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A model discovers a retired judge is keen on invading people's privacy.' b1 K- D: b. r& N; |0 ^! c
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◎译 名 蓝白红三部曲之红/红色情深(台)/三色:红/三色之红色篇/红/红色, l* ?- f* I! U2 C; S6 B
◎片 名 Trois couleurs: Rouge / Three Colors: Red
9 w; `) [; S8 m: Q' {5 B. i◎年 代 1994; N1 \; q* W0 G: b& B0 _
◎产 地 法国/波兰/瑞士
2 Z, n8 p0 B6 s- h◎类 别 剧情/爱情/悬疑
$ I4 b; y: j5 u* W/ _9 [5 h. C◎语 言 法语* w, y5 H" b1 ~8 R( |) [
◎上映日期 1994-05-12(戛纳电影节)/1994-05-27(波兰)/1994-09-14(法国)
( J8 D$ g3 U f j2 {◎IMDb评分 8.1/10 from 99,615 users( S3 p+ i5 p+ q8 Z
◎IMDb链接 https://www.imdb.com/title/tt0111495/
! m9 h2 }3 K) S% e6 r◎豆瓣评分 8.7/10 from 102,177 users0 I% M. a' N' z7 B1 U0 X
◎豆瓣链接 https://movie.douban.com/subject/1292047/
2 L$ _, E9 a5 u( x3 y# [6 x◎文件格式 x265 + DTS
6 G1 Y. T8 j/ d% k◎视频尺寸 3840 x 2160
" u! l: @9 ]1 ^7 Q◎文件大小 1DVD 58.22 GiB & 56.50 GiB
! O2 r2 v2 m* L. a0 I9 V◎片 长 1:39:39.431 (h:m:s.ms): ~6 U0 u+ }# p7 ]3 H& P7 Z
◎导 演 克日什托夫·基耶斯洛夫斯基 Krzysztof Kieslowski$ n: t' C7 A* E: Z: y2 j! P. r
◎编 剧 克日什托夫·基耶斯洛夫斯基 Krzysztof Kieslowski
% O* ?0 o. ~* @9 m% O 克日什托夫·皮耶谢维奇 Krzysztof Piesiewicz
1 x. f2 j% |7 n' G" a2 r2 _◎主 演 伊莲娜·雅各布 Irène Jacob
1 M; Y8 R5 p: N; s. _ 让-路易·特兰蒂尼昂 Jean-Louis Trintignant+ p0 x0 P# \( }
弗雷德里奎·费德 Frédérique Feder5 C! @. I% ?# |* u. ]8 R! Q
让-皮耶·罗利特 Jean-Pierre Lorit
* e3 l* V* j- Y7 T# g' c 塞缪尔·勒·比汉 Samuel Le Bihan
# v) e' v+ q# {/ \8 w4 K 马里恩·斯泰伦斯 Marion Stalens k( W4 N4 z( {# T
特科·切里奥 Teco Celio
# ]/ T; G0 d. z @* d7 O( V 伯纳德·埃斯卡隆 Bernard Escalon
5 Z4 r! H; }2 F 让·施莱格尔 Jean Schlegel
- h4 {9 X2 G; @. ` 埃尔兹别塔·亚辛斯卡 Elzbieta Jasinska
8 o' ~# ` `. d! c- f4 f 保罗·弗梅伦 Paul Vermeulen2 d, e+ T' l; Q2 M+ @* J
让-马利·道纳斯 Jean-Marie Daunas0 ]* {5 H5 P9 T& H4 ?. a5 \% {3 ~- f
罗兰·凯里 Roland Carey2 I7 k5 a! \5 _9 P7 Q% b7 k, j
朱丽叶·比诺什 Juliette Binoche& G3 n( T( g" y, X5 U3 e
贝努特·里格恩特 Beno?t Régent& m% o' ~5 h! O8 y' b- ^3 G
朱莉·德尔佩 Julie Delpy7 x) G$ X* p! o" ?) S
泽比纽·扎马洲斯基 Zbigniew Zamachowski9 ?+ f2 e! [' Q' I6 H% u
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◎标 签 法国 | 文艺 | 爱情 | 波兰 | 1994 | 剧情 | 经典 | 人性
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8 q5 A; N3 k: P0 S◎简 介
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女学生瓦伦丁(伊莲娜·雅各布 Irène Jacob饰)是个兼职模特,男朋友远在英国。尽管她非常珍惜这段感情,却无法阻止男友对自己的猜忌。
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* U6 k. J7 R* [ {7 X4 G6 k 退休法官(简-路易斯·特林提格南特 Jean-Louis Trintignant饰)年轻时经历过铭心刻骨的情伤,爱人的背叛让他不再相信这个世界。唯一的乐趣,就是窃听邻居的电话,看人与人之间是如何充满欺骗。认识瓦伦丁之后,他冰封多年的情感开始融化。
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( n a5 W! h, ]& h# C$ L( r 法律系学生奥古斯特(简·皮埃尔·洛里 Jean-Pierre Lorit饰)前程锦绣,却不得不面对恋人感情的出轨。他决定前往英国一段时间,以摆脱痛苦的心情,在客轮上遇到了同往英国寻找男友的瓦伦丁。
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- ?* z4 N6 z5 q5 F& B 轮船遇到强对流天气,暴风雨过后电视新闻上播放着轮船遇险的消息。一百多人罹难的同时,瓦伦丁和奥古斯丁双双幸存,他们觉得对方似曾相识……4 a. T" l9 b) z# v1 o$ d7 a
1 d9 g" C1 [5 C2 @$ z The life of a sweet-souled yet somber runway model in Geneva dramatically intersects with that of a bitter retired judge.! N$ F; r t# Z5 {6 i! M$ R3 C( H/ V
* ?. ^6 X, z9 p5 n6 j◎获奖情况
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7 h' d! d" F5 z1 R: c7 P k O 第67届奥斯卡金像奖 (1995)
+ X& }: c( S) f @; H 最佳导演(提名) 克日什托夫·基耶斯洛夫斯基* s, ?) [. Y4 S
最佳原创剧本(提名) 克日什托夫·皮耶谢维奇/克日什托夫·基耶斯洛夫斯基
: H" y; W' H% B7 Q 最佳摄影(提名) 皮奥特尔·索博辛斯基
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2 @& ?; P& [5 ~6 z" W 第47届戛纳电影节 (1994)+ `- c1 y* n5 {/ O$ C
主竞赛单元金棕榈奖(提名) 克日什托夫·基耶斯洛夫斯基+ S1 W% v* |1 J+ i4 p
( e2 ^) E n. f) v 第48届英国电影学院奖 (1995)
* Y& X5 v4 }0 ^5 M: W% d 电影奖最佳导演(提名) 克日什托夫·基耶斯洛夫斯基+ X) |: U; }% O& Z3 \# l
电影奖最佳女主角(提名) 伊莲娜·雅各布$ b" `0 u1 F0 I: F: c! v, g& f1 E
电影奖最佳改编剧本(提名) 克日什托夫·皮耶谢维奇/克日什托夫·基耶斯洛夫斯基
) J* \5 w& ]) g 电影奖最佳非英语片(提名) 马兰·卡尔米兹/克日什托夫·基耶斯洛夫斯基
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复制代码 Three Colors: Red 4K Blu-ray, Video Quality
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1 ]: `/ L- Q# h2 {Criterion's release of Red is a 4K Blu-ray/Blu-ray combo pack. It is included in the Three Colors 4K Blu-ray/Blu-ray box set. The 4K Blu-ray is Region-Free. The Blu-ray is Region-A "locked"." d6 i& Z8 a0 E l0 h( K
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The following text appears inside the booklet that is provided with this release:
