末日崩塌/加州大地震 [4K UHD蓝光原盘] San Andreas 2015 2160p BluRaycd HEVC TrueHD 7.1 Atmos-TASTED 59.80GB

In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey across the state in order to rescue his estranged daughter.



◎译　　名　末日崩塌/加州大地震(台)/圣安地列斯
: w4 Y) {9 K( I# Z◎片　　名　San Andreas
0 v! n1 X  u* A. E  {. y' \◎年　　代　2015
◎国　　家　美国/澳大利亚
◎类　　别　动作/冒险/灾难
' A) a- @" m5 P( q) y◎语　　言　英语
◎上映日期　2015-06-02(中国大陆)/2015-05-29(美国)
& c; W! L% _4 `! z  B◎IMDb评分 6.1/10 from 201,803 users
◎IMDb链接 https://www.imdb.com/title/tt2126355/
◎豆瓣评分　7.0/10 from 131,193 users
3 L# l" q) M; B( `◎豆瓣链接　https://movie.douban.com/subject/25786077/
◎文件格式　x265 + TrueHD
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 59.80 GiB
◎片　　长　1:54:28.152 (h:m:s.ms)
◎导　　演　布拉德·佩顿 Brad Peyton
: g- ~2 j7 {6 H6 X0 ?: }◎编　　剧　卡尔顿·库斯 Carlton Cuse
　　　　　　安德烈·法布里齐奥 Andre Fabrizio
　　　　　　杰里米·帕斯莫尔 Jeremy Passmore
5 y/ W9 J; k2 K+ H◎主　　演　道恩·强森 Dwayne Johnson
# \" S% i& P+ ?" ~　　　　　　亚历珊德拉·达达里奥 Alexandra Daddario
1 C9 F( ~; s8 P" r8 j2 n　　　　　　卡拉·古奇诺 Carla Gugino
　　　　　　雨果·约翰斯通-伯特 Hugo Johnstone-Burt
　　　　　　雅奇·潘嘉比 Archie Panjabi
　　　　　　科尔顿·海恩斯 Colton Haynes
- A+ g( F9 J9 b9 G! S1 T　　　　　　艾恩·格拉法德 Ioan Gruffudd
5 r1 |/ l4 S3 J. B; a1 Q/ M6 Y+ V　　　　　　保罗·吉亚玛提 Paul Giamatti
　　　　　　凯莉·米洛 Kylie Minogue
　　　　　　李威尹 Will Yun Lee
　　　　　　瓦内萨·罗斯 Vanessa Ross
　　　　　　马特·杰拉德 Matt Gerald
3 L: g& e3 h( Q　　　　　　阿特·帕金森 Art Parkinson
　　　　　　罗宾·阿特金·唐斯 Robin Atkin Downes
　　　　　　艾伦·D·柏温 Alan D. Purwin
　　　　　　亚历克·乌特戈夫 Alec Utgoff
& c+ ]& @# C0 u2 b　　　　　　摩根·格莉芬 Morgan Griffin
　　　　　　杰米斯·巴特勒 Jaymes Butler
　　　　　　艾伦·波普尔顿 Allan Poppleton
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4 m5 d0 \& C  M& B- ~- \◎简　　介　

: a% @; V" C/ D; Y　　前美国大兵雷蒙德·盖恩斯（道恩·强森 Dwayne Johnson 饰）在结束硝烟战火的生涯后，而今成为洛杉矶消防局的直升机救援人员。虽然工作中全力以赴，受人敬仰，值得信赖，这些却都无法挽回他失败的婚姻。某次短暂休假后，雷重返岗位，这时在内华达州南部发生了百年不遇的大地震，胡佛水坝在强震中被彻底摧毁。未过多久，又一轮强震从旧金山袭向了洛杉矶，雷在直升机上目睹了繁华城市转眼变成废墟的可怕一幕。
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　　此时他的妻子艾玛（卡拉·古奇诺 Carla Gugino 饰）和女儿布蕾克（亚历珊德拉·达达里奥 Alexandra Daddario 饰）此时分处两座城市，为了拯救最爱的两个人，他只身一人，勇往直前，与地震展开争分夺秒的赛跑……
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3 f8 k& m9 I9 `　　In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey with his ex-wife across the state in order to rescue his daughter.

