破茧威龙/黑狱灾星 [4K UHD蓝光原盘] Lock Up 1989 2160p BluRaycd HEVC DTS-HD MA 5.1-WhiteRhino 66.92GB

With only six months left of his sentence, inmate Frank Leone is transferred from a minimum security prison to a maximum security prison by a vindictive warden.
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◎译　　名　破茧威龙/黑狱灾星
◎片　　名　Lock Up / Condena brutal
9 Y2 q- |: v) Y/ Y1 C◎年　　代　1989
◎产　　地　美国
) |  H& `* y% a1 F4 h9 ^◎类　　别　动作/惊悚/犯罪
2 E; E8 d1 }6 q$ V5 H7 n◎语　　言　英语
◎上映日期　1989-08-04(美国)
  S& X1 Z; _1 T3 y3 j. O; @2 x) u% u◎IMDb评分 6.4/10 from 36,647 users
: t) V+ d5 O( o& {4 U0 B3 j◎IMDb链接 https://www.imdb.com/title/tt0097770/
% N! |; K) r, w# _! }" F◎豆瓣评分　7.0/10 from 1,231 users
◎豆瓣链接　https://movie.douban.com/subject/1299316/
9 O+ J5 C3 t, O7 N◎文件格式　x265 + DTS
3 \2 T! m8 B8 r% @; k◎视频尺寸　3840 x 2160
◎文件大小　1DVD 66.92 GiB
◎片　　长　1:48:41.000 (h:m:s.ms)
◎导　　演　约翰·弗林 John Flynn
; U. |# m+ N* X, T◎编　　剧　理查德·史密斯 Richard Smith
　　　　　  杰布·斯图尔特 Jeb Stuart
　　　　　  亨利·罗森鲍姆 Henry Rosenbaum
) G8 @9 R2 D+ j; P* U◎主　　演　西尔维斯特·史泰龙 Sylvester Stallone
! ~- y0 v2 ~5 f# x! I　　　　　  唐纳德·萨瑟兰 Donald Sutherland
% r2 I; i( v$ X4 y4 l) f) Q7 ^　　　　　  约翰·阿莫斯 John Amos
　　　　　  索尼·兰哈姆 Sonny Landham
　　　　　  汤姆·塞兹摩尔 Tom Sizemore
　　　　　  弗兰克·麦克雷 Frank McRae

6 v! p+ z4 v% U# |/ z◎标　　签　史泰龙 | 动作 | 美国 | 监狱 | 犯罪 | 1989 | 美国电影 | 剧情
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◎简　　介   
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/ \0 `6 i2 J+ y" L' T- L　　模范犯人弗兰克·莱昂尼（西尔维斯特·史泰龙 Sylvester Stallone 饰）的刑期还剩半年，他定期可以外出与女友见面，这个昔日的修车技师看中了一处仓库作为日后的修理部，平凡的生活在等待着他。然而某天他突然被转移到环境恶劣的盖特威监狱，全因五年前他为了见师父兼养父的最后一面，从监狱长庄古（唐纳德·萨瑟兰 Donald Sutherland 饰）的治下逃脱。弗兰克越狱成功成为英雄，而庄古却遭受处罚怀恨在心。现在，庄古将弗兰克重新掌握，寻机报仇。

: s: T. n) ~0 X: b! |2 {　　弗兰克遭到了庄古及手下的恶劣对待，但始终隐忍，并且渐渐在监狱中结交了几个朋友，包括始终想越狱的囚房万事通、瘦弱年轻的“杀手”和狱中修理厂的负责人，枯燥的生活有了好转，但是庄古始终默默注视着他，准备给他更大的痛苦……

