大逃亡/胜利大逃亡/绝处逢生 [蓝光原盘] The Great Escape 1963 CRITERION 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 46.54GB

Allied prisoners of war plan for several hundred of their number to escape from a German camp during World War II.


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, E, q; J1 i8 _5 B7 m◎译　　名　大逃亡/第三集中营/绝处逢生/胜利大逃亡/胜利逃亡/龙虎榜
& L, m; i' i% H. z◎片　　名　The Great Escape
◎年　　代　1963
+ n: j+ b/ g  ?4 U/ n8 B! p◎产　　地　美国
0 Q5 M4 h8 g& p# P, R$ W" q◎类　　别　剧情/历史/冒险
◎语　　言　英语/德语/法语/俄语/西班牙语
◎上映日期　1963-07-04(美国)
5 i% D2 k$ S4 P6 p1 q/ X◎IMDb评分  8.2/10 from 217,035 users
◎IMDb链接  https://www.imdb.com/title/tt0057115/
◎豆瓣评分　8.4/10 from 7,178 users
◎豆瓣链接　https://movie.douban.com/subject/1294947/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
, ]# T/ j0 T* L* \◎文件大小　1DVD 46.54 GiB
◎片　　长　2:52:28.588 (h:m:s.ms)
: w& ~* m, C( b+ d& {& F◎导　　演　约翰·斯特奇斯 John Sturges
◎编　　剧　保罗·布里克西尔 Paul Brickhill
! p2 \0 H& ~; q0 e$ H5 W　　　　　  詹姆斯·克拉韦尔 James Clavell
5 A* l: N* `: x0 S5 o" m　　　　　  威廉·赖利·伯内特 W.R. Burnett
◎主　　演　史蒂夫·麦奎因 Steve McQueen
% v+ S  V9 G. P- q8 c　　　　　  詹姆斯·加纳 James Garner
　　　　　  理查德·阿滕伯勒 Richard Attenborough
　　　　　  詹姆斯·唐纳德 James Donald
　　　　　  查尔斯·布朗森 Charles Bronson
　　　　　  唐纳德·普利森斯 Donald Pleasence
( e9 H; Y" t8 f　　　　　  詹姆斯·柯本 James Coburn
. _) I; D, l9 L  \$ a+ g　　　　　  汉斯·海西默 Hannes Messemer
　　　　　  大卫·麦考姆 David McCallum
7 p2 |3 f' {" H( L% }) h3 J　　　　　  戈登·杰克逊 Gordon Jackson
. s4 q+ r) S8 _( m0 ^, ]　　　　　  约翰·莱顿 John Leyton
　　　　　  Angus Lennie
- O/ x6 b  h# c　　　　　  奈杰尔·斯托克 Nigel Stock
6 ~% N$ z; m9 P& v: t4 h1 V  e　　　　　  Robert Graf
9 T* R) o7 o% I4 O2 ]4 @　　　　　  裘德·泰勒 Jud Taylor
　　　　　  Hans Reiser
' X8 m( o: d( C" j) w5 l　　　　　  哈里·里鲍尔 Harry Riebauer
　　　　　  威廉·拉塞尔 William Russell
3 m, \$ ?, i- a8 I1 F% w　　　　　  Robert Freitag
　　　　　  Ulrich Beiger
　　　　　  乔治·迈克尔 George Mikell
　　　　　  劳伦斯·蒙田 Lawrence Montaigne
7 f% L) B, l, ]　　　　　  Til Kiwe
　　　　　  Heinz Weiss
2 h( D' o; R  N! o1 ]% g0 q! }　　　　　  汤姆·亚当斯 Tom Adams
9 a; w! h1 E1 g& ~% D' b　　　　　  Karl-Otto Alberty

. o" A+ c3 w; }◎标　　签　美国 | 二战 | 越狱 | 战争 | 经典 | 1963 | 美国电影 | 剧情
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: O8 C% C# |4 K/ W2 i◎简　　介  
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　　二战期间，德军的战俘营里，每个人都在渴望着自由。美国人希尔（史蒂夫·麦奎因 Steve McQueen 饰）在进入战俘营的第一天起，就一直计划着越狱。虽然他的十多次逃跑都以失败告终，但希尔从未放弃。这次，希尔和英国军官罗杰计划秘密挖掘隧道带领250人一起越狱。所有人都贡献出了自己的一分力配合这次计划，有人专门负责制作大家逃跑后需要穿着的平民服装、有人负责做假证件、还有人负责储备食品等等。然而就在他们的隧道大功告成那天，隧道却被德军发现了。逃跑计划的日期一天天临近，希尔他们又开始新一轮的挖掘工作。
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3 i, P1 n7 M6 C( c. a◎获奖情况  

