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A woman attempts to reunite her family by helping her husband escape prison and together kidnapping their son. But things don't go as planned when they are forced to take a police hostage on the road.; D) }) @* r+ F4 x' L5 i
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◎译 名 横冲直撞大逃亡/傻妹大逃亡/甜园不归路
K$ _' p# `! c* \7 x◎片 名 The Sugarland Express
# h m0 T* }* Z# C+ i- B1 S. v◎年 代 1974
( k0 H0 q5 a- {7 Y5 j4 i9 I' K6 i◎产 地 美国$ s2 _8 _" ?* g. v! ]0 r
◎类 别 剧情/犯罪/冒险
- m) g; H v8 Y" C- g◎语 言 英语% h* T8 r$ p% g0 g& L3 A9 D3 G
◎上映日期 1974-10-19(美国), q9 l+ a* m. k" a4 q% i2 P) c
◎IMDb评分 6.7/10 from 18,236 users
, n& M4 I& Y& E◎IMDb链接 https://www.imdb.com/title/tt0072226/; {8 O$ _0 N! X) z0 ~
◎豆瓣评分 7.1/10 from 1,059 users
o! j" K: F7 Z◎豆瓣链接 https://movie.douban.com/subject/1298386/
: G' G' ?9 ?8 {$ |" l" }◎文件格式 x264 + DTS 2 ]% a* h% x; K Q" y) f* M, B3 g: z
◎视频尺寸 1920 x 1080
4 f( g6 l! I) z# k% R h◎文件大小 1DVD 32.87 GiB
# c8 \# N4 E6 t+ ^" F5 D- @ a◎片 长 1:49:52.419 (h:m:s.ms)
' X- p$ o1 U5 a3 U◎导 演 史蒂文·斯皮尔伯格 Steven Spielberg
* f9 U$ U4 V; c8 Y, s2 c◎编 剧 哈尔·巴伍德 Hal Barwood) r+ E( t6 g$ m3 k6 m" y# l" m* _
马修·罗宾斯 Matthew Robbins
5 t6 a2 c3 |: u5 h! M 史蒂文·斯皮尔伯格 Steven Spielberg1 O+ n" h9 C8 Y% Z1 ?+ W" i* ~
◎主 演 歌蒂·韩 Goldie Hawn L2 }$ E& `$ K
本·约翰逊 Ben Johnson
1 F# m! |( W2 x A$ D; z2 C( N4 H 迈克尔·萨克斯 Michael Sacks
" ]- B$ {! [, O 威廉·阿瑟东 William Atherton$ M$ b/ ]. ?+ u9 p. i! {
格雷戈里·沃尔科特 Gregory Walcott. `1 u @4 J& w& ]3 C9 O) f+ M3 U
斯蒂夫·卡纳利 Steve Kanaly
9 K8 ]& v; z P Harrison Zanuck 6 Q3 V, G5 ^8 f
A.L. Camp
% ?4 S& N8 Q! b) a: V Bill Thurman
8 u" h0 [: H$ r5 j2 f$ | 迪恩史密斯 Dean Smith$ ]: Q( M. _0 t/ C; \* b1 a+ z
麦瑞尔·康纳利 Merrill Connally y* K; E. Z/ y6 c& [6 P a+ H
Jessie Lee Fulton 3 C) t7 n( Z8 l9 f; Z, v. ^7 v
Roger Ernest ( o0 {$ q# J5 h; n' K' `! I
James N. Harrell
8 C% t. ]& {2 {( q' H Big John Hamilton
& A* G- u" m% o" i8 r Gordon Hurst
8 X0 D. L/ I3 C3 n, d+ Z3 ^8 N Guich Koock : c/ \# \9 u7 G1 }' ]
Kenneth Hudgins % v& Q7 I4 S4 h* V- g; A
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◎简 介
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这是根据一宗真实的新闻事件改编而成。描述穷盗犯克鲁的妻子鲁琴,因为不愤社会福利机构把他们的孩子强行送给别人收养,乃以探监为名,协助其夫逃狱,并以一名警员为人质,开着长途汽车去寻子。警方投鼠忌器,不但无法逮捕克鲁与鲁琴两夫妇,还派出庞大车队沿途护送。5 U% G. A7 ~* T; H2 [7 D
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A woman attempts to reunite her family by breaking her husband out of prison and kidnapping their baby from his foster parents. But things don't go as planned and they are forced to take a cop hostage on the road.
