月球/寂寞月影 [4K蓝光原盘 自带中字] Moon 2009 2160p BluRaycd HEVC TrueHD 7.1 Atmos-TERMiNAL 55.32GB

Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.

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◎译　　名　月球/月劫余生(港)/2009月球(台)/寂寞月影
5 p/ W0 d3 s- z8 ~, A. N( V◎片　　名　Moon
4 |3 b' }  |' z3 c  E9 T◎年　　代　2009
◎产　　地　英国
◎类　　别　剧情/科幻/悬疑
6 M: {" J1 v* R& a$ X◎语　　言　英语/西班牙语
◎上映日期　2009-07-17
* a) k5 m9 w! [1 P  f◎IMDb评分  7.9/10 from 336,838 users
1 t: S$ c1 ~% x' D6 @8 l◎IMDb链接  https://www.imdb.com/title/tt1182345/
◎豆瓣评分　8.5/10 from 228,855 users
$ k! [0 Z+ x# l& z& {8 b◎豆瓣链接　https://movie.douban.com/subject/3073124/
" `# C5 Y4 k8 g3 f◎文件格式　x265 + TrueHD
& N) k2 F& ]  [  y5 K◎视频尺寸　3840 x 2160
◎文件大小　1DVD 55.32 GiB
6 Z' f0 j% a3 e( H$ B, g4 j) P◎片　　长　1:37:05.861 (h:m:s.ms)
0 s. H1 Y# }% e' L, u$ m) ]8 F◎导　　演　邓肯·琼斯 Duncan Jones
7 [# `: c# i2 f! Y◎编　　剧　邓肯·琼斯 Duncan Jones
4 K, T: Q- x, a1 e　　　　　  内森·帕克 Nathan Parker
◎主　　演　山姆·洛克威尔 Sam Rockwell
　　　　　  凯文·史派西 Kevin Spacey
　　　　　  多米妮克·麦克艾丽戈特 Dominique McElligott
　　　　　  卡雅·斯考达里奥 Kaya Scodelario
' n) p7 z/ g: ]0 a! n% J9 d　　　　　  本德里克特·王 Benedict Wong
　　　　　  马特·贝里 Matt Berry
  G1 Q" Y9 B0 [# }* @: v. s　　　　　  马尔科姆·斯图尔特 Malcolm Stewart
　　　　　  罗宾·查克 Robin Chalk

◎标　　签　科幻 | 人性 | 英国 | 孤独 | 悬疑 | 2009 | 反思 | 人生
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◎简　　介   

7 @7 ?: u9 y4 H7 T　　未来世界，随着科技的飞速进步，地球的污染也越来越严重。为了遏制这种现状，一家名为月能工业有限公司的企业应运而生。该公司致力于月球能源的开发，通过采集氦-3来满足地球对能源的需求。月能公司在月球设有基地，山姆·贝尔（山姆·洛克威尔 Sam Rockwell 饰）正是该基地 上唯一的工作人员。山姆是公司聘用的合同工，他已在月球孤零零地生活3年，陪伴他的只有智能机器人戈蒂（凯文·斯派西 Kevin Spacey 饰）。枯燥乏味的生活令山姆归心似箭，在还有两周就离开月球的时候，山姆偶然遭遇一起事故。醒来后的他发现戈蒂似乎对其有所隐瞒，公司高层也拒绝他的回程请求。山姆借机逃出基地，却在事故发生地点发现另一个自己……
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　　本片荣获2009年爱丁堡国际电影节最佳英国影片奖、2009年西雅图国际电影节最佳男主角奖。

　　In this critically-acclaimed space isolation drama, Sam Bell is a worker for Lunar Industries who is nearing the end of a three-year contract to mine the moon's surface for the precious gas Helium 3, the solution to Earth's energy crisis. As he approaches his return to Earth, Sam reflects on the lessons he has learned during his prolonged isolation and looks forward to his reunion with his wife and young daughter. But a fortnight before his departure he starts seeing and hearing strange things that lead him to suspect that his employers intend to replace him in a far more sinister way than he imagined. Sam's only companion, a small robotic computer called Gerty.
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◎获奖情况
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　　第22届芝加哥影评人协会奖(2009)
  X7 [& X" E5 j# ]6 E) q　　最具潜力导演(提名) 邓肯·琼斯
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　　第9届凤凰城影评人协会奖(2009)
　　年度被忽略影片
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1. DISC INFO:
   
