昨日奇迹/你需要的只是爱 [4K UHD蓝光原盘] Yesterday 2019 2160p BluRaycd HEVC TrueHD 7.1 Atmos-TERMiNAL 75.34GB

A struggling musician realizes he's the only person on Earth who can remember The Beatles.
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◎译　　名　昨日奇迹/缘來自昨天(港)/靠谱歌王(台)/你需要的只是爱
◎片　　名　Yesterday / All You Need is Love
. C, E. g5 y0 Z* x: ?◎年　　代　2019
6 `2 V" M: j2 }; s- S◎产　　地　英国
◎类　　别　喜剧/音乐/奇幻
◎语　　言　英语
) _% n& J0 e; E$ u◎上映日期　2019-08-16(中国大陆)/2019-05-05(翠贝卡电影节)/2019-06-28(英国)
◎IMDb评分 6.8/10 from 87,096 users
◎IMDb链接 https://www.imdb.com/title/tt8079248/
: D* O$ D9 b/ H- c/ v* V: Z4 ?◎豆瓣评分　6.5/10 from 10,947 users
◎豆瓣链接　https://movie.douban.com/subject/30165034/
◎文件格式　x265 + TrueHD
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 75.34 GiB
& n0 t+ Q6 N, v- {/ r, L◎片　　长　1:56:14.300 (h:m:s.ms)
◎导　　演　丹尼·博伊尔 Danny Boyle
' x- D7 j4 w/ [( ~. |# t◎编　　剧　杰克·巴斯 Jack Barth
　　　　　  理查德·柯蒂斯 Richard Curtis
8 H! q: N5 R( q6 p- G◎主　　演　希米什·帕特尔 Himesh Patel
　　　　　  莉莉·詹姆斯 Lily James
　　　　　  艾德·希兰 Ed Sheeran
　　　　　  凯特·麦克金农 Kate McKinnon
　　　　　  阿历克斯·阿诺 Alexander Arnold
. S' m1 s9 D# ~6 i/ _  _2 U　　　　　  乔尔·弗莱 Joel Fry
- Z' L, D# i1 ~0 ?- g　　　　　  詹姆斯·柯登 James Corden
- d" N( r% `8 h, ]　　　　　  卡米利·陈 Camille Chen
　　　　　  拉蒙尼·莫里斯 Lamorne Morris
　　　　　  索菲娅·迪·马蒂诺 Sophia Di Martino
　　　　　  卡米拉·拉瑟福德 Camilla Rutherford
　　　　　  艾利斯·查普尔 Ellise Chappell
　　　　　  莎拉·兰卡夏尔 Sarah Lancashire
　　　　　  多米尼克·科尔曼 Dominic Coleman
* W- |0 H) H+ ?1 D+ F+ p/ t9 J+ u( Y　　　　　  玛丽安娜·斯皮瓦克 Maryana Spivak
　　　　　  詹妮弗·阿尔莫 Jennifer Armour
# L* b9 b% K: {6 S4 X! B- }  x' b　　　　　  安娜·德·阿玛斯 Ana de Armas
　　　　　  哈廷·帕特尔 Hiten Patel
　　　　　  阿图尔·夏尔马 Atul Sharma
　　　　　  马诺伊·阿南德 Manoj Anand
  ?$ S2 x! J/ p( |: u6 y　　　　　  哈里·米歇尔 Harry Michell
8 |- i( R- V' I" i　　　　　  珊妮·姚 Sunny Yeo
　　　　　  乔希·特雷特 Josh Trett
　　　　　  西蒙·P·爱德华兹 Simon P Edwards
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' z  v1 {. o7 C◎标　　签　披头士 | 音乐 | 英国 | 喜剧 | 2019 | 摇滚 | 奇幻 | 平行穿越

◎简　　介  
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　　杰克（希米什·帕特尔 饰）是英国一个海滨小镇上苦苦挣扎的创作型歌手，有着好友艾莉（莉莉·詹姆斯 饰）的一直支持。在一次神秘的全球大停电中发生了一起奇怪的公交车事故，杰克醒来后发现披头士乐队根本从未存在过。他正面临着非常复杂的问题。
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$ H8 b- W! d; O1 v. A4 v" y　　A struggling musician realizes he's the only person on Earth who can remember The Beatles after waking up in an alternate timeline where they never existed.
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1. DISC INFO:
   
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3. Disc Title:     Yesterday.2019.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-TERMiNAL
   
