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Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.% j4 s' G7 X2 f! n) |: J
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/ E6 U+ d& u M* k5 X8 s+ K/ q◎译 名 指环王3:王者无敌/指环王3:国王归来/指环王III:王者无敌/魔戒3:王者归来/魔戒三部曲:王者再临(台/港)+ Z( l2 I4 }- @4 s
◎片 名 The Lord of the Rings: The Return of the King
6 y: p9 [7 _' {3 U, [% h5 X! B! m◎年 代 2003
# n5 m ~/ {6 |$ M5 r6 k6 [◎产 地 美国/新西兰/ ?' a% B$ m7 i
◎类 别 剧情/动作/奇幻/冒险
/ l, \; l) A0 p6 ^1 \5 J7 j◎语 言 英语/昆雅语/古英语/辛达林语
* }/ ]* N" w7 u8 ~) q4 [◎上映日期 2003-12-17(美国)/2004-03-12(中国大陆)
8 C0 }" i3 e- d3 ^# B, @' Y, \◎IMDb评分 8.9/10 from 1,623,980 users- n% e( E- o! o4 @. e4 b! n$ J8 D
◎IMDb链接 https://www.imdb.com/title/tt0167260/
) h- z& t9 [+ y◎豆瓣评分 9.2/10 from 583,569 users4 e( I% [, Q9 H0 ~$ I
◎豆瓣链接 https://movie.douban.com/subject/1291552/# j( M% u$ t% [2 D& i; {
◎文件格式 x265 + TrueHD5 X c" d& w% P { {8 }* x# G
◎视频尺寸 3840 x 2160" ]6 Q2 j/ ^% d+ F8 }2 D
◎文件大小 1DVD 79.16 GiB & 84.31 GiB
4 C6 T5 J3 Z( F( j" Q◎片 长 2:07:40.235 (h:m:s.ms) & 2:15:37.462 (h:m:s.ms)% g2 Y @- t0 o" P9 j* }2 H
◎导 演 彼得·杰克逊 Peter Jackson
, v3 X6 a+ F, M; P3 _2 _2 T0 ?◎编 剧 弗兰·威尔士 Fran Walsh 8 |# u% v$ |! a- U1 ]4 K
菲利帕·鲍恩斯 Philippa Boyens ) I: W' e- |% l- f2 P+ ^" }" U
彼得·杰克逊 Peter Jackson ( r+ T$ `+ s# }- [8 m: r; X
J·R·R·托尔金 J.R.R. Tolkien, m9 g9 v+ I0 d$ X
◎主 演 伊利亚·伍德 Elijah Wood. P* n$ W+ z$ F4 I% e1 P s
西恩·奥斯汀 Sean Astin
' D/ s& F- J: l, s5 G- g 维果·莫腾森 Viggo Mortensen% w7 y% b+ W, C9 @! G8 Y% s. I
奥兰多·布鲁姆 Orlando Bloom
9 F3 D; p* H2 ?) z7 t 伊恩·麦克莱恩 Ian McKellen1 w( W) @/ b8 I) ^$ I) t
肖恩·宾 Sean Bean
( K) M+ ~) H4 a E: C 多米尼克·莫纳汉 Dominic Monaghan5 a& M) V6 p+ n3 k3 J- m
丽芙·泰勒 Liv Tyler/ @, k, ^7 ^8 T
约翰·贝西 John Bach( S9 p6 T- Z) O" j" m" l3 n
凯特·布兰切特 Cate Blanchett
0 @# V7 D' ]/ i* Z9 c' I, s5 s+ ? 比利·博伊德 Billy Boyd
7 T9 F" F5 `; n$ s& B* P% H 萨德文·布罗菲 Sadwyn Brophy
& p D1 {9 N- @5 f: D; x! F+ ]0 ?( u 阿利斯泰尔·布朗宁 Alistair Browning
+ G* T( o( W' z: t 马尔顿·索克斯 Marton Csokas" E; V' z4 ?& g' E4 h ]
伯纳德·希尔 Bernard Hill
. }4 g/ J+ {' B" y' v/ j 伊安·霍姆 Ian Holm
& w; ^' S1 g p/ ~# [ 布鲁斯·霍普金斯 Bruce Hopkins6 M& n: ~8 S8 A% B
Ian Hughes, w9 h- b! D0 }1 p4 ^2 H5 j
劳伦斯·马克奥雷 Lawrence Makoare
6 X4 G/ j" v2 h) {. _ Noel Appleby
( C9 X+ I" S; w |8 U 布雷特·麦肯齐 Bret McKenzie U% `0 @7 |4 J) Q3 c
Alexandra Astin o# R* a, p+ D( b
Sarah McLeod
+ e5 e& ~# @3 G0 C+ [ Maisy McLeod-Riera: ~7 d8 w6 D( n) G0 k; I8 l# d
约翰·诺贝尔 John Noble/ @1 k* v' Y; B2 C; w" u
Paul Norell! Y. i% T& S' d5 ]9 ]
米兰达·奥图 Miranda Otto( l5 w6 j1 y0 l S; c, x
布鲁斯·菲利普斯 Bruce Phillips
