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In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.2 U$ b: I& V2 s" q
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* z& x) i6 P4 ^* V◎译 名 发条橙/发条橘子(台)/发条橙子/发条桔子+ f8 @% ]- j* H# ]
◎片 名 A Clockwork Orange3 N& W O+ e* S* C. Y g4 h
◎年 代 1971
0 v) z) _, ^4 H4 V0 W R◎产 地 英国/美国
" z* ~) k' i, f4 E5 H7 ~9 j◎类 别 剧情/科幻/犯罪
; J4 l' Q- S6 x- [6 T/ V- w◎语 言 英语
, B9 z6 n+ t& o◎上映日期 1971-12-19(纽约首映)/1972-01-13(英国)# q4 p4 c: p9 K( h9 t" }! @- q
◎IMDb评分 8.3/10 from 786,329 users
& q& k/ I. Y* e. l& o; h◎IMDb链接 https://www.imdb.com/title/tt0066921/! f2 n, B' @! Z2 [4 s5 U
◎豆瓣评分 8.6/10 from 317,669 users
7 B. g0 }9 z# E+ q, b◎豆瓣链接 https://movie.douban.com/subject/1292233/
7 |- k9 [1 d1 j! J◎文件格式 x265 + DTS - O5 t+ r% F; p9 j5 q- G
◎视频尺寸 3840 x 2160$ L v6 S* z4 j9 `4 P5 i
◎文件大小 1DVD 58.87 GiB
/ j% E8 z/ c9 p◎片 长 2:16:35.520 (h:m:s.ms)6 }# z1 P6 W+ k, q6 G/ d
◎导 演 斯坦利·库布里克 Stanley Kubrick
, o% T; B/ Y! U$ N3 z( ]$ |' T; I0 v◎编 剧 斯坦利·库布里克 Stanley Kubrick
3 e0 x4 F: r- r! ` 安东尼·伯吉斯 Anthony Burgess
# G5 u; `, Y7 P$ m◎主 演 马尔科姆·麦克道威尔 Malcolm McDowell
/ u* i( e2 `" T: m J+ K' J4 F 帕特里克·马基 Patrick Magee; Y$ H0 a. V8 Z. ~
迈克尔·贝茨 Michael Bates1 L: n ^9 h. h0 u: g
沃伦·克拉克 Warren Clarke
9 F# J, G7 P' [+ Z5 ~ 约翰·克莱夫 John Clive
6 _, r' t; E/ X/ s' Q7 o, E1 a5 O 阿德琳妮·柯瑞 Adrienne Corri; i, {- p2 e, P$ Q2 u7 i* _
卡罗尔·杜瑞 Carl Duering
6 H( u% I( K) H) Q( H9 O Paul Farrell* B$ w- @% y# e0 I# a% l
克莱夫·弗朗西斯 Clive Francis
! X# k& ?+ K2 m, c. p1 \9 @ 米里亚姆·卡琳 Miriam Karlin
! ~3 w: i4 j/ C( P& F3 i 奥布里·莫里斯 Aubrey Morris
2 L" F5 q5 o) P$ R 戈弗雷·奎格利 Godfrey Quigley
% w1 G4 b' h2 K+ x5 C7 ^ Sheila Raynor
0 L1 n. e/ w3 A/ B: E7 X. D Madge Ryan
9 W ^/ U+ w& |* A& C. E, O 约翰·萨维登特 John Savident
8 |) c9 N, P- i0 u) u3 d2 v: ]3 n 安东尼·夏普 Anthony Sharp! h% U% T5 S! c' M7 _) w; f
菲利普·斯通 Philip Stone. u% l: T4 E% q6 j T
玛格丽特·提扎克 Margaret Tyzack
5 E# T$ f% z& b: [' J) s 史蒂文·伯克夫 Steven Berkoff/ ?4 Z9 c- `* f) v3 [8 w8 E
Michael Tarn
1 t- M6 [4 g2 I2 E# ~& ?# n 大卫·鲍罗斯 David Prowse
x! }2 L* M% C# J& E/ J 盖伊·布朗 Gaye Brown
% p5 x& t6 k3 ~$ ~8 r Peter Burton
$ y& \" p) m7 z- ~" q% G( D' a Vivienne Maya+ w3 `1 j" i( {
Carol Drinkwater
0 t' F& d" ^5 s" k 吉莲·希尔斯 Gillian Hills
/ k/ i5 j& ~% a' p5 t Virginia Wetherell
" e' Q, |/ T. | n( a3 b7 S/ [5 t 尼尔·威尔森 Neil Wilson
7 M5 c+ ?% I5 B; Y1 x! ]! U 卡佳·韦思 Katya Wyeth2 P: N4 U* j, g3 x1 B
Robert Bruce0 A& H |3 r8 g! x- C
乔治·库鲁里斯 George Coulouris ~( @$ h7 v; h. H( Y6 s
Helen Ford& O( N/ [2 v9 W5 ^6 Z
Alan Harris/ g7 [8 z' X `: V, h
海因里希·希姆莱 Heinrich Himmler
P3 j2 U! O: L* N. g Harry Hutchinson1 ?2 R" ^, w4 G7 h3 N1 D: [
维克多·鲁兹 Viktor Lutze
9 }# J' F* h# K* Z$ y# J 帕特·罗奇 Pat Roach
4 S* Y& n9 E5 U Billy Russell/ |% } L) Y; _7 k, {
斯坦利·库布里克 Stanley Kubrick" w3 W H9 G) p+ z8 K
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◎标 签 暴力 | 库布里克 | 发条橙 | 英国 | 典范 | 青春 | 犯罪 | 人性, j+ T# d/ X$ [3 E% w: t
) \+ Q$ {* q! e) N8 m! \◎简 介
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阿利斯(马尔科姆·麦克道尔)是一位无恶不作的少年,他的特殊喜好是边听贝多芬的交响曲边奸淫女性,某次他进入一所别墅抢劫一番后,打残了该别墅的主人——一名小说家,并用特殊喜好蹂躏了其妻子。后来因为杀了一名单身女子,阿利斯入狱并接受了特殊的人格治疗,出狱后,他对淫乐之事产生彻底的厌倦。, j, X+ T7 ^ j# V% q* k
" ?0 ?7 w+ [' i 但当阿利斯回到家时,周围人群没改变对他的旧看法,在种种歧视的重压下,他跑到郊外一所别墅想喘口气,不想这所别墅正是他以前抢劫过的小说家的那所。而作为反政府组织首领的该小说家为了达到某种目的,软禁了阿利斯。当这件事暴露小说家被捕时,其手下为了对抗政府,扬言要把阿利斯恢复原来的性情,完全不理一旁的阿利斯大叫“我完全好了”。
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8 Z3 |& ]; t) [' ?. s, Z( \ Urban thugs run wild and new methods of crime deterrence are being explored. Career gang member Alex is nabbed by the police and offered the chance to a commuted sentence if he undergoes a kind of surgical therapy. One where his brain does not allow him to execute his violent urges.+ P0 j' y4 f0 W% D
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◎获奖情况 9 k. Z" |; ]! m/ }' C i
1 H' O5 |0 w; A2 W4 s2 a# w8 u 第44届奥斯卡金像奖 (1972) [2 r: M5 }( i2 C" `( }
