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With the world overrun by vampires, humanity is dying out and the blood supply is nearly depleted.1 ~4 |0 O9 K, ]# ?8 d% s% y8 M
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◎译 名 嗜血破晓/血世纪(台)/2019猎血都市(港)/破晓者/黎明时分6 F- w) s0 e+ G& g- d
◎片 名 Daybreakers; z0 K6 g( p8 s7 p7 k; Q4 ^! {
◎年 代 20090 E0 z; s+ n3 W4 d' [# o+ |* ?
◎产 地 美国/澳大利亚. I8 g" v8 M, X: I6 G
◎类 别 剧情/动作/科幻/恐怖/犯罪* H* P; \9 f. c! _" n3 K" V
◎语 言 英语/ l% G: M; S4 V
◎上映日期 2010-01-08(美国) Q+ c6 F0 `# n" P: { N! D
◎IMDb评分 6.4/10 from 126,277 users' d1 a& E4 q Q
◎IMDb链接 https://www.imdb.com/title/tt0433362/
' C+ v5 q7 _9 z5 z: K, u" m) [5 d6 B2 N◎豆瓣评分 6.9/10 from 37,018 users, J; b8 W6 o0 t5 V4 s% B
◎豆瓣链接 https://movie.douban.com/subject/1972732/) `( n) Y9 |7 u& j, y
◎文件格式 x265 + TrueHD. ^! f$ I, L: k# [9 f
◎视频尺寸 3840 x 2160* u0 I0 b: U# ]( _& v C
◎文件大小 1DVD 83.99 GiB
$ y& W. L* J' F◎片 长 1:37:47.903 (h:m:s.ms)% ^9 X4 s, Z7 G: i
◎导 演 迈克尔·斯派瑞 Michael Spierig * }. I0 _$ X& k. x
彼得·斯派瑞 Peter Spierig
4 V7 z" o# v7 ?9 y* I# d* \◎编 剧 迈克尔·斯派瑞 Michael Spierig
/ z1 _! j- B" q& R/ K% U# s% f 彼得·斯派瑞 Peter Spierig
) o6 g9 m& V6 r+ i D7 W◎主 演 伊桑·霍克 Ethan Hawke
8 D& l" w$ [7 ^7 V) r0 k 威廉·达福 Willem Dafoe
3 `/ C7 W7 s, ? 伊莎贝尔·卢卡斯 Isabel Lucas. w* E& s1 @& w2 E7 p" Y) ^ O0 v/ m
山姆·尼尔 Sam Neill
0 A& ~+ g4 D4 A9 m; j7 |$ D7 q 哈里尔特·敏托-戴 Harriet Minto-Day+ w5 U# F2 y3 _' A5 J9 E
克劳蒂娅·卡万 Claudia Karvan: U* \* E: x6 `/ r1 u4 W
文斯·科洛斯莫 Vince Colosimo! [- l A$ c6 f5 V/ X
迈克尔·多曼 Michael Dorman( g7 I% c/ E: p* V# p4 z5 X6 u
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◎标 签 吸血鬼 | 科幻 | 美国 | 惊悚 | 恐怖 | 美国电影 | EthanHawke | 20109 _% S" y( L2 L7 f! Y8 v- o( P" m
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◎简 介 e% {' V- y' I; k& G3 X* K
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曾经由人类主宰的社会如今变成了吸血鬼的天下,而仅存的人类被圈养起来成为制造新鲜血液的机器。人类的数量越来越少,吸血鬼必须研究出血液的替代品,否则将面临更加恐怖的变异。爱德华·道尔顿(伊桑·霍克 饰)是专门研究新型替代品的首席血液专家,他的老板查尔斯·布罗姆利是一位野心家,他非常满意当前吸血鬼世界的现状并企图通过垄断新的替代品获得巨额利润。一次意外爱德华遇到了逃亡中的人类奥德丽·班尼特(克劳蒂娅·卡万 饰),并帮助她摆脱追捕,不料事后奥德丽居然找上门来,并且带来了在一次意外中由吸血鬼奇迹般变成人类的艾维斯,仅存的人类需要一个可以信任的吸血鬼的帮助……7 \! w! { z0 R+ {& |% p! c7 v( o
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斯派瑞格兄弟(Peter Spierig & Michael Spierig)在此片中将以往的吸血鬼类型片进行改造,融入科幻的元素打造出全新的故事氛围。
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In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.) u6 Q2 b5 T; ~; ?+ m U
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- DISC INFO:
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- Disc Title: Daybreakers.2009.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-WhiteRhino
& x! X* @* k5 O5 ?5 \ - Disc Size: 90,179,796,254 bytes* w2 m* R+ M0 ~ W4 [
- Protection: AACS25 i! v3 q! \. J% n4 l
- Extras: Ultra HD, BD-Java
7 l! D' ~4 R) h4 G1 w/ g - BDInfo: 0.7.5.5 (compatible layout created by DVDFab 11.0.4.7)4 Q3 V7 `- ?& q7 l% D7 Y$ }
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- PLAYLIST REPORT:
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- Name: 00800.MPLS
7 P/ [" O8 ]: F; J$ b8 b) H - Length: 1:37:47.903 (h:m:s.ms)
T6 W2 r- ]( ?8 `" P - Size: 63,007,457,280 bytes
1 I* o- i' v( H4 O ~- v+ R& V |& u - Total Bitrate: 85.90 Mbps) w& I2 m- J, V( q4 l
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- (*) Indicates included stream hidden by this playlist.
