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In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.
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◎译 名 发条橙/发条橘子(台)/发条橙子/发条桔子 i8 O" w, i) o5 L8 r: H
◎片 名 A Clockwork Orange
% L, F8 i# ~# t% C◎年 代 19719 d. B* D- Y6 g; ~
◎产 地 英国/美国! M: _' P1 z- M" E3 u) K9 G
◎类 别 剧情/科幻/犯罪2 h; U0 {: q7 ^
◎语 言 英语 F' C1 C. ^% X' d c, c+ W$ F& L
◎上映日期 1971-12-19(纽约首映)/1972-01-13(英国)
6 I3 l% a2 p4 C6 q" ]* l6 n. g# z/ p◎IMDb评分 8.3/10 from 818,404 users
, X% P0 T' g, |5 R. m% [# N# e' C◎IMDb链接 https://www.imdb.com/title/tt0066921/
# i5 Z/ Z0 M+ r/ k+ v◎豆瓣评分 8.6/10 from 340,560 users# R! [* ~! n/ G
◎豆瓣链接 https://movie.douban.com/subject/1292233/
8 x9 e/ u" D0 W, ?+ _% z! _# l◎文件格式 x264 + LPCM
) D, y% p1 f8 F) G3 b5 m+ q( d% T) `' j◎视频尺寸 1920 x 1080
* z7 a7 J4 F% j) q8 C◎文件大小 1DVD 26.61 GiB6 N7 z8 l( \( q/ i/ B
◎片 长 2 h 16 min
^% P4 {# b W( l {2 Q◎导 演 斯坦利·库布里克 Stanley Kubrick& F1 Y# u- Q$ u: X
◎编 剧 斯坦利·库布里克 Stanley Kubrick
& l+ n8 `/ X. q 安东尼·伯吉斯 Anthony Burgess
5 d0 t$ e% y* M" V◎主 演 马尔科姆·麦克道威尔 Malcolm McDowell
" c) u p/ \* y7 w9 C 帕特里克·马基 Patrick Magee4 g* L+ d! q* ^8 h% Y Y6 |0 C
迈克尔·贝茨 Michael Bates( R3 W T4 G3 U& Y8 R5 d8 ^) \; c
沃伦·克拉克 Warren Clarke
3 B) c, U, d8 B: F 约翰·克莱夫 John Clive! K; Y- P- h! X- _1 h
阿德琳妮·柯瑞 Adrienne Corri
+ |8 P4 x/ N4 T+ p% m 卡罗尔·杜瑞 Carl Duering
0 E) G5 c0 T! n Paul Farrell
! I) J& W9 T" P7 f$ z9 | 克莱夫·弗朗西斯 Clive Francis' t. {9 X9 M0 T% o4 N- r
米里亚姆·卡琳 Miriam Karlin, y* K8 Q3 L0 I& K" A% u
奥布里·莫里斯 Aubrey Morris
4 ]7 C$ F, t6 h/ W) r+ T; @" ~ 戈弗雷·奎格利 Godfrey Quigley
' g$ Y* u8 M9 M4 b9 x Sheila Raynor. K9 M* E7 j0 a y8 p+ F
Madge Ryan
) Q$ H) `% K: u" v- Z- k 约翰·萨维登特 John Savident" J9 N' ?+ P6 j8 _+ _
安东尼·夏普 Anthony Sharp
1 \7 W9 d8 ^, R+ m9 _: _ 菲利普·斯通 Philip Stone
1 g; Z# b- Y! } 玛格丽特·提扎克 Margaret Tyzack3 ]' J" O1 G. ?7 B2 e$ W
史蒂文·伯克夫 Steven Berkoff
4 E2 a% r9 y# A, Q: N; N' l Michael Tarn
! ~" S- `$ c) b: Y6 _% ]) Q F+ H 大卫·鲍罗斯 David Prowse" r! O3 ]+ K1 Q" m
盖伊·布朗 Gaye Brown8 \+ ~/ y$ \& T8 i" c& E4 Z; i
Peter Burton
$ h' Z5 t/ u/ q& n Vivienne Maya
5 f8 G# s! h* v+ V Carol Drinkwater
- w& m& k% E; q+ y! i2 F 吉莲·希尔斯 Gillian Hills
) |9 H3 Q! P0 ] Virginia Wetherell
7 }! y/ B# |+ v" S, p 尼尔·威尔森 Neil Wilson8 Q* ?, Z: C, v' V3 @+ a1 N
卡佳·韦思 Katya Wyeth
+ R; A$ r" x0 i: ?9 I, i Robert Bruce
7 N' G% b% S4 ? 乔治·库鲁里斯 George Coulouris. @5 P; w- F1 J3 ?" Y1 S
Helen Ford
% q* h; m$ A1 J* l# G N& h; Y Alan Harris
9 ^. h0 ~3 v& u2 c6 r' {8 j. r 海因里希·希姆莱 Heinrich Himmler! ^% \' S. J& k
Harry Hutchinson
" z9 k4 c1 f4 _6 s- j5 r" ] 维克多·鲁兹 Viktor Lutze8 V( M0 K5 }; i* U; A# [4 t
帕特·罗奇 Pat Roach q a: B9 ]) ~+ q
Billy Russell
( } ]$ ^( @) o0 D: }7 s 斯坦利·库布里克 Stanley Kubrick
- H2 L1 K( w8 |" D l 卡塔琳娜·库布里克 Katharina Kubrick 0 U( G, g# w J
斯坦利·库布里克 Stanley Kubrick 2 z% f; T: ^( }8 }7 G
约翰·奥尔科特 John Alcott 5 f6 _! T) o! a; C J4 W! w
克里斯蒂安妮·库布里克 Christiane Kubrick
: M9 b( _/ s* a; K/ H1 j/ f 米兰拉·坎农诺 Milena Canonero . Q q7 R' E* \( ~! Z% A6 i
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◎标 签 暴力 | 库布里克 | 发条橙 | 英国 | 典范 | 青春 | 犯罪 | 人性
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. w( b6 f. v/ ^4 x9 i" b◎简 介 , S. v) Y' K9 A1 t# o