$ j' Q8 q* _5 C0 i0 P3 I& j 沙恩·朗吉 Shane Rangi# |: L, _+ W8 c4 i3 q" N+ X" P
约翰·瑞斯-戴维斯 John Rhys-Davies( R( m( |1 M2 `2 |
Todd Rippon
$ Q/ Q# |) A& d 安迪·瑟金斯 Andy Serkis
6 }# T# H5 |/ e7 ` Harry Sinclair" d. y+ s3 a# i% }! N. k
乔尔·托贝克 Joel Tobeck
5 r N* n6 |$ Z! t- s- |5 R 卡尔·厄本 Karl Urban7 k, X! [3 F8 W1 E$ k( Y8 s3 X W
史蒂芬·乌瑞 Stephen Ure! C) Y" s+ P: |
雨果·维文 Hugo Weaving9 m L" j5 y2 @; x3 n5 {- Q
大卫·文翰 David Wenham
$ A& J+ x6 F( s0 y V4 l" { 阿兰·霍华德 Alan Howard
# p; h, Z5 p) `& u1 {# X, }3 `+ { 萨拉·贝克 Sala Baker, b; H% O& L& J2 x3 j
Robert Pollock
$ C$ u. V& R n3 P 佩特·史密斯 Pete Smith7 g$ @- O9 y2 u/ D, z
杰德·布罗菲 Jed Brophy
" u& a+ V/ ?8 c7 a( M! ]" C 菲利普·格里夫 Philip Grieve
1 i0 T C+ N( u( `5 Q) |2 O 布拉德·道里夫 Brad Dourif/ Y5 C$ n0 Y# }; ]6 j
克里斯托弗·李 Christopher Lee4 L( W/ {0 B; x/ O; H
布鲁斯·斯宾斯 Bruce Spence1 M% Q8 s8 P4 `' ]
吉诺·阿赛维多 Gino Acevedo$ e8 u2 T7 k' V) {
Jarl Benzon2 D2 r8 j% i; |& i" v
Jørn Benzon
/ w$ H/ c/ m( s4 w6 A Robert Catto7 u* F4 C T8 j4 h
Michael Elsworth. e: B' H# S+ N8 D' `6 F
彼得·杰克逊 Peter Jackson' x9 F2 O) g [7 H! I
Sandro Kopp
4 |! ?( p f4 s* m3 V 安德鲁·莱斯尼 Andrew Lesnie
) E" L7 D# _/ i 约瑟夫·米卡-亨特 Joseph Mika-Hunt, e! @6 S. f* c4 R6 F4 [1 @
亨利·莫腾森 Henry Mortensen
4 x4 B/ y" h; m* H 克雷格·帕克 Craig Parker9 l7 Y$ g- n7 k8 q; z g. b- u; D# y
克里斯蒂安·瑞沃斯 Christian Rivers
c/ N7 h5 ^! R; ^ 迈克尔·斯曼内科 Michael Semanick1 m6 s+ u( |8 C! F7 H4 B& F7 s
霍华德·肖 Howard Shore; R8 m& s) t+ h/ c9 U9 b
约翰·斯蒂芬森 John Stephenson
8 Z6 x! ~6 e# v+ v: U 理查德·泰勒 Richard Taylor* d8 Q5 [' G5 C, V* e5 d
金永钢 Yonggang Jin
0 R/ E' Z8 z7 z8 ` 张磊 Lei Zhang
) P1 Z0 B; T! d( h `. t4 q 姜广涛 Guangtao Jiang
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0 j8 U& N% L4 j$ c( _$ B◎标 签 魔幻 | 史诗 | 经典 | 美国 | 战争 | 奥斯卡 | 新西兰 | 剧情% E3 {" Y# I* ~% \/ }: H' x; g3 q: [: s Q
V8 x* h5 M' o' Q◎简 介 - Y$ j( P6 Z" o6 x
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魔幻战争逐渐进入高潮阶段。霍比特人弗拉多(伊利亚·伍德 Elijah Wood 饰)携带着魔戒,与伙伴山姆(Sean Astin 饰)以及狡猾阴暗的咕噜等前往末日山,一路上艰难险阻不断,魔君索伦为阻止魔戒被销毁用尽全力阻挠。另一方面,白袍巫师甘道夫(伊安·麦克莱恩 Ian McKellen 饰)率中土勇士们镇守刚铎首都——白城米那斯提里斯。魔兽大军压境,黑暗与光明的决战即将来临……
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9 a( F* Z4 L3 x8 [& C- l& l 本片是“指环王三部曲”的终结篇,根据英国作家J.R.R.托尔金(J.R.R. Tolkien)同名魔幻巨著《指环王》(The Lord of the Rings)改编,并荣获2004年第76届奥斯卡最佳影片、最佳导演、最佳改编剧本、最佳剪辑、最佳艺术指导、最佳服装设计、最佳化妆、最佳视觉效果、最佳音效、最佳配乐和最佳歌曲等11项大奖。( n9 O& x1 s$ ^# D
9 c B! G' F1 o8 i0 Q$ d, G The final battle for Middle-earth begins. Frodo and Sam, led by Gollum, continue their dangerous mission toward the fires of Mount Doom in order to destroy the One Ring. Aragorn struggles to fulfill his legacy as he leads his outnumbered followers against the growing power of the Dark Lord Sauron, so that the Ring-bearer may complete his quest.