　　第36届奥斯卡金像奖(1964)
6 L. e1 f  D9 n　　最佳剪辑(提名) 费里斯·韦伯斯特
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; T$ `7 s6 E7 b5 X　　第21届金球奖(1964)
: y! W% @4 Q' K# L8 F　　电影类 最佳剧情片(提名)
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3. Disc Title:     The.Great.Escape.1963.CRITERION.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
   
4. Disc Size:      49,969,563,464 bytes
   
5. Protection:     AACS
   
6. Extras:         BD-Java
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 11.0.8.7)
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28. Dolby Digital Audio             English         192 kbps        1.0 / 48 kHz / 192 kbps
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The Great Escape Blu-ray, Video Quality   
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* o8 B. T2 P9 U0 P8 r5 g8 _Author's Note: This Video section was updated and expanded on May 14, 2013.
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; f0 K" O- P) c  k! uIt's rare to revisit a review, but discussion of The Great Escape Blu-ray has been sufficiently lively and eventful that the original write-up already feels "dated" (although my video score remains unchanged).
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& s# W' \/ z$ W7 J, cWithin hours after this review was posted, I was contacted by Torsten Kaiser, whose 2011 interview on this site I had quoted. Mr. Kaiser expressly stipulated that his message was "private" and "not for publication". I replied to him on that basis. No one was more surprised than I to find portions of our exchange reproduced, without notice, in the Blu-ray.com forum.

Mr. Kaiser has objected to the use of his interview without his permission, citing his "20 years" in journalism. In my 40 years of scholarship, journalism and law practice, I have never encountered any such limitation on the quotation of previously published materials. If Mr. Kaiser doesn't want to be quoted, he should not give interviews for publication.
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Mr. Kaiser's repeated denials that he saw the Blu-ray being reviewed here are mystifying, because I never claimed otherwise. The Blu-ray review is mine and mine alone. To avoid any possibility of confusion in that regard, however, I have removed all of Mr. Kaiser's quotes in this Take 2.