) Y2 u+ _. O- \' W1 g 阿利斯(马尔科姆·麦克道尔)是一位无恶不作的少年,他的特殊喜好是边听贝多芬的交响曲边奸淫女性,某次他进入一所别墅抢劫一番后,打残了该别墅的主人——一名小说家,并用特殊喜好蹂躏了其妻子。后来因为杀了一名单身女子,阿利斯入狱并接受了特殊的人格治疗,出狱后,他对淫乐之事产生彻底的厌倦。
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但当阿利斯回到家时,周围人群没改变对他的旧看法,在种种歧视的重压下,他跑到郊外一所别墅想喘口气,不想这所别墅正是他以前抢劫过的小说家的那所。而作为反政府组织首领的该小说家为了达到某种目的,软禁了阿利斯。当这件事暴露小说家被捕时,其手下为了对抗政府,扬言要把阿利斯恢复原来的性情,完全不理一旁的阿利斯大叫“我完全好了”。
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1 U% J/ q' O& g4 H: a. A Urban thugs run wild and new methods of crime deterrence are being explored. Career gang member Alex is nabbed by the police and offered the chance to a commuted sentence if he undergoes a kind of surgical therapy. One where his brain does not allow him to execute his violent urges.& m+ f( I4 P5 X- n; G) `
6 U6 u& D6 s. X◎获奖情况 " l4 a* W+ F/ ?* l l# I
6 i8 ^0 y6 P& Y5 v 第44届奥斯卡金像奖 (1972)
& ] w+ v/ m8 n; F& o 最佳影片(提名)
* Y3 |4 P4 S* |. A% x └──斯坦利·库布里克
2 ]0 R" @0 G- i- N2 ^' i: C 最佳导演(提名)$ J. J: m, E) K G- q1 k; q
└──斯坦利·库布里克
C' u: ~; D0 o% t8 r 最佳改编剧本(提名)
" H8 Q% I7 e" E └──斯坦利·库布里克 7 y7 X9 W( B5 W0 x" S& ]2 c
最佳剪辑(提名)
' `( c+ i6 S" Y; N. D └──比尔·巴特勒
7 Y6 S7 L. l" I1 w* C( @- v 第33届威尼斯电影节 (1972) U$ p; |4 z& v5 R4 J
帕西内蒂奖 最佳外国电影! g6 S+ M8 @: S* f- h
└──斯坦利·库布里克" T- r9 q2 ?4 l
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A.Clockwork.Orange.1971.1080p.BluRayCD.REMUX.VC-1.LPCM.5.1-FGT
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9 J( F J! i' T9 O; M/ X/ ATitle : DD 5.1
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. F, g* P0 c! ]7 s# Y3 uAudio #7
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Default : No) G7 _+ p4 x% z3 s+ b, t
Forced : No
W9 B9 c8 Y, BOriginal source medium : Blu-ray( h$ ?3 @3 a$ Z! L5 u
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) j! ~1 D8 L8 L2 ^00:00:00.000 : en:Chapter 01
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00:28:04.974 : en:Chapter 10" H, U; }8 s& C: C3 ?* Y; ^0 c
00:29:04.200 : en:Chapter 117 m0 @& F6 J8 u% s7 W6 [$ S
00:33:19.247 : en:Chapter 12( h! o. S% X* R1 z* Q" G0 H. b& a. m
00:36:30.563 : en:Chapter 137 ?# r- b* Q5 `" C; p& J
00:43:32.151 : en:Chapter 14( O; Y) V+ \# w# B; P) ~) D
00:47:21.046 : en:Chapter 15
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00:55:30.452 : en:Chapter 17
0 a6 r, K& @& O/ M5 q$ ^+ _01:01:19.592 : en:Chapter 18
: O. I, N1 v/ ^8 X3 J S ?01:07:20.578 : en:Chapter 19$ v0 L6 A' z' s
01:11:13.727 : en:Chapter 20
8 R: U3 A8 f4 {$ b8 L4 l0 N u01:15:33.654 : en:Chapter 21
8 B, C, h: H8 I/ O9 B01:19:16.376 : en:Chapter 22
, z/ X# j& R% g5 {, y% | y01:23:58.950 : en:Chapter 23
6 p4 [1 H8 T: ?01:26:18.756 : en:Chapter 247 W6 l y& [8 ]' H
01:28:09.200 : en:Chapter 250 h$ X2 U+ Y5 L
01:31:53.382 : en:Chapter 26
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6 R1 r; `6 b4 v2 c; Q01:39:30.798 : en:Chapter 28
8 a) L# K n& A. L01:42:23.137 : en:Chapter 29
; i, l1 u( v- E01:49:38.738 : en:Chapter 302 B# o& ^; U V
02:01:08.928 : en:Chapter 313 b$ q* Z) o( M' @4 E
02:04:03.185 : en:Chapter 32% Y, L. G0 y# a2 t, n
02:07:37.441 : en:Chapter 33
7 _+ k6 h* y5 f8 `% c- N* @1 x02:12:33.987 : en:Chapter 34
1 l4 F. \3 v( E/ [" r% g02:13:56.903 : en:Chapter 35 A Clockwork Orange Blu-ray, Video Quality - L2 D$ w. g0 D6 l3 i' X2 A' Y3 A
