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An overstressed suburbanite and his neighbors are convinced that the new family on the block are part of a murderous Satanic cult.
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& C+ O! B1 k/ H: z! L* D( r; X& a◎译 名 地狱来的芳邻/符碌敢死队/邻居/飞越古怪屋) u1 ^9 P# u- ]; Q, ~
◎片 名 The 'Burbs1 m4 |: F6 l7 J4 g
◎年 代 19890 i' n1 D! b: g0 R; ?+ v) | O8 q
◎产 地 美国
' m" M$ F/ ?" B9 g1 M1 v6 Q◎类 别 喜剧/惊悚/恐怖: Q: Z( p7 I2 v7 b5 F; m1 e
◎语 言 英语
k1 @7 R9 Z1 ~" O# ]1 d◎上映日期 1989-02-170 o. a4 |7 x: P: q
◎IMDb评分 6.9/10 from 68,154 users' i8 ?, X$ z. _" K# k& ^% Y9 x' k+ Y
◎IMDb链接 https://www.imdb.com/title/tt0096734/
( K9 b3 U2 }3 P S) E9 b: z◎豆瓣评分 6.7/10 from 397 users
. C7 p; ~ t2 t \5 [3 [◎豆瓣链接 https://movie.douban.com/subject/1292918/
p& F6 G: [# d! y8 Q! v, Z◎文件格式 x264 + LPCM $ |+ r1 V4 Y1 \# d2 s
◎视频尺寸 1920 x 1080/ w* {3 ~8 J5 J+ L
◎文件大小 1DVD 28.05 GiB2 P- Z- B0 W" R2 v' }0 y" [+ L
◎片 长 1 h 41 min9 E4 x' z$ C6 j8 A9 D
◎导 演 乔·丹特 Joe Dante& ~; h5 j# V: ~' v
◎编 剧 达纳·奥尔森 Dana Olsen
8 I" O! e% i7 v◎主 演 汤姆·汉克斯 Tom Hanks1 ], C' L! K; t8 @; [5 M- _
布鲁斯·邓恩 Bruce Dern
, C8 t4 U, K$ `3 H# X' ] s 凯丽·费雪 Carrie Fisher
# \# i8 c+ Q; _5 P; S 帕特里卡·达博 Patrika Darbo
! M% C# u& I. j 迪克·米勒 Dick Miller9 k: m0 {1 r7 b4 a9 B4 x, O, K
罗伯特·皮卡多 Robert Picardo
" P, |, U8 e8 \* I( y 富兰克林·阿贾伊 Franklyn Ajaye
0 o4 E$ s7 J% Z* O+ z; J5 [5 h V 兰斯·霍华德 Rance Howard7 x4 M" O7 k. Q+ b$ a
希瑟·哈泽 Heather Haase) u6 t8 ^8 G, f2 u7 {% g1 M0 a" m
尼基·凯特 Nicky Katt
7 p5 m( B, j3 `- X 西奥多·戈特利布 Theodore Gottlieb
5 ?+ h2 V d) O+ U4 x- ^ 科里·丹齐格 Cory Danziger
" M% h; v$ p$ ~" E, u" O0 ~3 T 盖尔·高登 Gale Gordon* k5 j! d6 P D: T/ v* B5 y
达拉 Darla
! V% x1 _0 F$ p) ?) ^$ { 里克·杜科蒙 Rick Ducommun
M/ A! G h, Q0 M& ~ 科里·费尔德曼 Corey Feldman
; |% Y# m$ e# L D 温迪·夏尔 Wendy Schaal
( B q5 D& P% ?6 u 亨利·吉布森 Henry Gibson
% x* C9 H1 e \) B9 Q5 Q 考特尼·盖恩斯 Courtney Gains5 |/ {; ~" w/ R" J/ [
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◎标 签 喜剧 | 美国 | 惊悚 | 汤姆·汉克斯 | 美国电影 | 1989 | TomHanks | 恐怖/ ?" b1 d( e% M+ C: w1 J
* t% _' [6 ?3 ?, t◎简 介 7 g$ G9 D# Y% d/ E0 |
# R) } D. M8 n 故事背景是乡下的一个社区,雷特别来到乡下享受一周假期,却发现新搬来的邻居古先生一家行踪怪异,经常昼伏夜出,屋子的气氛亦恐怖得有如鬼屋。此时恰好另一邻居华特先生神秘失踪,雷猜疑是否古做的好事?于是趁古家一家人外出时,亲自摸进古家内一探究竟……4 | u7 k* p' y
/ t. @* \1 b) R# w An overstressed suburbanite and his paramilitaric neighbor struggle to prove their paranoid theory that the new family in town is a front for a cannibalistic cult.
