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Allied forces invade Normandy on June 6, 1944.
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◎译 名 登陆日,诺曼底1944
' c3 a" F, C2 q◎片 名 D-Day, Normandie 1944
2 q* _1 f0 s4 N# l◎年 代 2014
- z' [3 N" n6 b/ c5 J& i' V0 \# d◎产 地 法国
W" T6 H8 `# J◎类 别 纪录片
0 `1 n* o5 R& R9 P8 H& T: A◎语 言 法语
: ~8 j6 K# Z/ a◎上映日期 2014-04-02(法国)
8 X- M4 A$ R4 W% [7 ]◎IMDb评分 7.4/10 from 122 users
8 o2 x- u* p! S0 Q◎IMDb链接 https://www.imdb.com/title/tt3635920/
" F/ |" }& a/ L7 e% S$ I2 g◎豆瓣评分 0/10 from 0 users' \4 X* @# t2 T( J0 y; t
◎豆瓣链接 https://movie.douban.com/subject/25907990/1 V' f" C: C6 n' F _! V7 G: T# g
◎文件格式 x265 + DTS+ B4 b) U) c# q) ~# b
◎视频尺寸 3840 x 2160
/ z/ ~' G, `1 h% k) w7 ~! [◎文件大小 1DVD 29.49 GiB
% P" a8 l. X2 y3 G" T: W4 J◎片 长 0:42:56.208 (h:m:s.ms)
% M* b9 Q2 T0 y [$ A◎导 演 Pascal Vuong
. j0 q7 y; V' T }2 C- m. W4 v◎编 剧 Pascal Vuong6 y1 }9 G7 ^4 d2 M) J9 {% q
◎主 演 Tom Brokaw 0 x- H9 L; `6 \0 {( F$ Z& M' E: K2 ]
François Cluzet
3 C5 E6 @' ~) @+ H" [# Y$ r* ? Glynis Loizeau! I5 X, p1 V; w+ ]& Y$ H
& M X, B* A' N" [& c( w◎标 签 2014 | 紀錄片 | 法国 | UHD | PascalVuong | IMAX( i N8 r% V" C
5 X: X) ^4 E+ G) R4 K◎简 介 & T# j/ z. V& G6 T
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诺曼底1944年诺曼底登陆日是专门为纪念重叠行动而制作的,也就是众所周知的“诺曼底登陆日”或“登陆诺曼底登陆日”。1944年6月6日,在诺曼底海滩盟军登陆70周年之际,这部电影在全球播出。6 N; k. Q- ^6 k+ _0 a/ W+ F
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June 6, 1944: The largest Allied operation of World War II began in Normandy, France. Yet, few know in detail exactly why and how, from the end of 1943 through August 1944, this region became the most important location in the world. Blending multiple cinematographic techniques, D-Day 3D: Normandy 1944 brings this monumental event to the world’s largest screens for the first time. Narrated by Tom Brokaw, D-Day 3D: Normandy 1944 pays tribute to those who gave their lives for our freedom… A duty of memory, a duty of gratitude.9 R1 s* r1 e, [9 @6 r+ m$ o
& M q8 ?. W7 K$ C D-Day, Normandie 1944 a été spécialement réalisé pour les commémorations rendant hommage à l'opération "Overlord" autrement connue sous le nom de "D-Day" ou "Jour-J". Le fim est diffusé mondialement à l'occasion du 70e anniversaire du Débarquement Allié qui eut lieu sur les plages de Normandie le 6 juin 1944.8 Z6 h7 t( R4 s3 |
" ?& A+ g3 I: c; X. E, L- DISC INFO:8 n* o# n7 x8 |/ c6 w
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- Disc Title: D-Day.Normandy.1944.2014.DOCU.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-AdBlue- B! l4 o4 t. n# V* O
- Disc Size: 31,665,969,534 bytes
2 R: @+ W) k' f8 }" \# Y" v - Protection: AACS2
2 p0 I, D5 l K g - Extras: Ultra HD, BD-Java4 n) D$ r" L$ U) g7 N
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 11.0.9.7)
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& i- l% a) H9 i- PLAYLIST REPORT:
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1 r( \' w T/ h5 x3 F% r* Q- Name: 00101.MPLS - H) ?1 _/ W: ?
