生化危机4：战神再生 [4K蓝光原盘 自带中字] Resident Evil Afterlife 2010 2160p BluRaycd HEVC TrueHD 7.1 Atmos-BB 52.31GB

While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors who want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
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◎译　　名　生化危机4：战神再生/生化危机4: 来生
, h' {8 K3 a* s, K◎片　　名　Resident Evil: Afterlife
◎年　　代　2010
◎国　　家　德国/法国/美国/加拿大
◎类　　别　动作/科幻/惊悚/冒险/恐怖
◎语　　言　英语/日语
◎上映日期　2010-11-16(中国大陆)/2010-09-10(美国)
% k  u2 }1 y4 Y1 W; i/ l5 s◎IMDb评分  5.8/10 from 160,922 users
0 S2 ?0 J) \7 ^% F) m" t◎IMDb链接  https://www.imdb.com/title/tt1220634/
: U4 a4 ^9 j4 W7 O# z' S* B: E) H" h◎豆瓣评分　6.7/10 from 163,863 users
* @9 ]6 p' E* p/ V  D& R6 d- O5 u◎豆瓣链接　https://movie.douban.com/subject/3041294/
◎文件格式　x265 + TrueHD
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 52.31 GiB
6 f( S" V$ k, N7 Z/ t' A  J◎片　　长　1:36:52.806 (h:m:s.ms)
◎导　　演　保罗·安德森 Paul W.S. Anderson
◎编　　剧　保罗·安德森 Paul W.S. Anderson
9 {) Z4 P, M3 S# }9 h5 ]$ e◎主　　演　米拉·乔沃维奇 Milla Jovovich
5 X' E  b/ q0 B　　　　　  艾丽·拉特 Ali Larter
　　　　　  文特沃斯·米勒 Wentworth Miller
　　　　　  西耶娜·盖尔利 Sienna Guillory
8 h, ?2 u) v9 n% w3 r; M+ u　　　　　  波瑞斯·科乔 Boris Kodjoe
" j- B# S) l( p; ~. V* D　　　　　  肖恩·罗伯茨 Shawn Roberts
　　　　　  金·寇兹 Kim Coates
9 }6 x# f+ u) s# j" g　　　　　  史宾塞·洛克 Spencer Locke (I)
　　　　　  卡塞·巴恩菲尔德 Kacey Barnfield
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* h# R* @* ~" B◎简　　介   
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　　爱丽丝（米拉·乔沃维奇 Milla Jovovich 饰）重回在东京，向安布雷拉公司复仇。后者潜藏在地球的底部，威斯克（肖恩·罗伯茨 Shawn Roberts 饰）执行着自以为是的安 全技术标准。爱丽丝闯入了禁区，直捣黄龙。而威斯克竟然不惜毁灭城市做困兽斗。最终，当他驾驶着直升机逃离时，却被爱丽丝胁迫，情急之下，他向爱丽丝身上注入了具有对T细胞的免疫病毒，令她丧失了超能力，只能驾机飞翔荒无人烟的阿拉斯加。地球上已经177天没有生命迹象。然而，爱丽丝却意外发现了克莱尔（艾丽·拉特 Ali Larter 饰）。她们循着阿卡迪亚信号，回到了地狱之城，满眼的僵尸令人触目惊心。迎接她们的是同样听到信号的幸存者。在神秘犯人克里斯（文特沃斯·米勒 Wentworth Miller 饰）的帮助下，她们向阿卡迪亚之船进发……

　　While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
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　　第1届豆瓣电影鑫像奖 (2011)
4 M4 M. V; l4 H6 w　　豆渣单元 最渣男演员(外语) 温特沃斯·米勒
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1. DISC INFO:
   
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5. Protection:     AACS2
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7. Extras:         Ultra HD
   
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Resident Evil: Afterlife 4K Blu-ray, Video Quality   

