奇爱博士 [4K蓝光原盘 自带中字] Dr Strangelove Or How I Learned to Stop Worrying and Love the Bomb 1964 2160p BluRaycd HEVC DTS-HD MA 5.1-AViATOR 58.67GB

An insane general triggers a path to nuclear holocaust that a War Room full of politicians and generals frantically tries to stop.
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, ~7 A; T8 U5 m; W; R4 ~5 g: _% X- |◎译　　名　奇爱博士/奇爱博士或者我如何学会停止恐惧并爱上炸弹/密码114(港)/我如何学会停止恐惧并爱上炸弹
0 ]7 t6 ?% m; \5 n/ \8 q, ]◎片　　名　Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
9 S5 m0 E9 j( N$ n6 f◎年　　代　1964
5 V9 \5 e4 u* A8 J◎产　　地　美国/英国
5 \$ O& \7 }/ I4 {& l- b3 M1 s. H1 @+ O◎类　　别　剧情/喜剧
◎语　　言　英语/俄语
; k8 d2 D, t5 y! n◎上映日期　1964-01-29(美国)
◎IMDb评分  8.4/10 from 437,617 users
) e1 _: K, e! j5 {) o6 b0 e◎IMDb链接  https://www.imdb.com/title/tt0057012/
* `8 L/ c7 l, j" Y0 w◎豆瓣评分　8.8/10 from 64,225 users
4 V$ @& G- p* d+ W) M- r4 n& K◎豆瓣链接　https://movie.douban.com/subject/1322848/
◎文件格式　x265 + DTS
+ h5 ^; w; t9 m' H6 x8 P1 p◎视频尺寸　3840 x 2160
" M6 V- F& c( S# D, o1 D◎文件大小　1DVD 58.67 GiB
2 R+ D. t' D. G1 x- A' n. g8 p  g◎片　　长　1:34:45.679 (h:m:s.ms)
1 H0 N, D9 v; Y* G6 c$ u◎导　　演　斯坦利·库布里克 Stanley Kubrick
◎编　　剧　斯坦利·库布里克 Stanley Kubrick
# {% ?* R$ e3 O　　　　　  特里·索泽恩 Terry Southern
" P4 ?" v; m- Z　　　　　  彼得·乔治 Peter George
4 `* X/ j; b& i9 Y  A  P9 j, j◎主　　演　彼得·塞勒斯 Peter Sellers
　　　　　  乔治·C·斯科特 George C. Scott
7 h8 F3 }2 q" R　　　　　  斯特林·海登 Sterling Hayden
. j: I/ q6 E0 z4 Z& S4 Z　　　　　  詹姆斯·厄尔·琼斯 James Earl Jones
4 {) B+ P& v2 J# O　　　　　  格伦·贝克 Glenn Beck

5 z5 s7 @! _2 N5 A0 w/ ~◎标　　签　黑色幽默 | 库布里克 | 美国 | 战争 | 斯坦利·库布里克 | StanleyKubrick | 经典 | 美国电影
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◎简　　介  
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　　美国空军将领杰克·瑞（斯特林·海登 Sterling Hayden 饰）怀疑苏共的“腐朽思想”正在毒害“正直善良”的美国人民，他于是下令携带核弹头的飞行部队前往苏联，对敌人进行毁灭性的核打击。苏联方面得知此事，立即致电美国总统墨尔金·马夫雷（彼得·塞勒斯 Peter Sellers 饰），并威胁如若领土遭到攻击，苏联将不惜一切代价按下“世界末日装置”。该装置的威力足以摧毁地球上所有的生命。

　　一场有关全人类乃至整个地球命运的战争就这样悄然且荒诞地拉开了序幕……

0 y5 p5 u* K: E* P( G　　影片根据彼得·乔治1958年的小说《红色警戒（Red Alert）》改编而成，与《2001漫游太空》、《发条橙》并称为“未来三部曲”。
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6 [4 m! n' T5 a, a% h- h& u5 S　　After a psychotic Air Force general unleashes an ingenious, foolproof and irrevocable scheme sending bombers to attack the Soviet Union, the U.S. President phones the Soviet premier in a desperate effort to save the world.
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5 H- a! X- A6 c8 |- f◎获奖情况  
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; P. k% P8 y+ O　　第37届奥斯卡金像奖(1965)
　　最佳影片(提名) 斯坦利·库布里克
　　最佳导演(提名) 斯坦利·库布里克
　　最佳男主角(提名) 彼得·塞勒斯
　　最佳改编剧本(提名) 彼得·乔治 / 斯坦利·库布里克 / 特里·索泽恩
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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 4K Blu-ray, Video Quality   

