木乃伊 [REMUX无损版] The Mummy 1932 1080p BluRaycd REMUX AVC DTS-HD MA 2.0-FGT 18.47GB

An Egyptian mummy returns to life to stalk the reincarnation of his lost love.

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" h9 T5 \! L% t) p* r◎译　　名　木乃伊
* ]# ]5 t: S; _- K! l7 s. k! c◎片　　名　The Mummy / Cagliostro / Im-Ho-Tep / King of the Dead
  c# R% b; M; D◎年　　代　1932
. R8 u+ A  C: J  X; c3 L6 E◎产　　地　美国
◎类　　别　剧情/恐怖/奇幻
4 H5 ^* T# \; j7 Q◎语　　言　英语
◎上映日期　1932-12-22
◎IMDb评分  7.1/10 from 23,809 users
◎IMDb链接  https://www.imdb.com/title/tt0023245/
◎豆瓣评分　7.2/10 from 975 users
$ P, \" V6 V& G4 s- D◎豆瓣链接　https://movie.douban.com/subject/1299480/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
) q8 f* `. ^% e# M- w+ k* M◎文件大小　1DVD 18.47 GiB
◎片　　长　1 h 13 min
4 g* ~1 `  i: @3 s7 P◎导　　演　卡尔·弗洛恩德 Karl Freund
1 M  x6 g4 X0 k2 L8 {* ]; Z◎编　　剧　约翰·L·鲍尔德斯顿 John L. Balderston
◎主　　演　波利斯·卡洛夫 Boris Karloff
: K# ?  v# {! T& s　　　　　  齐塔·约翰 Zita Johann
' e; X8 c$ D7 O6 X4 ~　　　　　  大卫·曼纳斯 David Manners
; ?" x2 {' ?0 n3 T6 U　　　　　  阿瑟·拜伦 Arthur Byron
　　　　　  爱德华·范·斯隆 Edward Van Sloan
　　　　　  布拉姆韦尔·弗莱彻 Bramwell Fletcher
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* b0 _( T. Q" h3 ]◎标　　签　美国 | 恐怖 | 木乃伊 | 美国电影 | 1930s | 1932 | 黑白 | 魔幻
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◎简　　介   
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　　故事发生在1921年的埃及，一支探险队在法老的坟墓里发现了因霍特（波利斯·卡洛夫 Boris Karloff 饰）的木乃伊。因霍特曾经是一名王子，因为受到了法老的诅咒而遭遇了活活陪葬的悲惨命运。在墓穴中同时被发现的，还有一份神秘的卷轴，在传说中，这卷轴能够赋予死人新的生命。探险队中的一名成员在阴差阳错之下念出了卷轴上的咒语，之后发狂而死，因霍特因此俘获。

5 Y5 e! L! c$ |　　一晃眼十年过去，在这十年间，因霍特一直都隐藏着自己的身份，作为一名普通的埃及青年生活着。实际上，他一直在寻找一个名叫海伦（齐塔·约翰 Zita Johann 饰）的姑娘，这个姑娘的前世正是因霍特曾经的恋人。

, r: U) n7 F# Z3 V0 ~8 |　　An Egyptian mummy searches Cairo for the girl he thinks is his long-lost princess.
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4 e/ j+ s; H/ s( N+ @! {
; s2 j8 v6 w% [0 q+ N+ B: x8 cMenu
00:00:00.000 : en:Chapter 01
00:01:34.135 : en:Chapter 02
00:03:08.104 : en:Chapter 03
6 o5 _4 Z- A1 U4 S2 P: n0 @00:12:05.975 : en:Chapter 04
6 r5 t0 c4 {; D6 u00:13:45.199 : en:Chapter 05
& k+ _& l" C& v- s2 q00:15:37.478 : en:Chapter 06
00:18:33.654 : en:Chapter 07
00:26:00.392 : en:Chapter 08
) u! m7 j( g9 }+ v: j8 K( k# f00:29:46.117 : en:Chapter 09
8 W1 U7 F3 F; L4 x+ S! ]) _00:34:56.677 : en:Chapter 10
00:42:27.795 : en:Chapter 11
/ Q3 d" o5 G- s4 q$ Q& I! ?00:45:45.242 : en:Chapter 12
9 e1 D& z2 V$ n/ u% K00:47:52.870 : en:Chapter 13
3 J# Z2 J6 u3 c3 m; N00:55:02.340 : en:Chapter 14
. t+ Y& z5 a$ D- N+ n8 r) z01:00:18.031 : en:Chapter 15
01:05:57.745 : en:Chapter 16
01:10:50.329 : en:Chapter 17
3 L! [2 d! {1 X$ M6 I& p, ?- k1 Z01:12:47.446 : en:Chapter 18

The Mummy Blu-ray, Video Quality   

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It would be a mistake to accuse The Mummy's restoration and 1080p/AVC-encoded video transfer of foul play, especially if the accusation revolves around over-processing the original elements. The softness that graces the image is inherited and the restraint exhibited by the film's grain field isn't indicative of any invasive cleanup techniques or methodology, at least none that might be cause for alarm. Yes, the grain here is faint and largely unobtrusive, and yes, print damage and blemishes are almost non-existent. But fine detail flourishes (as in the creases and wrinkles in Karloff's monster makeup), edges are pleasing and almost always clean (with only a handful of halos to point to), and contrast and delineation are dead on. Black levels? Beautifully dark. Midtones? Lovely. The experience? Near perfect. There is some residual print flickering, but only a hint. I spotted a few instances of soupy surges of grain as well, but like every imperfection I encountered, it appears to be derived from the source elements. (And minimized most effectively, again without endangering filmmaker's intention.) I can't imagine The Mummy looking any better than it does here.
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1 ~, e, t7 u* t$ a5 {The Mummy Blu-ray, Audio Quality   
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The Mummy's two-channel DTS-HD Master Audio Mono track is better than Frankenstein's problematic mix but not as sophisticated as Dracula's lossless audio. Dialogue is intelligible but often a touch muffled, voices aren't as clear as I had hoped, and a number of sound effects and music cues lack the clarity we've grown accustomed to from the best catalog classics on the market. Even so, none of it disappoints. If anything, it underwhelms, although even that strikes me as too misleading. The Mummy has a softer, lower noise floor than Dracula or Frankenstein, air hiss isn't an issue so much as it is an infrequent interruption, and the effects that seem subdued are more likely prioritized faithfully to a fault. Had Universal included a movie-specific restoration featurette with each Classic Monsters entry, fans would be able to understand the challenges the Mummy preservationists faced and more readily appreciate what they were able to accomplish.

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