最好影片(提名) 斯坦利·库布里克8 B4 j, _% H' H# s2 T$ M/ ^* K/ y
最好导演(提名) 斯坦利·库布里克
% ^5 a1 M2 B0 \! D: h+ P 最好改编剧本(提名) 斯坦利·库布里克2 s: Q# Z) l# l0 G- `% q1 x: U, B
最好剪辑(提名) 比尔·巴特勒
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第33届威尼斯电影节 (1972)$ \6 E2 ?- |/ N1 p
帕西内蒂奖最好本国电影 斯坦利·库布里克
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- DISC INFO:
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. n' f& t! a0 v+ V3 i- Disc Title: A.Clockwork.Orange.1971.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-B0MBARDiERS1 J- F s2 \& Y9 G: ?' C4 `
- Disc Size: 63,211,653,777 bytes
/ _8 L5 H" \: }0 o) Z! M: c L - Protection: AACS2' d6 t* y5 k/ z% P' ]
- Extras: Ultra HD, BD-Java4 m* l: s }! n: p
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.4.7)
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9 i3 g x- r% c$ z( e3 Y - Size: 62,586,525,696 bytes
5 Z7 k! M+ u+ N, L7 \, m/ E - Total Bitrate: 61.09 Mbps
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- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
* E* e6 Z4 T% b$ A) d - Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps7 J5 I3 u( H! A9 g
- Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps5 |7 N: \. m. W+ N# l9 ?# w
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
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- Dolby Digital Audio Polish 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
/ |, p$ ^0 ]' r - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
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复制代码 A Clockwork Orange 4K Blu-ray, Video Quality ! u; J5 C3 G5 r) x6 z6 N$ N
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$ y& u' d1 G; l' }NOTE: The Blu-ray disc included with this release is identical to both the 2007 Blu-ray and 2011 Digibook, so I chose to include 1080p SDR screenshots for this review that were downsampled from the 4K disc. Although they obviously do not represent the full potential of the 4K's 2160p HDR transfer, they at least provide a general idea of its different color grading, better contrast levels, deeper blacks, and more robust film grain. Additionally, the first nine screenshots on this review are exact frame matches of images featured in Kenneth's review of the Digibook edition (linked above) which, when viewed side-by-side, should offer rudimentary evidence of these improvements. Long story short: if the visual differences between these two images aren't enough proof, I don't know what to tell you."A beautiful transfer of an ugly film." That's the best way to describe this new 4K edition of A Clockwork Orange, which was likely sourced from a restoration created around the time of the 2011 Digibook's release (but not included on that disc, for whatever reason). It's a fine upgrade that offers moderate to strong improvements in all key areas, the most obvious of which are color, density, and film grain. First, the color. It's important to remember that most DVD and early Blu-rays often featured incorrectly "warmed" palettes that, while pleasing to the eye in some cases, rarely represented a film's true theatrical appearance. It's no surprise, then, that A Clockwork Orange now employs a colder atmosphere overall, yet it still looks more natural when considering the locations and emotional temperature of specific moments. The infamous "aversion therapy" scene above, for example, now more closely resembles a movie theater's light, and the "droog" scene at the top no longer has a sickly greenish-blue tone. The HDR enhancement, while not overpowering, brings a nice boost to the era-specific architecture and interior decoration, which are as gaudy as ever.