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3 L" F6 c {" G! I$ t, \◎获奖情况
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% N" `5 _& A0 F& _6 T 第76届奥斯卡金像奖(2004)$ A3 m. g2 R% T3 \, c2 N9 O
最佳影片 巴里·M·奥斯本 / 弗兰·威尔士 / 彼得·杰克逊
* B) f( B7 Y$ Z5 T6 [. ]8 ] 最佳导演 彼得·杰克逊
5 X" T1 m3 D |/ t& F0 N$ I0 P5 \ 最佳改编剧本 弗兰·威尔士 / 彼得·杰克逊 / 菲利帕·鲍恩斯
1 p2 X: g/ x9 m" y4 N7 t `8 B% x 最佳剪辑 杰米·塞尔柯克4 a4 g9 ~9 V# j
最佳视觉效果 亚历克斯·方克 / 吉姆·瑞吉尔 / 乔·莱特瑞 / 兰德尔·威廉·库克" h6 n, d% g0 h$ P
最佳混音 迈克·亨吉斯 / 哈蒙德·匹克 / 克里斯托弗·博伊斯 / 迈克尔·斯曼内科
. x# y9 l2 a) e5 x2 f4 p- D 最佳艺术指导 丹·汉纳 / 格兰特·梅杰 / 艾伦·李
) z: m% `+ C2 E, a/ H% H 最佳服装设计 恩吉拉·迪克森 / 理查德·泰勒
& c9 X8 H/ |, Z# T: Z8 ^- R- d 最佳化妆 理查德·泰勒 / 彼得·金6 K9 A2 p7 q7 }! B
最佳原创配乐 霍华德·肖
' [( U/ ]: p# w. |$ x 最佳原创歌曲 霍华德·肖 / 安妮·蓝妮克丝 / 弗兰·威尔士
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, y5 K; j; f$ O4 _+ @ 第61届金球奖(2004)
3 J: g" c; g) ~% L 电影类 最佳剧情片
2 A( h; e, y5 G4 x* m0 N 电影类 最佳导演 彼得·杰克逊
6 b5 {9 a$ J# |6 Y7 ~' F 电影类 最佳原创配乐 霍华德·肖5 l* Y0 G# v0 F$ M# Z' O, [
电影类 最佳原创歌曲 弗兰·威尔士 / 安妮·蓝妮克丝 / 霍华德·肖
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第57届英国电影学院奖(2004)7 M) _- O- J# X% U1 i' i; P
电影奖 最佳影片 巴里·M·奥斯本 / 彼得·杰克逊 / 弗兰·威尔士
" k- q* [; D" @5 m8 ~6 ^ 电影奖 最佳导演(提名) 彼得·杰克逊
3 b- N0 c8 l8 J3 w8 a4 Z 电影奖 最佳男配角(提名) 伊恩·麦克莱恩* Q1 P9 b9 v8 D; z: P$ b- S. W( |
电影奖 最佳改编剧本 菲利帕·鲍恩斯 / 彼得·杰克逊 / 弗兰·威尔士
s/ J. J' S0 f! y 电影奖 最佳摄影 安德鲁·莱斯尼
, h6 M6 v# w& @% L+ n1 b 电影奖 最佳剪辑(提名) 杰米·塞尔柯克
# T4 X) s4 P0 J 电影奖 最佳化妆/发型(提名) 彼得·金 / 彼得·欧文 / 理查德·泰勒, f8 E# ?- u3 Z0 e$ B
电影奖 最佳服装设计(提名) 恩吉拉·迪克森 / 理查德·泰勒 / 恩吉拉·迪克森 / 理查德·泰勒
/ l) x" V$ N+ x+ D) ^% ` 电影奖 最佳艺术指导(提名) 格兰特·梅杰
4 R" X- \* F9 y1 V 电影奖 最佳特殊视觉效果 吉姆·瑞吉尔 / 兰德尔·威廉·库克 / 乔·莱特瑞 / 亚历克斯·方克/ `1 [. o0 x& V+ s
电影奖 最佳原创音乐(提名) 霍华德·肖) b4 h9 H4 T, L/ x/ n
电影奖 最佳音效(提名) 迈克·亨吉斯 / 大卫·法默 / 迈克尔·斯曼内科 / 克里斯托弗·博伊斯 / 哈蒙德·匹克 / 迈克·霍普金斯 / 伊桑·范德莱恩- d; W( X& _ _& ]- J4 p0 y
电影奖 观众选择奖
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5 L, K0 F. f+ N+ Z5 r0 u 第28届日本电影学院奖(2005)( `8 \6 a, x7 z+ _& A4 O8 A6 E$ N
最佳外语片(提名)$ R. ]% h" R1 p/ r3 j# p: p% a
1 I! t5 B/ l' X2 N 第4届美国电影学会奖(2003)
( w$ L9 p3 E3 f- A0 a7 Q3 ^# p9 |, F 年度佳片
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( |+ G8 @5 `; F4 P2 b! V- DISC INFO:
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- Name: 00803.MPLS
. k( L% Y% s) P( L6 V% R - Length: 2:15:37.462 (h:m:s.ms); D' _/ D3 e- @" E