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"The new 4K restorations of all three films (Blue, White, Red) were undertaken by MK2 at Hiventy in Joinville-le-Pont, France, using the 35mm original camera negatives. The restoration of Blue was supervised by director of photography Slawomir Idziak; the restoration of Red was supervised by cinematographers Piotr Sobocinski Jr. and Michael Sobocinski, sons of director of photography Piotr Sobocinski; and an archival 35mm theatrical print was used as a color reference for White. The 5.1 surround soundtracks were created from the 35mm magnetic tracks."0 {. X9 q. C) [# V
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Please note that some of the screencaptures in this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content.
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Screencaptures #1-22 are from the 4K Blu-ray disc of Red.# P: c2 l% g* q; c
Screencaptures #24-40 are from the Blu-ray disc of Red.
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Criterion released the Three Colors trilogy on Blu-ray more than a decade ago, in 2011. Each release was sourced from masters that were prepared even earlier. The three films were recently redone in 4K and this box set introduces the new 4K makeovers in native 4K. The 4K presentations can be viewed with HDR and Dolby Vision. I viewed White with Dolby Vision. The Blu-ray disc presents the older version of Red, from the original three-disc Blu-ray box set, with a different older color timing.
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The new 4K makeover of Red is very underwhelming, too. However, this is the only makeover in the box set that quite often does plenty to properly emphasize the prominent color red, as previous presentations of the film have. Unfortunately, the new 4K makeover of Red has a new color grade that destabilizes and in some cases eliminates other important colors as well. Virtually all of these modifications are introduced in the same manner the native appearances of Blue and White are compromised -- there is a soft yellow(ish) tint that alters the color temperature of the visuals. Different ranges of blues and whites suffer the most, but there are browns and even blacks that are affected as well. In some areas, the effects of this tint are very similar to the effects that are observed on the 4K makeover of La Piscine. (Examples of prominent shifts in color temperature can be seen in screencaptures #3, 5, 13, and 15). More importantly, there are numerous areas where the yellow(s) even interferes with the prominent red and variations of red, which is a serious issue because there are numerous examples where the red and variations of red begin to resemble deep dark orange and brown. Together with the modification of white(s), the overall impact on the color temperature of the visuals becomes quite dramatic. In years past, the film always had proper and rather striking ranges of lush reds. The rest looks fantastic, but in the grand scheme of things it becomes largely irrelevant. For example, it is very easy to see that now the surface of the visuals is much healthier, boasting superior density and stability as well. On my system, the natural sharpness of these visuals was exceptional as well. Sadly, the color anomalies that are highlighted above are a lot easier to focus on.
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% f$ L4 x9 M3 x8 {- C c' j; ^Three Colors: Red 4K Blu-ray, Audio Quality . T, ^2 |: d, \' h$ F
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There is only one standard audio track on the 4K Blu-ray release: French DTS-HD Master Audio 5.1. Optional English subtitles are provided for the main feature. The Blu-ray disc has two standard audio tracks: French DTS-HD Master Audio 2.0 and French DTS-HD Master Audio 5.1.
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( J! @) z+ u- QI think that Zbigniew Preisner created the best score for Red, and over the years, it gradually became my favorite. The segment with the modeling session sounds incredible on my system and there are some other areas where the 5.1 track does some new things to expand the dynamic field. This being said, the old 2.0 track still performs very well, so if you choose to view the Blu-ray, I would encourage you to consider using it.' e, a' M8 Q. t2 z
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