- 积分
- 64067
- 经验
- 16533 点
- 热情
- 11176 点
- 魅力
- 5331 点
- 信誉
- 14588 度
- 金币
- 562 枚
- 钻石
- 439 颗
- 蓝光币
- 10 ¥
Post Share
- 金币
- 562 枚
- 体力
- 13274 点
|
) Q; j& R# g! }$ ~" U* n; f% X: U* i
/ N9 h" ~) e/ m$ ^2 a, b+ ?
◎译 名 隐秘的生活/拉黛贡德/隐藏的生活(台)/隐匿生活1 i$ x4 a f2 U5 g& u
◎片 名 A Hidden Life /Radegund
& a) o3 p2 I+ C y3 R/ q- P◎年 代 2019
1 Y7 A# K% U5 h; X2 W; k$ t◎产 地 德国/美国
/ e$ z: e* |3 O6 z, h◎类 别 剧情/爱情/传记/战争
* |, m' f0 S; V) V) D9 w2 L- ?# ?◎语 言 英语/德语/意大利语( g6 h5 Q, t$ W7 J9 `
◎上映日期 2019-05-19(戛纳电影节)/2019-12-13(美国)
% A; X; A( p/ J8 U◎IMDb评分 7.5/10 from 9,188 users* x5 q8 t \/ Y3 x, [, g! B5 Z4 i. v
◎IMDb链接 https://www.imdb.com/title/tt5827916/0 Q3 g1 @: o- h- N% A7 ~* q9 y
◎豆瓣评分 7.8/10 from 4,609 users* T- r; V- U M! J% n* U
◎豆瓣链接 https://movie.douban.com/subject/26823502/6 g: p5 _$ a* k% v+ ?7 W- C
◎文件格式 x264 + DTS9 @& ], U x$ J' A, C/ `* v8 d
◎视频尺寸 1920 x 10807 h; ]' p* P% a! d3 T: o9 \" ^" f
◎文件大小 1DVD 43.03 GiB4 b8 t& p" V8 x
◎片 长 2:54:23.453 (h:m:s.ms)
8 ^7 M- W! B$ x1 g◎导 演 泰伦斯·马力克 Terrence Malick/ Y$ Z% q7 B, Z6 H
◎编 剧 泰伦斯·马力克 Terrence Malick. a* @% R- E3 h; _
◎主 演 奥古斯特·迪赫 August Diehl
1 b; f- b) U, Z1 N" U 瓦莱丽·帕赫纳 Valerie Pachner
/ I h9 d+ x* n; [ 玛丽亚·西蒙 Maria Simon
6 b4 D! \$ {4 G 卡琳·纽荷瑟 Karin Neuh?user* a3 t2 E5 f# b7 Y
托比亚斯·莫雷蒂 Tobias Moretti& o/ H3 ? P4 C; K
乌尔里希·马特斯 Ulrich Matthes
! }- W$ y$ Y: |! [5 [( r 马提亚斯·修奈尔 Matthias Schoenaerts9 h8 h" Q; a% w, V" W2 P9 b
弗兰茨·罗戈夫斯基 Franz Rogowski- o. b7 O8 p+ ^# Y3 z: O
卡尔·马克维斯 Karl Markovics
1 R* h( x) {. _8 | p) |) s8 r/ R/ Y" X 布鲁诺·甘茨 Bruno Ganz/ }: _- f" x0 F6 b* ^# j
迈克尔·恩奎斯特 Michael Nyqvist% W: c7 S0 \) B- d" N( y( |
沃尔夫冈·迈克尔 Wolfgang Michael v% M) x5 J+ C& {7 P) Y7 K; d% t
约翰内斯·克里施 Johannes Krisch
2 [8 {& R' u' l2 V% _( q 约翰·雷森 Johan Leysen
) t1 v0 x, x+ [ O# ^ 马丁·乌特克 Martin Wuttke( Q% R" V- q$ U" W! P* x
瓦尔德马·科布斯 Waldemar Kobus& K3 [- V/ L7 |( a) K/ G& {# ?3 H6 O
索菲·罗伊斯 Sophie Rois v5 }; z3 A% g: r' E$ c% T$ i
亚历山大·费林 Alexander Fehling* ]0 K6 _" p9 U4 P: H" [% v
迪莫·亚历克谢夫 Dimo Alexiev& T5 j, k, M+ \! z5 r# F6 C2 \, B; A7 u
马克·瓦斯科 Mark Waschke$ ^$ v3 N- n" T& n* h# j& ^7 x
马克斯·马拉特斯塔 Max Malatesta
" E- _' j5 y6 D- Q# O 埃尔敏·西贾米贾 Ermin Sijamija# i5 e' V7 p0 F
乌尔里奇·布兰德霍夫 Ulrich Brandhoff4 Y! u \8 r! d! g7 `: _) O
迈克尔·史戴诺邱 Michael Steinocher
8 a7 r$ R; k0 l6 ] 亚历山大·拉兹尊 Alexander Radszun/ _8 g1 u, ^- R" d/ M
托马斯·马拉斯 Thomas Mraz7 G& d6 U. Q; n" N
迪特·考斯里克 Dieter Kosslick
! I- D/ U! f) B9 [6 F9 c$ n 贝恩德·霍尔谢尔 Bernd H?lscher
5 U) `: Z& a$ [2 N0 I 克里斯蒂安森格沃德 Christian Sengewald0 S6 e7 m- j9 E7 f8 {
约翰尼斯·努斯鲍姆 Johannes Nussbaum+ c: \* I, d$ q
伦纳德·昆兹 Leonard Kunz9 {3 }3 c6 ]. o" D5 D' [
马克斯·毛夫 Max Mauff% Z8 {5 m- q% R7 D0 ^1 m
莫妮卡·伦纳兹 Monika Lennartz x( W5 d0 c# S/ x$ W0 ?! R
乔尔·巴斯曼 Joel Basman* ~ q& a8 V; Q6 G# X' x
尤尔根·普洛斯诺 Jürgen Prochnow
: t0 Q$ \* i. h! w 尼可拉斯·瑞肯 Nicholas Reinke
1 |6 k7 a0 x( T5 t 克里斯·泰辛格 Chris Theisinger
" F7 k: u* q0 M& F' w6 q* F8 o! x( h
◎简 介
; }3 R7 |! B4 N
: k' \# W/ ]3 |8 V( h8 i+ } 泰伦斯·马力克继1998年《细细的红线》后,将再次执导二战题材影片。新片取材自真实历史事件,讲述奥地利士兵弗兰茨·杰格斯泰德(奧古斯特·迪赫饰)因在二战时期拒绝为纳粹德国而战,最终被判死刑。据称这将是一部与《细细的红线》风格完全不同的二战影片。该片今夏德国开机。 5 X0 o* H2 ~( L) d3 O$ f* Q