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Note: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
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: b: P% k, t4 RIgnore that on the rather crude 0-5 ratings scale Resident Evil: Afterlife's 2160p/HDR-enhanced UHD release scored lower than the 1080p Blu-ray and take away that it's still a substantial improvement over the standard issue Blu-ray. Upon a direct compare, it's almost shocking how texturally deficient the Blu-ray appears. The Blu-ray's level of detailing is almost painfully flat by the UHD's standard of excellence, for example, and the HDR colors only alter the palette so far as it seems to improve on the movie's dreary tone. Textural refinements are obvious. The movie looks fine playing on its own, watching the first time through without benefit of the compare to the six-year-old BD, but it's getting down to cases where the improvements become clear. Take a shot of Alice upon arriving by plane to Alaska at the 20:06 mark. It's a great shot that encapsulates all of the changes (improvements) the UHD brings to the film. Details are substantially more complex. Where her face and jacket look surprisingly smooth and devoid of any textural nuance on the Blu-ray, the UHD offers a clear step upward in terms of bringing great facial complexity to the frame. The jacket is even more striking, looking like a smooth, gray swath of color on the Blu-ray but finding its textural realities on the UHD, enough to give it a very tangible, tactile feel. Such improvements in detail are evident throughout the film. Whether natural or manmade surfaces, skin, clothes, or heavy uniforms, the increase in definition, even considering that the film was reportedly finished at 2K and upscaled to 4K for this release, is at worst appreciable and oftentimes, at best, significant.
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1 I$ y" u9 P' c; w- u2 i6 F, fColors aren't any more vibrant. Instead, they're more apt to emphasize many of the movie's beak, cold, gray-dominant accents. Brighter shades, a bit drained by designed, are a little more so here, but also more nuanced and lifelike, more appreciably real and less glossy. Even the brightest reds -- the Umbrella logo contrasting with the gray-blue-black dominant facility near film's start -- is still punchy, but more refined. HDR tweaks aren't insignificant, but they only go so far as to improve on the movie's textural demands rather than alter its intended look. As for the rest of the disc, it's great. Black levels hold true and flesh tones are contextually fine. Source noise is occasionally visible but Sony's transfer is otherwise free of other obvious source or encode flaws. The reason for the 4.0 score is that it just can't touch the excellence of the best UHD discs -- Pineapple Express, Angels & Demons, -- which were admittedly shot on film and sourced from a 4K master. Still, this is a very impressive UHD that will leave fans thrilled and wanting the rest of the series on the new format.

Resident Evil: Afterlife 4K Blu-ray, Audio Quality   
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* U. T* H* j/ L7 c4 N- l& x1 n" Q: E8 JResident Evil: Afterlife's UHD release features a Dolby Atmos soundtrack and it makes for a quality upgrade from the previous release's excellent DTS-HD Master Audio 5.1 lossless presentation. The track is stunning, a symphony of action and violence, a barrage of sound that's perfectly defined, refined, and capable of sweeping and swooping through the listing area with amazing precision. Pretty much everything the track has to offer can be heard in the first 15 minutes. The film begins with widely dispersed, airy notes that slowly build towards heavier electronic pulses and deeper notes that play with seamless stage presence -- width, depth, and height -- that's the norm for music throughout the film. Things get exciting, fast. Guns blast and bullets zip and impact surfaces and shatter glass with amazing volume, rush, energy, and sense of place. Shots ring out from all corners, glass seems to spill in from every direction, bodies fall, swords swing: it's sonic chaos refined. A loudspeaker announcement seems to emanate directly above the listener and filters through the stage with a natural diffusion, an early film and terrific example of what Atmos can bring to a movie watching experience. Alices zip down a shaft with razor-sharp clarity. A wave of destruction pushes through the stage at the 14:50 mark, sending a seriously deep and obviously moving shock through the listening area. It's mayhem made precise and in every action scene the track always seems to outdo itself, to bring something new to the experience. Rounded out by well prioritized and positioned dialogue, Sony's latest Atmos presentation is a beast of a listen that will dazzle those with the ability to hear it in all its added channel glory.
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