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/ V. L9 Z# i6 P' @ y& u2 ]5 w8 m◎译 名 夜脊/夜脊战记: o) l$ G- y) |6 T) I" U
◎片 名 The Spine of Night
1 p3 _) r- x" C; N◎年 代 2021
% l' B. d: d* K◎产 地 美国
. ^+ v, j" r; U& Q0 s U◎类 别 动画/恐怖/奇幻- a [9 _4 T( l
◎语 言 英语
' T' a! z- U$ J" i* r) [. z◎上映日期 2021-10-29(美国)/2021-03-18(西南偏南电影节)
) _. K7 m" x* ~◎IMDb评分 6.4/10 from 2,042 users5 b4 A5 J5 I4 M* @# _9 `$ Q
◎IMDb链接 https://www.imdb.com/title/tt3885422/
. _. B2 g" }4 `% @0 q1 O, Z# G◎豆瓣评分 6.3/10 from 704 users; R1 V. D- B) N
◎豆瓣链接 https://movie.douban.com/subject/30210361/
8 [0 Y4 s, p% X4 {2 D |◎文件格式 x265 + DTS 1 E0 S# K9 B; `3 k; U5 g t/ q6 ^
◎视频尺寸 3840 x 2160
4 l# X: H/ Z8 G1 Z& j◎文件大小 1DVD 57.32 GiB & 35.52 GiB
" Z4 \. b: w1 l+ w8 ]( O$ h6 J◎片 长 1:33:29.000 (h:m:s.ms) & 1:33:38.195 (h:m:s.ms)3 G! M# v6 H s- q$ Q) P
◎导 演 菲利普·盖拉特 Philip Gelatt+ Y4 ]5 o1 i; ?2 A
Morgan Galen King
6 a' Q0 _* K0 u# T; O* O+ [8 M◎编 剧 菲利普·盖拉特 Philip Gelatt5 }) j6 C$ k. V# j3 M: S
Morgan Galen King
* l* q& L- F5 Y2 c◎主 演 理查德·E·格兰特 Richard E. Grant: f: {( {. o4 K3 M% |
露西·劳莱丝 Lucy Lawless
" N' q0 I; y, ~; f 帕顿·奥斯瓦尔特 Patton Oswalt
8 Y/ q5 c* b0 h0 V 贝蒂·加布里埃尔 Betty Gabriel
c- s+ G, E" q4 s! J 乔·曼根尼罗 Joe Manganiello+ }: g/ I( g8 M2 a
帕特里克·布林 Patrick Breen
: Y7 |- B3 G' K 拉瑞·凡斯登 Larry Fessenden
+ M2 g; t( ?, { 汤姆·里皮斯基 Tom Lipinski
# O- l0 b1 i5 ]: c$ Q5 C+ h3 L/ W, o 尼娜·利安德雷罗 Nina Lisandrello& A- y2 T7 ?9 s7 x
艾碧该·萨维奇 Abigail Savage i8 R2 M5 f" k5 G+ l, G
菲利普·盖拉特 Philip Gelatt
3 ~4 j; }" X: T Jason Gore; e& i5 J! q, L
Maggie Lakis: h) N5 ?7 ~$ ?. K* b7 y, Z
Rob McClure
, D, w+ i S/ v8 @- q" n8 M Malcolm Mills
2 P" c; `: P% g* g$ [! Q0 r c: y Jordan Douglas Smith
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) U" B% q) J: [1 C2 O% _◎标 签 美国 | 动画 | 2021 | 奇幻; G* P9 g0 l1 G
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◎简 介
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) X" \& `% h( g! h% A" d 以魔法之地为背景,邪恶之人为了获得权力,从巫女身上夺取黑魔法,并攻占各城镇,给人类带来了漫长的苦难。来自不同时代及文化的英雄们为了讨伐邪恶力量,联手展开一段血腥暴力的生存之战。 血溅横飞的画面风格,将本片的暴力美学展现到极致,而故事的惊人发展,也让整部电影的张力爆发到极点,宛如动画版〈权力游戏〉令人热血沸腾,是动画少见史诗格局的奇幻艺术杰作。
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Ultra-violent, epic fantasy set in a land of magic follows heroes from a different eras and cultures battling against a malevolent force.