. Y0 q4 Z$ C& k, E( ?
The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II. + u( n/ ^4 x6 J; e
1 J9 W( I1 I3 \/ |1 g, H$ B◎获奖情况
, R% w5 L% s4 N7 R: N3 |$ q% L$ L$ u+ C
第72届戛纳电影节(2019)1 j9 L* O4 U. |& w. a9 h+ p( o' q
主竞赛单元 金棕榈奖(提名) 泰伦斯·马力克% |; g) S Z2 }* p* K* X& l
6 e: T" W- e$ P$ t* ]
第67届美国音效剪辑协会奖(2020)! ~) d! v0 e( z
金卷轴奖 最佳电影音效剪辑(提名)
. m: l n) N/ f3 w
4 p7 w* e" `; H 第91届美国国家评论协会奖(2019)7 k/ z5 c" d$ j3 f7 x
十佳独立电影
' S }. I" Y5 o) O* R
. V" |0 ]+ d$ L( P8 D5 b0 v+ ?7 n 第35届美国独立精神奖(2020)
7 i" x- N! e" [0 {, C* H4 g- j$ [- ~ 最佳影片(提名)4 M* C: ^: J6 I- S0 f
% G+ \$ U/ h/ ~# rA Hidden Life Blu-ray, Video Quality
4 `0 ~' O$ a! t3 _7 E* ^0 f" v
9 T3 t% x; d' j; y5 Y5 f* R7 \- X8 ]4 \3 b4 m0 `& f# K' K$ ^
A Hidden Life is presented on Blu-ray courtesy of 20th Century Fox Home Entertainment with an AVC encoded 1080p transfer in 2.39:1. This is the first Malick film to be entirely digitally captured, with Red Cameras (at source capture resolutions of up to 7K), with a 4K DI. There is some fascinating content available online about the shoot, including several interviews with cinematographer Jörg Widmer (his first credit as Director of Photography with Malick, though he has a long history as a camera operator for the director), for those with enterprising Googling skills. What's most noticeable about the stylistic propensities of the film is not the actual capture, though, but the often "warped" look of the imagery within the frame, which I'm frankly not sure was accomplished with actual lenses or perhaps in post (none of the interviews or other online information about the shoot I perused dealt with this aspect overtly). As can probably be easily seen in several of the screenshots accompanying this review, there's a kind of "fish eye" look to much of the imagery, with weird looking stretching or bending often being most noticeable toward the edges of the frame. It gives the entire presentation here an off kilter feeling which probably helps to establish the unsettling mood, but which just as often can tend to draw attention to itself and therefore may end up being a distraction for some viewers. As Widmer discusses in several of the interviews available online, Malick wanted to use natural light wherever possible, and as such a few interior scenes can look a bit murky. But the outdoor material here is often breathtaking. Detail levels, even with the bizarre warping, tend to be excellent throughout the presentation, and depth of field in some of the alpine vistas is typically great as well. Malick and Widmer do tend to prominently feature close-ups, where fine detail on Diehl's increasingly haggard face is quite expressive. Grading here is rather subtle, but noticeable, with a slight push toward blue tones in the outdoor material especially. As can be seen in a couple of screenshots I've included, there are some brief interstitials of archival material, including the film's opening moments which are culled from Triumph of the Will, where the windowboxed imagery comes closer to Academy ratio.