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- Video:
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- Codec Bitrate Description
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- MPEG-H HEVC Video 67541 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
) U6 D! u+ p+ r9 g - * MPEG-H HEVC Video 8093 kbps (10.70%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision / BT.2020
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- Dolby TrueHD/Atmos Audio English 5196 kbps 7.1-Atmos / 48 kHz / 5196 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
1 L+ R4 O$ M$ V+ V3 ] - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps1 ]% C- f) E9 ^% Z2 w4 \
% K% x9 e( f' ?! {* U1 s- SUBTITLES:
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5 v3 h5 O" y0 w& U2 u- Codec Language Bitrate Description 9 c5 x+ X1 w5 R a& |
- ----- -------- ------- ----------- ! `4 F$ y; F' h$ K* K3 f. P' l
- Presentation Graphics English 19.876 kbps $ _, N( E1 A6 x# E3 z3 L
- Presentation Graphics English 22.255 kbps
: E, Q: s, U6 F0 w - Presentation Graphics Spanish 20.882 kbps
复制代码 Daybreakers 4K Blu-ray, Video Quality
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Daybreakers is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.35:1. This is an interesting piece from a stylistic perspective, and reactions to this will probably be based at least in part to how much slack "detail"-ists are willing to cut a film that toys with the palette and shadow as much as this one does. Daybreakers had both celluloid and digital capture aspects, and the grain here is therefore variable, though aside from just a bit of chunkiness in the very opening scene of the film, I found the grain resolution here to be largely commendable. Dolby Vision adds some interesting highlights, noticeably some in the blue and teal tones that are quite prevalent throughout the film, but there was perhaps less of an uptick in shadow detail than I personally expected, or at least hoped for. In fact, some passing crush can still be spotted intermittently in the 4K UHD presentation, especially when, for example, "men in black" (suits) are in front of jet black backgrounds and can almost start to look like disembodied heads and hands. The desaturated moments here have a somewhat cooler look to my eyes in this presentation than on the 1080p Blu-ray, and both greens and sepia tones are arguably cooler here as well. There's some fuzziness apparent in some interior scenes, notably an office showdown between Sam Neill and Ethan Hawke, though the russet colored walls in this scene look very interesting against the otherwise desaturated appearance of the sequence. I'm not completely sure the increased resolution of this presentation always benefits some of the effects work. The "going up in flames" aspects look largely great, as do even some of the other CGI elements, but some scenes almost have an old school composited look to them due to what I'm assuming was the digital tweaking to achieve some of the contrast between desaturated and saturated elements within the frame.( p8 h$ _" w1 u& e& v! h/ ?6 [& Z
* I9 `1 N9 s+ R# {" I, q, B( L1 ]Daybreakers 4K Blu-ray, Audio Quality / \7 i1 w1 i" m4 S+ T
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9 y# j9 z( C2 BDaybreakers has a really fun and immersive Dolby Atmos track, one that provides significant vertical activity from the get go, with both tinkling percussive sounds and then, a bit later, labored breathing clearly wafting overhead. A number of fun effects sequences allow for excellent surround activity, including the big attack by what I might cheekily call the "bat man", and, later, some of the big showdowns with gunfire, where LFE is notably present and often quite forceful. The urban environment also provides a lot of nice immersive moments, with great panning traffic sounds and things like police sirens echoing through the sound stage. Dialogue is presented cleanly and clearly throughout the track, and is typically nicely prioritized even in some effects sequences.
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