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; J5 c! [/ M! I6 [6 e - MPEG-H HEVC Video 62808 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / HDR10 / BT.2020" M# s' m% Q u* h; w; Z" G
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复制代码 The Lord of the Rings: The Return of the King 4K Blu-ray, Video Quality
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NOTE: This screenshots for this review are from a previous Blu-ray edition of the film.Clocking in at over four hours, this extended edition of The Return of the King looks as great as the other chapters in the trilogy in every conceivable way. Once again, Warner Bros.' 2160p transfer serves up a marvelous picture that balances crisp image detail with fantastic use of HDR enhancement, which also paves the way for deep, inky blacks and brilliant whites at critical moments. Right from the start, Smeagol's idyllic but fateful fishing trip -- which looks much more bold and colorful than the Blu-ray screenshot above, honest -- reveals the natural splendor that dominated Fellowship and was sprinkled through The Two Towers but, even though the film doesn't return to that type of serene atmosphere until its conclusion, it immediately reminds viewers of the visual experience they're in for.& n- ?! e$ {3 K- f' @4 D
Through every step of this final leg of the journey, the image remains bold and extremely impressive. Those stunning HDR colors -- which, again, dramatically increase mid-range contrast levels and depth -- are put to excellent use countless times: during Arwen's dream of a life with Aragorn, Gandalf's ride to Minas Tirith and its rugged stone walls (and surprisingly well-kept lawn), the haunting emerald glow of Minas Morgul, the sunlit interior of Gondor's Tower Hall, an evening twilight meeting between King Theoden and his niece Eowyn, the fiery Wolf's Head, the hideous yellow-green teeth of the Mouth of Sauron, the glowing Palantir, and Mount Doom's violent eruption. These moments burst with such an immediately strong and captivating appearance that it's really hard to put into words -- the effect creates heightened realism while still feeling grounded within the trilogy's rather wide visual boundaries.3 |5 U/ z) O- @/ R+ n/ o! F, T. ~