4. Disc Size:      80,900,727,078 bytes
   
5. Protection:     AACS2
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6. Extras:         Ultra HD, BD-Java
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7. BDInfo:         0.7.5.3 (compatible layout created by DVDFab 11.0.4.4)
   
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9. PLAYLIST REPORT:
   
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11. Name:                   00800.MPLS  
    
12. Length:                 1:56:14.300 (h:m:s.ms)
    
13. Size:                   61,050,789,888 bytes
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14. Total Bitrate:          70.03 Mbps
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20. MPEG-H HEVC Video       60357 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / HDR10+ / BT.2020 /
    
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26. Dolby TrueHD/Atmos Audio        English         3720 kbps       7.1-Atmos / 48 kHz / 3720 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)
    
27. Dolby Digital Plus Audio        Spanish         768 kbps        7.1 / 48 kHz / 768 kbps (AC3 Core: 5.1 / 48 kHz / 448 kbps ( Core: 5.1 / 48 kHz / 448 kbps))
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28. Dolby Digital Plus Audio        French          768 kbps        7.1 / 48 kHz / 768 kbps (AC3 Core: 5.1 / 48 kHz / 448 kbps ( Core: 5.1 / 48 kHz / 448 kbps))
    
29. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps / Dolby Surround
    
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35. Presentation Graphics           English         58.348 kbps                    
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36. Presentation Graphics           Spanish         40.231 kbps                    
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37. Presentation Graphics           French          43.329 kbps                    
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38. Presentation Graphics           Spanish         0.162 kbps                     
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39. Presentation Graphics           French          0.888 kbps           

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Yesterday 4K Blu-ray, Video Quality  
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The included screenshots are sourced from a 1080p Blu-ray disc.
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Yesterday's 2160p/HDR UHD presentation offers a good, tangible upgrade over the Blu-ray, which is itself of a very high quality. The bar is raised here, expectedly considering the 8K source photography and 4K digital intermediate. The image is appreciably more sharp. Textures are firmed up beyond even what the Blu-ray has too offer, finding more clarity, inherent sharpness, and raw definition on everything from facial hair and pores to pavement and brick walls. Look at a bright outdoor scene in chapter three after Jack is released from the hospital. There's a brick wall that's abundantly detailed even as it's not the scene's focal point and not necessarily intimate to the camera (it's also a tremendous example of the UHD's HDR prowess; more on that in a moment).  Another such example comes when Jack arrives in Los Angeles in the 48-minute mark. The terrain around the Hollywood sign finds a fairly significant addition to sharpness and clarity, even, again, as it's hardly in the foreground. The 2160p resolution brings with it a picture that is texturally sured up across the board, one that is cleaner and slicker but more obviously stout and clear.

2 ]! E' |9 _' i6 K$ _The HDR color spectrum brings new vitality to the image. Skin tones are more dynamic, whites are more impressively crisp and bright (that aforementioned Hollywood sign), natural greens sparkle with added depth, and blue skies kick into another gear of gorgeousness. Clothes, environmental details, and all variety of colors throughout the film, including bright stage lights, are deeper yet more intense and brilliant at the same time. Across the board and in every scene, from bright sunshine to deep and dark night skies, from warmly lit interiors to harsh stadium lighting, there's nothing the HDR color spectrum doesn't improve upon. Just as impressive, the little bit of banding seen in the Blu-ray is largely eliminated on the UHD (see a background wall on the right hand side off the screen at the 54:47 mark) and the worst offending scenes for noise (a nighttime car interior dialogue at the 1:24:00 mark) are better managed, though noise is certainly far from eliminated. This is easily the best way to experience Yesterday in the home.
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Yesterday 4K Blu-ray, Audio Quality

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+ E7 Z6 [! }* k+ sYesterday's Dolby Atmos soundtrack is well rounded. The track is balanced and beautifully engineered, amplifying its musical scenes as needed and allowing drama, romance, and character to dominate the track in the more sonically subtle moments. To be sure, music is the highlight, both in small and intimate acoustic sessions and particularly late in the film when Jack plays to a couple of very large crowds. Those large-scale concert scenes deliver prodigious sonic excitement, great instrumental detail, hardcore intensity, and plenty of crowd fill. Surrounds are used extensively but with carefully attuned balance, ditto the subwoofer channel. The Atmos channels carry a good bit of fill, both in support of music and environmental details alike. One of the Atmos highlights is something simple, a press conference in chapter 16 when microphone reverb commands the stage with a well rounded top end component.  But the track is always aware of the scene and its sonic needs and never fails to indulge and engage as necessary. Dialogue is clear, well prioritized, and center-grounded for the duration.
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