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- DISC INFO:, Z4 |0 K( L, K: y5 J+ Z( b
! v( ~+ e# S, G+ N& G- Disc Title: The.Spine.Of.Night.2021.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-SharpHD
* q+ H# A$ n8 m - Disc Size: 61,550,299,081 bytes( I2 i# P [* R1 v2 q7 F
- Protection: AACS2
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- Length: 1:33:29.000 (h:m:s.ms)6 X8 Q$ j+ q" r x& P
- Size: 47,992,412,160 bytes
' U `$ h/ y1 v - Total Bitrate: 68.45 Mbps
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- DTS-HD Master Audio German 2211 kbps 5.1 / 48 kHz / 2211 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
q' E) Y2 R" t2 m4 A - DTS-HD Master Audio English 2202 kbps 5.1 / 48 kHz / 2202 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)! ]: {. _ z; G
- DTS-HD Master Audio English 1743 kbps 2.0 / 48 kHz / 1743 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
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- Presentation Graphics German 25.875 kbps
复制代码- DISC INFO:9 M F* L0 U; t) X
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- Disc Title: The.Spine.of.Night.2021.2160p.BluRaycd.HEVC.SDR.DTS-HD.MA.5.1-AdBlue/ @: X# f) Z- q; o* o S! U/ ^+ S" U
- Disc Size: 38,134,941,311 bytes; p M. w# V) `
- Protection: AACS2
) l. M/ z s8 h - Extras: Ultra HD, BD-Java
! T' I% X4 ?/ k - BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.6.1)
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- Length: 1:33:38.195 (h:m:s.ms)
$ ]% C0 C* @3 W1 d4 C - Size: 28,725,318,399 bytes
% a5 A R E& S. p - Total Bitrate: 40.90 Mbps
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- MPEG-H HEVC Video 34546 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / SDR / BT.7099 e) J# [3 u- P" b+ ^% O! y5 Z7 H
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- DTS-HD Master Audio English 4236 kbps 5.1 / 48 kHz / 4236 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit), r2 H" U8 w% L3 ~, i# ~! ?5 S/ o
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- Presentation Graphics English 19.698 kbps
+ l0 L0 o2 O7 _6 P- w% I - Presentation Graphics French 16.43 kbps
, N! ?8 l' A& ]$ P5 I - Presentation Graphics Spanish 15.372 kbps
复制代码 The Spine of Night 4K Blu-ray, Video Quality - V! T' f: l2 r2 m( p0 S; T) ?8 {% r
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The Spine of Night's 2160p, SDR transfer isn't a botched effort... it's just virtually identical to its 1080p counterpart. That's not exactly a surprise since this rotoscoped production, with its largely ultra-flat character designs, doesn't require a lot of horsepower to run at full speed. The bit rate usually hovers right around 35-40Mbps and rarely peaks above 45 (barely above Blu-ray numbers) but still impresses with razor-sharp edges, no obvious compression issues such as banding or artifacts, and well-saturated colors that run the gamut from dull and muted to vivid, electric hues. Blacks run nice and deep, while slight amounts of noise and grain add small amounts of texture. While I'm not sure if The Spine of Night is a true 4K project or an upscale, only those with extremely large displays will likely see much of a difference here. Would an HDR pass have set this further apart? Most likely. But while it clearly offers no substantial "upgrades" in any department -- because honestly, The Spine of Night probably wasn't a necessary candidate for the higher-resolution format -- this is still a solid visual presentation overall regardless of the disc chosen.For those stuck on numbers, be aware that I grade 4K ratings at double the scale of Blu-ray values. With this in mind, I'd proportionately score it 5/5 in comparison with the Blu-ray's 4.5/5, if not slightly higher. That's probably a more confusing analogy than it needs to be, so long story short: the 4K comes out ahead, but not by much." j2 c9 c! N* H+ x9 v8 r
. @5 c* H3 N3 { B- bNOTE: These screenshots are sourced from the included Blu-ray, which is also available as its own standard release. For my (obviously very similar) thoughts on that disc and more screenshots, see my separate review.' M4 \2 e, ^) Y, E2 q5 Y3 Q
4 ~$ a% Y; g+ I9 n( P/ dThe Spine of Night 4K Blu-ray, Audio Quality
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$ c) X: }/ F, i% W, A/ n9 tSimilarly, The Spine of Night's DTS-HD 5.1 Master Audio mix impresses with an overall scope and presence that suits the film's modestly epic ambitions. Sporadic battle scenes and surprise attacks impress with plenty of weight and well-placed surround activity that arrives in the form of discrete channel pans and a balanced atmosphere that typically aims for brutal, unexpected chaos. The pulsating original score, similar to the director's early short films, mixes traditional orchestral cues with electronic touches that reinforce its obvious 1980s influences. Dialogue is mostly clear, although a handful of minor supporting characters' lines occasionally sound tinny as if they were recorded in a small room; this briefly distracts but was clearly a source issue, so no harm, no foul. While a bit more refinement or a full-blown Atmos mix would have elevated this mix to even greater heights, it's still mighty impressive on its own terms.Optional English (SDH), French, and Spanish subtitles are included during the main feature only.' m J+ x; a( R( a7 ^; `
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