Wide swaths of the film also impress as much as singular moments, such as the palpable depth and detail of massive armies during the film's climactic centerpiece, the Battle of the Pelennor Fields, which showcases its more detailed CGI textures and expansive wide shots that attempt to organize all the chaos. Closer to the action, other elements also impress such as well-defined clothing and armor textures, including Eowyn's glittering chain mail and helmet. But everything comes full circle visually during the film's multiple endings, many of which are imbued with a soft and comforting haze that add a wonderfully light texture to a final chapter filled with so many hard edges.
. q E/ W L _All things considered, Return of the King looks the best -- and by that, I mean most consistent -- of the three films, which isn't surprising since its more sophisticated CGI effects are blended better with the live-action footage. It'll never be perfect but, for a film and trilogy fast approaching the 20-year mark (!), it's made a great transition to the world of 4K. Simply put, most everything looks as good on the screen now as it's always existed in your imagination.( {# a4 W7 O. y: p" M9 }
$ M0 q4 u4 r2 EThe Lord of the Rings: The Return of the King 4K Blu-ray, Audio Quality ! v+ T4 l0 ~- z, w- c
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Once again, the Dolby Atmos track brings plenty of weight and presence to what is, pound for pound, the most action-filled entry in the trilogy. Obviously the most impressive stretch from a sonic perspective is the Battle of the Pelennor Fields, which features no shortage of discrete channel effects and strong separation, all of which cleanly establish an extremely wide sound stage that rarely lets up. Other moments also feed into the effectiveness of Atmos' height channels including Nazguls flying overhead, the near-silent approach of the giant venomous spider Shelob, and the foreboding scale of Mount Doom before, during, and after its violent eruption. Other scenes and moments scale back the height but are no less impressive from a surround perspective such as Gollum's tortured split personalities, the echoing rumble of distant thunder, and the Witch-King's sinister voice, not to mention Howard Shore's sweeping and dramatic music cues, which earned him an Oscar for Best Original Score (along with his work on Fellowship).As always, dialogue remains crystal-clear with no source defects and the LFE is often thunderous, with everything balanced perfectly to really bring every element of the action and drama to roaring life. In every respect, it's another top-tier Atmos mix that, even when folded down to Dolby TrueHD 7.1 (or further still, depending on your particular setup), remains a truly impressive sonic presentation that easily surpasses earlier home video releases.
