蓝白红三部曲之白 [4K美版原盘] Three Colors White 1994 FRENCH 2160p US BluRaycd HEVC DTS-HD MA 5.1-JUNGLiST 57.92GB & 53.0GB

After his wife divorces him, a Polish immigrant plots to get even with her.
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◎译　　名　蓝白红三部曲之白/三色：白/三色之白色篇/白/白色/白色情迷(台)
+ V$ l* {9 l6 n8 @5 S9 w◎片　　名　Trois couleurs: Blanc / Three Colors: White
◎年　　代　1994
8 S+ N, ?* a! M& m◎国　　家　法国/波兰/瑞士
◎类　　别　剧情/喜剧/爱情/悬疑
◎语　　言　法语/波兰语
. X! f' y: `8 \◎上映日期　1994-01-26(法国)/1994-02-25(波兰)
' @4 V+ A2 s9 y5 J4 b  N& c8 ?◎IMDb评分  7.6/10 from 70,531 users
◎IMDb链接  https://www.imdb.com/title/tt0111507/
◎豆瓣评分　8.4/10 from 89,501 users
+ f; d% b9 f- Z4 B  e* `7 L◎豆瓣链接　http://movie.douban.com/subject/1292049/
* T( M: `6 ]. ~6 ], D◎文件格式　x265 + DTS  
( x+ g0 n4 d, A* I◎视频尺寸　3840 x 2160
9 K- e" m: f- t0 ]◎文件大小　1DVD 57.92 GiB & 53.00 GiB
+ D1 E; X& X# {# l◎片　　长　1:32:01.265 (h:m:s.ms)
◎导　　演　克日什托夫·基耶斯洛夫斯基 Krzysztof Kieślowski
◎编　　剧　克日什托夫·基耶斯洛夫斯基 Krzysztof Kieślowski
　　　　  　克日什托夫·皮耶谢维奇 Krzysztof Piesiewicz
+ n  v# }2 p+ x, r　　　　  　阿格涅丝卡·霍兰 Agnieszka Holland
* w1 a  A& p- w/ j' N. \3 _　　　　  　爱德华·布罗夫斯基 Edward Zebrowski
　　　　  　爱德华·克罗西斯基 Edward Klosinski
　　　　  　马辛·拉塔洛 Marcin Latallo
9 u) v! a5 v* N/ A◎主　　演　泽比纽·扎马洲斯基 Zbigniew Zamachowski
2 [) [% q( q# m+ d　　　　  　朱莉·德尔佩 Julie Delpy
　　　　  　扬努斯·加约斯 Janusz Gajos
# o6 f- o: t, G# A9 `　　　　  　杰基·斯图尔 Jerzy Stuhr
　　　　  　亚历山大·巴尔迪尼 Aleksander Bardini
　　　　  　格热戈日·瓦寇 Grzegorz Warchol
4 \7 \6 R8 U" @# F( k+ ~6 C  G　　　　  　采扎里·哈拉西摩威奇 Cezary Harasimowicz
　　　　  　耶日·诺瓦克 Jerzy Nowak
　　　　  　杰吉·特雷拉 Jerzy Trela
　　　　  　采扎里·帕祖拉 Cezary Pazura
　　　　  　菲利普·莫里尔-热努 Philippe Morier-Genoud
　　　　  　比奥迪·玛查里卡 Piotr Machalica
　　　　  　弗朗西斯·科菲内 Francis Coffinet
　　　　  　芭芭拉·杰坎 Barbara Dziekan
　　　　  　马尔泽娜·泰巴拉 Marzena Trybala
　　　　  　特蕾莎·布齐什-克日扎诺夫斯卡 Teresa Budzisz-Krzyzanowska
6 U  S2 I% r+ @' Z4 q　　　　  　朱丽叶·比诺什 Juliette Binoche
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◎标　　签　法国 | 文艺 | 爱情 | 波兰 | 1994 | 剧情 | 经典 | 人性
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/ D$ G% e3 A2 }$ D1 D  ?. H; k◎简　　介   
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4 E6 A6 t6 N" X6 |! R. ~! j# l6 A  u" c　　卡罗尔（泽比纽·扎马洲斯基 Zbigniew Zamachowski饰）藏在妻子多明尼（朱丽·德尔比 Julie Delpy饰）的行李箱中，从波兰偷渡到了法国。天堂般的生活并没有如愿展开，换来的是卡罗尔心中巨大的生活压力。他甚至失去了性能力，被多明尼赶出家门。带着妻子有了外遇的惨痛心情，还有一张美发师证书。卡罗尔决心回到波兰经营事业，再卷土重来。
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5 [6 f% B: K! Y　　历尽波折的卡罗尔终于回到自己的国土。他积极上进，忙于谋生，竟在房地产生意中打了漂亮的翻身仗，一举成为百万富翁。此时的他，以为可以让多明尼回到身边，然而妻子的拒绝却令他的自尊大为受伤。于是，卡罗尔决定用一场阴险的计谋，狠狠给妻子一个报复。然而当卡罗尔得逞后，他又能换来什么呢？