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) @& V7 p. G7 M) o; GVideo3 W. W: B" p) v* v) v" P
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8 ^4 J9 i% u+ ^! AID in the original source medium : 4113 (0x1011)' l( c2 R% A# j* b# J
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Format profile : High@L4.1
2 K7 K- s2 l3 q! EFormat settings : CABAC / 3 Ref Frames8 G( J0 U# o. f, S
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3 e7 x) I, @6 U tFormat settings, Reference frames : 3 frames' `) g9 u5 F& o8 E
Codec ID : V_MPEG4/ISO/AVC
/ F- }4 R: z" P H$ @Duration : 1 h 41 min
( q2 l) N) i [/ B9 o& EBit rate mode : Variable
1 u; c+ d5 a" g# N, U1 VBit rate : 36.4 Mb/s/ R* z# u% K7 \# U3 ^
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8 R& M! s8 F4 ?; z' h$ uHeight : 1 080 pixels
* A# X- s8 l0 r& A# M9 JDisplay aspect ratio : 16:9& ^- g% Z/ T% U8 N9 N) n
Frame rate mode : Constant7 b( O! ^* g/ P! y: i8 `
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2 k q* T" c: B5 y5 }5 RStream size : 25.9 GiB (92%)
$ u7 j& _2 x( H) a9 WTitle : The.Burbs.1989.REMASTERED.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT$ B- D% {- s0 [# ]# O3 D
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Language : English
% J$ ?) j0 k# PDefault : No
% k$ ~- v" D' \9 J: ~7 h) \7 c0 \Forced : No
* g1 v; `# v# z) x" EColor range : Limited
) \- m" ~9 T) y/ RColor primaries : BT.7096 H/ h, g9 N; ?
Transfer characteristics : BT.709
7 t6 O7 Y$ a! @Matrix coefficients : BT.709
4 k2 C( d) n* S2 MOriginal source medium : Blu-ray7 d$ V# Y' s M- w$ G" U+ U: A
- V& c5 C( }; X( c# ~* f! P+ x% ^Audio #1/ z Z' S D i! U( y
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Format settings : Little / Signed7 Z8 [3 s5 k/ t5 U [( v
Codec ID : A_PCM/INT/LIT
' s0 U7 T- x; w6 c; vDuration : 1 h 41 min
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x. M7 @5 U/ y/ a7 eSampling rate : 48.0 kHz# @+ n- o# d2 A6 {7 n* u# [8 ^* x% G
Frame rate : 30.000 FPS (1600 SPF)
, P9 K; h2 [6 r+ D& P- a; E3 pBit depth : 16 bits
4 x/ x- h# Z2 PStream size : 1.09 GiB (4%)
6 d3 A9 r. y: p/ h; t; W) ]$ }5 ?, a- KTitle : The.Burbs.1989.REMASTERED.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
: r5 k' N8 b: jLanguage : English
2 I8 n: M1 M, @2 ?& j& P- vDefault : Yes
# n' w# ]% i: U# m/ Z+ b' aForced : No+ w6 `4 C5 K$ @* W" k
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4 I" d, R' \6 y5 v6 ?Sampling rate : 48.0 kHz
! F# N; a, _0 s$ K2 S8 a' aFrame rate : 30.000 FPS (1600 SPF), M4 s" ?5 H$ L
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Title : The.Burbs.1989.REMASTERED.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
+ E' H* |* v4 Z O! c9 L1 KLanguage : English6 W6 `" G$ q9 W
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00:00:00.000 : en:Chapter 011 r* l" H4 {$ P5 `1 y9 F
00:03:16.571 : en:Chapter 02
' B/ j) C1 r' M3 K8 C/ h/ ]" ?00:08:43.314 : en:Chapter 03
# v+ ]" h" w1 ]7 \+ ?9 H7 Y00:12:23.033 : en:Chapter 04
/ [7 Y& g: Z) |1 t% g00:19:14.695 : en:Chapter 05
3 s# f5 l* S" `' E00:24:31.636 : en:Chapter 06
3 s6 u0 G/ t$ _ k00:32:30.907 : en:Chapter 07& Z" R# V( u5 ~& e" q ^
00:38:28.931 : en:Chapter 08 l# _$ z9 Y1 w+ g/ C' h
00:46:54.478 : en:Chapter 09) [& j' n( M4 z. F1 j
00:51:55.112 : en:Chapter 107 {1 ~+ t0 H1 j0 T5 B5 [
01:01:09.165 : en:Chapter 11# T( g, E) \5 _ w# ]( g( y
01:08:28.479 : en:Chapter 127 {+ D9 o; P& V
01:19:28.472 : en:Chapter 13) p) C# b% c7 s. B& s& t! g/ T
01:25:18.655 : en:Chapter 14! Q8 Y, V' L1 G* }" O. w: F8 x, ?
