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A struggling musician realizes he's the only person on Earth who can remember The Beatles.
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& B7 i, J. C1 D# d# \1 \; {◎译 名 昨日奇迹/你需要的只是爱/昨天/昨日/缘來自昨天(港)/靠谱歌王(台)
: H$ L. \& I! w, |( G; o◎片 名 Yesterday / All You Need is Love
& ^# J5 g) Y1 C9 q9 r◎年 代 2019
, y& A6 S0 n' l5 Y( ?5 m7 o◎产 地 英国8 t. s& i w, C$ f, n: H8 w
◎类 别 喜剧/音乐/奇幻
$ g4 ^8 V2 b7 j◎语 言 英语# V- E2 Q! q( ]$ L
◎上映日期 2019-05-05(翠贝卡电影节)/2019-06-28(英国)/2019-08-16(中国大陆)
* U3 d* n$ r& z ]% T" ?2 t◎IMDb评分 6.8/10 from 86,924 users( U# P& p( @1 w4 |/ V7 ^: B
◎IMDb链接 https://www.imdb.com/title/tt8079248/
% U/ F6 T9 s: r5 z5 I4 b. C◎豆瓣评分 6.5/10 from 10,939 users
+ V. B# b" }; f# a. `; }; F◎豆瓣链接 https://movie.douban.com/subject/30165034/! B4 n c" t3 q! V7 K
◎文件格式 x264 + TrueHD
4 Z3 U: ~: ? b: N◎视频尺寸 1920 x 1080 , B* \9 V- l- p$ O
◎文件大小 1DVD 42.03 GiB
8 ?- S( M* S% y# T$ V4 C" \◎片 长 1:56:14.300 (h:m:s.ms)2 q4 W6 A* v2 |+ s
◎导 演 丹尼·博伊尔 Danny Boyle
# E& s }! q: i; q# D◎编 剧 杰克·巴斯 Jack Barth3 M2 U9 E& y; l; R1 ^
理查德·柯蒂斯 Richard Curtis
2 {" `( a# R& I) z, B+ F4 v- M% m◎主 演 希米什·帕特尔 Himesh Patel; s! W* h$ W* S5 V+ w* b1 C0 ]
莉莉·詹姆斯 Lily James
, |( }* n6 G0 t) n. q4 l 艾德·希兰 Ed Sheeran
P& O& x& L$ M5 W7 R) O 凯特·麦克金农 Kate McKinnon! J3 z% S) X+ f
阿历克斯·阿诺 Alexander Arnold
7 I* r/ d5 w" I, [$ T 乔尔·弗莱 Joel Fry
- H- E- u6 Y: v0 Z3 O/ G 詹姆斯·柯登 James Corden4 g; Z3 q6 p, p: y- Z4 y- p/ u
卡米利·陈 Camille Chen
- S# c$ f6 A @& b% N' ` 拉蒙尼·莫里斯 Lamorne Morris) |; j- O& }. q# {2 k
索菲娅·迪·马蒂诺 Sophia Di Martino0 A5 U# o, T' k" V( u; e' \
卡米拉·拉瑟福德 Camilla Rutherford
( z0 T9 Z; B7 Z3 N; Q) G7 A 艾利斯·查普尔 Ellise Chappell
. ]4 Z5 O* r% G- f3 j 莎拉·兰卡夏尔 Sarah Lancashire
; C7 I" p/ g1 t! z R 多米尼克·科尔曼 Dominic Coleman7 ?$ X @! b3 O; K9 \' C3 h
玛丽安娜·斯皮瓦克 Maryana Spivak2 p; I" F5 W5 K: q: N2 w( o
詹妮弗·阿尔莫 Jennifer Armour
" n* X; l3 L* d( l 安娜·德·阿玛斯 Ana de Armas
' L% I( X! Q, ~8 @- t 哈廷·帕特尔 Hiten Patel
" Y) A; V1 W9 J6 _2 k' U 阿图尔·夏尔马 Atul Sharma8 a `: a. i7 B2 e7 _, G5 ~
马诺伊·阿南德 Manoj Anand) l' Q; f9 R' i8 X8 q
哈里·米歇尔 Harry Michell
7 @/ K8 J, x0 r0 C 珊妮·姚 Sunny Yeo
( D d: B4 E; T9 \3 L; L, @: O 乔希·特雷特 Josh Trett
2 b! c( j( r* f9 Y% D- ` 西蒙·P·爱德华兹 Simon P Edwards
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◎标 签 披头士 | 音乐 | 英国 | 喜剧 | 2019 | 摇滚 | 奇幻 | 平行穿越4 W! d$ v/ j1 q G+ A
! q7 g# k# q: x/ u# h◎简 介 # g' D9 n: P: X3 a8 j; M- d$ B
" U& L: V; s8 {& c$ X! }# Y 杰克(希米什·帕特尔 饰)是英国一个海滨小镇上苦苦挣扎的创作型歌手,有着好友艾莉(莉莉·詹姆斯 饰)的一直支持。在一次神秘的全球大停电中发生了一起奇怪的公交车事故,杰克醒来后发现披头士乐队根本从未存在过。他正面临着非常复杂的问题。
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A struggling musician realizes he's the only person on Earth who can remember The Beatles after waking up in an alternate timeline where they never existed. - a2 K# u1 j8 u `
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- DISC INFO:
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6 y& I8 s- D: g. I( t- Disc Title: Yesterday.2019.1080p.BluRayCD.AVC.TrueHD.7.1.Atmos-FGT* N) B3 v" B8 e; s. G/ u
- Disc Size: 45,132,176,288 bytes
" S# V7 ~$ V5 D: N8 o9 u8 { - Protection: AACS
3 b4 Z p6 O2 \ - Extras: BD-Java- T5 i+ i* U3 S$ `1 p4 G9 v
- BDInfo: 0.7.5.5 (compatible layout created by DVDFab 11.0.5.1)
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' k5 M( D8 T! E4 s! O* H1 B- PLAYLIST REPORT:
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' R; \# ] ~1 l7 P7 M% `3 @- Name: 00612.MPLS # S3 s2 Z+ G$ n# p( W# F# Q/ F
- Length: 1:56:14.300 (h:m:s.ms)
9 p' B. T2 Z# f) x' @ - Size: 34,326,362,112 bytes7 U3 T3 Q" D: i
- Total Bitrate: 39.37 Mbps
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- Video:2 k" _( h5 g8 R/ q
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- Codec Bitrate Description " j4 i' ]/ J5 P2 c# m
- ----- ------- -----------
' t6 ^+ O$ o: M9 J7 U, c - MPEG-4 AVC Video 30750 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1/ w* }' `* B3 r. q7 O/ l: S+ x
