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The slave Spartacus leads a violent revolt against the decadent Roman Republic.
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: B/ I( @/ |5 Y v+ N" ]◎译 名 斯巴达克斯/万夫莫敌(台)/斯巴达克思/风云群英会(港)
, H8 \7 ^2 s m5 T! U. [◎片 名 Spartacus, X6 {9 r9 t8 V' D. \
◎年 代 1960
( o1 e1 k# i- G# v$ }◎产 地 美国4 P! o3 H9 k) r, a9 I4 x; ~% `
◎类 别 剧情/动作/传记/历史/冒险4 D: T" n# _% M/ Y# |3 y
◎语 言 英语+ b7 c) K q' h4 O
◎上映日期 1960-10-076 I5 a& H5 M# t P
◎IMDb评分 7.9/10 from 121,204 users, R3 F( v v6 F
◎IMDb链接 https://www.imdb.com/title/tt0054331/+ ~+ M! r: I+ u1 @% c7 @, F
◎豆瓣评分 8.0/10 from 17,392 users, D+ q5 c7 s" p* s9 ?, w& q/ l/ T
◎豆瓣链接 https://movie.douban.com/subject/1298366/& k, Z; e7 T6 ]0 |& S/ V7 n; S
◎文件格式 x265 + DTS
2 f" |0 @! v" t! C6 [: U5 _◎视频尺寸 3840 x 2160
7 \6 i. ]0 L) b6 M◎文件大小 1DVD 85.32 GiB+ p5 Z$ P/ a6 p; Y7 i9 c$ W, s9 N" m% O
◎片 长 3:16:38.036 (h:m:s.ms)$ l; E5 e' T" q- F, {/ z D
◎导 演 斯坦利·库布里克 Stanley Kubrick
% w: l7 @/ ?7 m9 y0 y) I◎编 剧 达尔顿·特朗勃 Dalton Trumbo
/ R$ D) L+ j6 S9 p 卡尔德·威灵汉姆 Calder Willingham- }' m, K3 x+ \9 W! J4 k" J
◎主 演 柯克·道格拉斯 Kirk Douglas
9 P5 w0 T. P9 I5 K* l9 s$ u 劳伦斯·奥利弗 Laurence Olivier
2 F& r1 r) o9 W# P 简·西蒙斯 Jean Simmons* M% V+ O6 a$ Z$ f
查尔斯·劳顿 Charles Laughton
8 n/ Z* N L) a: a 彼得·乌斯蒂诺夫 Peter Ustinov
+ s l4 H4 i: a+ [( c 约翰·加文 John Gavin7 u( `/ C! g4 g# G0 [
尼娜·弗彻 Nina Foch% F7 o4 |- Y0 j1 d" N" D
托尼·柯蒂斯 Tony Curtis
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◎标 签 美国 | 史诗 | 战争 | 斯坦利·库布里克 | 历史 | 库布里克 | StanleyKubrick | 1960
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◎简 介
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公元前73年,来自古罗马利比亚省的奴隶斯巴达克斯(柯克·道格拉斯 Kirk Douglas 饰)在加普亚格斗学校中爱上了女奴瓦瑞妮娅(琼·西蒙斯 Jean Simmons 饰)。同年,格斗学校的奴隶在斯巴达克斯带领下发动起义,获得自由,随后斯巴达克斯与瓦瑞妮娅团聚,结为夫妇。起义震惊了罗马的统治集团,激化了元老院中贵族派和平民派的矛盾。贵族将领克拉苏(劳伦斯·奥利维尔 Laurence Olivier 饰)乘机击败平民派首领格拉古(查尔斯·劳顿 Charles Laughton 饰),篡夺了首席执政官的权力,实行独裁。格拉古为了打击克拉苏,打算私下放走奴隶大军;克拉苏却重金收买了海盗,并召回在国外作战的两支大军。斯巴达克斯起义军三面受敌,寡不抵众,数万奴隶战死,他与妻子和六千幸存战友均被克拉苏所俘。在最后的关头,由于格拉古的帮助,情况又发生了变化。
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A slave leads a violent revolt against the Imperial Rome at its glorious height. Filmed in Technirama.- [; A7 D/ Y: F1 q# X& v
# |# X; j$ u( H# B◎获奖情况
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第33届奥斯卡金像奖(1961)
b; ]1 B, m6 c( n; Z7 [4 e 最佳男配角 彼得·乌斯蒂诺夫
( a" |; u3 a8 r" z. O- q! G 彩色片最佳摄影 拉塞尔·麦蒂& \$ k& Z6 K; f/ K8 E2 O
最佳剪辑(提名) Robert Lawrence
& \ }) q8 V2 H. H4 p 彩色片最佳艺术指导和布景 Eric Orbom / 亚历山大·高利思 / Julia Heron / 罗素·A·盖斯曼3 j) U2 I3 b3 w$ n
彩色片最佳服装设计 瓦勒斯 / Bill Thomas
$ i% O, `8 T8 F; \ 剧情/喜剧片最佳配乐(提名) 阿历克斯·诺斯
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9 H, `5 Z& Y0 H/ {' U! ] 第18届金球奖(1961)1 F8 I1 p1 h0 Y4 r
电影类 最佳剧情片( ~# |2 R5 w8 p3 f% l
电影类 最佳导演(提名) 斯坦利·库布里克6 |2 W: W& C% d' r. y7 d
电影类 剧情片最佳男主角(提名) 劳伦斯·奥利弗
; n3 D% i" M, {9 Q6 R/ h 电影类 最佳男配角(提名) 彼得·乌斯蒂诺夫 / 伍迪·斯特罗德, u' O* _/ @; r" O: v, x, |8 }0 t
电影类 最佳原创配乐(提名) 阿历克斯·诺斯+ r! \: q, C1 @$ L7 G0 B( {
/ Q' T6 ~; J7 x2 B; }0 N- DISC INFO:
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- Disc Title: Spartacus.1960.2160p.BluRayCD.HEVC.DTS-X.7.1-COASTER8 i' [$ t1 ~% @3 y5 Y. g+ u
- Disc Size: 91,613,225,432 bytes; n0 T# |: k! U! x! P, P1 C3 l
- Protection: AACS23 q' r+ A" ^" V% `
- Extras: Ultra HD, BD-Java
4 X1 n/ f1 O: X/ ?0 X# s0 c - BDInfo: 0.7.5.9 (compatible layout created by DVDFab 11.0.9.8)' T5 X: U+ J+ ^" N' V
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" [- M6 v+ H/ X; @2 O, L- (*) Indicates included stream hidden by this playlist.
