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The characters of Looney Tunes get themselves into crazy situations.* o8 w- W% A: x! H8 H' L
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◎译 名 华纳精品动画系列2:兔巴哥全集+ V8 i; [6 O& N& f8 {1 O# Z
◎片 名 Looney Tunes Volume 2
s1 X, N4 y; d: n+ r◎年 代 1936-1959
/ ^0 T4 o( G# M% K◎国 家 美国
" M0 X: |$ L8 Z5 X# R: l# u, b◎类 别 动画
+ t3 v% e F# N◎语 言 英语, J2 y% r1 ~/ c. f
◎字 幕 英文
. d8 l3 J9 M @ Y K! V! J; v◎IMDB评分 N/A
( ^6 w$ F' b0 e2 i◎IMDB链接 N/A
9 S) D# F m, b◎文件格式 x264 + DD1.0
" e x8 Z2 }7 m! N# g* T# h# A, W◎视频尺寸 1920 x 1080
" ~$ @) ~2 g/ t$ M& w/ M◎文件大小 1DVD 47.01GB & 46.51GB
( C) k0 \! R5 g. ]6 _◎片 长 90 Min- U7 U# c. f4 z+ g+ \
◎导 演 乔·丹特 Joe Dante! D, D8 ]$ y: R* [, G. W
◎主 演 希瑟·拉克里尔 Heather Locklear
. I6 C1 z2 u; N, b6 q 史蒂夫·马丁 Steve Martin# E' R9 e( T; M$ i% k9 r
琼·库萨克 Joan Cusack
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◎简 介
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兔巴哥(Bugs Bunny)又译宾尼兔、兔巴哥或兔宝宝,是一个在Looney Tunes动画系列里出现的一个虚构的卡通人物。根据他的出生日期,他1940年在纽约的布鲁克林出生。同时美国华纳兄弟公司也有同名书籍,内容也是关于动漫角色兔八哥的。1942年NEA辛迪加开始连载《兔巴哥》报刊连环漫画,波基猪、佩图尼亚以及西塞罗一直在这个专辑中不断出现。% w# l' B- K4 ]& A) G/ K* q
( T5 l4 Z: n+ y 兔巴哥(Bugs Bunny)(其实英文直译过来就是 疯狂的兔子,个人认为也比较符合其在片中的形象) 1936年在《波基猎兔》中出现了一只机智的兔子形象,这个形象大受欢迎,于是导演本?哈戴维与卡尔?多尔顿以这个形象为主角又制作出动画片《兔子-嗯,受惊-嗯》、《快变—噢!》。1939年在动画片《埃尔默的偷拍相机》与《一只野兔》中这只兔子成了走红的电影明星,而在《一只野兔》中的这只兔子形象已与后来的兔巴哥十分接近,并且第一次使用了它的著名口头禅:“怎么样,伙计?”在英文中被译为:"what's up,Doc?"在为这只兔子起名字时,因为导演哈戴维的绰号叫“巴格斯”,于是在大家的提议下这只兔子就定名为“巴格斯”(通常译为“兔哥”)。
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傲慢的举止,离群的独步以及溢于言表的优越感是兔八哥鲜明的性格。特别是在反抗侵犯者时兔八哥表现得格外突出,人们喜爱兔巴哥与邪恶的约塞米蒂?萨姆斗争,尤其是兔八哥与萨姆的船搁浅在凶残鲨鱼出没的荒岛边的那些情节,在每个紧要关头兔巴哥都以机智战胜了对手。 银幕上的兔八哥妙语连珠、俏皮逗人,获得了巨大的成功,1958年兔巴哥终于获得奥斯卡奖,成为米老鼠和唐老鸭之后最为著名的动画形象。华纳兄弟公司发行(后来还负责制作)《兔八哥》动画片一直到1969年。
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1941年连环漫画期刊《乐一通和欢乐小旋律》创刊后兔八哥便一直出现在该刊的每一期中。在德尔出版公司彩色连环漫画期刊的前27期中兔八哥只是断断续续地出现,从1953年第28期起《兔八哥》便独立成连环漫画期刊。兔巴哥还不断在《波基猪》和《约塞米特?萨姆》等连环漫画中充当配角。& O$ ^& v1 k& F1 a% Z; H: a
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1942年周日版《兔巴哥》报刊连环漫画问世,每日版《兔巴哥》报刊连环漫画专辑则问世于1948年。
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2 p7 {" v. }% b/ ` F# K 兔巴哥的形象还被制成许许多多的玩具和商标,至今还大量出现在市场中。$ W* l2 X g/ x6 l0 d- M
5 Z0 m' K/ E# g, a5 y4 I; h 《兔八哥》(Looney Tunes)系列卡通形象由被誉为“好莱坞最伟大的动画大师”之一的查克?琼斯(Chuck?Jones)创造,其创造的形象还有被人们广为流传的《猫和老鼠》、《达菲鸭》等,其中Tom猫和Jeery鼠为他捧回了三座奥斯卡奖杯。) X% e/ E5 |% B6 y9 ]" M
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Looney.Tunes.Volume.2.1936-1959.1080p.BluRayCD.REMUX.AVC.DD1.0-EPSiLON 47.01 GB/ Z1 p/ k0 l( N* |+ c. q% ]9 s( P
