生人回避2 [4K蓝光原盘 自带中字] Zombie 1979 2160p BluRaycd HEVC TrueHD 7.1 Atmos-WhiteRhino 76.0GB

Strangers looking for a woman's father arrive at a tropical island where a doctor desperately searches for the cause and cure of a recent epidemic of the undead.
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◎译　　名　生人回避2
- a5 a$ e% h/ T  s8 U& Q◎片　　名　Zombi 2 / Zombie Flesh Eaters
; P  p- g% k. U4 ^2 h' V9 K◎年　　代　1979
◎产　　地　意大利
3 T0 T3 I+ P( b2 {- M◎类　　别　恐怖
◎语　　言　意大利语/英语/西班牙语
3 y$ d+ a; i9 W* G2 Q) A6 f$ \5 {◎上映日期　1979-08-25
◎IMDb评分  6.9/10 from 24,664 users
2 R) t8 P- \: ^* u( Q6 k7 k◎IMDb链接  https://www.imdb.com/title/tt0080057/
◎豆瓣评分　7.0/10 from 978 users
◎豆瓣链接　https://movie.douban.com/subject/1302410/
, I% w8 P' b$ B8 m& k, d: k◎文件格式　x265 + TrueHD
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 76.01 GiB
◎片　　长　1:31:24.375 (h:m:s.ms)
6 T) x' O' a- S9 Z# j$ c% H) O2 ]◎导　　演　卢西奥·弗尔兹 Lucio Fulci
◎编　　剧　达尔达诺·萨凯蒂 Dardano Sacchetti
　　　　　  Elisa Briganti
◎主　　演　蒂莎·法罗 Tisa Farrow
+ L- z' Y" L% [! ~& j7 ?　　　　　  艾伦·迈克库洛奇 Ian McCulloch
　　　　　  理查德·约翰逊 Richard Johnson
　　　　　  阿尔·克里弗 Al Cliver
　　　　　  Auretta Gay
　　　　　  斯特凡妮娅·达·玛丽约 Stefania D'Amario
. F) `) m1 _" I+ _0 E　　　　　  奥丽娃·维拉索布罗斯 Olga Karlatos
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+ {# K" R8 ]" Z0 B$ q◎标　　签　恐怖 | 意大利 | 丧尸 | 僵尸 | Cult | 生人回避 | 惊悚 | 意大利电影
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◎简　　介  
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6 u* \* x$ n; Q( ]3 T1 o　　安妮·布外兹（Tisa Farrow 饰）的父亲驾船前往某小岛，但此后三个月音讯全无。某日，父亲的小船漂回纽约，船上空无一人。当警卫员检查船舱时，却遭到一个丧尸的袭击。记者彼得·怀斯特（Ian McCulloch 饰）对此事颇为好奇，他和安妮相约前往那座神秘小岛。
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　　当他们到达目的地时，却惊奇地发现，当地伏都教的诅咒令人们染上一种怪病，且可使死人复活。但复活后的人只是嗜血如命的恐怖丧尸。他们在岛上遇见了莫纳德医生（Richard Johnson 饰），为了活命，三个人必须通力合作，找到治疗这种怪病的方法……

. ^6 R3 y/ M+ }7 T　　Strangers searching for a young woman's missing father arrive at a tropical island where a doctor desperately seeks the cause and cure of a recent epidemic of the undead.
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1. DISC INFO:
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3. Disc Title:     Zombie.1979.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-WhiteRhino
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4. Disc Size:      81,614,725,195 bytes
   
5. Protection:     AACS2
   
6. Extras:         Ultra HD
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 11.0.8.9)
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12. Length:                 1:31:24.375 (h:m:s.ms)
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13. Size:                   70,394,247,168 bytes
    
14. Total Bitrate:          102.68 Mbps
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22. MPEG-H HEVC Video       76498 kbps          2160p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
    
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Zombie 4K Blu-ray, Video Quality   
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Presented in an aspect ratio of 2.40:1, encoded with HEVC/H.265 and granted a 2160p transfer, Lucio Fulci's Zombie arrives on 4K Bluray courtesy Blue Underground.
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The release is sourced from the label's recent 4K 16-bit restoration of the film which was introduced on Blu-ray in 2018. You can see our listing and review of this release here.

9 m; m' _$ a+ t, d6 i9 S- R# dI viewed the entire 4K presentation in Dolby Vision and then chose different sequences to perform some direct comparisons with the 1080p presentation for the purpose of our review. So, here's what you should expect from the 4K presentation:
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First, the bump to native 4K tightens up the visuals quite a bit, but my sense is that most viewers will see the biggest improvements in darker areas. (I will explain why below). I have the ability to view 4K releases on a larger screen and I could see an instant uptick in quality. It is why I always address fluidity as well, because the larger the screen becomes, the easier it is to begin seeing the limitations of 1080p presentations. Finer details are easier to identify as well, but the 1080p presentation still looks very good. Now, in 4K it is easier to see background nuances, especially during darker footage, often with noticeably better shadow definition. (You can test the footage from the yacht in the very beginning of the film). Furthermore, in 4K the entire color scheme of the film looks different. How different? Well, all colors appear lusher, with expanded nuances that again make a difference during darker footage. On the other hand, the daylight footage looks superior as well, with the primaries having better saturation than what you will see on the 1080p presentation. The density of the visuals is excellent, but I also really like the density levels of the 1080p presentation. Finally, I specifically tested the underwater sequence with the shark because it has always looked a bit shaky. In 4K, it is the most stable and clear -- yes, filmic clear -- that I have seen it to date. All in all, I think that this is a tremendous presentation of a first-class 4K restoration that will be the standard for all other makeovers of Lucio Fulci films that enter the home video market. It is an all-around winner.

Zombie 4K Blu-ray, Audio Quality   


7 p7 i% ]) [# f) K: ]7 M; TThe 4K Blu-ray release features a Dolby Atmos audio track that was prepared exclusively for it. The Blu-ray release that emerged a few years ago has English: DTS-HD Master Audio Mono and English: DTS-HD Master Audio 7.1.

I found it very difficult to judge the quality of the new Dolby Atmos track because I really like the English DTS-HD Master Audio 1.0 (Mono) track. So, dynamic intensity on the Dolby Atmos track is different and in a way that I think most people will conclude makes it superior. What about separation? Well, it depends. If judged together with dynamic intensity then I think that it makes sense to declare the Dolby Atmos track the top choice. But on the Mono track the nature of the audio balance is simply different, and for that kind of a lossless track it is excellent. What I am trying to clarify here is that when you have two such really good tracks -- and no, I don't believe that it matters that they do different things to recreate the qualities of the original soundtrack -- everything becomes subjective. Bottom line is this: it is all about preferences, folks. You can't go wrong with these tracks, so pick the one you like the most.
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