本能1/第六感追缉令 [蓝光原盘 重制版] Basic Instinct 1992 REMASTERED 1080p BluRaycd AVC DTS-HD MA 5.1-PCH 42.66GB

A violent police detective investigates a brutal murder that might involve a manipulative and seductive novelist.


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◎译　　名　本能/第六感追缉令(台)
◎片　　名　氷の微笑 / Basic Instinct
5 T) z; G* }* u2 o$ ~. G◎年　　代　1992
6 P$ x, F3 `! r2 S" p& y* F◎产　　地　美国/法国
◎类　　别　剧情/悬疑/惊悚
/ O0 r# f% A* f8 n4 k1 F◎语　　言　英语
◎上映日期　1992-03-20(美国)
◎IMDb评分  7.0/10 from 184,521 users
( S  A# s% t% f! v, _) q◎IMDb链接  https://www.imdb.com/title/tt0103772/
◎豆瓣评分　7.8/10 from 138,104 users
6 Q" b0 v+ ]0 [◎豆瓣链接　https://movie.douban.com/subject/1291869/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 42.66 GiB
. R' ]7 {& w; q! L◎片　　长　2:08:13.375 (h:m:s.ms)
: t8 H* b: z/ N9 f◎导　　演　保罗·范霍文 Paul Verhoeven
◎编　　剧　乔·埃泽特哈斯 Joe Eszterhas
2 Y1 Y" p" k* q2 Q; g& Y* [◎主　　演　迈克尔·道格拉斯 Michael Douglas
. A% ?. q& ]  v& a　　　　  　莎朗·斯通 Sharon Stone
　　　　  　乔治·杜兹达扎 George Dzundza
4 F# {- H8 _: W* v3 ~' O; u& Z& V3 v　　　　  　珍妮·特里普里霍恩 Jeanne Tripplehorn
　　　　  　丹尼斯·阿尔恩特 Denis Arndt
　　　　  　米彻·佩勒吉 Mitch Pileggi
　　　　  　杰克·麦吉 Jack McGee
/ ?& @) `2 u8 @0 S" u; A& }5 t6 U　　　　  　斯蒂芬·托布罗斯基 Stephen Tobolowsky
　　　　  　丹尼尔·冯·巴根 Daniel von Bargen
　　　　  　韦恩·奈特 Wayne Knight
　　　　  　多罗茜·马龙 Dorothy Malone
　　　　  　切尔西·罗斯 Chelcie Ross
　　　　  　布鲁斯·A·扬 Bruce A. Young
7 r" o- ]( x8 S( L2 L　　　　  　马里·帕特·格里森 Mary Pat Gleason
　　　　  　蕾拉妮·萨尔利 Leilani Sarelle
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- ^% J: D5 n  y6 M4 c7 I, B◎标　　签　情色 | 悬疑 | 美国 | 本能 | 惊悚 | 美国电影 | 经典 | 剧情
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◎简　　介

　　退休摇滚明星强尼·博兹（Bill Cable 饰）在性行为的过程中被人用白丝巾捆绑双手后用冰锥残忍刺死。其女友凯瑟琳·特拉梅尔（Sharon Stone 饰）是一名作家，去年出版的小说中就有双手被白丝巾捆绑的退休摇滚明星被女友用冰锥刺死的情节。虽然特拉梅尔通过了谎言测试，但曾枪杀两位游客却被判无罪的尼克·柯兰警探（Michael Douglas 饰）坚持认为特拉梅尔在说谎。因为他自己也曾接受过谎言测试，并且通过了……
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　　A manipulative novelist snares a San Francisco detective with her insatiable sexual appetite during the investigation of her boyfriend's murder.

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( v" f: R0 g% A: \5 y7 R　　第65届奥斯卡金像奖 (1993)
5 t! n$ g1 N, p" {/ X) F　　最佳剪辑(提名) 弗兰克·J·乌里奥斯特
/ G) q. z$ K/ {3 M- B0 c/ m8 c　　最佳原创配乐(提名) 杰瑞·高德史密斯
　　
　　第45届戛纳电影节 (1992)
( K; S, R9 b9 I, r　　主竞赛单元金棕榈奖(提名) 保罗·范霍文
　　
6 Y, [# L" G3 V　　第50届金球奖 (1993)
　　电影类剧情片最佳女主角(提名) 莎朗·斯通
+ t$ |: i7 N1 s  P　　电影类最佳原创配乐(提名) 杰瑞·高德史密斯
　　
　　第16届日本电影学院奖 (1993)
　　最佳外语片(提名)
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1. DISC INFO:
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3. Disc Title:     Basic.Instinct.1992.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-PCH
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4. Disc Size:      45,798,629,349 bytes
   
5. Protection:     AACS
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6. Extras:         50Hz Content
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.3.2)
   
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11. Name:                   00009.MPLS  
    
12. Length:                 2:08:13.375 (h:m:s.ms)
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13. Size:                   39,990,607,872 bytes
    
