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: ]% l2 L: ?- s9 c◎译 名 木乃伊/法老之死
* \9 A% P# R0 z( S2 W◎片 名 The Mummy / Terror of the Mummy / La Malediction Des Pharaons
) z) O/ _6 G: g◎年 代 1959/ X+ E3 B$ ~- X
◎产 地 英国
# E% t7 l) \) ^ l( y. z; s◎类 别 冒险/恐怖
0 F0 `* Z+ s$ o◎语 言 英语
1 ^5 n) E7 W6 A7 L Z◎上映日期 1959-09-25(英国)8 N' {5 M. w9 O- {
◎IMDb评分 6.7/10 from 9,669 users
+ P0 W6 r5 k8 n& D! W! g7 H4 K E◎IMDb链接 https://www.imdb.com/title/tt0053085/
. x j/ G' u- v, F1 o$ o/ P; y◎豆瓣评分 6.6/10 from 188 users: v, J* O# M* E) |, }: Q. T7 n
◎豆瓣链接 https://movie.douban.com/subject/1301290/' C6 x+ r* |. U% A0 w1 z
◎片 长 1 h 28 min, u! ]4 M; z# [
◎导 演 泰伦斯·费希 Terence Fisher
/ \. O* { b9 A! C% x0 s# K◎编 剧 吉米·桑斯特 Jimmy Sangster
$ T- x2 O0 I( J+ l, h( q◎演 员 彼得·库欣 Peter Cushing
' _ I% q# v7 {8 N% F3 k* ]7 q* y# E; O 克里斯托弗·李 Christopher Lee1 n$ K+ m( C8 z0 y* T
伊冯·弗奴克丝 Yvonne Furneaux
, v3 W! m/ Q' }. ^ 费利克斯·艾尔默 Felix Aylmer
( ~) d# B. D5 e; L8 l# J& ^5 X 乔治·伍德布里奇 George Woodbridge
: x/ R/ p) n. P6 n# S Frank Singuineau Frank Singuineau* T% b x5 g& ], I" I
Frank Sieman Frank Sieman
# ?7 k# `. ^6 h6 J. A8 r Denis Shaw Denis Shaw
, V$ V5 I4 K, l 迈克尔·里佩尔 Michael Ripper
, C! c9 s: Q# _8 z 约翰·斯图尔特 John Stuart
3 n; Q+ l6 K, g, }' \0 q5 f: h1 \ 雷蒙德·亨特利 Raymond Huntley
2 A2 K% `7 M9 X( h Harold Goodwin Harold Goodwin. a: l4 t! }& k
Willoughby Gray Willoughby Gray% [. t4 v# m* i6 F# r
埃迪·伯恩 Eddie Byrne) B5 b- }* \! v- U
/ F6 P! q( z8 P/ l
◎标 签 英国 | 恐怖 | 1950s | 冒险 | 好莱坞 | 1959 | 动作 | TerenceFisher
" | [6 p: e/ i4 @" y) d/ q
1 b* k2 D1 ?- m- `9 _1 r6 V9 b2 q◎简 介 0 \( D4 k6 E% A/ N0 D1 g
2 C/ H$ h: V! q- F5 x
In 1895, British archaeologists find and open the tomb of Egyptian Princess Ananka with nefarious consequences.