3 N. F" t% U- ]: }Optional dubs and subtitles (including English SDH) are included in a variety of languages listed above, while the forced subtitles for select lines of Elvish dialogue are also still present.4 e6 h9 k& _/ b1 I; _8 x3 F
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The Lord of the Rings: The Return of the King 4K Blu-ray, Video Quality $ E0 ^$ C6 _' O6 l1 Z
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NOTE: This screenshots for this review are from a previous Blu-ray edition of the film.With absolutely no expections, this theatrical cut of The Return of the King looks as great as -- or better than -- the other chapters in the trilogy. Once again, Warner Bros.' 2160p trasnfer serves up a marvelous picture that balances crisp image detail with fantastic use of HDR enhancement, which also paves the way for deep, inky blacks and brilliant whites at critical moments. From the start, Smeagol's idyllic but fateful fishing trip reveals the natural splendor that dominated Fellowship and was sprinkled through The Two Towers but, even though the film doesn't return to that type of serene atmosphere until its conclusion(s), it quickly reminds viewers of the visual experience they're in for.' P7 J6 Y" H, X! P% H
Through every step of this final leg of the journey, the image remains impressive. Those stunning HDR colors -- which, again, dramatically increase mid-range contrast levels and depth -- are put to use countless times: during Arwen's dream of a life with Aragorn, Gandalf's ride to Minas Tirith and its rugged stone walls (and surprisingly well-kept lawn), the haunting emerald glow of Minas Morgul, the sunlit interior of Gondor's Tower Hall, an evening twilight meeting between King Theoden and niece Eowyn, the fiery Wolf's Head, and Mount Doom's violent eruption. These moments burst with such an immediately strong and captivating appearance that it's really hard to put into words -- the effect creates heightened realism while still feeling grounded within the trilogy's rather wide visual boundaries.
2 Q6 \, v9 C! ~6 @+ H8 t7 \Wide swaths of the film also impress as much as singular moments, such as the palpable depth and detail of massive armies during the film's climactic centerpiece, the Battle of the Pelennor Fields, which showcases its more detailed CGI textures and expansive wide shots that attempt to organize all the chaos. Closer to the action, other elements also impress such as well-defined clothing and armor textures, including Eowyn's glittering chain mail and helmet. But everything comes full circle visually during the film's multiple endings, many of which are imbued with a soft and comforting haze that add a wonderfully light texture to a final chapter filled with so many hard edges.0 \5 D; B4 r' w
All things considered, Return of the King looks the best -- and by that, I mean most consistent -- of the three films, which isn't surprising since its more sophisticated CGI effects are blended better with the live-action footage. It'll never be perfect but, for a film and trilogy fast approaching the 20-year mark (!), it's made a great transition to the world of 4K. Simply put, most everything looks as good on the screen now as it's always existed in your imagination.
( K8 q t/ M, ~$ s2 J8 d4 X; J; P/ N" }/ {, y
The Lord of the Rings: The Return of the King 4K Blu-ray, Audio Quality
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, l/ u# _' } s4 j. H) U6 M7 I( A4 |, t3 j+ X! E, g
Once again, the Dolby Atmos track brings plenty of weight and presence to what is, pound for pound, the most action-filled entry in the trilogy. Obviously the most impressive stretch from a sonic perspective is the Battle of the Pelennor Fields, which features no shortage of discrete channel effects and strong separation, all of which cleanly establish a very wide sound stage that rarely lets up. Other moments also feed into the effectiveness of Atmos' height channels including Nazguls flying overhead, the near-silent approach of the giant venomous spider Shelob, and the foreboding scale of Mount Doom before, during, and after its violent eruption. Other scenes and moments scale back the height but are no less impressive from a surround perspective such as Gollum's tortured split personalities, the echoing rumble of distant thunder, and the Witch-King's sinister voice, not to mention Howard Shore's sweeping and dramatic music cues, which earned him an Oscar for Best Original Score (along with his work on Fellowship).As always, dialogue remains crystal-clear with no source defects and the LFE is often thunderous, with everything balanced perfectly to really bring every element of the action and drama to roaring life. In every respect, it's another top-tier Atmos mix that, even when folded down to Dolby TrueHD 7.1 (or further still, depending on your particular setup), remains a truly impressive sonic presentation that easily surpasses earlier home video releases.4 c/ W: V$ }' m% S
Optional dubs and subtitles (including English SDH) are included in a variety of languages listed above, while the forced subtitles for select lines of Elvish dialogue are also still present.
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