Looney.Tunes.Volume.2.1936-1959.1080p.BluRaycd.REMUX.AVC.DD1.0-RARBG 46.51 GB
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: h) E& P$ Y: X4 q50 Remastered Theatrical Shorts
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A WILD HARE (1940) - Bugs Bunny & Elmer Fudd (the first cartoon to have Bugs\' personality associated with the rabbit).3 Y) m& i. p$ j7 q
BUCKAROO BUGS (1944) - Bugs Bunny
4 i$ J+ z- Z4 L( h' s* pLONG-HAIRED HARE (1949) - Bugs Bunny
" q6 B; p; |: y8 q7 \% a; eALI BABA BUNNY (1957) - Bugs Bunny & Daffy Duck
' M- S. S/ {. l) \1 CSHOW BIZ BUGS (1957) - Bugs Bunny & Daffy Duck4 k) b: e- F U! K7 L- b
THE WISE QUACKING DUCK (1943) - Daffy Duck5 f( ?8 ]) a6 r+ T
WHAT MAKES DAFFY DUCK? (1948] - Daffy Duck" b B9 K9 w: E: }0 K6 q3 `
BOOK REVUE (1946) - Daffy Duck. ?+ Z" o0 a3 L8 P! S5 x
DEDUCE, YOU SAY (1956) - Daffy Duck as Dorlock Homes & Porky Pig as Watkins% _6 U/ H1 J, u J# r5 L; f) u
PORKY IN WACKYLAND (1938] (B&W) - Porky Pig
$ q+ y, N: g% ~" x5 h' JYOU OUGHT TO BE IN PICTURES (1940) (B&W) - Daffy Duck & Porky Pig+ A3 ^% _4 r! m$ D: C; t/ z
PORKY IN EGYPT (1938] (B&W) - Porky Pig7 V% A; s. n5 v. z) Y5 k" S
BACK ALLEY OPROAR (1948] - Sylvester" }7 i* G0 n& A
LITTLE RED RODENT HOOD (1952) - Sylvester9 [/ v2 b' q k* `; a( V
CANNED FEUD (1951) - Sylvester) E0 l& y: r6 h+ I! ^: t
GIFT WRAPPED (1952) - Tweety & Sylvester
1 Q0 v7 j- b2 c RBIRDY AND THE BEAST (1944) - Tweety & Sylvester1 E# W9 @* K) I) D4 B
HOME, TWEET HOME (1950) - Tweety & Sylvester
3 t4 I+ B7 u% S. K" Z/ ^8 hGOING! GOING! GOSH! (1952) - Roadrunner & Coyote( Z/ k- I# F) F. m1 E
ZIPPING ALONG (1953) - Roadrunner & Coyote
: [$ ? c9 }3 N! M3 Q( ?- iSCENT-IMENTAL ROMEO (1951) - Pepe Le Pew3 l, b7 k5 g9 j: n* c
THE FOGHORN LEGHORN (1948] - Foghorn Leghorn/ C: }$ e5 [) a: I
THE HIGH AND THE FLIGHTY (1956) - Foghorn Leghorn & Daffy Duck
) D0 G Z, {- r8 p8 Y: C! Z4 J* STABASCO ROAD (1957) - Speedy Gonzalas
9 Y p7 z* {% Z1 z! DMEXICALI SHMOES (1959) - Speedy Gonzalas
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WABBIT TWOUBLE (1941) - Bugs Bunny & Elmer Fudd (voted on-line as a fan favorite)
- n7 o) w( Z, C6 |RABBIT FIRE (1951) - Bugs & Daffy in the first of the \"pronoun trouble\" trilogy.( x' W" X7 e) @* D" T
RABBIT SEASONING (1952) - Bugs & Daffy in the second of the \"pronoun trouble\" trilogy.
" s# T( p0 b) a) c) IDUCK! RABBIT, DUCK! (1953) Bugs & Daffy in the third of the \"pronoun trouble\" trilogy.
+ A( J7 F9 P1 \+ l3 |DRIP-ALONG DAFFY (1951) - Daffy Duck & Porky Pig western parody.