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3. Disc Title:     Moon.2009.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-TERMiNAL
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6. Extras:         Ultra HD, BD-Java
   
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Moon 4K Blu-ray, Video Quality   
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The included screenshots are sourced from a 1080p Blu-ray disc.

' s! y) S) N% w7 w# w% U; LMoon was shot on film and reportedly finished at 2K. Sony's UHD presentation is every bit the expectedly stout and robust upgrade over the decade-old Blu-ray that UHD fans have come to expect from the format's most reliable studio. The old Blu-ray still holds up as a fairly good image but it's undeniably one that is dwarfed by the improvements and refinements the film enjoys under the new parameters. The HDR color spectrum allows for significantly more crisp and bright whites; the spacesuit is of particular note for its luminance and intensity, while the spartan and white/off-white interior surfaces around the lunar station present with added tonal intensity and punch that's missing on the comparatively flat and bland Blu-ray. The grayscale moon exteriors, the grimy rovers, and all the shades of bleak that permeate many of the exteriors offer a far greater feel for color nuance along that particular spectrum, which brings an added richness and vitality to the lunar plane, even considering the unrelenting characteristics of a barren, lifeless locale. It's an interesting visual spectrum that the movie creates and the HDR colors refine, transitioning from crisp whites to bleak grays with some spots of added color along the way, notably GERTY's emoji readout. The movie is very visual spartan, but even so HDR is a major boon for conveying the most authentic feel possible for the picture's set pieces while also enhancing mood and dramatic tone as well.

The increase in detail on GERTY is exceptional. The UHD brings out the rough, well-worn textures, sharpens the numerous coffee stains dripped and dried on it, and delivers a more authentic feel for the grimy, curled, and worn sticky notes affixed to it. The superior color rendition finds another highlight with the machine, offering more intense lights on the readout (and other displays around the station as well) while also giving the machine's chassis a more dependable, crisp, and believable tonal foundation compared to the Blu-ray's dull, sunken off-white color. The HDR color presentation further enhances skin textures inside the lunar quarters. Take a look at a close-up at the 10:45 mark when Sam is watching a message from his wife and daughter. The skin looks healthier but at the same time a bit pastier and lighter, almost dramatically reinforcing the scene's tonal spirit by creating a look of natural warmth yet cold distance in the character at the same time. The textural finesse and gains are evident here as well; pores and stubble and clothes appear with superior crispness and visible definition. The UHD presents a natural grain structure which is filmic and refined, more complimentary and crisp than the Blu-ray can provide. There are no source flaws or encode anomalies of note. This is a strong upgrade over a good (albeit aging) Blu-ray and one of the finer 2K upscale releases on the UHD marketplace.
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Moon 4K Blu-ray, Audio Quality   
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8 C  Q& F. X& d+ rMoon's Dolby Atmos track presents a number of impressive effects around the station. Shutters close with weight. Alarms blare with seamless spacing and feel for distance and depth. Minor station ambient effects are well integrated, often making use of the location's spartan furnishings and spacious rooms to allow the audience to sonically experience the same location emptiness and the resultant isolation Sam endures. The track regularly, though reservedly, engages overhead channels that do not define any given moment but rather give any given moment an improved sonic posture and any given scene greater sonic presence. A vehicle crash at the 17:35 mark is the first large-scale, and perhaps most prominent, sound element in the film. The crashing metal, the falling debris, the blaring alarm, the feel for total stage immersion, including a steady overhead presence, is very sonically rewarding and complimentary to the scene. Musical delivery is steady and true, with strong clarity, stage engagement, and low end support. Dialogue presents with natural front-center position, clarity, and prioritization.

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