A more germane issue is the review and favorable video rating recently published by Robert Harris. Some people seem to think that Mr. Harris and I have reached opposite conclusions on The Great Escape Blu-ray, which Robert and I both find unfortunate. Very few readers seem to have noticed that both of our reviews recommend a purchase.
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Robert Harris and I have been friends since we worked together at the site where I formerly posted reviews, and we've remained in contact since I joined the staff at Blu-ray.com. We've been chatting about The Great Escape, and it's been a delightful and educational experience, as communicating with Robert always is. As he writes in his review: "There are multiple ways of considering this Blu-ray. None are incorrect." I know Robert Harris' methodology; he avoids reading press releases, reviews and any other material that might influence his evaluation. For reasons he explains in his write-up, he decided that the new Blu-ray is a more than adequate representation of a film that any film lover should see. I don't disagree, but I had read the press release promising a "restoration", and I decided—over the course of two days of writing the rest of the review—to hold MGM to that standard.
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Wherever one comes out on the quality of this Blu-ray, no informed source outside MGM has claimed that it's the result of a true restoration performed with state-of-the-art technology. No one credibly could. As Robert Harris said in a subsequent posting: "It does not look like film, and certainly has no appearance of a newly produced 4k restoration" (my emphasis). MGM has not retreated from its position that the Blu-ray is the result of a new 4k scan, but the real question is what they were scanning. If MGM is going to publicize a Blu-ray with claims of a restoration, then no one should be surprised when they are criticized for failing to deliver a Blu-ray that reflects a fully restored film according to the high standards that have been set by true restorations such as Funny Girl, The Godfather Trilogy or How the West Was Won.
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  @( W: i2 [. \/ }7 [. n; c8 _(Reports indicate that restoration work was performed on The Great Escape in 2004 under the supervision of personnel who have now departed, but that was before Blu-ray—indeed, before the format war. Both technology and standards have made enormous strides since then.)
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! o  w  }" t4 FSharpness and detail on the Blu-ray of The Great Escape vary from good to merely acceptable. While some of the softness is attributable to optical effects and diffusion (as many posters have been quick to point out), much of it appears to be due to an image harvest from dupes several generations removed from the original camera negative (OCN), which, by all reports still exists for all or most of the film. A true "restoration" involves scanning and digital clean-up of the OCN.
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Colors are frequently bland and washed out either by fading or by overstated contrast or color values that aren't quite right (too much blue, too little green, etc.). There are also occasional variations in density that register as a kind of "flickering" or instability that ripples through the entire image.
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Of greatest concern, however, is the lack of (to my eye) natural-looking grain. This is often a point of contention in the latest Blu-ray iterations of classic films. De-graining software has become more sophisticated in the years since the Patton fiasco, so that the process no longer converts characters into wax dummies. Even more problematic, in my opinion, is the ability to add back grain digitally, which can be a useful tool in "massaging" together footage culled from disparate sources, but can also be misused to add fake grain that compresses more easily and attempts to create the illusion of film in the same manner that artificial sharpening attempts to restore the illusion of lost detail. Many viewers find this artificial grain acceptable. I call it "noise", and it recurs through the Blu-ray of The Great Escape.
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In my initial presentation, I noted the disc's low average bitrate of 18.19 Mbps and argued that the de-graining was done to facilitate compression and accommodate multiple language tracks and approximately 8 Gb of extras on a single disc. I still consider that a strong possibility, but an alternate explanation is that the source for MGM's Blu-ray is so "dupey" and so far removed from the OCN that the grain structure is too faint and the resolution too compromised to show clearly—hence the need to add "digital" grain to the Blu-ray image. But if that is the case, one has to question why MGM is touting a new 4k scan. If the source is so thoroughly compromised, is there even 4k worth of data to harvest?
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5 `4 f4 @/ t0 y* P* t  u' l: aAlthough it is impossible to be certain without access to the source material, I still contend that the better practice would have been for MGM/Fox to have provided the extras on a separate DVD and devoted the entire BD-50 to the task of reproducing their source elements, whatever they may be, at the highest possible bitrate. And they never should have called this a "restoration".

Now, does that mean the Blu-ray is worthless? Of course not. If I thought that were the case, I would have recommended against purchase, as I have in the past. The Blu-ray is certainly watchable, as many people have reported, and some films are so indisputably great that they don't need "eye candy" to be absorbing. The Great Escape is a perfectly serviceable Blu-ray at an astonishingly low price. Had it been offered as a quicky catalog release, my grading scale would have been much different. But if MGM/Fox wants to be judged by the standards of a "restoration", that's their choice—and their risk.
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People who are in a position to do so are continuing to pursue inquiries about The Great Escape Blu-ray and how it was produced. Whether they will be able to obtain definitive information, and, if so, whether they will be able to share it publicly, are matters on which I would not presume to speculate. In the meantime, individual viewers should continue to make their own purchasing decisions, and I hope those who watch the Blu-ray will continue reporting their impressions.

The Great Escape Blu-ray, Audio Quality   
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According to IMDb, The Great Escape was initially released to theaters in both mono and four-track stereo. Previous iterations on DVD have run the gamut. MGM's initial release in 1998 offered a stereo track in Dolby Digital. Its more elaborate "collector's edition" six years later offered a choice between 5.1 and mono tracks, also in Dolby Digital. The Blu-ray offers a single option in English of lossless DTS-HD MA 5.1 (along with numerous tracks dubbed in other languages). The mix for this track is presumably the same as that offered on the 2004 DVD and is probably based on the four-track stereo source.

9 d$ I" z- R, N, E3 {" c1 GFrom the opening bars of Elmer Bernstein's memorable score, the Blu-ray's track reveals very good dynamic range for a recording of this vintage, with excellent bass extension that supplies genuine punch to the martial beat of the bass drums. The dialogue with its variety of accents and intonations is distinct and crisp, and the sense of stereo separation is often helpful when multiple characters are arrayed across the screen. Signature effects like the roar of Hilts's motorcycle or the bounce of his baseball register with the necessary impact, and the sounds of camp life—both legitimate and clandestine—punctuate the action as necessary. While it would be a stretch to claim that the track creates a surround field comparable to what one might expect from a contemporary mix, the sound editing is sufficiently detailed and the reproduction of sufficient quality to more than make up for the lack of rear channel activity.
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