, L: r# ?/ T0 K, N- AUDIO:/ m/ w& m5 O8 D- v; \
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- Codec Language Bitrate Description $ A" R3 k2 L/ B6 D4 q4 L
- ----- -------- ------- -----------
0 g6 @/ E) f6 r% V# N- n/ m - Dolby TrueHD/Atmos Audio English 3720 kbps 7.1-Atmos / 48 kHz / 3720 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)
5 d! \8 R( `+ a* C, f - Dolby Digital Plus Audio Spanish 768 kbps 7.1 / 48 kHz / 768 kbps (AC3 Core: 5.1 / 48 kHz / 448 kbps ( Core: 5.1 / 48 kHz / 448 kbps))! N( n7 E5 Z- S. H% V ?
- Dolby Digital Plus Audio French 768 kbps 7.1 / 48 kHz / 768 kbps (AC3 Core: 5.1 / 48 kHz / 448 kbps ( Core: 5.1 / 48 kHz / 448 kbps))
q% O9 c6 d e9 |& s' z* W - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
& `, V: Q K+ M$ [9 n1 w6 M - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround A8 ^; \- _7 W( v0 X/ C! \. D$ j
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- SUBTITLES:5 \8 i" N' j( S& C
- ]; \) k; E6 N2 o+ [! e- Codec Language Bitrate Description
' T* t4 X q3 ?# [" o: D `" o - ----- -------- ------- ----------- ; ?1 E4 _/ o- u
- Presentation Graphics English 58.348 kbps 7 v# `7 Z1 L1 p$ p! i) u% G
- Presentation Graphics Spanish 40.231 kbps
7 {: k) x- ^2 I$ ]8 h. k - Presentation Graphics French 43.329 kbps
( @" L2 X$ e1 d - Presentation Graphics Spanish 0.162 kbps
; q) F% c0 F8 Q% J0 k - Presentation Graphics French 0.888 kbps
复制代码 Yesterday Blu-ray, Video Quality 2 H S, V' X: J6 ]& P/ k) L1 E$ x
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Yesterday was shot digitally, per IMDB at a resolution of 8K and finished at 4K. For the 1080p Blu-ray that means a very nice picture, but one that is besieged by dense, swarming noise in its low light shots. Viewers will also note occasionally light examples of banding, but these observations aside the picture is quite striking. It's clean and texturally robust, finding exceptional skin details and even some good, quasi-gory visuals in those shots showing Jack and his missing teeth, not to mention the various scrapes in the aftermath of the bus wreck. Environments are crisp and texturally engaging, wether cozy venues or large stadiums, whether intimate living rooms or restaurants. The picture is fluently and fully colored, offering good, natural saturation to its many clothing shades, interior and exterior environments, and skin tones. Black levels are solid. This is a quality presentation. ( K+ ~' D7 g& K, ]
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Yesterday Blu-ray, Audio Quality + j3 N9 i1 z. s. k- D, C* T
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Yesterday's Dolby Atmos soundtrack is well rounded. The track is balanced and beautifully engineered, amplifying its musical scenes as needed and allowing drama, romance, and character to dominate the track in the more sonically subtle moments. To be sure, music is the highlight, both in small and intimate acoustic sessions and particularly late in the film when Jack plays to a couple of very large crowds. Those large-scale concert scenes deliver prodigious sonic excitement, great instrumental detail, hardcore intensity, and plenty of crowd fill. Surrounds are used extensively but with carefully attuned balance, ditto the subwoofer channel. The Atmos channels carry a good bit of fill, both in support of music and environmental details alike. One of the Atmos highlights is something simple, a press conference in chapter 16 when microphone reverb commands the stage with a well rounded top end component. But the track is always aware of the scene and its sonic needs and never fails to indulge and engage as necessary. Dialogue is clear, well prioritized, and center-grounded for the duration.
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