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◎获奖情况
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第27届戛纳电影节(1974); X1 s. W/ `# h2 x( k |) G
主竞赛单元 金棕榈奖(提名)) ^: D( Y1 z' ~& y
主竞赛单元 最佳编剧& _' i. Z4 l1 p0 X7 g$ f3 Q5 H5 A r
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- DISC INFO:7 x% J0 v# O- L) M, w1 v9 n- y
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- Disc Title: The.Sugarland.Express.1974.BluRayCD.1080p.AVC.DTS-HD.MA.2.0-FGT
6 D9 Y: T. B$ r3 k% X. W% Y - Disc Size: 35 289 552 926 bytes
& ?+ B4 V7 p- B I1 Q. T k K - Protection: AACS% D/ W/ c; J5 \* i7 l
- BD-Java: Yes0 q1 \! ^ x- ]
- BDInfo: 0.5.8
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. A( b7 B0 K. M0 _- PLAYLIST REPORT:# d% q* }8 C: w. j; v8 Q
3 ~7 [, w% k, Q- Name: 00800.MPLS0 G# F7 |$ |3 ~' o0 N
- Length: 1:49:52.419 (h:m:s.ms)& O( P2 e) N! R$ J4 R
- Size: 34 785 294 336 bytes/ M/ ]$ i) Y7 z
- Total Bitrate: 42,21 Mbps. k. ~: c9 n W; b" {
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& }8 ?5 R0 F* ?5 \0 E2 N - 00800.M2TS 0:00:00.000 1:49:52.419 34 785 294 336 42 212
复制代码 The Sugarland Express Blu-ray, Video Quality
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The Sugarland Express was Spielberg's first collaboration with Hungarian DP Vilmos Zsigmond, with whom he would reunite for Close Encounters of the Third Kind, for which Zsigmond would win an Oscar for cinematography. Sugarland was made before home video began making directors and cameramen wary of using the full 2.35:1 frame to its best advantage, lest too much be cut off in panning 'n' scanning for the home screen. As a result, Spielberg's and Zsigmond's compositions are often striking in their use of the entire frame.2 f% o5 q+ z# i; F# d* |# Y( W! ?1 g
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Universal's 1080p, AVC-encoded Blu-ray is consistent with the other films new to Blu-ray in the Steven Spielberg Director's Collection, which is to say that it's an overall faithful presentation, with only minor evidence of digital manipulation to compromise its film-like appearance. The film's grain pattern appears to be largely intact and natural, although the coarsening that is sometimes a sign of artificial sharpening appears from time to time. Contrast is sometimes understated, and levels of black aren't always well-differentiated, but this may be inherent to the source, reflecting limitations in the location photography and/or compromises required for the slower anamorphic lenses of the era. In most shots, however, fine detail is remarkably good, allowing the viewer to savor Spielberg's complex compositions, in which people and objects are frequently arrayed across the frame in different planes but all in focus. (In one famous shot at the Looby house, the focus changes radically during the course of a shot; it's the equivalent of a camera move without moving the camera.)
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The strongest colors in Sugarland tend to be red and blue, consistent not only with the flashing lights of the police vehicles but also with the peculiarly American streak of anti-authoritarianism that makes people sympathize with the Poplins during their fifteen minutes of fame. Otherwise, the film's palette reflects the dusty, dry surroundings of the Texas countryside.8 |* C' |) A1 D4 X; {/ g$ M
/ R+ N, y' V# T5 J8 [& pUniversal has mastered The Sugarland Express with a generous bitrate of 36.04 Mbps, which is helpful given the film's many scenes with multiple moving elements (usually vehicles) in the frame.
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7 R8 V) u" g* S" h4 ]The Sugarland Express Blu-ray, Audio Quality
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- `& ]& g- [& O' ?' o6 k# K1 ]The Sugarland Express was released in mono, and that track is included on Blu-ray in lossless DTS-HD MA 2.0 with identical left and right front channels. It's an effective and interesting mix, especially when Spielberg and his two editors (Edward M. Abroms and Verna Fields) are cutting back and forth between the chaos on the highway and the relative quiet of the Looby home. The road's combination of police sirens, screeching tires, shouted conversation and radio chatter is expertly balanced, and the occurrences of gunfire have surprisingly solid impact for a track of this era. The dynamic range is good enough to do justice to the numerous demolition-derby-style collisions that are inevitable when so many vehicles come together at high speed. Sugarland's soundtrack is a prime example of why original mono mixes should be left alone. If they worked then, they still work now.9 \, U4 z/ |' x5 x7 H
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