆瓣链接　https://movie.douban.com/subject/1296875/
◎文件格式　x265 + DTS
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 71.25 GiB
* z2 v) q. A+ ~' w2 }◎片　　长　1:44:01.791 (h:m:s.ms)
◎导　　演　沃尔特·希尔 Walter Hill
% P( I  y& S9 J$ M4 R1 t( e% U◎编　　剧　哈里·克莱纳 Harry Kleiner
; ]/ A+ {$ B8 o, L' z0 T1 H　　　　　  沃尔特·希尔 Walter Hill
◎主　　演　阿诺·施瓦辛格 Arnold Schwarzenegger
9 x# D# c& f  c. a% _9 |　　　　　  詹姆斯·贝鲁什 James Belushi
　　　　　  彼得·博伊尔 Peter Boyle
　　　　　  吉娜·格申 Gina Gershon
# f/ Z% c4 ~: M5 A　　　　　  劳伦斯·菲什伯恩 Laurence Fishburne
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/ m" v* y2 x9 J9 p3 p% _◎标　　签　动作 | 美国 | 施瓦辛格 | 美国电影 | 1988 | 阿诺德·施瓦辛格 | 红场特警 | 警匪
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! y: @* L/ E4 U1 I: I, a# M 　　八十年代，苏联国内的毒枭从美国大量进口毒品，上尉德戈（阿诺·施瓦辛格 Arnold Schwarzenegger 饰）奉命捉拿乔治亚毒贩集团，然而在围捕行动中，德戈战友身亡，毒贩头目逃脱出国。不久，在美国芝加哥，苏联毒贩维特落网，美苏两国达成协议，德戈由莫斯科赴美押送维特回国，美国方面派出警探雷塞克（詹姆斯·贝鲁什 James Belushi 饰）担任其助手和翻译。不料维特再次在同伙的配合下成功逃脱，德戈至此不得不向美国方面吐露了维特的真实身份，并与雷塞克合力追踪维特。苏美两国的差异在德戈和雷塞克身上不时体现，然而两员悍将很快弥合差异，精诚合作追索毒枭……
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; s: y" r' s4 j. ~- m& X　　A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.
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1. DISC INFO:
   
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3. Disc Title:     Red.Heat.1988.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-COASTER
   
4. Disc Size:      76,502,421,916 bytes
   
5. Protection:     AACS2
   
6. Extras:         Ultra HD
   
7. BDInfo:         0.7.5.6 (compatible layout created by DVDFab 11.0.5.5)
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11. Name:                   00000.MPLS  
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12. Length:                 1:44:01.791 (h:m:s.ms)
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13. Size:                   62,175,141,888 bytes
    
14. Total Bitrate:          79.69 Mbps
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22. MPEG-H HEVC Video       62998 kbps          2160p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
    
23. * MPEG-H HEVC Video     3150 kbps (4.76%)   1080p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020
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29. DTS-HD Master Audio             French          1608 kbps       2.0 / 48 kHz / 1608 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit)
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30. DTS-HD Master Audio             English         4275 kbps       5.1 / 48 kHz / 4275 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    
31. DTS-HD Master Audio             German          3554 kbps       5.1 / 48 kHz / 3554 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    
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37. Presentation Graphics           French          20.516 kbps                     
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38. Presentation Graphics           English         31.508 kbps                     
    
39. Presentation Graphics           German          25.376 kbps                     
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40. Presentation Graphics           French          2.07 kbps                       
    
41. Presentation Graphics           English         1.988 kbps                     
    
42. Presentation Graphics           German          2.545 kbps

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Red Heat 4K Blu-ray, Video Quality   
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Red Heat is presented on 4K UHD courtesy of Lionsgate Films (evidently with a little help from StudioCanal) with a 2160p transfer in 1.85:1. Since this release is evidently offering a new 1080p version as well, I'll mention a few things about that while also drawing comparisons to the 4K UHD iteration. Dustin gave pretty middling marks to the old Lionsgate Blu-ray, but one of the things that stuck out to me simply in perusing the screenshots included in Dustin's review is what looks like pretty aggressive filtering. As you can see in the screenshots accompanying this review, there's a very healthy grain field in evidence in both the 1080p and 2160p presentations. I've had occasional issues with so-called "grain management" on some Lionsgate 4K UHD releases, but I have to say for the most part I was very pleasantly surprised at the "tightness" of the grain and its resolution throughout sometimes rather wide variances in lighting conditions. There are some occasional anomalies which are evident in both the 1080p and 2160p presentations, and which in fact may be more evident on the 4K UHD disc. To cite just one example, pay attention to the sequence that begins at circa 32:00 where all of the police station material looks fairly splotchy, while brief interstitial cuts outside look significantly clearer with better resolved grain, and with at least a bit more fine detail. These passing fluctations can also afflict some expected problem areas like scenes with steam, mist or fog, where a number of transitory issues including near pixellation and macroblocking can occur. On the plus side, the 4K UHD presentation offers upticks in shadow definition from the get go, with the first shot of the weird furnace in the bathhouse and some later dimly lit interior material. Dolby Vision offers a number of interesting highlights, again from the get go in terms of the saturation of the pinks during the credits. Both the 1080p and 4K UHD presentations look slightly washed out during the credits, with flesh tones looking slightly pinker in the 4K UHD presentation. One recurrent hue that really acquires significant pop in the 4K UHD presentation is yellow -- pay attention to how many times Hill frames Arnold against yellow backgrounds, and the vividness of those moments is quite noticeable. Greens were also nicely rendered with more variation in the 4K UHD presentation, noticeable in a number of sequences like as a scene in a bar. A scene in a kind of dilapidated apartment house provides great pop in both yellows and greens courtesy of some wall colors. Fine detail definitely enjoys an improvement in the 4K UHD presentation, with things like textures on fabrics nicely precise looking. My bottom line here is that things could arguably have been massaged a bit more here to improve some variability and make things more consistent looking, but this is still by and large a very pleasing looking presentation in both its new 1080p and 2160p iterations.
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Red Heat 4K Blu-ray, Audio Quality   
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Dustin wasn't overly excited about the DTS-HD Master Audio 5.1 mix on the original Blu-ray, but at least some of what he wasn't enthused about seems to actually be the sound design, which is indeed fairly dated sounding at times. That said, I found the surround activity quite engaging, and it includes everything from James Horner's pounding score to well placed ambient environmental effects. I'm not sure this release enjoyed a full scale audio restoration and/or remix, but judging by Dustin's comments on the first release, my sense is some rejiggering may have taken place, since I found nothing really jarring in terms of directional placement of dialogue, as Dustin mentions in his review. Fidelity is fine, with no issues regarding distortion, dropouts or damage.
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