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5 Z, l3 ^0 Y, X+ ^A Clockwork Orange is going to always be a controversial film in high definition circles for its very specific and rough visual style. The film came about at a time when Kubrick had started experimenting with higher speed film stock as well as custom lenses and cameras. His fascination for filming in available light also began at this time. Combining all of these methods doesn't exactly make for the smoothest and "prettiest" visual quality and that is definitely reflected in this Blu-ray presentation. The film is framed at 1.66:1, so you will experience black bars on the sides of your high definition image. This is intentional, so please don't adjust your set. I've seen complaints that this title doesn't offer an appreciable upgrade from the standard DVD versions that have been presented over the years. This couldn't be further from the truth. The film's vivid and stark colors are vastly improved over previous DVD versions and are now more nicely saturated and natural. The slow-motion high-speed photography that appears in several scenes is also much improved with an increase in clarity and stability. There is quite a lot of grain in the film, which is to be expected given the filming methods employed in A Clockwork Orange. I found that overall detail is improved with an emphasis on revealing more of the film's natural grain structure. A film like A Clockwork Orange isn't supposed to look like 2001. This is a work of art and the Blu-ray version captures it beautifully. Unfortunately, there are a few areas of concern in this transfer. I noticed several bits of what appeared to be macroblocking during the film. Banding also reared its ugly head on a few occasions as well. There's really no excuse for allowing these kinds of issues to crop up on a film of this level of importance. Perhaps a little more bandwidth could have been spared for the film to prevent these issues from cropping up. Regardless, this is still a nice transfer with plenty of merit.3 ]% s6 C4 h7 F* `5 e. H0 J9 M
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A Clockwork Orange Blu-ray, Audio Quality 6 l: L1 N! g3 `9 c+ i- Q% y1 W7 q/ x
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Stanley Kubrick wasn't particularly fond of going to extremes in his sound mixes and often mixed in mono. A Clockwork Orange has been remixed into a fairly pleasing 5.1 Uncompressed PCM track. Surround usage is light and the entire track is heavily front-loaded. What is impressive about this mix is the nice boost in clarity presented in the PCM mix. Wendy Carlos' wonderful, electronic score has never sounded better and her use of the moog synthesizer is as clean and clear as I've ever heard it. Dialogue also fares well with a definitive lack of any hissing or dropouts. For a film as old and as limited in its sound design as A Clockwork Orange, I thought the PCM track was a very nice upgrade over previous versions. As long as you aren't looking for a hyped up, explosion-fest, A Clockwork Orange is very pleasing. I really don't know how the film could sound any better, all things considered.
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