' P4 V4 z3 Q  u) k5 v6 e+ B2 x　　Karol Karol is an expatriate Polish hairdresser whose French wife divorces him after just six months of marriage because of his impotency. Penniless and devoid of his passport, Karol must journey back to Poland by hiding in a trunk. Upon his return, he slowly begins amassing a considerable fortune, ultimately hatching a perverse plot for revenge.
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0 t1 T4 X- }# v% @◎获奖情况   
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+ E: E1 ^. F: C% Z8 L& Q5 g# }( k　　第44届柏林国际电影节 (1994)
　　金熊奖最佳影片(提名) 克日什托夫·基耶斯洛夫斯基
/ F2 l9 i, r1 M# q5 c　　银熊奖最佳导演 克日什托夫·基耶斯洛夫斯基

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Three Colors: White 4K Blu-ray, Video Quality   

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Criterion's release of White is a 4K Blu-ray/Blu-ray combo pack. It is included in the Three Colors 4K Blu-ray/Blu-ray box set. The 4K Blu-ray is Region-Free. The Blu-ray is Region-A "locked".
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2 k8 [: A5 X; K3 }5 k5 EUPDATE: I have received a market copy of the 4K Blu-ray/Blu-ray box set. The Blu-ray disc presents the older version of White, from the original three-disc Blu-ray box set, with the older color timing. I have provided some additional screencaptures from the Blu-ray disc that is included in this box set.

The following text appears inside the booklet that is provided with this release:
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2 U) ], o+ S  e" U"The new 4K restorations of all three films (Blue, White, Red) were undertaken by MK2 at Hiventy in Joinville-le-Pont, France, using the 35mm original camera negatives. The restoration of Blue was supervised by director of photography Slawomir Idziak; the restoration of Red was supervised by cinematographers Piotr Sobocinski Jr. and Michael Sobocinski, sons of director of photography Piotr Sobocinski; and an archival 35mm theatrical print was used as a color reference for White. The 5.1 surround soundtracks were created from the 35mm magnetic tracks."

' R1 ^) n! F+ y# y( W. W  NPlease note that some of the screencaptures in this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content.

# u. l0 x% R; A/ d; PScreencaptures #1-28 are from the 4K Blu-ray disc of White.
; V; u/ s8 A& t, D# Y6 ^- GScreencaptures #30-40 are from the Blu-ray disc of White.
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Criterion released the Three Colors trilogy on Blu-ray more than a decade ago, in 2011. Each release was sourced from masters that were prepared even earlier. The three films were recently redone in 4K and this box set introduces the new 4K makeovers in native 4K. The 4K presentations can be viewed with HDR and Dolby Vision. I viewed White with Dolby Vision.
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1 ?% W/ e6 B! [( UThe new 4K makeover of White is extremely disappointing. In fact, it is the worst 4K makeover in the Three Colors box set. Why? The 4K makeover of White does not have proper white, or proper variations of white, which is the key color that gives the film its identity. There are very large areas of the film that quite simply look bizarre. For example, there is a key sequence with a flashback from the wedding that always had an 'airy', very beautiful white appearance, but now it looks creamy yellow(ish). (See screencapture #1). Much of the outdoor footage is modified with strange ranges of creamy yellow and green as well. (See screencapture #3). This is not how White is supposed to look. In the theater, White always had a unique appearance that blended cold grays, browns, and of course the prominent color white. This new color grade erases entire ranges of unique native nuances and completely destroys the film's native identity. It is as bad as the one that was created for the 4K makeover of Le Cercle Rouge. Of course, this is extremely disappointing because as far as I could tell the rest of the 4K makeover is marvelous. On my system, delineation and clarity were often spectacular. Depth was also very impressive, but there were a few areas where the new color grade appears to have destabilized the native dynamic range of some darker visuals. The surface of the visuals is immaculate as well. Grain exposure and stability, in particular, are vastly superior to those of the previous Blu-ray release of the film, so on a bigger screen the difference in quality is often quite striking. A very, very frustrating 4K makeover.
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/ p. [4 O3 w+ v0 t$ |Three Colors: White 4K Blu-ray, Audio Quality   
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. ?9 H5 d/ z) p' N/ [There is only one standard audio track on the 4K Blu-ray release: French DTS-HD Master Audio 5.1. Optional English subtitles are provided for the main feature. The Blu-ray disc has two standard audio tracks: French DTS-HD Master Audio 2.0 and French DTS-HD Master Audio 5.1.

I thought that the quality of the lossless 5.1 track was outstanding. On my system, Zbigniew Preisner's score sounded fantastic and the dialog was as healthy as it could have been. The Blu-ray release has a very good 2.0 track as well. I encourage you not to automatically discard it. Compare the 5.1 and 2.0 tracks and see which one you like better.

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