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- Video:
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/ _# u; T! s4 |$ A) |+ | - * MPEG-H HEVC Video 4487 kbps (10.15%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020, F7 F, [- e7 H# U; O
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/ t) H$ T q) [9 L. P0 Z- s - DTS Audio Portuguese 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
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复制代码 Spartacus 4K Blu-ray, Video Quality 8 `5 x) l- E6 J+ v8 ^8 O- K
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& m7 R+ Z1 T- u% w/ ^7 l/ `The included screenshots are sourced from a 1080p Blu-ray disc. ]6 T9 y- I- G) g& b+ V$ ?
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Spartacus' history on high definition reads like a redemption story. First, there was the 2010 Blu-ray, one of the most reviled Blu-ray presentations to date. Then, there was the 2015 restored edition, a sublime presentation of a masterful film. Now, there is the 2160p/Dolby Vision UHD that is unquestionably the ultimate version of the film which probably looks better than when the film was theatrically projected upon release. The image's excellence is immediately in evidence during the opening titles. The black backgrounds appear significantly more rich and true and the white titles more intensely luminous and accurate when comparing it against the restored Blu-ray from 2015. The Dolby Vision color palette is a work of art. Tonal intensity seen on red Roman capes and blue skies offer superior punch and a level of color depth and intensity well beyond the Blu-ray's capabilities. These are borderline transformative tones, not fundamentally altering the original content but finding a new level of boldness and beauty that SDR simply cannot muster. There are times when skin tones appear a little more bronze than fleshy but generally speaking there's a pure, healthy vitality to every example, particularly as much of the action takes place outside under a scorching hot sun. Many of the film's boldest colors are often seen in contrast against earthen backgrounds which are themselves the beneficiaries of the terrific color grading, bringing newfound life to sandy, gravely locations. Look at the slave pits early in the film from which Spartacus is plucked and set on history's path. Here the viewer will find impeccable contrast and perfectly lifelike tones in expansive abundance. Many of the structural cues throughout the film are made of woods and materials of an earthen nature, too, and there's no missing the breathtaking excellence even in the film's more mundane outputs.: Z: u4 r; Q# x- ] A# z
3 d( }% \' q1 e" E+ f+ c Z9 t9 E$ h- IThe 2160p resolution yields a breathtaking experience, one of greatly expanded sharpness and clarity beyond even the wonderful Blu-ray restoration release from half a decade ago. Those aforementioned quarries filled with sand and rock where the slaves toil under the hot sun to begin the film stand as one off the earliest, and best, examples of the insane levels of clarity the image has on offer. The pure detail of the earthy elements extends well into the background, and certainly foreground definition rises, for this film, to unprecedented levels and, for the UHD format, to near top excellence seen on any transfer for environmental definition. This level of clarity certainly extends to characters, where viewers will be privy to an extravagant increase in fine definition and sharpness. Sweat, hairs, pores, and accumulated sand and blood present with such finessed clarity and intimacy as to practically set a new standard for the UHD format. The picture is accompanied by a fine grain structure, more pronounced on UHD compared to that on the Blu-ray but ever faithful and in perfect proportion. The picture is free of unwanted print blemishes and encode artifacts. Spartacus has never looked better -- this is a rather substantial improvement even over the reference Blu-ray from 2015 -- and the UHD format has a new jewel in its crown.+ x% z) G7 ~' ]2 m& \
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Spartacus 4K Blu-ray, Audio Quality / Q. B: K2 j2 m0 L. W
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Much like the video presentation has only seen an upward swing over the years, so too has every major release of Spartacus increased its channel count. The original Blu-ray featured a 5.1 lossless soundtrack, the resorted disc a 7.1 lossless presentation, and this one a DTS:X Master Audio presentation. The overture music is majestic, delivering with extraordinary energy, fidelity, and total stage immersion. There's perfect balance between front and rear, the former more dominant, the latter expertly engaged and complimentary. Such holds true for the duration. Music never falters, featuring aggressive yet balanced stage entrance and a saturating presence that favors the fronts but is never timid about integrating the rears and engaging the subwoofer. Music doesn't discretely engage the top end but the light supports do help make for a more immersive overall sound field. Effects are excellent in sum, offering precision clarity to all elements, including clanking wooden swords during training and full-on battle sounds with metal-on-metal mayhem during life-and-death clashes. Indeed, large-scale battle scenes offer a tremendous level of activity all around the listener, married to the precision clarity defining all of the battle din. There are a few occasions where the track's dynamics are not quite so immersive as one might want. At the 11-minute mark, the sound of working slaves are just about exclusively found across the front; a more absorbing din might have been preferable at this stage of the track's development, but it's a small aside to a much larger and very rich audio presentation. Dialogue is clear, center focused and always well prioritized for the duration.
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