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With only six months left of his sentence, inmate Frank Leone is transferred from a minimum security prison to a maximum security prison by a vindictive warden.
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◎译 名 破茧威龙/黑狱灾星
7 ^: V5 |: w1 Z% w/ W }1 w◎片 名 Lock Up / Condena brutal 9 N/ `* V8 e Q* ^9 R' H
◎年 代 1989
1 }9 U2 ]( y* F; e" E! d8 X2 e◎产 地 美国
" x) ]5 `2 y% n" M0 m5 B/ Q◎类 别 动作/惊悚/犯罪. Z/ a- |1 k. M# ?! t
◎语 言 英语7 g _, Z* h3 \! ]! U7 v
◎上映日期 1989-08-04(美国)4 f' ^4 b! d: b$ c! y
◎IMDb评分 6.4/10 from 36,647 users+ n2 a) H8 e+ J% M; w8 R
◎IMDb链接 https://www.imdb.com/title/tt0097770/- r% q0 N% g8 P, x4 l- E$ z. L
◎豆瓣评分 7.0/10 from 1,231 users. x0 I: J$ e* R$ o" m1 Y9 v
◎豆瓣链接 https://movie.douban.com/subject/1299316/
6 h" y2 l( ~% U◎文件格式 x264 + DTS % q) k" p, {/ T0 j! k6 `
◎视频尺寸 1920 x 1080
7 t& [4 Z( ?. ~$ R2 C! `" }. Z% z, x◎文件大小 1DVD 27.61 GiB
9 y; Q: O' T! ?# x9 {0 n◎片 长 1 h 48 min
$ o% \2 S' F" H9 l' |* T; B5 a◎导 演 约翰·弗林 John Flynn( F' ?' [! x( n
◎编 剧 理查德·史密斯 Richard Smith9 I4 a/ ~; ^* i9 \/ ~
杰布·斯图尔特 Jeb Stuart
/ {2 b$ g' U9 q7 m9 H u% W- P 亨利·罗森鲍姆 Henry Rosenbaum
6 F# M. G( I6 B◎主 演 西尔维斯特·史泰龙 Sylvester Stallone* p- z7 k9 a$ N+ D, W
唐纳德·萨瑟兰 Donald Sutherland
' E' j5 @/ w/ Z D, n 约翰·阿莫斯 John Amos
; v6 L; i* K+ S% H9 c* R 索尼·兰哈姆 Sonny Landham. K, v p: F8 i5 A
汤姆·塞兹摩尔 Tom Sizemore
7 M/ {4 I# D4 S/ x# k; u2 n0 L 弗兰克·麦克雷 Frank McRae
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◎标 签 史泰龙 | 动作 | 美国 | 监狱 | 犯罪 | 1989 | 美国电影 | 剧情9 Z( }/ ^3 p% H; m. H: D& _
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◎简 介
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" a( b+ R. q) G8 K& t$ l1 A$ l 模范犯人弗兰克·莱昂尼(西尔维斯特·史泰龙 Sylvester Stallone 饰)的刑期还剩半年,他定期可以外出与女友见面,这个昔日的修车技师看中了一处仓库作为日后的修理部,平凡的生活在等待着他。然而某天他突然被转移到环境恶劣的盖特威监狱,全因五年前他为了见师父兼养父的最后一面,从监狱长庄古(唐纳德·萨瑟兰 Donald Sutherland 饰)的治下逃脱。弗兰克越狱成功成为英雄,而庄古却遭受处罚怀恨在心。现在,庄古将弗兰克重新掌握,寻机报仇。
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弗兰克遭到了庄古及手下的恶劣对待,但始终隐忍,并且渐渐在监狱中结交了几个朋友,包括始终想越狱的囚房万事通、瘦弱年轻的“杀手”和狱中修理厂的负责人,枯燥的生活有了好转,但是庄古始终默默注视着他,准备给他更大的痛苦…… 7 b. H; a# [' q. V" y/ l
! Q+ c8 v- T) E- {- z "This is hell and I'm going to give you a guided tour!" With these chilling words, the warden welcomes Frank Leone to Gateway Prison, a nightmare jail where every minute is hard time. The warden wants vengeance for the past; Leone wants only to survive the present. Their explosive battle of wills is the electrifying heart of one of Stallone's most heroic thrillers, Lock Up. Stallone gives a monumental performance as Leone, a convict driven to break his own cherished code by a warden who will stop at nothing to get him.