  l4 L3 N+ M( ?! {4 @◎获奖情况　

　　第14届美国视觉效果协会奖 (2016)
　　最佳特效电影视觉效果(提名)
6 z! Z' I; m. d0 E* ^　　最佳真人电影模拟动画效果(提名)
　　最佳电影视觉效果合成(提名)
0 ]( m2 J) Z; ]9 Y
8 X; m. M2 E* ?: t3 O　　第17届美国青少年选择奖 (2015)
# b" M: y# ~) j( }. _　　最佳动作片(提名)
　　最佳动作片女演员(提名) 亚历珊德拉·达达里奥
' @7 r9 \0 {% n4 L0 c$ d　　最佳暑期电影男演员(提名) 道恩·强森
6 s! _  ^6 s/ w* F9 P6 H
　　第2届豆瓣电影年度榜单 (2015)
8 O  p: f6 n- R, @3 C( _　　6月最受关注电影(提名)



) u: L( E4 f% g* YSan Andreas 4K Blu-ray, Video Quality  


According to IMDB, San Andreas was shot at 3.4K and finished at 2K, presumably the source for this 4K UHD release.
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# _+ t! a4 L3 y5 @/ B4 g3 hOf the releases included in this first wave of UHD Blu-ray releases from Fox, Sony, and Warner Brothers, San Andreas has to be the most frustrating of the bunch.  Whereas the best UHD releases so far, like Pineapple Express and The Smurfs 2, have demonstrated a pronounced refinement of their wares and while others like Chappie have held firm with incremental, but obvious, improvement, it's difficult to really say which version of San Andreas just flat-out looks better.  On the UHD/HDR release, colors aren't deeper or more refined.  Instead, contrast simply seems heavily altered. The 1080p Blu-ray looks creamy, while the UHD is much darker, offers much less color punch, and features a slightly warmer look to skin tones. Shadow detail is improved on the UHD, and stands as probably the single biggest area of immediately noticeable improvement.  Darker background details are easier to see and distinguish without raising black levels. There's also a palpable flatness to the image. Switching between any given scene yields the same results, whether in Daniel Riddick's white-infused and sun-drenched home or amongst ravaged building interiors later on where only the natural light pouring in through broken windows lights the frame.

What's also more disappointing, and equally confounding, is the decided lack of greatly, or even mildly, improved detail and texturing.  Other digitally sourced UHD releases, even those supposedly finished in 2K and upconverted like Hitman: Agent 47, manage to reveal an immediately obvious boost in raw detail even if differences are very subtle.  Here, it's hard to find a detail that's noticeably more crisp.  Not skin textures or droplets of water on skin, not grime and wear, not the clean furniture lines in Riddick's home, not vegetation and grasses, not CGI buildings and shipwrecks.  In fact, there are times when, maybe due to the contrast and the 1080p Blu-ray's brighter image, details actually look a little firmer and more robust on the old release.  Maybe the single most obvious improvements on the UHD come in the most extreme close-up shots. Skip ahead to chapter three and pause at the 18:56 mark, a shot featuring Gaines looking at a text message on his phone. The improvements on both the case and his thumb are pretty striking, but such are the serious exception to the rule.
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4 ~) ]# H4 o# K& o7 lThe UHD essentially just looks like someone fiddled with the TV's settings. Knocking the contrast setting down about 30% seemed to get the 1080p Blu-ray more in line with the UHD.  The UHD looks great on its own merits, but there really doesn't seem to be more than negligible-at-best improvements.
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! F( c* j2 i7 r0 x. B8 S- _5 Z2 WSan Andreas 4K Blu-ray, Audio Quality
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1 w) `% H1 n6 E/ h5 f; z; R! |San Andreas' original Blu-ray release was reviewed without the ability to include coverage of the Dolby Atmos track, but things have changed since then, and this review will factor in that part of the presentation.
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Chaos.  Whether controlled chaos, uncontrolled chaos, or somewhere in between, San Andreas tosses the audience right into total sonic bedlam for each and every one of its prolific moments of destruction.  Buildings collapse, helicopters crash, tidal waves spill into the listening area, people scream, and so on and so forth. It's a laundry list of the most eardrum-punishing, speaker-testing, limit-pushing sounds, and each of them are presented with a distinct sense of purpose, a purpose that's meant to literally drop the listener right into the terrifying mayhem, to not just hear a sound but almost literally feel a building careening down towards the head.  Pretty much everything from the original soundtrack review,which was written without the added height channels in consideration, holds true: the bass, the surround usage, the definition.  The Atmos track adds in another layer that helps create a more distinct sense of imminent danger from all of those highlights listed above.  The challenge it faces is that the soundtrack is already so busy, so aggressive, so demanding, so bass-heavy, that one wonders if it can successfully, not just adequately, add in enough discrete overhead effects to make a difference, or if it's just too darn loud to really make much beneficial use of it.  