4 @; H H2 J/ v: ^The.Mummy.1959.Original.UK.theatrical.1080p.BluRayCD.x264.FLAC.1.0-NOGRP 11.99 GB- v$ c6 d2 D- H; T# {
6 M3 ]7 F2 ~0 a7 Q* e: o$ I9 HVideo# L; W( A8 W2 b8 w! ~3 P
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* z* o- T( u9 ~9 W9 R7 |6 E/ `Chroma subsampling : 4:2:08 ^1 J, A" E) ]# H
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/ F3 _" [4 `5 _; jWriting library : x264 core 164 r3094+49M# q! I6 A5 @$ n9 c; W0 y5 I: @- O
Encoding settings : cabac=1 / ref=5 / deblock=1:-3:-3 / analyse=0x3:0x113 / me=umh / subme=10 / psy=1 / fade_compensate=0.00 / psy_rd=1.05:0.00 / mixed_ref=1 / me_range=32 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=0 / chroma_qp_offset=-2 / threads=34 / lookahead_threads=8 / sliced_threads=0 / nr=0 / decimate=0 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / fgo=0 / bframes=12 / b_pyramid=2 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=2 / keyint=250 / keyint_min=23 / scenecut=40 / intra_refresh=0 / rc_lookahead=60 / rc=crf / mbtree=0 / crf=17.5000 / qcomp=0.60 / qpmin=0:0:0 / qpmax=69:69:69 / qpstep=4 / vbv_maxrate=62500 / vbv_bufsize=78125 / crf_max=0.0 / nal_hrd=none / filler=0 / ip_ratio=1.40 / pb_ratio=1.30 / aq=3:0.70 / aq-sensitivity=10.00 / aq-factor=1.00:1.00:1.00 / aq2=0 / aq3=0* c5 B. \% V* q1 T/ X
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6 v/ H$ ]( ?- h7 r+ q8 R& M. w
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" {: Y0 e/ q% X3 Q' W, h mCodec ID : A_FLAC
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' R: d* v& l' E4 @/ _( hForced : No% s" y( S) @- o0 i1 ?
( t: A" J/ |2 r7 z; e9 k iAudio #2
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~9 B; h- R O" T) AFormat : AC-3
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: g3 T- Q' ]4 _' {Commercial name : Dolby Digital, ]9 i' D3 [2 J" Q. t
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" V) H. o7 G/ K- DBit rate mode : Constant% q6 f/ i. B& Y6 d; t; \: A; p1 A' A
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# m8 _! g# E: \! VChannel layout : L R8 g( _2 @5 c) ~
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* g0 l7 i S! W+ }$ B2 |Title : New audio commentary by film academic Kelly Robinson/ b4 x2 b9 J# s# Q+ |
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! S. o0 V7 u' t9 o$ _Service kind : Complete Main( h. B+ ?. _5 n3 W) P) _
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% w. n% C4 c( y9 v" Y. DCommercial name : Dolby Digital, a8 y3 C% r j# _
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/ g! x5 }+ M, c6 Q* Y9 \6 CFrame rate : 31.250 FPS (1536 SPF)3 Q! E- b5 d% Y
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7 t6 Z/ k. O' I! \Stream size : 70.8 MiB (0%). a5 x% ]& u1 n6 E; M
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' b: _, I+ o/ O7 O1 t: pTitle : Full8 ? w- q9 ^, j0 k8 m( Y
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4 q: }# U9 K5 |2 C8 B' `- {Duration : 1 h 24 min
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& C- ^+ O1 @; I+ \5 `& ?% m" E+ i5 AForced : No
3 G2 D. Y5 A4 k& B$ k. g2 M
* u# E& @) ?, wMenu
# N# `! `# V8 r" a0 G! Q00:00:00.000 : en:Credits
. y8 w, h3 g% F6 @5 K00:01:39.300 : en:1895: Ananka′s tomb: v0 Z( M0 v) [# |, t
00:04:50.134 : en:Mehemet Bey′s Warning8 ^* o) \- c7 z Z
00:06:38.801 : en:Inner Chamber.: F- E" [: j! V
00:09:58.201 : en:Scroll of life.4 b1 H( y* D, K
00:11:47.069 : en:A curse.
- }8 y8 C6 f" \6 R0 `# d% q00:14:33.003 : en:1898: About th mummy.- K( Y4 n8 U( C# L, l7 ]5 ~9 f3 j1 ?
00:18:23.538 : en:Relics, nothing more.* {$ G7 A. E! r
00:23:48.671 : en:Out of the swamp!- w5 ]( H# P: r
00:27:13.171 : en:Death in padded cell.' X% g- B# g1 p8 K
00:29:28.505 : en:Inquest
! ?! Y5 `$ m% r, ?* ]: o4 Q2 d5 G00:30:40.473 : en:Legendary love/ I1 s& l+ v+ h1 ]$ A
00:47:16.108 : en:Walk in the night.% x& B2 e. L" E; R1 a( E3 m
00:49:56.175 : en:Deadly intruder.
/ w. G7 x0 E! T* S& \& i9 l00:51:39.476 : en:What Banning saw.