01:30:26.921 : en:Chapter 15. N2 q6 d) g$ K8 j0 A1 p
01:37:22.878 : en:Chapter 16 The 'Burbs Blu-ray, Video Quality ' a! ~2 l, R# F! W
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" `, T0 K3 m+ H9 o9 DShout Select's release of The 'Burbs (#44 in the boutique label's series) is the second in the US. Shout advertises its 2017 transfer as a new 2K scan of the interpositive. The MPEG-4 AVC-encoded transfer sports an average video bitrate of 25998 kbps on this BD-50. Authoring and compression lags behind the Arrow and the Universal, although it's better than AU's Umbrella Entertainment. It also is comparable to DE's Koch Media and FR's Carlotta Films. I do wish, though, that Shout would have made this a two-disc set and put Dante's workprint and the rest of the extras on a separate BD-50.$ Y8 j4 P( c( {8 l+ Z! D
0 I1 {) p: }( K8 D; }: c/ wI remember watching Universal's 1999 DVD of The 'Burbs on a 50" projection TV and noticing mosquito noise along the black levels as well as the scenes inside the Klopek house. There is thick grain displayed during the scenes in the Klopek living room and ones in their basement. Grain is also prevalent in the scene beginning where Ray takes his dog for a walk and a rainstorm swooshes in on Mayfield Place. The grain structure can be erratic and inconsistent. For instance, it's visible when Carol Peterson gives Art Weingartner a huge helping of breakfast (and then some) but the grain goes away during the very bright daytime outdoor scenes. The green leaves on the bushes are lush. Colors are rich and vibrant. However, Shout may have done some denoising to sharpen the colors. I've always remembered The 'Burbs as boating a grainy picture but it's hit-and-miss in this transfer. On the Universal transfer, Marty commented: "Grain is uneven, thicker and buzzing in places and virtually absent in others." A similar case can be made on the Shout, although I believe color delineation, sharpness, and detail are superior.
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) |+ ?) G h" t1 J# r5 R5 Y, E! wThis isn't the exact same transfer as the remastered one prepared by Arrow which was "newly-restored from the original film elements." Dante was personally involved in approving the color temperature on the UK edition but Shout doesn't provide any details if he or his cinematographer Robert Stevens supervised the '17 2K scan. The Arrow likely has the best image of all BDs.
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% D( H3 g' W9 x" Y- tShout supplies a dozen chapter selections.
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' Q9 h: w# g) p4 c# o! v# m8 j8 DThe 'Burbs Blu-ray, Audio Quality
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The 'Burbs's original Dolby Stereo mix receives a DTS-HD Master Audio 2.0 track (2021 kbps, 24-bit). The master is in excellent condition with no noticeable source flaws. Dialogue is for the most part clear although I'm glad to have English SDH when the Klopeks speak. Thunderbolts, explosions, and other f/x get some good separation along the fronts. Jerry Goldsmith's score is a personal favorite and has a lot of variety. The prolific composer parodies his theme for Patton, which he re- scored for Bruce Dern's cantankerous ex-marine lieutenant. The organ pipes, which Goldsmith riffs for moments of haunted house horror, rise to a crescendo and this is nicely amplified on the uncompressed track. Dante pays homage to Leone and Goldsmith likewise tips his cap to Morricone, orchestrating arrangements from the scores of The Good, the Bad and the Ugly and My Name Is Nobody.4 }/ L9 v1 W% `
0 B6 R" h" H% t. k: J7 a; P3 _& V2 NShout has supplied optional English SDH for the main feature.
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