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) N$ l) u; S/ B+ P1 D1 O- H/ kThe included screenshots are sourced from a 1080p Blu-ray disc.
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6 G9 k6 m: }6 k4 ]% mNote: Comparisons with the Blu-ray are made with Sony's original DigiBook release. I do not own a copy of the Criterion disc and cannot comment on how the UHD stacks up to that presentation.
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( D- a) A5 N5 Y: P$ F8 bAfter witnessing the majesty of Mr. Smith Goes to Washington, expectations were high for another black-and-white production releasing to 4K via the Columbia Classics Collection, and Dr. Strangelove does not disappoint. It's truly amazing to see the image transformed -- in all the right ways -- and how much difference resolution and HDR truly bring to the table for vintage colorless productions. Both are equally impressive. Textural excellence is above reproach. The image holds fast to a perfect grain structure. It's more robust than that seen on the Sony Blu-ray but it's also here more flattering and filmic, a very capable field that dazzles in practically every frame. Clarity is boosted quite a bit. Sharpness is greatly improved, boasting fully revealing skin textures well beyond Blu-ray's limits. Likewise, military uniforms -- whether worn by pilots in the sky or the more formal attire employed by those in the war room -- boast superior textural definition, both fabric and various adornments scattered along chests and shoulders. Additionally, location elements excel, notably dense bomber interior panels both in broader shots within the close confines and in close-up. Everything here is worlds superior to the Blu-ray, and that extends to the HDR color grading, too.

1 x% L2 q" Y! jHDR brings about a radical change in tonal clarity, accuracy, brightness, and detail. The white opening text -- the familiar big, scrawling letters -- just leaps off the screen with newfound integrity and luminance, and the grayscale sky elements behind the planes is breathtaking for brightness. On the opposite side, black levels are meticulously presented, boasting superior shadow detail and an inky, true richness the Blu-ray could not hope to replicate. In the middle, various gradations are carefully maximized for full separation and tonal definition. Look at a shot of a parked plane at night at the 3:26 mark. The light sources in the background -- three of them -- blare with remarkable, transformative intensity while the shadowy dark sides of the buildings in front hold much deeper and denser compared to the Blu-ray, which altogether here and elsewhere has a comparatively creamy, at times almost hazy, look about it. Inside Mandrake's location, bright floor tiles, computer paper, overhead light fixtures, and computer banks as seen in the opening minutes absolutely dazzle. That holds throughout, whether in similarly well-lit interiors, low light bomber hulls illuminated by small lights and instrument clusters, or the main location "war room" where a bank of circular lights perform most of the illuminating work.

The UHD image in total is surgically precise. One might spot an errant speckle here and there but this is a superior presentation, one of extreme excellence and every bit worthy of the film it supports.
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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 4K Blu-ray, Audio Quality   
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9 d& Z5 i: t( J9 a) hDr. Strangelove's UHD release includes no Atmos or DTS:X mix but does feature a DTS-HD Master Audio 5.1 lossless soundtrack, replacing the Blu-ray's TrueHD 5.1 lossless presentation. There's not really any radical differences between the mixes. It's generally front heavy and perfectly capable of carrying the movie's modest sound needs. Dialogue dominates the experience, primarily within quiet offices or in the "war room" where extremely fine reverberation carries across the front but rarely engages the surrounds in any meaningful ways. There is a nice presence to flying bombers, a low humming rumble heard both outside and inside, which represents the most steady ambient sound in the film. Gunfire in chapter seven, and also in chapter nine and a couple of other places, offers a decent sense of rat-a-tat efficiency while a couple of explosions deliver a hearty, though hardly noteworthy, low end response. There's some gentle surround activity to be heard here but the majority of the content remains the property of the front three speakers. Militaristic beats and other style of score accompany several scenes and find rich instrumental detail, quality front side spacing, and a decent low end accompaniment. Dialogue drives the majority and is clear and well prioritized from its front-center location.
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