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[4K极清电影] 釜山行2:半岛 [4K蓝光原盘] Train to Busan 2 Peninsula 2020 KOREAN 2160p BluRaycd HEVC TrueHD 7.1 Atmos-EATDIK 56.75GB

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卓越贡献勋章

黄金嫖客 发表于 2020-11-28 22:42:26 | 显示全部楼层 |阅读模式
A zombie virus has in the last 4 years spread to all South Korea. 4 Koreans in HK sail thru the blockade to Incheon for USD20,000,000 on a truck.
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◎译  名 釜山行2:半岛/半岛/尸杀半岛(港)/尸速列车:感染半岛(台)
+ G5 `3 P/ I# {& k7 S7 Y◎片  名 부산행2-반도 / Peninsula / Train to Busan 2
3 a; f) `% H+ k◎年  代 2020
) P$ U4 p" ~1 s0 L7 a- t  P$ i4 t5 v◎产  地 韩国
2 i9 |" p9 E  B+ d# f' ?◎类  别 动作/惊悚
2 D& K; d6 |% n! j+ o◎语  言 韩语/英语/粤语
! b( Y% h4 |% _6 {# p/ a6 q/ u- G◎上映日期 2020-07-15(韩国)
" ?3 n5 g% ]5 u7 X8 w0 V7 x◎IMDb评分  5.4/10 from 15,940 users
( x( F" I7 a) a) l◎IMDb链接  https://www.imdb.com/title/tt8850222/
& f9 A) v6 B& r◎豆瓣评分 5.1/10 from 87,242 users
' B, T; P/ a  W+ B: H& T◎豆瓣链接 https://movie.douban.com/subject/30299515/7 G' Q3 m( x  c" l$ p
◎文件格式 x265 + TrueHD: o. H. J3 Z3 M; b# _
◎视频尺寸 3840 x 2160
0 t2 y4 z$ i! X+ A◎文件大小 1DVD 56.75 GiB
3 y0 z9 P. G7 @◎片  长 1:55:54.666 (h:m:s.ms)' n2 U6 T. \/ C8 g8 G5 F
◎导  演 延尚昊 Sang-ho Yeon
5 O3 J3 u! w1 ?/ W/ h/ M/ z3 ?◎编  剧 延尚昊 Sang-ho Yeon
: r# D+ M- p1 P# W+ H. l1 F% J◎主  演 姜栋元 Dong-won Kang  t8 A6 N! V- U/ `
       李贞贤 Jung-hyun Lee
; [8 c  ^. v* q" l( z7 N' C7 ~       权海虓 Hae-hyo Kwon
: h! I% {5 F& {: J       李来 Re Lee+ D# }2 a- h  J. f. ]' U: j
       金敏载 Kim Min-jae
, |, H" [7 Y; z' c. q$ t$ S) e       具教焕 Gu Kyohwan3 I1 L7 G/ Y2 l, W
       金度允 Do-yoon Kim
2 |/ P& Y. ]5 a/ g( b/ n9 {% h5 {       李艺媛 Ye-won Lee) _" {3 }( v1 n