　　"This is hell and I'm going to give you a guided tour!" With these chilling words, the warden welcomes Frank Leone to Gateway Prison, a nightmare jail where every minute is hard time. The warden wants vengeance for the past; Leone wants only to survive the present. Their explosive battle of wills is the electrifying heart of one of Stallone's most heroic thrillers, Lock Up. Stallone gives a monumental performance as Leone, a convict driven to break his own cherished code by a warden who will stop at nothing to get him.
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1. DISC INFO:
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3. Disc Title:     Lock.Up.1989.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-WhiteRhino
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4. Disc Size:      71,854,149,740 bytes
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5. Protection:     AACS2
   
6. Extras:         Ultra HD
   
7. BDInfo:         0.7.5.3 (compatible layout created by DVDFab 11.0.4.5)
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12. Length:                 1:48:41.000 (h:m:s.ms)
    
13. Size:                   65,237,587,968 bytes
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14. Total Bitrate:          80.03 Mbps
    
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22. MPEG-H HEVC Video       67497 kbps          2160p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / HDR10 / BT.2020 /
    
23. * MPEG-H HEVC Video     3265 kbps           1080p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / Dolby Vision / BT.2020 /
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29. DTS-HD Master Audio             English         3982 kbps       5.1 / 48 kHz / 3982 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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30. DTS-HD Master Audio             Spanish         1443 kbps       2.0 / 48 kHz / 1443 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit)
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36. Presentation Graphics           English         20.901 kbps                    
    
37. Presentation Graphics           Spanish         23.867 kbps              

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Lock Up 4K Blu-ray, Video Quality  
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9 b; H% O; g# P, m7 @6 xNote:  Screenshots are sourced from the 1080p Blu-ray.  Though I don't have the original Lionsgate Blu-ray release to check, my hunch is this 1080p presentation is sourced off the same master as the 4K UHD disc and therefore may not resemble the original Blu-ray release in all aspects.  My score above for the 1080p Blu-ray presentation reflects my opinion of the 1080p presentation offered in this package; Dustin scored the video of the original Lionsgate release at 4.0.

Lock Up  is presented on 4K UHD courtesy of Lionsgate Films, though, as mentioned above, this presentation also features a StudioCanal logo.  Dustin Somner gave pretty high marks for video quality in his Lock Up Blu-ray review of the original Blu-ray release, but just from a cursory look at the screenshots accompanying Dustin's review, it looks to me that this release trumps that one in both its 1080p and 2160p presentations in terms of densities, clarity and fine detail.  There's some rather interesting highlights and palette tweaks that Dolby Vision adds to the 4K viewing experience, some of it seemingly illogical.  For example, the early sequence with Frank playing football with the neighborhood kids looks a bit cooler overall in the 4K presentation, and yet the incredibly bright reds on, for example, one kid's pants or another kid's parka pop unbelievably vividly.  Reds and oranges throughout this 4K presentation are very nicely suffused (the cherry red Mustang that plays into the plot is one very notable example).  Some of the prison sequences attain a slight green grading now that isn't as evident in the 1080p presentation. Shadow detail is also improved in the many dark scenes, though some passing moments still lack really abundant levels of fine detail.  There are some interesting, if brief, pops of color in what is often a kind of wintry, tamped down palette, including a short but effective orange tinted flashback Frank experiences when he's in isolation.  Grain is somewhat variable here, as it has tended to be in some Lionsgate 4K offerings.  Most of the time, it resolves very naturally, even in some pretty dark sequences,  But things can get fairly gritty looking at times, especially in some of the interior jail scenes.  For just the first of several examples, keep your eyes peeled on the jail walls at circa 6:25, and there's a noticeably chunkier looking grain field than in some other parts of the film.  

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Perhaps surprisingly, Dustin gave pretty  low  marks to the DTS-HD Master Audio 5.1 track on the old Lionsgate release, but I have to say I found the surround track on this disc to be well rendered and often quite immersive, which perhaps means that this release underwent some audio remastering along with its video component.  The cacophony of the prison is well splayed through the surround channels, but important dialogue is routinely prioritized smartly.  There is discrete channelization throughout the presentation, offering a realistic accounting of the prison environment.

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