7 H; Q* D$ Y5 c- PMY LITTLE DUCKAROO (1954) - Daffy Duck & Porky Pig western parody.
; P, ]2 a8 P2 b- l$ h+ dBARBARY-COAST BUNNY (1956) - Bugs Bunny & Nasty Canasta
) C/ y% Y: h% ~6 t( Z' _4 l* L8 v4 iTORTOISE BEATS HARE (1941) - Bugs Bunny & Cecil Turtle, first in hare & turtle trilogy
% S: F9 X* J+ b) }' {% }& STORTOISE WINS BY A HARE (1943) - Bugs Bunny & Cecil Turtle, second in hare & turtle trilogy
0 H. g& d( z* O) _2 |9 M+ K- A% aRABBIT TRANSIT (1947) - Bugs Bunny & Cecil Turtle, third in hare & turtle trilogy
" n* q) E# p6 I* q8 jPORKY\'S HARE HUNT (1938] (B&W) - Porky Pig and a white rabbit (forerunner to Bugs Bunny).' R: O$ p# W9 c, B Z
HARE-UM SCARE-UM (1939) - A hunter & rabbit, forerunners to Elmer Fudd & Bugs Bunny.
) ?4 k* [$ d0 T$ D( I' F( p* SPREST-O CHANGE-O (1939) - two dogs are heckled by a magic white rabbit (forerunner to Bugs Bunny).
7 [5 [3 P" J8 @ }. UELMER\'S CANDID CAMERA (1940) - Elmer Fudd hunts a gray rabbit that is not quite yet Bugs Bunny.5 b# H5 t D& y' C. c1 {" O
BUGS BUNNY GETS THE BOID (1942) - Bugs Bunny & Beaky Buzzard
; ?/ j+ R- s. v0 M) yTHE BASHFUL BUZZARD (1945) - Beaky Buzzard
- a o) b" K# m& d# ^! |' ]THE LION\'S BUSY (1950) - Beaky Buzzard# _* Z- o7 Z; m4 J# B
STRIFE WITH FATHER (1950) - Beaky Buzzard6 `, t4 L; j A" o) Q. ~0 t# U* ?
AN ITCH IN TIME (1943) - Elmer Fudd% U( X2 n' w3 S1 X6 Y$ c6 T$ B
A HORSEFLY FLEAS (1948] - the flea from An Itch In Time1 N4 n, F% M$ I& J4 Q/ j
HOLLYWOOD STEPS OUT (1941) - Hollywood characters
" ?( o5 f2 B" K$ _( WPAGE MISS GLORY (1936) - an art deco one-shot cartoon.
1 d: @# W8 d/ k! I' u/ h) RROCKET-BYE BABY (1956) - a sci-fi one-shot.
[4 d: l1 r1 p9 ~RUSSIAN RHAPSODY (1944) - wartime themed musical.
x( i4 c0 r d5 }DOUGH RAY ME-OW (1948] - Louie the Parrot & Heathcliff the housecat Screens:
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" z: C! |( \& X* I! ~9 BLooney Tunes Platinum Collection: Volume Two Blu-ray, Video Quality
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Variety, variety, variety. Volume Two offers more than the standard Looney Tunes fare, and isn't a casual viewer's collection comprised solely of the best and brightest animated shorts remastered from the most pristine film elements. A number of source issues afflict the second volume's fifty shorts -- nicks, scratches, lines, flickering and other minor blemishes -- and grain is rather sporadic, particularly when comparing one short to the next. (Which, frankly, is a pointless exercise, given the vast differences in their production, age, and the condition of their source materials.) And yet it's hard to imagine any of it looking any better than it does here. Granted, a fuller frame-by-frame restoration could have eliminated even more of these imperfections, but those that remain are easily overlooked and hardly amount to a significant distraction. Otherwise, nothing holds Volume Two back. Colors have been rejuvenated, the animators' original line art is clean and refined, contrast is dialed in nicely (and normalized with care), black levels are rich and inky, and most every background brush stroke texture and detail in the original cels appears to be intact. Like Volume One, Warner's latest Looney Tunes presentation is impressive, from the oldest black and white Porky Pig short to the classics that look as if they rolled out of the animation studios yesterday.
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d3 r1 i# Y$ b- Y: |2 f; ?: |Looney Tunes Platinum Collection: Volume Two Blu-ray, Audio Quality ) t; n) o6 M& c N
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Like Volume One, Volume Two arrives with a decent 192kbps Dolby Digital Mono mix that captures the song, dance and scuffles of each short without presenting any real issues. Would a lossless track have been more ideal? Undoubtedly. Would it have made a significant difference? I doubt it, much as I wish a lossless track had been included. Voices are clear, sound effects are crisp and clean, and the music is bright and playful. But the sound design is still decades old (minor crackling and hiss creep in here and there), and it shows in the at-times thin-n-tinny tone and LFE-less tenor of the single-channel experience. None of it disappoints per se, but the mono mix doesn't resonate or, honestly, register. 2 X! U2 g8 |) [7 a
+ M- [6 R' ^' E& K) B8 ]3 [, \Spanish audio is not available for "Scent-Imental Romeo" and "The Lion's Busy." German audio is not available for "A Wild Hare," "Buckaroo Bugs," "Ali Baba Bunny," "Wise Quacking Duck," "What Makes Daffy Duck," "Little Red Rodent Hood," "Birdy and the Beast," "Home, Tweet Home," "Scent-Imental Romeo," "The High and Flighty," "Tabasco Road" and "Mexicali Shmoes."
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