' E5 Q( c  Z! u+ X5 _4 W9 C! d◎标  签 丧尸 | 灾难 | 韩国电影 | 韩国 | 恐怖 | 人性 | 2020 | 电影
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0 E: I  L: u$ S; Q' |7 H) T◎简  介  
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  上集列车驶往釜山后,丧尸病毒瞬间全国爆发,4年后的韩国尸毒遍野,被全球孤立,沦为死城。所馀无几的生还者踏上最后一艘难民船,离开被世人遗弃的朝鲜半岛。退伍军人正锡(姜栋元 饰)和家人有幸登上难民船,但一上船便发现丧尸潜伏,幸得香港收容,这批韩国人才得以上岸,以「半岛难民」身分在香港重新生活。但正锡受不住金钱诱惑,加入了一个回国窃取巨额美金的行动。他和队友重返韩国,竟然发现仍有一班未受尸毒感染的人在挣扎求存,正锡决定带这班倖存者逃生,他们最后能否成功逃出尸杀半岛?
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  1. DISC INFO:" L7 A( v' ?" c) _7 d5 S1 p
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  3. Disc Title:     Train.to.Busan.2.Peninsula.2020.KOREAN.2160p.BluRayCD.HEVC.TrueHD7.1.Atmos-EATDIK  B( k, B2 t: g: x, w
  4. Disc Size:      60,913,494,156 bytes
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  5. Protection:     AACS2+ D4 x" R" F- l, R' c
  6. Extras:         Ultra HD7 f0 h$ h% W5 S- l( i7 h
  7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.0.7)
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  9. PLAYLIST REPORT:
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  11. Name:                   00001.MPLS  . P+ Z& _; U4 c) S
  12. Length:                 1:55:54.666 (h:m:s.ms)# R" y: E( `1 q. J: U0 J
  13. Size:                   59,380,899,840 bytes
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  14. Total Bitrate:          68.31 Mbps
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  16. (*) Indicates included stream hidden by this playlist.
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  22. MPEG-H HEVC Video       54864 kbps          2160p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020! ^# e! a+ y" X! v* Q' y
  23. * MPEG-H HEVC Video     1637 kbps (2.90%)   1080p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision MEL / BT.2020
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  29. Dolby TrueHD/Atmos Audio        Korean          5089 kbps       7.1+11 objects / 48 kHz / 4449 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)  k+ w! e% d+ _5 A& h/ s( [2 `
  30. DTS-HD Master Audio             English         2408 kbps       5.1 / 48 kHz / 2408 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)/ {" Y% v) d: u+ R8 W
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  32. SUBTITLES:
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  36. Presentation Graphics           English         21.626 kbps                    0 t" e; U% @0 Y; l# p9 O
  37. Presentation Graphics           English         17.031 kbps
复制代码
Train to Busan Presents: Peninsula 4K Blu-ray, Video Quality   
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Note: Screenshots are sourced from the 1080 Blu-ray. Additional 1080 screenshots are available in the Train to Busan Presents: Peninsula Blu-ray review.
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Train to Busan Presents: Peninsula is presented in 4K UHD courtesy of Well Go USA with a 2160p transfer in 2.39:1. There are a number of stylistic choices, including some aggressive grading and especially repeated use of handheld cameras, which can tend to materially affect detail levels in both the 1080 and 2160 presentations, but in more "stable" environments, and even when some of those grading choices are being employed, there's a noticeable uptick in fine detail in this version in its best moments. That said, there's a kind of harsh digital look to this presentation at times that looks almost like it's filtered despite the fact that this was digitally captured. Already iffy CGI is not necessarily helped by the increased resolution on tap here, but the "good news" in that regard is that a lot of the effects involving zombies are littered with whip pans and other "jiggly cam" that make trying to pinpoint fine detail more than a bit of a challenge. The most interesting parts of this presentation to my eyes were the new highlights courtesy of Dolby Vision. There's a prevalence of both blue and green tones utilized throughout the story, and many, including the whole opening sequence detailing the rush to the freighter, can offer a slightly more teal tinged appearance. Detail levels are probably materially affected the most by some of the blue tones, which are often used in quasi-day for night sequences. That approach, along with a surplus of really dark material, can lead to general murkiness which even HDR can't completely compensate for (I was perhaps expecting more of an increase in shadow detail in this presentation). Well Go USA's compressionist hasn't encountered any daunting challenges based on the results here, and in that regard I'd add that it's kind of refreshing to see the label's masthead without the prevalent banding that often accompanies it on 1080 discs.) \. u9 Q& H; S; H' P( b

, r4 L% X, B  b2 |Train to Busan Presents: Peninsula 4K Blu-ray, Audio Quality   ' k* ]" C! X9 m+ [- y# |8 B

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% o- g, z. K* T1 u7 p' }& F4 y4 PTrain to Busan Presents: Peninsula features a nicely detailed Dolby Atmos track in the original Korean. This may not consistently utilize overhead effects, but they're noticeable in many sequences, including some of the relentless car chases (which also provide some of the best panning effects in the mix) and even in scenes of zombies marauding through humans, as in the "fight club" sequences. If there may not always be a maximum amount of verticality, there is certainly immersion to spare, with the side and rear channels regularly engaged throughout the many outdoor scenes, and with ominous LFE helping to create angst during several attack scenes. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
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