, D+ v" Q) X; i( w' I6 z1 v" x w: a00:57:18.344 : en:Mulrooney′s inquiries d/ k p: D# Z; T ]/ Z
00:59:23.212 : en:Final task.4 _: _8 _0 R5 y' s% J
01:00:35.212 : en:Next victim′s Fears4 ]6 v1 m7 o# i: n
01:03:35.779 : en:Strong resemblance.6 O6 g2 ~* b( l! O- P& `4 F: e' \
01:07:42.447 : en:Mehmet Bey′s visitor: q6 D4 q$ j) }) ]
01:11:02.248 : en:Not at rest.
3 s* C6 k. x; o& T5 k01:16:42.982 : en:Countryside stalker
0 S) Y4 m* h8 H0 Z$ G- m' p4 S5 d$ n01:20:47.316 : en:Isobel abducted- K: h1 M2 I$ S! d# M, ? F" x
01:24:14.317 : en:Back to the swamp.$ \, M* Y9 R0 Z/ B. g: \
01:27:04.118 : en:End Credits The.Mummy.1959.Alternative.Cut.1080p.BluRaycd.x264.FLAC.1.0-NOGRP 12.17 GB7 l& `/ G* h, t4 [ G, `
, v8 y3 @' u5 B+ A5 g" X6 [
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* \) T# _# D( S- ?3 J+ N) U$ b L1 @- t" \3 J/ h4 q' y- t2 [$ _
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% O" R0 L; g( A8 A, ]6 k3 R. ]! Y. D5 k m0 H" n5 d
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1 V( ?0 S* P! _4 h1 r3 sTitle : Archive audio commentary by Marcus Hearn and Jonathan Rigby
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Menu
2 u, q9 a1 I# T+ \/ V& i, h00:00:00.000 : en:Credits
' f3 a1 I* d' n; R2 R00:01:39.300 : en:1895: Ananka′s tomb& d8 _4 c4 t+ V/ I; }. L
00:04:50.134 : en:Mehemet Bey′s Warning
0 ^5 |" |% b% K/ j00:06:38.801 : en:Inner Chamber.
0 V! u4 U# P3 A2 u; _' V00:09:58.201 : en:Scroll of life.8 C4 x' t3 p+ H4 t
00:11:47.069 : en:A curse.& H7 J7 r# Y# y1 W' L* d
00:14:33.003 : en:1898: About th mummy.$ ]( b* A$ x" I0 `% Z: D& S
00:18:23.538 : en:Relics, nothing more.
% K/ r# S& Z& h6 E# W7 M00:23:48.671 : en:Out of the swamp!' k2 A: o: `4 b1 K* E) T
00:27:13.171 : en:Death in padded cell.. O% w& d1 ]8 a# Q' _
00:29:28.505 : en:Inquest
( R: [ V. o5 D4 g4 o7 L o00:30:40.473 : en:Legendary love+ [* ^; e2 l' R# a& y
00:47:16.108 : en:Walk in the night.
. V+ u. c1 S. j1 e1 E, g# r00:49:56.175 : en:Deadly intruder.
5 X* u! e/ B) a* G; D3 k9 e00:51:39.476 : en:What Banning saw.; p, r" g: r$ ]
00:57:18.344 : en:Mulrooney′s inquiries9 r2 q# n- t3 C. U& n
00:59:23.212 : en:Final task.
0 C2 X% `& y3 ?4 R! r01:00:35.212 : en:Next victim′s Fears
* i' P7 ]7 P& ]8 u1 l. F6 M' S01:03:35.779 : en:Strong resemblance.
! M. P* M: `( c# t01:07:42.447 : en:Mehmet Bey′s visitor& q7 b0 l! m* J( u: m
01:11:02.248 : en:Not at rest.# V1 ]$ Z# R! c/ O% Z: s3 C! E8 h
01:16:42.982 : en:Countryside stalker+ h& a0 }3 P% S/ l i6 `1 {
01:20:47.316 : en:Isobel abducted% X/ V, r& ?7 R
01:24:14.317 : en:Back to the swamp.
G; U7 j# U# z. N: m( t01:27:04.118 : en:End Credits
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