( K! H( E( O+ v) j" q# FThe answer is somewhere in the middle.  Of the admittedly limited Atmos soundtracks heretofore sampled, the best of them are able to create a specific sensation that stands a bit apart from everything else.  Other good height channel additions come in creating a fuller, richer, more noticeably immersive, essentially seamless sound not only at 360 degrees but above the listener as well.  But when the speakers are literally being pushed about as hard as a movie will ever push them, the sub is thumping, and eardrums are screaming for mercy, is there really any room to feel, and more importantly appreciate, a more aggressively immersive listen?  Rarely.  San Andreas is just too much of an assault on the senses that even those moments where the height speakers engage, they just become another sound source added to an already punishing experience. Collapsing buildings and all of the movie's thunderous highlights remain prodigious, and the sense of immersion in the madness is subjectively a little more palpable.  But most the track's best uses of the Atmos configuration come in quieter moments where, rather than large sections of concrete collapsing or huge waves of ocean crashing, the little things make a difference, little things like bits of dusty debris dropping from the ceiling or water dripping off a surface.  Perhaps the best "overhead" sound effect comes after Gaines' chopper crashes into the strip mall.  Oil leaks from overhead, and it literally sounds like it's plopping right into the middle of the listening area. Indeed, the track's ability to better differentiate its overhead sounds when they have room to actually make an individual audible impact are more welcome and pronounced than when the soundstage is already overwhelmed. Of course, that could be trained bias speaking, where the ears are simply more in-tune with picking up movie soundtrack sounds that emanate from front and behind rather than above.  With more height channel soundtracks on the market, chances are in the future their absence will feel just as empty as listening to a two-channel track does today.

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3. Disc Title:     San.Andreas.2015.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-TASTED
   
4. Disc Size:      64,204,675,677 bytes
   
5. Protection:     AACS2
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6. BD-Java:        Yes
   
7. Extras:         Ultra HD
   
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谢谢楼主发帖共享好电影

2475017 发表于 2020-4-10 13:32
) X& [% R3 ]) a: d2 M' l! c( QTHANKS FOR SHARE

谢谢楼主发帖共享好电影

谢谢楼主发帖共享好电影

谢谢楼主发帖共享好电影

2475017 发表于 2020-4-10 13:32
THANKS FOR SHARE

6 d5 p5 L% I# ]. E5 z. K9 B: I1 y谢谢楼主发帖共享好电影

livenchen 发表于 2021-6-19 13:06
# K" o4 t1 B7 B+ O- @谢谢楼主发帖共享好电影

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  ?5 D/ H7 }! [+ @* i  V3 P  G2 z谢谢楼主发帖共享好电影

2475017 发表于 2020-4-10 13:32
$ G+ |& ?3 a; H- U: \* c% ZTHANKS FOR SHARE

谢谢楼主发帖共享好电影