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$ R& j. \; q8 ~# q! h JDuration : 1 h 48 min; E& I' R; y, \, d- k! b
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' w9 Q, Y, v! R" t: k' |! aWidth : 1 920 pixels, c' a. W- I$ E6 v8 H# t
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( n7 |) Q# ? D% V8 sStream size : 21.6 GiB (78%)
$ P9 p6 c# q+ g. S: e c6 TTitle : Lock.Up.1989.REMASTERED.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT7 v' x% f# }1 B2 t" H+ L" J
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9 R% ?( {+ l4 `: m0 V \Duration : 1 h 48 min
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$ w) H4 m$ ?9 R8 D K' i, zFrame rate : 93.750 FPS (512 SPF)
7 W' E% O0 l' q( y- b( ^Bit depth : 24 bits
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$ ^" t# i5 m" {$ s# |8 W' oTitle : Lock.Up.1989.REMASTERED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
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9 U d0 z3 N* j7 @- w. a- L; fBit depth : 24 bits) i& {0 ~: m( K7 G
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Title : Lock.Up.1989.REMASTERED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
4 O: J3 u' d1 e0 s/ ~+ l+ kLanguage : English
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/ n2 N* g6 \' aFormat/Info : Digital Theater Systems
2 S, Z, ?5 J a& a; D3 O+ j! ?+ uCommercial name : DTS-HD Master Audio
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, e# L7 R& a2 f3 o& B& PTitle : Lock.Up.1989.REMASTERED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT7 A) r1 l8 A. v
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! @6 |/ {7 W9 p5 TDuration : 3 s 480 ms& U4 H5 l* T3 \. Z- N. P8 Q5 M
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* _+ S! i6 G, H! I h; U4 yLanguage : French
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Forced : No
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2 l% a l' T7 K, d+ `# P00:00:00.000 : en:Chapter 011 j2 W; {5 | y+ X" c) x8 s* [
00:08:11.750 : en:Chapter 02
) \" D% @1 _1 @7 k8 K00:18:44.458 : en:Chapter 03
# H& F. R7 `& \/ ?$ B- K& q* K00:26:06.791 : en:Chapter 04
1 u% R% d% F9 Z9 c: M. ?& F00:32:52.791 : en:Chapter 051 z, e7 w% u, S0 |; ^" |9 f; J1 o
00:40:58.291 : en:Chapter 06- q; C8 \5 x$ A4 p7 ?9 [
00:54:47.791 : en:Chapter 079 `" s1 F( E# N( q; e$ r
01:06:00.791 : en:Chapter 08
4 f r8 G$ n P' I9 n* _01:15:18.958 : en:Chapter 09
2 h) S e* C. J/ g) g3 i: V01:23:07.708 : en:Chapter 10
( C7 U* j0 B) r! \/ {2 _. P01:36:07.708 : en:Chapter 116 [! R/ k& ^2 e$ G8 B) K5 n
01:44:56.916 : en:Chapter 12 Lock Up Blu-ray, Video Quality
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Presented in 1080p utilizing the AVC codec (at an average bitrate of 28Mbps), Lock Up appears better than expected for a film of this vintage. Fine object detail isn't the greatest I've witnessed among action films of the late-80's, but once you progress through an exceptionally hazy opening sequence, the rest of the film cleans up nicely. Whether we're witnessing the beads of sweat on Stallone's brow or the five o'clock shadow on Sizemore's chin, subtle textures can be found in most close-ups, providing a sense of depth that's occasionally lost in the medium and long distance footage. Moving along to the coloring of the film, you can expect a muted spectrum that never appears vibrant or impressive, but seems fitting given the dreary cinematography. Along those same lines, black levels offers an adequate baseline for contrast to build upon, though the dark nature of the interior and exterior prison shots periodically expose the film to crush or a loss of shadow detail. Digging deeper into the transfer, I never noticed the presence of edge enhancement or aliasing, grain is surprisingly absent (or kept to a minimum), and there didn't appear to be any other digital anomalies worth pointing out. However, I was slightly concerned about the potential incorporation of DNR during the creation of this transfer (given the lack of grain and questionable clarity in medium distance shots), but given the impressive level of detail found during a large portion of the film, I'm willing to put those thoughts behind me and simply chalk it up to nuances in the cinematography. ' {* i# A6 ~2 ^! l7 f
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Lock Up Blu-ray, Audio Quality 5 c- T7 v' h/ g4 Z* \- K
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Despite the inclusion of a lossless 5.1 audio option, Lock Up remains a victim of less than ideal source elements that reveal limitations around every corner. Switching back and forth between the 5.1 and 2.0 English options (both lossless), I failed to notice much difference in the spatial separation on each mix. Dialog on the full surround track fell mostly to the center channel speaker, with effects and music dispersed across the two front mains. On the 2.0 option, every element is delivered through the two front mains, so dialog registers at a much higher volume than its surround counterpart, delivering an experience that often seemed better balanced. Unfortunately, given the age of the film and limitations in sound recording more than two decades ago, the two English offerings on the disc feel a bit on the bright side. There's no drop-off or muffling to add to the inherent problems, but despite the lack of any glaring flaws this is still a subpar audio offering on Blu-ray.
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