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5 |' E& R9 W' fBut the most potent improvement comes in the form of overall density, a byproduct of its better film grain and contrast levels; again, look at this image from the old Blu-ray, which almost now reads more like a photo of a screen capture. The 4K's image is so much more even and well-balanced in its overall black and white levels that garish elements, like the regular harshness of interior light (usually from unfiltered bulbs), are handled substantially better this time around. Fine detail is much improved as well, with close-ups and wide shots alike now taking on a more film-like appearance without the waxy sheen of heavy noise reduction. Even A Clockwork Orange's darkest moments, such as the opening droog attack, look more natural when the artificial brightness of its older transfer is no longer applied.3 N( w3 l0 m6 |$ i" Q) l
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Still, that "ugly film" remark remains valid: A Clockwork Orange makes use of unshowy, in-your-face compositions with frequently wide angles, which gives many frame edges a soft and slightly distorted quality that will never be razor-sharp. (And of course, there's the subject matter itself, which you often don't want to see any clearer.) But thanks to the strengths of Warner Bros.' new 4K transfer -- which also includes the removal of slight horizontal stretching, as well as the preservation of Kubrick's preferred 1.66:1 aspect ratio -- all that ugliness has never looked better.! c$ T7 S& Z: x5 T" X
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A Clockwork Orange 4K Blu-ray, Audio Quality
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8 x0 ~: o2 r9 m! u1 ]6 HSadly, most of that visual excitement goes right out the window when listening to the 4K's new DTS-HD 5.1 Master Audio track, which is unfortunately not a direct port of the older Blu-ray's mix. Much like Warner Bros.' recent 4K release of The Shawshank Redemption, the front three channels have been boosted significantly and high ends sound extremely harsh at times, with dialogue mostly taking the brunt of this unfortunate new downgrade. (It's much more noticeable than Shawshank because this is most definitely not a well-budgeted and methodical drama.) While that older surround track didn't exactly offer many notable improvements over its original one-channel source -- even adding in trace amounts of ambient noise to several scenes -- I'd take it any day of the week over this remix, which may test the sonic patience of even the film's most forgiving fans. At times, it really does sound that bad and, while dialing back the volume (or adjusting specific levels on your receiver) may alleviate the most immediate problems, we really shouldn't have to do that. Needless to say, my ears will be on high alert during future WB catalog releases.So why doesn't the audio get even worse marks? As with Full Metal Jacket, Warner Bros. had the good sense to quietly include a mono track as well... and while it's barely DVD quality at 192Kbps, this option sounds immediately better in comparison to the 5.1 mix. It's not even close at times: dialogue and sound effects no longer suffer from a harsh high end, which were already pretty strained to begin with, and overall balance is better too. There are far fewer whiffs of gauzy, crackling distortion that plage most of the dialogue and Alex's voice-over narration. Although the jury's still out on whether this is a downmix or the original mono track, I can safely say I didn't hear any egregious ambient noise -- I'll admit to not being an expert when it comes to A Clockwork Orange's sonic legacy, but I'll gladly update this section if needed. But one fact remains: even with the "bonus" of original audio, this 4K edition could have certainly used more spit and polish in this department. It looks nice, sure... but picture quality is only half of the equation.
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