釜山行2：半岛 [蓝光原盘] Train to Busan 2 Peninsula 2020 KOREAN 1080p BluRaycd AVC TrueHD 7.1 Atmos-FGT 39.27GB

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◎译　　名　釜山行2：半岛/尸杀半岛(港)/尸速列车：感染半岛(台)
◎片　　名　부산행2-반도 / Peninsula / Train to Busan 2
& M. l4 x. ]2 f/ U+ x" q◎年　　代　2020
◎产　　地　韩国
◎类　　别　动作/惊悚
! \  R$ Q3 R4 ], r# R◎语　　言　韩语/英语/粤语
◎上映日期　2020-07-15(韩国)
, o! I$ _- j1 R$ ?6 F! ]! c' E1 B◎IMDb评分  5.4/10 from 15,803 users
/ C6 t* P# Q' u◎IMDb链接  https://www.imdb.com/title/tt8850222/
/ _+ I$ n6 g7 w. [& x6 N◎豆瓣评分　5.1/10 from 86,968 users
, M6 p- P# g; A# e9 P# J/ |# b$ b◎豆瓣链接　https://movie.douban.com/subject/30299515/
◎文件格式　x264 + TrueHD
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 39.27 GiB
◎片　　长　1:55:54.666 (h:m:s.ms)
9 |7 G3 `% l5 [& A# b& Z7 i: c◎导　　演　延尚昊 Sang-ho Yeon
+ j, g+ H% X4 w4 n' f◎编　　剧　延尚昊 Sang-ho Yeon
◎主　　演　姜栋元 Dong-won Kang
5 m) c4 o$ C; O3 L　　　　　  李贞贤 Jung-hyun Lee
; o' g. ]' @9 y6 N0 S; ?7 m　　　　　  权海虓 Hae-hyo Kwon
　　　　　  李来 Re Lee
　　　　　  金敏载 Kim Min-jae
2 E  O/ X2 N  s/ ]! i# d　　　　　  具教焕 Gu Kyohwan
% t0 e  A2 V- E( l　　　　　  金度允 Do-yoon Kim
4 L$ X7 a& @0 D0 w9 Z; v　　　　　  李艺媛 Ye-won Lee
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6 M9 e# ]' K0 t' t◎简　　介  
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　　上集列车驶往釜山后，丧尸病毒瞬间全国爆发，4年后的韩国尸毒遍野，被全球孤立，沦为死城。所馀无几的生还者踏上最后一艘难民船，离开被世人遗弃的朝鲜半岛。退伍军人正锡(姜栋元 饰)和家人有幸登上难民船，但一上船便发现丧尸潜伏，幸得香港收容，这批韩国人才得以上岸，以「半岛难民」身分在香港重新生活。但正锡受不住金钱诱惑，加入了一个回国窃取巨额美金的行动。他和队友重返韩国，竟然发现仍有一班未受尸毒感染的人在挣扎求存，正锡决定带这班倖存者逃生，他们最后能否成功逃出尸杀半岛？

　　A zombie virus has in the last 4 years spread to all South Korea. 4 Koreans in HK sail thru the blockade to Incheon for USD20,000,000 on a truck.

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3. Disc Title:     Train.to.Busan.2.Peninsula.2020.KOREAN.1080p.BluRayCD.AVC.TrueHD.7.1.Atmos-FGT
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4. Disc Size:      42,163,750,347 bytes
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5. Protection:     AACS
   
6. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.0.6)
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11. Length:                 1:55:54.666 (h:m:s.ms)
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12. Size:                   36,961,216,512 bytes
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13. Total Bitrate:          42.52 Mbps
    
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19. MPEG-4 AVC Video        30986 kbps          1080p / 24 fps / 16:9 / High Profile 4.1
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25. Dolby TrueHD/Atmos Audio        Korean          5089 kbps       7.1+11 objects / 48 kHz / 4449 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
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26. Dolby Digital Audio             Korean          384 kbps        2.0 / 48 kHz / 384 kbps
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27. DTS-HD Master Audio             English         2408 kbps       5.1 / 48 kHz / 2408 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
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28. Dolby Digital Audio             English         384 kbps        2.0 / 48 kHz / 384 kbps
    
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34. Presentation Graphics           English         18.805 kbps                    
    
35. Presentation Graphics           English         14.817 kbps

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Train to Busan Presents: Peninsula Blu-ray, Video Quality   

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6 _' S8 Y' \- U" H6 q. GTrain to Busan Presents: Peninsula is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.39:1. The IMDb lists Arri Alexas as having digitally captured the imagery, and some online data (which I don't consider necessarily authoritative) alludes to a 2K DI. There's a somewhat peculiar (especially for a contemporary digitally captured outing) video-like quasi-filtered look here at intermittent times, where things like skin pores seem to magically evaporate, noticeable in moments like the opening shots detailing the refugees' attempts to get to safety on the freighter. Otherwise, though, detail levels tend to be very good to excellent when lighting conditions allow and when frequent "jiggly cam" isn't being used. In terms of lighting, though, the vast majority of this story plays out in darker environments, environments which are frequently further shaded by some grading choices on the blue end of the spectrum. As such, a good degree of murk can intrude and detail levels can falter (see screenshot 19). The CGI here is not always believable, adding to the slightly cartoonish ambience of some supposedly shocking moments.

9 m; z6 ~2 k2 {* E7 UTrain to Busan Presents: Peninsula Blu-ray, Audio Quality   


Train to Busan Presents: Peninsula features a nicely detailed Dolby Atmos track in the original Korean. This may not consistently utilize overhead effects, but they're noticeable in many sequences, including some of the relentless car chases (which also provide some of the best panning effects in the mix) and even in scenes of zombies marauding through humans, as in the "fight club" sequences. If there may not always be a maximum amount of verticality, there is certainly immersion to spare, with the side and rear channels regularly engaged throughout the many outdoor scenes, and with ominous LFE helping to create angst during several attack scenes. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

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