- Length: 0:42:56.208 (h:m:s.ms)8 |& E9 F% f' X( n" @6 E
- Size: 20,899,037,184 bytes
- `* H: ?( a: r6 W5 _! Y - Total Bitrate: 64.90 Mbps
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- Video:
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- Codec Bitrate Description $ Y/ Z2 K% M9 f- W) M+ M7 I
- ----- ------- ----------- ; o5 _' u& u' g2 Y7 e' `
- MPEG-H HEVC Video 53854 kbps 2160p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / HDR10 / BT.2020
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- l; z5 {9 Z% D- AUDIO:
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5 U2 \( r5 c) K$ R- Codec Language Bitrate Description 2 i+ W5 m6 g1 y3 n+ W) T6 ]3 T
- ----- -------- ------- ----------- ) C* E: s! B$ h! y3 S5 ~" x
- DTS-HD Master Audio English 3860 kbps 5.1 / 48 kHz / 3860 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)( g. t1 l' E$ K, J' @
- DTS-HD Master Audio French 3854 kbps 5.1 / 48 kHz / 3854 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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- SUBTITLES:7 a" n& v1 b$ l a. V
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- Codec Language Bitrate Description
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, X) S( E3 M( c2 J! V' S. a1 {& W! X - Presentation Graphics English 33.645 kbps
复制代码 D-Day: Normandy 1944 4K Blu-ray, Video Quality + ~1 l1 E. f S6 H7 q- p
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Note: Screenshots were sourced from the 1080p Blu-ray.
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D-Day: Normandy 1944 is presented on Blu-ray and 4K UHD discs courtesy of Shout! Factory with 1080p and 2160p transfers in 1.78:1. Shout! does not appear to be releasing a standalone 1080p Blu-ray of this title as of the writing of this review, so I'll cover both presentations together in this summary. The bottom line is, you can't really go wrong with either of these presentations, as they are both fantastically sharp and well detailed looking affairs. The frequent use of graphical information like titles for locations or maps with datapoints looks nicely sharp in 1080p, but the increased clarity of printed material was one of the stronger points of the 4K UHD presentation for me. The documentary has a fair amount of CGI, some of which is at least passably effective, as in some shots of the armada making it across the English Channel, or lots of sequences featuring bomber squadrons, and for the most part the animations look nicely sharp if not always perfectly detailed. A couple of moments, as in the smoky aftermath of the bombing of a bridge the Nazis need arguably look more "cartoonish" (as in not very real looking) in the 2160p version. There is some other kind of cool looking animated material culled from sand illustrations (as documented in screenshot 7, and addressed in one of the supplements, below) which look a bit more detailed and granular in the 2160p version. A glut of aerial photography looks beautifully sharp in both presentations, but I'd argue depth of field is at least marginally improved in the 4K UHD version. Detail levels are often amazingly good in even these aerial "fly by" moments. HDR adds a few highlights to the 4K UHD version, but nothing that struck me as really overly dramatic. Some of the water shots looked slightly more teal to me, and the animated oozing reds indicating the Nazi domination of Europe looked slightly more rust colored in the 4K UHD version.
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/ r) b3 m/ u' C! k+ L: j# D) J6 rD-Day: Normandy 1944 4K Blu-ray, Audio Quality # D6 T( u; h- Y9 e5 K/ m# |
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Both versions of D-Day: Normandy 1944 sport the same fine sounding DTS-HD Master Audio 5.1 track. There's a lot of effects work sprinkled throughout the track, including a kind of strange opening before images even begin that almost sounds like kids playing, but which at least establishes a wide and active soundstage. A sweeping symphonic score by Franck Marchal regularly populates the surround channels and sounds warmly burnished throughout. Tom Brokaw's narration is front and center and always mixed above other elements. There are some good uses of panning effects in some of the flying sequences and some forceful LFE bursts accompanying some of the documentary's surprisingly few explosions.
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