( W9 o4 {3 m: R9 f& f
3 p: v9 F7 N# A% Q. M* V- kA Hidden Life Blu-ray, Audio Quality * p/ @3 E$ f; @- s
7 t2 O7 e5 f5 r. V
4 x! B/ p! d; w' i, `. L3 O1 v3 s" A
A Hidden Life features a subtly immersive DTS-HD Master Audio 7.1 track that derives much of its surround activity from near ubiquitous placement of ambient environmental effects, most noticeable in the many outdoor scenes, as well as James Newton Howard's evocative score, which blends original music with a number of classical source cues. As alluded to above, there isn't a ton of traditional dialogue in the film, and in fact much of the spoken material is delivered as voice over, specifically with regard to some of the epistolary material. There are some odd stylistic choices in the soundtrack as well (you expected anything else from a Malick film?), including several scenes which kind of inexplicably venture into German with no subtitles. All elements, including dialogue, score and effects, are rendered cleanly and clearly without any problems whatsoever. 0 }2 r4 t: V. `7 n! q0 S
- DISC INFO:
9 Y) Z& [; i4 z0 I
5 I( J Q- J, _ S5 [- Disc Title: A.Hidden.Life.2019.1080p.BluRayCD.AVC.DTS-HD.MA.7.1-FGT
# I z' W, i1 f4 @) M) I - Disc Size: 46,199,010,751 bytes
. g* J/ z' S) U6 p - Protection: AACS% p, P0 r. v! H* R7 A
- Extras: BD-Java
% h d1 c! J3 q! r" i - BDInfo: 0.7.5.8 (compatible layout created by DVDFab 11.0.8.1)/ p1 r/ v- ~( e$ `# ]
# k! c+ q" M8 K' C7 q5 e- PLAYLIST REPORT:
, X( m( ]# W5 \. H: m2 u
- [8 ?! K6 J( ?4 W( W- o. h% j- Name: 00800.MPLS
2 S0 b, m- N/ d; L - Length: 2:54:23.453 (h:m:s.ms)% G) @$ @. Y& G
- Size: 45,740,691,456 bytes
$ }; L+ X& Q2 y N' x - Total Bitrate: 34.97 Mbps' R9 w# h" \* u8 r8 k% O1 }' i' A
* h" X+ W j" v2 z ~+ h7 I- VIDEO: E/ o( ]+ r9 W5 f
, I* n" V1 Q1 v" [- Codec Bitrate Description $ Q' @" A; k) ~8 I6 N! N( ?; N
- ----- ------- -----------
. {) k P9 V0 ?9 r, y: A+ A8 W - MPEG-4 AVC Video 27349 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
" N9 u; u9 ^- O. h2 K* F
. I" S c6 T* z7 v% E- AUDIO:
/ \0 Q( f6 F: d5 ~1 ]% \ - 8 i6 D9 t F- R3 G# @
- Codec Language Bitrate Description
" ~% c7 c- C& o3 e* e2 C/ s - ----- -------- ------- -----------
( `8 x c0 R8 B$ x- _% K6 p - DTS-HD Master Audio English 4899 kbps 7.1.7536732 / 48 kHz / 4899 kbps / 24-bit (DTS Core: 5.1.7536732 / 48 kHz / 1509 kbps / 24-bit)
9 L. m( V* ~! W* e+ r1 W - Dolby Digital Audio English 448 kbps 5.1.7536732 / 48 kHz / 448 kbps
+ o7 f( f& A; U6 T - Dolby Digital Audio Spanish 448 kbps 5.1.7536732 / 48 kHz / 448 kbps
7 a+ ` w6 C( u* J - 1 z, K7 S( f& ]
- SUBTITLES:
6 N4 |& S, l" l' W+ L' t! H
/ ]# ?5 P6 a# y% g) r7 ~7 m- Codec Language Bitrate Description 8 P, y( m5 r0 n6 H' w$ e
- ----- -------- ------- ----------- - ?8 a: S6 W& s
- Presentation Graphics English 27.385 kbps 0 n: C: L8 X; K$ x/ E0 t) t8 t
- Presentation Graphics Spanish 18.265 kbps
0 y0 G7 C& p$ Q8 S - Presentation Graphics Spanish 0.068 kbps
复制代码
: Y7 g, u) R4 O) ]% z( i9 p1 ]6 I8 ~" ` r5 n& @, _$ Y
|
|