星球大战3：武士复仇/星球大战6 [4K UHD蓝光原盘] Star Wars Episode VI Return of the Jedi 1983 2160p BluRaycd HEVC TrueHD 7.1 Atmos-DIZZKNEE 55.56GB

After a daring mission to rescue Han Solo from Jabba the Hutt, the Rebels dispatch to Endor to destroy the second Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
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7 z0 |( k& r: c  W0 x+ }3 S8 O0 g◎译　　名　星球大战3：绝地归来/星球大战第六集：武士复仇/星际大战六部曲：绝地大反攻/杰迪归来/绝地大反击
5 s3 O+ [% t/ W- z+ |◎片　　名　Star Wars: Episode VI - Return of the Jedi
◎年　　代　1983
* C) }3 t7 k! A8 O5 J& E" M◎产　　地　美国
% ?$ M- h* w3 k/ v◎类　　别　动作/科幻/冒险
◎语　　言　英语
◎上映日期　1983-05-25(美国)
$ t1 ^  O' i/ O. M◎IMDb评分  8.3/10 from 907,911 users
◎IMDb链接  https://www.imdb.com/title/tt0086190/
! D) l& k, W" S, d' k- W& q◎豆瓣评分　8.4/10 from 69,358 users
# \: o/ x2 L7 |; `. J; d/ c◎豆瓣链接　https://movie.douban.com/subject/1297151/
◎文件格式　x265 + TrueHD
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 55.56 GiB
1 g8 Q  A1 g4 a◎片　　长　2:14:48.038 (h:m:s.ms)
◎导　　演　理查德·马昆德 Richard Marquand
◎编　　剧　乔治·卢卡斯 George Lucas
* f" I0 r4 I  p0 I: a　　　　　  劳伦斯·卡斯丹 Lawrence Kasdan
/ F5 V* Z3 b+ X1 x◎主　　演　马克·哈米尔 Mark Hamill
! k4 z0 w! P/ z: _) u/ M　　　　　  哈里森·福特 Harrison Ford
　　　　　  安东尼·丹尼尔斯 Anthony Daniels
　　　　　  凯丽·费雪 Carrie Fisher
　　　　　  比利·迪·威廉姆斯 Billy Dee Williams
　　　　　  彼德·梅犹 Peter Mayhew
　　　　　  伊恩·麦克迪阿梅德 Ian McDiarmid
8 P- Z4 w- ]) o- S6 L0 D7 a% m　　　　　  弗兰克·奥兹 Frank Oz
9 w* N& f/ M1 r1 x　　　　　  亚历克·吉尼斯 Alec Guinness
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4 O0 k, A' |: s# e5 j◎标　　签　科幻 | 星球大战 | 美国 | 经典 | 1983 | 动作 | 冒险 | 战争
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: q3 |* y9 V. \7 m7 o7 v4 m◎简　　介  
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/ _, v( I" W" A9 G# R1 J　　银河帝国再建威力更大的新“死星”，试图彻底消灭抵抗力量。卢克·天行者（马克·哈米尔 Mark Hamill 饰）派机器人R2-D2和C-3PO前往塔图因星贾霸处协商交换被冷冻的韩·索罗（哈里森·福特饰）未果；后在莉亚公主（卡里·费什尔 Carrie Fisher 饰），猿人丘巴卡（彼得·梅林 Peter Mayhew 饰）和蓝多·卡瑞辛（比利·迪·威廉姆斯 Billy Dee Williams 饰）的帮助下终于营救成功。在尤达师傅处，卢克发现了更多关于自己身世的秘密，也终于决定迎接成为一个绝地武士的终极挑战。卢克回到抵抗组织参与攻打“死星”行动，与韩·索罗，莉亚公主，丘巴卡，机器人R2-D2和C-3PO共同前往森林密布的恩多星破坏“死星”防护罩的能源站，与此同时蓝多•卡瑞辛驾驶千年隼飞船带领各部施展航空打击。没曾想卢克一行人刚踏上恩多星，就遭遇当地部落伊沃克人，莉亚公主也不知所踪……
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　　本片获第56界奥斯卡视觉效果特殊贡献奖，并获最佳艺术指导-布景，最佳声音剪辑，最佳原创电影音乐及最佳音效四项提名。
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) Q5 ~2 t0 C9 W! y　　After rescuing Han Solo from the palace of Jabba the Hutt, the Rebel Alliance must attack the second Death Star orbiting above the remote forest moon of Endor. Luke Skywalker confronts Darth Vader and the Emperor, convinced that he can bring Vader back to the good side.
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, w; U, `. @4 k; {! j. R◎获奖情况  
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　　第56届奥斯卡金像奖(1984)
　　最佳音效剪辑(提名) 本·贝尔特
  |5 F& c$ G) F' _: o% U　　最佳音响(提名) 兰迪·汤姆 / 加里·萨默斯 / Tony Dawe / 本·贝尔特
　　最佳艺术指导(提名) 诺曼·雷诺兹 / 迈克尔·福特 / Fred Hole / James L. Schoppe
　　最佳原创配乐(提名) 约翰·威廉姆斯
　　特别成就奖 肯·拉斯顿 / 丹尼斯·穆伦 / 菲尔 蒂贝特 / 理查德·艾德兰德

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1. DISC INFO:
   
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3. Disc Title:     Star.Wars.Episode.VI.Return.of.the.Jedi.1983.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-DIZZKNEE
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4. Disc Size:      59,658,042,861 bytes
   