14. Total Bitrate:          41.58 Mbps
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22. MPEG-4 AVC Video        29981 kbps          1080p / 24 fps / 16:9 / High Profile 4.1
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28. DTS-HD Master Audio             English         2415 kbps       5.1 / 48 kHz / 2415 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
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29. DTS-HD Master Audio             French          2413 kbps       5.1 / 48 kHz / 2413 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
    
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Basic Instinct Blu-ray, Video Quality   


6 ?8 {. ^) u4 q  DPresented in its original aspect ratio of 2.39:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Basic Instinct Blu-ray courtesy of StudioCanal.
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The technical analysis below includes comments about the 4K Blu-ray release because they are relevant when discussing the Blu-ray release as well. Our review of the 4K Blu-ray release can be read here.

: k. [! e. `% S% o7 ZThe release is sourced from an exclusive new 4K restoration that was struck from the original camera negative. It was completed at Hiventy in France, under the supervision of director Paul Verhoeven.

4K BLU-RAY DISC
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The only other release of Basic Instinct that I have in my library is this very old Blu-ray release that Lionsgate produced in 2007, which is sourced from an even older master from the DVD era. As expected, the new 4K makeover offers a number of very specific and very important upgrades that ensure a more satisfying viewing experience. However, there are a few aspects of it that I think should have been managed better.

The good news is that the entire film looks very healthy now, so on a larger screen it instantly reveals an overall superior organic appearance. Before I tested the 4K Blu-ray, I actually played the old Blu-ray to reexamine some of its key shortcomings, and I can confirm that just the stronger new encode on the former makes quite a difference. The visuals have dramatically better density levels as well, which is something that once again makes a substantial difference. Furthermore, there are no traces of problematic digital corrections, so the surface of the visuals where native grain fluctuations typically produce many interesting nuances is in excellent condition. There are superior ranges of darker nuances that enhance the perception of depth, plus in backgrounds often times there is actually far more native detail that is easier to recognize and appreciate now. Image stability is outstanding.
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- C5 i. m8 S! {1 u+ ]1 B. XThe entire film has been regraded and unfortunately I do not find its new appearance too convincing. There are two reasons why. First, most blues and blue nuances are suppressed by different variations of cyan. Some are tolerable, but many more are not. The shift is quite obvious and actually mimics practically identical shifts that are present on StudioCanal's recent restorations of the Rambo films, Universal Soldier, and Cliffhanger. The most problematic areas typically emerge during daylight footage, but the effects of the shift can be easily recognized during darker footage as well. (See examples in screencaptures #8, 19, ans 21). In many areas, the cyan also destabilizes whites and white nuances. Furthermore, the same shift has introduced inconsistencies in the native dynamic range of the visuals. (The same inconsistencies are present on the restorations that I mentioned above, so they are clearly part of a trend). As a result, during daylight footage, and occasionally some darker footage, it appears that the brightness levels are not set properly, causing awkward flatness that has digital roots. The 4K Blu-ray handles most of these inconsistencies quite well, but on the Blu-ray, where the color values are limited, the inconsistencies become impossible to ignore. All in all, the 4K master clearly offers a sizeable upgrade in quality, but it is yet another project that reveals color-grading anomalies that we have come to expect from European labs. (Note: This is a Region-Free release).

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The major improvements that are highlighted in our evaluation of the 4K Blu-ray are very easy to recognize and appreciate in 1080p as well. Delineation, sharpness, depth, and fluidity are very clearly superior. Some of the darker footage does not reveal the same ranges of strong nuances, but this is to be expected given the superior resolution of 4K Blu-ray. Predictably, the film again looks very healthy. The color shift and effects that are associated with it become more prominent in 1080p. During daylight footage, for instance, the elevated gamma levels -- which many viewers will likely interpret as altered brightness levels -- bring up even more of the light flatness that looks unnatural. On top of this, this time trained eyes will likely spot some minor blocking and artifacting as well. (See screencapture #14) So, in 1080p there are still many good upgrades, but the end result I think should have been more convincing. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).
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Basic Instinct Blu-ray, Audio Quality   

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There are four standard audio tracks on the 4K Blu-ray release: English DTS-HD Master Audio 5.1, French DTS-HD Master Audio 5.1, German DTS-HD Master Audio 5.1, and German DTS-HD Master Audio 2.0. Optional English SDH, French, and German subtitles are provided for the main feature. When turned on, they appear inside the image frame.
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- K' r+ {. a& _I thought that the lossless track was outstanding. I did some direct comparisons with the old Blu-ray release that I have and there are certain areas where its dynamic intensity is very clearly superior. If you have the old Blu-ray and wish to experience the difference, go the club sequence or the sequence where Michael Douglas' character nearly loses control of his car while pursing Sharon Stone's fancy racer on hills. But there are great examples everywhere. The intense chase (with the crash at the end of it) around the 1:25:13 mark where the music has an important role to play is just as effective. There are encoding anomalies to report in our review.

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