5. Protection:     AACS2
   
6. Extras:         Ultra HD, BD-Java
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7. BDInfo:         0.7.5.8 (compatible layout created by DVDFab 11.0.8.2)
   
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11. Name:                   00800.MPLS  
    
12. Length:                 2:14:48.038 (h:m:s.ms)
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13. Size:                   53,924,413,440 bytes
    
14. Total Bitrate:          53.34 Mbps
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27. Dolby Digital Audio             English         320 kbps        2.0 / 48 kHz / 320 kbps
    
28. Dolby Digital Plus Audio        French          1024 kbps       7.1 / 48 kHz / 1024 kbps (AC3 Core: 5.1 / 48 kHz / 576 kbps ( Core: 5.1 / 48 kHz / 576 kbps))
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29. Dolby Digital EX Audio          Spanish         640 kbps        5.1-EX / 48 kHz / 640 kbps
    
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42. Presentation Graphics           Japanese        0.544 kbps

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Star Wars: Episode VI - Return of the Jedi 4K Blu-ray, Video Quality   

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* M4 n. y# `" ]Return of the Jedi's 2160p/HDR UHD presentation suffers from the same core issues that plague The Empire Strikes Back. More on those below, but first a bit of good news from film's start. When Vader arrives on the Death Star in the opening moments, the sense of overall clarity and definition is revealed to be just about the best from the original trilogy. The crisp lines on the Imperial officer's uniform look great and the skin definition is strong as well. Vader's costume is shiny and bold and overhead long shots show the Death Star and the shuttle in fine detail. Still, it's immediately apparent that grain is frozen in place. Indeed, parts of the film looks rather good: sharp, precise, and capable. Noise reduction has not destroyed the whole image, but it has wreaked havoc on most of it. It's easy to spot and will undoubtedly leave videophiles lamenting Disney's poor choices with the original trilogy (and The Phantom Menace as well). One of the most obvious locations to take in the frozen grain comes in chapter 16 when the Rebels are planning the attack on the Death Star and the assault on Endor. Processing is certainly in evidence here, and elsewhere. Look at Han at the 1:02:23 mark. It's a fuzzy, poorly defined shot, just about the worst the movie has to offer, forgivable as a one-off but it's emblematic of the whole. On Endor, there are signs of scrubbing throughout, robbing the foliage and trees of their natural stout definition. When Leia meets Wicket in chapter 22, bits and pieces of terrain are sharp but her outfit and face look smeary and backgrounds are plainly robbed of the natural grain structure. The battle on Endor at film's end looks constantly poor: filtered, flat, smudgy. Some of the shots when the rebels meet the Ewoks in chapter 24 are quite sharp. Some are not. That's the story with this one. Good-not-great in places, poor in too many others.

HDR colors are at least well balanced. Nothing really stands apart or as radically transformed but there is at least a sense of tonal boost and solidification, of little tweaks and increases to depth and nuance that give the movie a more expressive appearance. As with the other films, the opening crawl has been deepened a good bit to the point that it doesn't really look like the same color everyone's used to seeing for the past few decades. The movie takes place, predominately, in three main locations: Tatooine in the first act and Endor and the Death Star in the second and third. There's a sprinkling of Dagobah and Rebel command centers in the middle act, too, but it's mostly desert beiges, natural greens, and slick black and gray Death Star interiors. HDR is kind to all of them, bringing an added dimension of exterior brightness to Tatooine, contrasted with the relatively dark and dank palace interiors where black level depth is improved and little odds and ends colors on light panels and the like enjoy more bountiful intensity. Natural greens on Endor are pleasantly bold across a variety of green tones but the smoothed-over details do the colors no real favors. Those slick Death Star interiors shine and the lightsabers enjoy robust pop during Vader's clash with Luke. Skin tones are tonally fine but do have a sometimes pasty appearance in conjunction with some of the noise reduction that's taken place. Return of the Jedi has some of the best looking shots of the original trilogy but greatly disappoints in total.

7 H3 Z: n0 Y& A% A, P" \The included screenshots are sourced from the included 1080p Blu-ray disc, which has itself received a fairly drastic makeover compared to the 2011 20th Century Fox release. Also note that the "video" score for 1080p above is left blank; I have not yet conducted a full review of the new 1080p Blu-ray video quality.

Star Wars: Episode VI - Return of the Jedi 4K Blu-ray, Audio Quality   


Return of the Jedi's Dolby Atmos soundtrack sounds just fine with the volume turned up a bit from calibrated reference norms. Musical output is agreeable, presenting with wide spacing, immersive surround extension, and heathy low end. Clarity is excellent across occurrences of John Williams' iconic score. The track offers plenty of opportunity for big, wide engagement. Certainly the space battle in the final act is the absolute highlight for zipping ships and blasting lasers, but a number of other scenes enjoy fruitful, surround intensive moments, from the deserts of Tatooine to the forests of Endor. The speeder bike chase sequence in chapter 21 is of particular interest; the fast movement is matched only by the depth and clarity of the finely tuned effects. The battle on Endor delivers impressive stage fullness, with laser blasts and clanking AT-STs blending with screeching and squealing Ewoks heard in abundance. The Atmos channels mostly support rather than dominate or deliver discrete effects, which is fine; the sound design is already packed and the added channels simply help create more immersive Star Wars atmosphere. Dialogue is firm and clear from its front-center location.
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3 Y7 z1 w4 @, z  YNote that the bundled Blu-ray features a DTS-HD Master Audio 7.1 lossless soundtrack; Fox's 2011 release included a 6.1 track.
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